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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FORMATION MUSI…
GUITARE
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HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Just a moment
Sheetmusicplus
Non classifié
108
Piano & claviers
Piano seul
93
Piano Facile
30
Piano, Voix
15
Piano, Voix et Guitare
8
Orgue
7
Accompagnement Piano
4
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
2
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
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Guitare
6
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4
Ukulele
1
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1
Basse electrique
1
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42
Chorale 3 parties
20
Chorale TTBB
10
Chorale SSAA
9
Voix duo
3
Chorale 2 parties
2
Voix Soprano, Piano
1
Chorale SAATB A Cappella
1
Chorale Unison
1
+ 4 instrumentations
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Vents
Flûte traversière
16
Hautbois, Piano (duo)
15
Saxophone Soprano et Piano
11
Flûte, Trombone (duo)
10
Clarinette
9
Hautbois (partie séparée)
9
Clarinette et Piano
8
Flûte traversière et Piano
7
Saxophone (partie séparée)
4
Saxophone Alto et Piano
4
Saxophone Alto
4
Saxophone Tenor et Piano
3
Saxophone Tenor
3
Flute (partie séparée)
3
Saxophone Baryton, Piano
3
Quatuor de Clarinettes: 4 clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
2 Flûtes traversières (duo)
2
Ensemble de Flûtes
2
Quatuor de Saxophones: 4 saxophones
2
Clarinette Basse, Piano
1
Quintette de Saxophone: 5 saxophones
1
2 Saxophones (duo)
1
Hautbois, Flûte
1
Quintette de Clarinettes: 5 clarinettes
1
Cor anglais, Piano
1
Hautbois
1
+ 22 instrumentations
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Cuivres
Trompette, Piano
9
Cor
8
Trombone et Piano
7
Cor et Piano
7
Trombone
6
Trompette
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Tuba
5
Trompette (partie séparée)
4
Tuba et Piano
4
Euphonium, Piano (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
3 Trompettes (trio)
1
Ensemble de Trombones
1
Cor anglais, Piano
1
4 Tubas
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violon et Piano
21
Violon
11
Violoncelle
10
Alto, Piano
9
Trio à Cordes: violon, alto, violoncelle
6
Violoncelle, Piano
5
Alto seul
4
Contre Basse
4
2 Violons (duo)
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
3
Violon, Violoncelle (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Alto (duo)
2
Violoncelle, Contrebasse (duo)
1
Harpe, Voix
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
1
2 Violoncelles (duo)
1
Violon, Clarinette, Piano (trio)
1
2 Altos (duo)
1
+ 18 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
46
Orchestre
14
Cloches
13
Orchestre à Cordes
8
Ensemble Jazz
7
Orchestre de chambre
7
Fanfare
3
Ensemble de cuivres
3
Marimba
1
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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EUPHONIUM
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LUTH
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Just a moment
SheetMusicPlus
Partitions à imprimer
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Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
Moments of Joy
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Guitare
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Denny Dlabal
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Moments of Joy
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Denny Dlabal
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SheetMusicPlus
Solo Guitar - SKU: A0.1000130 Composed by Denny Dlabal. Baroque,Contemporary,Folk,Jazz. Individual part. 2 pages. Denny Dlabal #6492395. Published by De...
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Solo Guitar - SKU: A0.1000130 Composed by Denny Dlabal. Baroque,Contemporary,Folk,Jazz. Individual part. 2 pages. Denny Dlabal #6492395. Published by Denny Dlabal (A0.1000130). This is a song composed for solo pick style guitar. The song could be played in a jazz format with the melody being the head of the tune, and then solos taken afterwards. This melody follows the chord changes and has a nice melodic contour that allows the song to sound nice just as a solo melody. It would be a nice song to teach a student how to incorporate arpeggios and chordal type playing into a solo.
$2.99
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Lake Side Bagatelle
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Guitare
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AVANCÉ
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Doug Smith
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Lake Side Bagatelle
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1197346 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar St...
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Solo Guitar - Level 5 - SKU: A0.1197346 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #796511. Published by Doug Smith Guitar Studio (A0.1197346). Lakeside Bagatell, Minneapolis Music Series offers a mood of relaxation, like floating over the waves in a gently rocking rowboat looking out over sparkling lake waters and feeling the breeze in one’s face. Just relax for a moment and kick back and give thanks.
$3.99
All You Need Is Love
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Guitare
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INTERMÉDIAIRE
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The Beatles
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Keith W
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All You Need Is Love
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1413879 By The Beatles. By John Lennon and Paul McCartney. Arranged by Keith W. Gehle. Classical,Pop,Rock,Wedding. Indiv...
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Solo Guitar - Level 3 - SKU: A0.1413879 By The Beatles. By John Lennon and Paul McCartney. Arranged by Keith W. Gehle. Classical,Pop,Rock,Wedding. Individual part. 2 pages. Keith Gehle #995661. Published by Keith Gehle (A0.1413879). Released as a single in 1967 during the famed Summer of Love, this Beatles hippie era classic is one of the songs that best captures that unique moment in time. Today, its beauty lives on as a real crowd pleaser at festive gatherings and a popular recessional at weddings for all generations. The arrangement includes detailed fingerings in standard notation. There's also a version with TAB on this site at no extra charge. Itâ??s just one of many Lennon/McCartney songs tastefully arranged for solo guitar by Keith Gehle.
$4.99
All You Need Is Love
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Guitare
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INTERMÉDIAIRE
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Rock
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The Beatles
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Keith W
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All You Need Is Love
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1313612 By The Beatles. By John Lennon and Paul McCartney. Arranged by Keith W. Gehle. Classical,Pop,Rock,Wedding. Indiv...
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Solo Guitar - Level 3 - SKU: A0.1313612 By The Beatles. By John Lennon and Paul McCartney. Arranged by Keith W. Gehle. Classical,Pop,Rock,Wedding. Individual part. 6 pages. Keith Gehle #902345. Published by Keith Gehle (A0.1313612). Released as a single in 1967 during the famed Summer of Love, this Beatles hippie era classic is one of the songs that best captures that unique moment in time. Today, its beauty lives on as a real crowd pleaser at festive gatherings and a popular recessional at weddings for all generations. The arrangement includes detailed fingerings, standard notation with tablature for ease of learning as well as a two page NOTES ONLY version for more experienced music readers. It’s just one of many Lennon/McCartney songs tastefully arranged for solo guitar by Keith Gehle.
$4.99
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Just a moment
