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ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BATTERIE
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CHORALE - CHAN…
CITHARE
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Note4Piano
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Non classifié
308
PIANO & CLAVIERS
Piano, Voix
410
Piano Facile
143
Piano seul
128
Piano, Voix et Guitare
79
Instruments en Do
24
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
4
Piano grosses notes
4
2 Pianos, 4 mains
3
Accordéon, Voix
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
25
Guitare notes et tablatures
19
Guitare
16
Ukulele
10
Basse electrique
5
2 Guitares (duo)
4
Mandoline
2
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VOIX
Chorale SATB
37
Voix Soprano, Piano
10
Chorale 3 parties
9
Voix Tenor, Piano
6
Voix duo, Piano
5
Chorale SSAA
4
Voix duo
3
Voix seule
2
Chorale Unison
2
Chorale TTBB
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale 2 parties
1
Voix Tenor
1
Voix Baryton
1
Voix haute
1
Voix Soprano
1
Voix Baryton, Piano
1
Voix haute, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
74
Clarinette et Piano
67
Hautbois, Piano (duo)
55
Saxophone Alto et Piano
35
Clarinette
33
Quatuor de Saxophones: 4 saxophones
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Flûte traversière
26
Saxophone Soprano et Piano
22
Hautbois (partie séparée)
20
Quatuor de Flûtes : 4 flûtes
17
Quatuor de Clarinettes: 4 clarinettes
16
2 Saxophones (duo)
15
2 Flûtes traversières (duo)
15
Cor anglais, Piano
13
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Tenor et Piano
11
Quintette de Clarinettes: 5 clarinettes
8
2 Clarinettes (duo)
8
Ensemble de Clarinettes
7
Quintette de Saxophone: 5 saxophones
6
3 Saxophones (trio)
6
Ensemble de Flûtes
5
Saxophone Alto
5
3 Clarinettes (trio)
5
Quintette de Flûte : 5 flûtes
4
2 Saxophones, Piano
4
Saxophone Baryton, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Clarinette (duo)
4
Saxophone Tenor
3
5 Flûtes à bec
3
Trio de Flûtes: 3 flûtes
3
Clarinette Basse, Piano
3
Hautbois, Basson (duo)
2
Flûte à Bec
2
Flûte et Guitare
2
Saxophone (partie séparée)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Clarinette et Basson
2
Clarinette, Basson (duo)
2
Quatuor de Flûtes à bec
2
Flûte, Hautbois, Basson
2
Clarinette, Violoncelle (duo)
2
2 Flûte à bec (duo)
2
Saxophone, Clarinette (duo)
2
2 Hautbois (duo)
2
Flûte, Hautbois, Piano (trio)
1
2 Flûtes traversières, Piano
1
Flûte traversière, Basse continue
1
Ensemble de saxophones
1
Flûte, Violon et Violoncelle
1
Flûte à bec, Guitare (duo)
1
Clarinette, Violon (duo)
1
3 Flûtes à bec (trio)
1
Flûte de Pan
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Alto
1
Hautbois, Harpe
1
Flûte, Violoncelle
1
Saxophone
1
Flûte, Saxophone (duo)
1
Clarinette, Harpe (duo)
1
2 Flûtes à bec, Guitare
1
Flûte, Violon
1
Piccolo, Piano
1
Flûte, Violon, Piano
1
Clarinette (partie séparée)
1
2 Clarinettes, Piano
1
Flûte à bec Soprano
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Trompette (duo)
1
Flûte à Bec, Piano
1
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CUIVRES
Cor et Piano
46
Cor
41
Trompette, Piano
40
Trombone et Piano
38
Trompette
34
Tuba et Piano
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Tuba
18
Trombone
18
Cor anglais, Piano
13
Ensemble de Trombones
9
2 Trombones (duo)
8
Euphonium, Piano (duo)
7
Quatuor de cuivres: 4 trombones
7
Ensemble de Trompettes
4
2 Trompettes (duo)
4
Ensemble de Cors
3
Quatuor de cuivres: 4 cors
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trompettes
2
2 Cors (duo)
2
4 Tubas
2
3 Tubas (trio)
2
3 Cors (trio)
2
3 Trombones (trio)
2
Trompette (partie séparée)
2
Trombone, Cor (duo)
1
Tuba et Orgue
1
2 Euphoniums (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Saxophone (duo)
1
Quatuor de Cuivres
1
Euphonium, Tuba (duo)
1
Trompette, Trombone, Piano
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
Cor (partie séparée)
1
Instrumentations suivantes
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CORDES
Violon et Piano
75
Violoncelle, Piano
61
Alto, Piano
58
Quatuor à cordes: 2 violons, alto, violoncelle
52
Violon
35
Violoncelle
25
Contrebasse, Piano (duo)
22
Contre Basse
19
Alto seul
16
Violon, Violoncelle (duo)
16
Harpe, Flûte (duo)
12
Harpe
11
Trio à Cordes: violon, alto, violoncelle
9
Alto (partie séparée)
8
Violon, Alto (duo)
7
4 Violoncelles
7
2 Violoncelles (duo)
6
2 Violons (duo)
6
2 Altos (duo)
5
Trio à Cordes: 3 violoncelles
4
Alto, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
3
Trio à Cordes: 2 violons, violoncelle
3
Trio à cordes: 3 violins
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Basson (duo)
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
Violon (partie séparée)
1
Flûte, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Violon, Basse continue
1
Violon, Guitare (duo)
1
Trio à cordes: 3 altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
139
Orchestre
79
Orchestre à Cordes
40
Orchestre de chambre
23
Ensemble de cuivres
17
Ensemble Jazz
5
Percussion
2
Percussion (partie séparée)
2
Big band
2
Jazz combo
2
Ensemble de Percussions
2
Fanfare
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
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Guitare
Partitions à imprimer
16 partitions trouvées
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1
'Golaud's Letter' from Pelleas et Melisande
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25803. Published by Maggie Creek Music (A0.899117). 2 pages; for solo classical guitar; published by Maggie Creek MusicClaude Debussy (1862 – 1918) Debussy’s compositions form part of an art movement known as French Impressionism that evolved in France at the end of the 19th Century. He was its leading musical exponent and a seminal influence on modern music. The aim of Impressionism was to reflect mood, which Debussy did with the use of unusual chords and modes which nevertheless progress unerringly through evocative landscapes to peaks of tension. Careful attention to form gives impalpable sentiments a sense of direction and completion. The excerpt 'Golaud's Letter' from early in Debussy's only opera, the hugely influential ‘Pelleas and Melisande’, demonstrates this, and exhibits his masterful expression of mood and drama. Exquisite without being flowery, forceful but not overblown, the Letter's spoken voice recitative style is a natural accompaniment to the Letter's contents, while it accentuates the arrival of cadences.
$7.00
6.41 €
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Guitare
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Claude Debussy
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Rod Whittle
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for solo classical guitar
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'Golaud's Letter' from Pelleas et Melisande
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Maggie Creek Music
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SheetMusicPlus
CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen
Guitare
Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book.…
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Guitar - Advanced - Digital Download Composed by Nestor Ausqui. Arrangements. E-book. 21 pages. Mel Bay Publications - Digital Sheet Music #30985EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459752. 8.75x11.75 inches.<br> <br> One might think that it would be impossible to arrange the music of Georges Bizets opera, Carmen, for solo classic guitar, but Nestor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Metodo para Guitarra of 1843, the classic guitars expansive palette of tone color gives it the ability to emulate a miniature orchestra. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizets CarmenAragonaise, Habanera, Seguidillas, and Danse Bohemeas well as Carmens sober Chant de la Mort. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Nestor Ausquis Carmen Suite, the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity. Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina.
$9.99
9.14 €
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Guitare
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Nestor Ausqui
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CARMEN SUITE - Classical Guitar Arrangements from Bizet's Opera Carmen
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Selected Operatic Fantasies of Mertz
Guitare
By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published b…
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By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743260. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists.The works in this collection:Fantasy on themes from Don Giovanni, Op. 28Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces.Martha, Op. 16Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie.The Prophet, Op. 21Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter.Nabucco, Op. 62 and Rigoletto, Op. 63Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone.
$14.99
13.72 €
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Guitare
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Johann Kaspar Mertz
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Selected Operatic Fantasies of Mertz
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Brindisi (Libiamo ne' lieti calici) from La Traviata
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi…
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Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Opera. 32 pages. DanJonesGuitarist #795257. Published by DanJonesGuitarist (A0.1196095). Brindisi (Libiamo ne' lieti calici) From La Traviata By Giuseppe Verdi (1853) Arranged for Guitar Quartet by Dan Jones www.danjonesguitarist.com  Libiamo ne' lieti calici (Let’s Drink from the Joyful Cup) is one of the most famous opera duets of all time. It is essentially, a drinking song, in which wine and other beverages are celebrated. This arrangement is for four intermediate-advanced guitarists. The score is provided in two versions, one with TAB, the other without TAB, to facilitate page turns for the director. The parts are also provided in notes only and with both notes and TAB. For a vast range of sheet music for beginners, intermediate players, advanced musicians, as well as writings and compositions, please visit www.danjonesguitarist.com. A film of a performance will be uploaded here in the near future. Â
$7.95
7.28 €
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Guitare
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Dan Jones
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Dan Jones www
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Brindisi
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DanJonesGuitarist
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SheetMusicPlus
Song of Praise/Hymn Song for guitar solo) K. 623a (Austrian National Anthem)
Guitare
Acoustic Guitar,Instrumental Solo - Level 4 - Digital Download SKU: A0.532383 Compo…
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Acoustic Guitar,Instrumental Solo - Level 4 - Digital Download SKU: A0.532383 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical,Patriotic. Individual part. 1 pages. Amadeus Music #6057299. Published by Amadeus Music (A0.532383). Nineteen days before his death on 5 December 1791, Wolfgang Amadeus Mozart composed his last complete work, the Freimaurerkantate, K. 623. In parts of the printed edition of this cantata there appeared the song K. 623a Lasst uns mit geschlungnen Händen (Let us with joined hands). To this melody the Austrian national anthem is sung.Wolfgang Amadeus Mozart (1756 - 1791) was a prolific and influential composer of the Classical era. His output of over 600 compositions includes works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
$3.50
3.2 €
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Guitare
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Wolfgang Amadeus Mozart
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Klas Krantz
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Song of Praise/Hymn Song for guitar solo) K. 623a
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Amadeus Music
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SheetMusicPlus
Andantino for Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.742430 Composed by Fernando Sor. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.742430 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 4 pages. Arte Nova Music Lab #3684051. Published by Arte Nova Music Lab (A0.742430). Fernando Sor or Josep Ferran Sorts i Muntades (baptized 14 February 1778 – died 10 July 1839) was a Spanishclassical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon(Cinderella) received over one hundred performances. Sor's works for guitar range from pieces for beginning players to advanced players such as Variations on a Theme of Mozart. Sor's contemporaries considered him to be the best guitarist in the world,[1] and his works for guitar have been widely played and reprinted since his death.[2] Although modern classical guitar players usually do, Sor rarely used his ring finger and refused the usage of nails when playing.[3]As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor. Taken from https://en.wikipedia.org/wiki/Fernando_Sor
$3.99
3.65 €
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Guitare
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Fernando Sor
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Arte Nova Music Lab
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Andantino for Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Vals No 1 for 2 Guitars
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.742432 Composed by Fernando Sor. A…
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Solo Guitar - Level 2 - Digital Download SKU: A0.742432 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Individual part. 3 pages. Arte Nova Music Lab #3684065. Published by Arte Nova Music Lab (A0.742432). Fernando Sor or Josep Ferran Sorts i Muntades (baptized 14 February 1778 – died 10 July 1839) was a Spanishclassical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon(Cinderella) received over one hundred performances. Sor's works for guitar range from pieces for beginning players to advanced players such as Variations on a Theme of Mozart. Sor's contemporaries considered him to be the best guitarist in the world,[1] and his works for guitar have been widely played and reprinted since his death.[2] Although modern classical guitar players usually do, Sor rarely used his ring finger and refused the usage of nails when playing.[3]As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor. Taken from https://en.wikipedia.org/wiki/Fernando_Sor
$3.99
3.65 €
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Guitare
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Fernando Sor
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Arte Nova Music Lab
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Vals No 1 for 2 Guitars
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Arte Nova Music Lab
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SheetMusicPlus
Gorgeous Melodies for Fingerpicking Guitar
Guitare
Guitar - Intermediate - Digital Download SKU: M0.31129MEB World. Folk. Ebook and on…
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Guitar - Intermediate - Digital Download SKU: M0.31129MEB World. Folk. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #31129MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31129MEB). ISBN 9781513476896. 8.75X11.75 inches.The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar.In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: Che Gelida Manina from Puccinis La Boheme and My Heart at Thy Sweet Voice ôMon Coeur Souvre ? ta Voixö from Samson and Delilah by Camille Saint-Sa?ns. Sandys contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandys gift for chordal subtleties and innovation.Each piece is in either standard tuning EADGBE or Drop D tuning DADGBE .Written in standard notation and tablature with computer generated audio files of each arrangement.
Song List: Once to Every Man and Nation (Thomas J. Williams) Castle Of Dromore Jesu, Joy of Man's Desiring (J S Bach) Hector the Hero (J Scott Skinner) Niel Gow's Lament for the Death of His Second Wife Che Gelida Manina (Giacomo Puccini) Plaisir D'Amour (Jean-Paul-Egide Martini) El Noi De La Mare Beautiful Dreamer (Stephen Foster) My Heart at Thy Sweet Voice (Camille Saint-Saens) Pavane, Op No 50 (Gabriel Faure) The Fairy Queen (Turlough O'Carolan)
$17.99
16.47 €
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Guitare
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Gorgeous Melodies for Fingerpicking Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.58 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.58 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.58 €
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Guitare
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Alban Berg
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Rod Whittle
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Romantic Arias for Classical Guitar
Guitare
Guitar (classical and lute) - Intermediate - Digital Download Composed by Steven Z. E…
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Guitar (classical and lute) - Intermediate - Digital Download Composed by Steven Z. Eckels. Solos. Style. E-book and online audio. 96 pages. Mel Bay Publications - Digital Sheet Music #30514MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117983.<br> <br> Romantic Arias for Classical GuitarA is a collection of the worlds most beloved songs from the world of opera.A A An aria is a song performed during an opera that listeners are the most familiar with. These AC/a!Apop songs of opera" provide an entry point for those unfamiliar with the opera repertoire, considered by many as the most expressive genre of western music. For those who are familiar with the world of opera, you will recognize the selections here as the arias most beloved by millions of listeners around the world.This project, a labor of love by master guitarist Steve Eckels, contains the most famous melodies by composers Verdi and Puccini including the great operasA La Traviata,A Madame Butterfly,A La BohA"me,A Turandot,A Nabucco,A Tosca, andA Rigoletto. Also included are MassenetsA Meditation, DelibesA Flower Duet, OffenbachsA Barcarolle,A BizetsA HabaneraA and others. The pieces have been arranged for recreational or concert guitarists, and have been meticulously fingered and engraved for ease of learning. The author has also provided music reading warm-ups to assist in learning the pieces. Eckels performances of all the arrangements on YouTube will provide an aid in familiarizing yourself with the most beloved songs ever written.A Includes access to online audio.
$19.99
18.3 €
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Guitare
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Steven Z
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Romantic Arias for Classical Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
Guitare
Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac…
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Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Flavio Sala. Impressionistic, Post-Romantic, Repertoire. Score. 7 pages. Published by Flavio Sala
Isaac Albéniz (1860– 1909) è, senza dubbio, il vero fondatore della musica spagnola moderna.<br> <br> Bambino prodigioe instancabile viaggiatore, la sua opera è impregnata dei colori e dei saporidella Spagna, paese che ha amato profondamente per tutta la vita. L’influenzadel Flamenco è accertata: Albéniz era un habitué delle taverne dove si cantavae suonava questo genere. ASTURIAS, ispirato dalla Granaína (stile flamenco di Granada) è uno di quei brani che ha superato i confinidella musica prettamente classica, raggiungendo un pubblico planetario.<br> <br> Questatrascrizione, pur conservando alcune idee geniali di Andrés Segovia (latonalità di Mi minore, le terzine a partire dalla terza frase, gli armonicinella sezione centrale), presenta una scrittura chitarristica più precisa, curatanei minimi particolari e una maggiore coerenza con l’originale. Diteggiature esoluzioni nuove per la mano sinistra danno vita a una partitura fresca, riccadi sonorità inedite.<br> <br> Bojano, 16 Settembre 2020.<br> <br> Flavio Sala.<br> <br> * * *<br> <br> Isaac Albéniz (1860 - 1909) is, without doubt, the truefounder of modern Spanish music.<br> <br> Child prodigy and tireless traveler, his works are full of colorsand flavors of Spain, a country he has deeply loved all his life. The influenceof Flamenco is proven: Albéniz was a regular in taverns where this genre wassung and played. ASTURIAS, inspired by the Granaína(flamenco style of Granada) is one of those pieces that went beyond theboundaries of purely classical music, reaching a global audience.<br> <br> This transcription, while retaining some brilliant ideas ofAndrés Segovia (the key of E minor, the triplets starting from the third phrase,the harmonics in the central section), presents a more precise guitar writing,with attention to the smallest details and greater coherence with the original.New fingerings and solutions for the left hand give life to a fresh score, fullof new sounds.<br> <br> Bojano, September 16,2020.<br> <br> Flavio Sala.
$10.00
9.15 €
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Guitare
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Isaac Albeniz (1860-1909)
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Flavio Sala
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ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
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Flavio Sala
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SheetMusicPlus
March of the Toreadors [excerpt] from Carmen - Guitar Solo
Guitare
Georges Bizet - March of the Toreadors [excerpt] Digital Sheetmusic plus an interactive, d…
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Georges Bizet - March of the Toreadors [excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~Opera~~Ballet
$2.99
2.74 €
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Guitare
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Guitar Solo
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Musicnotes
CAPRICHO ARABE for guitar by Tarrega - Rev. and fing. by Flavio Sala
Guitare
Guitar - Intermediate - Digital Download Composed by Francisco Tarrega (1852-1909). A…
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Guitar - Intermediate - Digital Download Composed by Francisco Tarrega (1852-1909). Arranged by Flavio Sala. 20th Century, Romantic Period, Post- Romantic. Score. 6 pages. Published by Flavio Sala
Francísco Tárrega (1852 – 1909) è il fondatore della Scuola Chitarristica Spagnola, la solache può vantare più di 150 anni distoria e un unico filo conduttore.<br> <br> Partitodall’opera di Fernando Sor (1778 –1839) e di Dionisio Aguado (1784 –1849), Tàrrega ampliò e affinò la tecnica, arricchendo la chitarra classica dinuovi mezzi espressivi e di repertorio. Tali innovazioni sono giunte fino ainostri giorni grazie ai suoi numerosi discepoli diretti, tra cui Miguel Llobet, Daniel Fortea e PascualRoch e indiretti: Andrés Segovia,Regino ed Eduardo Sainz de la Maza, AlirioDíaz, Pasqualino Garzia e molti altri.<br> <br> Emilio Pujol (1886 – 1980), che studiò con Tárrega durante gliultimi 7 anni di vita di quest’ultimo, raccolse l’eredità del Maestro in un monumentalemetodo, in 4 volumi, di inestimabile valore: la Escuela Razonada de la Guitarra,basada en los principios de la técnica de Tárrega, con una prefazione di Manuel De Falla, portando a termine ciò che perTárrega restò un sogno e che la morte prematura non gli permise neanche diiniziare.<br> <br> Il CaprichoÁrabe, scritto nel1899, è forse la composizione più celebrata di Tárrega, dopo Recuerdosde la Alhambra.<br> <br> In questarevisione ho tenuto presente la versione pubblicata in Spagna dall’editore UnionMusical Española e le biografie più importanti scritte su Tárrega:EmilioPujol: Tárrega (Edizioni: L’empreinte mélodique), Wolf Moser: Francisco Tárrega yla guitarra en España entre 1830 y 1960 (Edizioni: Piles) e AdriánRius Espinós: Francisco Tárrega, una biografíadocumental (Edizioni:Orphenica Lyra).<br> <br> Alla luce di taliletture, ho ritenuto opportuno segnare le dinamiche e omettere alcuniabbellimenti e glissati. Lo stesso Tárrega, infatti, pare ebbe dei ripensamentia riguardo. Ho mantenuto, pertanto, quelli nelle ripetizioni, tagliando glialtri. Ho aggiunto e cambiato alcune diteggiature di entrambe le mani, considerandol’evoluzione della chitarra classica anche dal punto di vista della costruzione,nonché la tecnica flamenca. Infine, l’idea nell’Introduzione, di eseguire laseconda scala discendente, interamente con la sola mano sinistra, è, invece,totalmente mia.<br> <br> Bojano, 29Settembre 2020.<br> <br> Flavio Sala.<br> <br> ***
$10.00
9.15 €
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Guitare
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Francisco Tarrega (1852-1909)
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Flavio Sala
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CAPRICHO ARABE for guitar by Tarrega - Rev. and fing. by Flavio Sala
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Flavio Sala
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SheetMusicPlus
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