Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Life Is What Is
Non classifié
244
Piano & claviers
Piano seul
169
Piano, Voix et Guitare
73
Piano, Voix
66
Piano Facile
61
Instruments en Do
10
1 Piano, 4 mains
5
Orgue
5
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare
13
Guitare notes et tablatures
9
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
3
Ukulele
2
Basse electrique
2
Mandoline
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
117
Chorale 3 parties
26
Voix Alto, Piano
16
Chorale TTBB
10
Chorale Unison
8
Chorale SSAA
8
Chorale 2 parties
7
Voix Baryton, Piano
7
Voix duo
4
Voix duo, Piano
4
Voix Soprano, Piano
4
Chorale SSAATTBB
2
Voix Tenor, Piano
2
Voix Tenor
1
Chorale SSATB
1
Voix haute
1
Chorale SATTB
1
Voix moyenne, Piano
1
Chorale
1
+ 14 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
23
Hautbois, Piano (duo)
14
Quintette de Saxophone: 5 saxophones
13
Flûte traversière et Piano
13
Flûte, Hautbois, Clarinette, Basson
12
Clarinette et Piano
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte traversière
10
Clarinette
9
Saxophone Tenor et Piano
9
Hautbois (partie séparée)
8
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone Alto et Piano
7
2 Flûtes traversières (duo)
6
2 Saxophones (duo)
5
Ensemble de Flûtes
5
Quatuor de Flûtes : 4 flûtes
5
2 Clarinettes (duo)
5
Ensemble de Clarinettes
4
Saxophone Alto
4
2 Hautbois (duo)
3
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
Hautbois, Basson (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois, Clarinette (duo)
3
Flûte, Violon
3
Clarinette, Violon (duo)
2
Saxophone Baryton, Piano
2
Flûte, Violon, Piano
2
Clarinette, Trompette (duo)
2
Flûte et Guitare
2
Quintette de Flûte : 5 flûtes
2
Trio de Flûtes: 3 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble De Flûte à bec
1
Flûte, Saxophone (duo)
1
Saxophone et Orgue
1
2 Hautbois, Piano
1
Flûte, Trompette (duo)
1
2 Clarinettes, Piano
1
Clarinette, Guitare (duo)
1
Hautbois, Guitare (duo)
1
Hautbois, Flûte
1
Cor anglais, Guitare (duo)
1
2 Flûtes traversières, Piano
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Saxophone Tenor
1
Flûte, Clarinette, Piano (trio)
1
+ 45 instrumentations
Retracter
Cuivres
Trombone et Piano
15
Trompette, Piano
12
Trompette
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Cor
11
Cor et Piano
10
Trombone
9
Tuba
5
Quatuor de Cuivres
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trio de Cuivres
4
2 Trombones (duo)
4
Tuba et Piano
3
2 Trompettes (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette (partie séparée)
2
Trompette, Saxophone (duo)
2
2 Cors (duo)
2
Ensemble de Trompettes
1
Trombone basse et Piano
1
Bass Clef Instruments
1
2 Tubas (duo)
1
Trompette, Trombone (duo)
1
Trombone, Orgue
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trombones
1
Cor anglais, Guitare (duo)
1
2 Cors, Piano
1
Trombone et orchestre
1
Cor et Harpe
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Violon et Piano
20
Violon
14
Alto, Piano
13
Violoncelle, Piano
12
Violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Trio à Cordes: 2 violons, violoncelle
7
Alto seul
5
Alto (partie séparée)
4
Harpe, Voix
4
Violon, Violoncelle (duo)
4
Contre Basse
4
2 Violoncelles (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
2 Violons (duo)
3
Violon, Alto (duo)
3
2 Altos (duo)
3
2 Altos, Piano
2
Contrebasse, Piano (duo)
2
4 Violoncelles
1
Harpe, Violoncelle (duo)
1
Ensemble de Violons
1
Ensemble d'Altos
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
104
Orchestre
17
Orchestre à Cordes
12
Orchestre de chambre
11
Ensemble Jazz
8
Jazz combo
6
Cloches
2
Ensemble de cuivres
2
Batterie
2
Xylophone
1
+ 5 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
3
Partitions Numériques
13
Librairie Musicale
65
Matériel de Musique
104
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Life Is What Is
Guitare
Partitions à imprimer
13 partitions trouvées
<
1
Soñando Estoy Life Is a Dream
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Juan Gaspar
#
Soñando Estoy Life Is a
#
Juan Gaspar
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1015737 Composed by Juan Gaspar. Contemporary. Individual part. 2 pages. Juan Gaspar #5726157. Published by Juan Gaspar ...
(+)
Solo Guitar - Level 4 - SKU: A0.1015737 Composed by Juan Gaspar. Contemporary. Individual part. 2 pages. Juan Gaspar #5726157. Published by Juan Gaspar (A0.1015737). I dreamed I was performing a gentle but compelling guitar piece in concert. I woke up and wrote down what I could remember. When I began to develop it, I tried to fit the ideas in groups of eight bars or measures but it did not have the feel of the music in my dream. This piece does not attempt to be square, it has a freer structure. It is as free as a dream. And, what is life? A dream! .
$2.00
Scenes from the Life of Death
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Apostolos Paraskevas
#
#
Scenes from the Life of Death
#
Silver Sickle Publications
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.942098 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Individual part. 14 pages. Silver Si...
(+)
Solo Guitar - Level 4 - SKU: A0.942098 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Individual part. 14 pages. Silver Sickle Publications #6212247. Published by Silver Sickle Publications (A0.942098). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life!
$11.99
Scenes From the Life of Death, Part 1
#
Guitare
#
Apostolos Paraskevas
#
#
Scenes From the Life of Death,
#
Silver Sickle Publications
#
SheetMusicPlus
Guitar - SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickle Publications #...
(+)
Guitar - SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickle Publications #6103007. Published by Silver Sickle Publications (A0.1070391). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
Scenes From the Life of Death, Part 3
#
Guitare
#
Apostolos Paraskevas
#
#
Scenes From the Life of Death,
#
Silver Sickle Publications
#
SheetMusicPlus
Guitar - SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 264. Silver Sickle Publications #...
(+)
Guitar - SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 264. Silver Sickle Publications #6103011. Published by Silver Sickle Publications (A0.1070392). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
Scenes From the Life of Death, Part 2
#
Guitare
#
Apostolos Paraskevas
#
#
Scenes From the Life of Death,
#
Silver Sickle Publications
#
SheetMusicPlus
Guitar - SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 205. Silver Sickle Publications #...
(+)
Guitar - SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 205. Silver Sickle Publications #6103009. Published by Silver Sickle Publications (A0.1070390). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
Larry Williams Compositions- The Guitar Book
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Larry Williams
#
Larry Williams Compositions- T
#
Larry Andrew Williams
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
(+)
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Nadir
#
Guitare
#
Apostolos Paraskevas
#
Nadir
#
Silver Sickle Publications
#
SheetMusicPlus
Solo Guitar - SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #62...
(+)
Solo Guitar - SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
Steve's Mythical Forest
#
Guitare
#
INTERMÉDIAIRE
#
Apostolos Paraskevas
#
Steve's Mythical Forest
#
Silver Sickle Publications
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.942113 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 6 pages. Silver Sickle Public...
(+)
Solo Guitar - Level 3 - SKU: A0.942113 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 6 pages. Silver Sickle Publications #6566951. Published by Silver Sickle Publications (A0.942113). I’ve known Stephan Connor for decades and I always enjoy seeing him working on his guitars (and on mine occasionally) and I enjoy learning of what keeps him fascinated constantly with the creation of new instruments. His latest creative thinking brought life to this composition. He brings out a special life to the forest when a different voice is been created through his guitars. When he asked me to compose Steve’s Mythical Forest he described it as …a walk to a forest where one finds a guitar and then picks it up and plays a tune... So, in this mythical forest I found the sounds at the same spots where the guitar maker transforms simple elements to a ‘magical wand’. And that is only a beginning… The work describes, in very simple tonal language, a small stroll in a forest at the end of the day and at the beginning of the night where sounds melting together in loving feelings and passionate desires for life. Apostolos Paraskevas. 2021
$7.99
Edwin Culver: a bridge a-way, exits within (for solo guitar)
#
Guitare
#
INTERMÉDIAIRE
#
Contemporain
#
Edwin Culver
#
Edwin Culver: a bridge a-way,
#
Edwin Culver
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
(+)
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
Els Segons Temps
#
Guitare
#
INTERMÉDIAIRE
#
Darian Stavans
#
Els Segons Temps
#
Music Studio
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.994725 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Individual part. 32 pages. Music Studio #4327163...
(+)
Solo Guitar - Level 3 - SKU: A0.994725 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Individual part. 32 pages. Music Studio #4327163. Published by Music Studio (A0.994725). Els Segons Temps.Els Segons Temps - Guitar Music / Album Els Segons Temps by Darian Stavans.Els Segons Temps (The Second Times) is a very personal work for its composer. The music looks back to his origin and disarms conflicts as it resolves his emotional corners leading him to transform interior refinement into a delicious score. One would assume that the title of the album bespeaks second opportunities, but in fact that’s not the case. Likewise, the title in Catalan references nothing more that a very good friend of the artist’s. What really matters about this album, however, is its virtue of translating into sound the forcefulness of its author’s intimate life bereft of its complex acts and facts that serve only as a source of inspiration for musical delight. Guitarist Jaime Narváez renders an extraordinary interpretation of this work conveying its very foundation and origin. Listening to and understanding the force of this beautiful manuscript makes this an album one returns to time and again.1.- Próleg / Prólogo2.- En Mig / En Medio3.- Els Segons Temps / Los Segundos Tiempos4.- Llindar / Umbral5.- El Poder I la Gloria / El Poder y La Gloria6.- Epileg / EpÃlogoGuitar Music work.30 pages.Duration: 37:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$19.99
Élégie
#
Guitare
#
INTERMÉDIAIRE
#
Contemporain
#
Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
(+)
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
The Complete Works for Guitar
#
Guitare
#
AVANCÉ
#
Classique
#
Dionisio Aguado
#
The Complete Works for Guitar
#
Chanterelle
#
SheetMusicPlus
Guitar - advanced - Digital Download Coleccion de Estudios, Nuevo Metodo de Guitarra, op.6, Biography and Bibliography. Composed by Dionisio Aguado (...
(+)
Guitar - advanced - Digital Download Coleccion de Estudios, Nuevo Metodo de Guitarra, op.6, Biography and Bibliography. Composed by Dionisio Aguado (1784-1849). This edition: Sheet music. Downloadable. Op. 1. Chanterelle #Q48854. Published by Chanterelle
English.
This volume brings together what is known of Aguado's life, and gives full details about the publication of his music. It also includes the full text of Jose Romanillos' article "Dionisio Aguado - the man". Also included are the following two publications: The Coleccion de Estudios of 1820, which contains 46 studies and an explanatory text. Aguado's earliest known work, it is the fruit of his intensive study of the guitar in Spain. It was previously thought lost and has only recently come to light. The Nuevo Metodo de Guitarra, opus 6, which is a much simpler method than the elaborate one which Aguado had previously published. It consists of 70 pages, with short musical passages and explanatory text. This is Volume 1 of the Complete Works of Dionisio Aguado.
$40.99
The Complete Works for Guitar
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Dionisio Aguado
#
The Complete Works for Guitar
#
Chanterelle
#
SheetMusicPlus
Guitar - advanced to difficult - Fifteen Works with Opus Number op. 1-5, 7-16. Composed by Dionisio Aguado (1784-1849). This edition: Sheet music. D...
(+)
Guitar - advanced to difficult - Fifteen Works with Opus Number op. 1-5, 7-16. Composed by Dionisio Aguado (1784-1849). This edition: Sheet music. Downloadable. Op. 3. Chanterelle #Q48855. Published by Chanterelle
English.
This collection brings together what is known of Dionisio Aguado's life, and gives full details about the publication of his music. Volume 3 contains all of Aguado's works with opus number, including Le Menuet Affandangado, all the Rondos and the electrifying Fandango Varie. Facsimile reproduction in Spanish with preface in English.
$42.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Life Is What Is
