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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Like It Is - Kygo
Non classifié
2 413
Piano & claviers
Piano seul
1 569
Piano, Voix
548
Piano Facile
534
Piano, Voix et Guitare
513
Instruments en Do
130
Orgue
82
1 Piano, 4 mains
42
Accompagnement Piano
19
Piano Trio: piano, violon, violoncelle
16
2 Pianos, 4 mains
16
Piano Quatuor: piano, violon, alto, violoncelle
12
Accordéon
9
Piano (partie séparée)
8
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano grosses notes
6
Clavecin
4
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
1
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
+ 17 instrumentations
Retracter
Guitares
Guitare
172
Guitare notes et tablatures
126
Ligne De Mélodie, (Paroles) et Accords
45
Ukulele
37
Basse electrique
23
Mandoline
11
Guitare (partie séparée)
11
2 Guitares (duo)
11
4 Guitares (Quatuor)
7
Banjo
7
Dulcimer
5
Ensemble de guitares
5
Piano, Guitare (duo)
4
Paroles et Accords
4
Mandoline, Guitare (duo)
2
Cithare
1
Ensemble de Ukulélés
1
3 Guitares (trio)
1
2 Ukuleles
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
603
Chorale 3 parties
185
Chorale TTBB
126
Chorale 2 parties
88
Chorale SSAA
62
Chorale Unison
46
Voix Soprano, Piano
21
Voix haute
16
Voix Alto, Piano
16
Voix duo
13
Voix duo, Piano
13
Voix Tenor, Piano
8
Voix Baryton, Piano
7
Voix moyenne, Piano
6
Voix Soprano
4
Chorale SSAATTBB
4
Voix basse, Piano
3
Voix seule
3
Voix Mezzo-Soprano, Piano
2
Voix Tenor
2
Chorale SSATTB
2
Voix basse
1
Chorale
1
Soli, choeur mixte et accompagnement
1
+ 19 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
201
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
198
Flûte traversière et Piano
162
2 Saxophones (duo)
147
Quintette de Saxophone: 5 saxophones
142
Clarinette et Piano
120
Ensemble de saxophones
116
Flûte, Hautbois, Clarinette, Basson
116
Hautbois, Piano (duo)
115
Quatuor de Clarinettes: 4 clarinettes
109
2 Flûtes traversières (duo)
87
Saxophone Alto et Piano
86
Flûte traversière
85
Clarinette
82
Ensemble de Clarinettes
71
Saxophone Tenor et Piano
68
2 Clarinettes (duo)
58
Saxophone (partie séparée)
54
Saxophone Alto
52
Saxophone Soprano et Piano
48
Ensemble de Flûtes
45
Quatuor de Flûtes : 4 flûtes
44
Hautbois (partie séparée)
40
Saxophone Tenor
40
Saxophone Baryton, Piano
37
2 Hautbois (duo)
31
Clarinette Basse, Piano
29
Cor anglais, Piano
29
2 Flûtes traversières, Piano
26
Quintette de Flûte : 5 flûtes
26
Quintette de Clarinettes: 5 clarinettes
26
Flûte, Clarinette (duo)
21
Saxophone, Clarinette (duo)
19
3 Saxophones (trio)
19
3 Clarinettes (trio)
17
Clarinette, Violon (duo)
16
Flûte à bec Soprano
14
Trio de Flûtes: 3 flûtes
14
2 Flûte à bec (duo)
13
Flûte, Violoncelle
12
Flûte, Trombone (duo)
11
Clarinette et Alto
11
Flûte et Guitare
11
Hautbois, Clarinette (duo)
10
Clarinette (partie séparée)
10
Flûte, Alto (duo)
10
Clarinette, Trompette (duo)
10
Flûte à Bec
10
Flute (partie séparée)
10
Flûte, Violon
10
Hautbois
8
Harmonica
8
Hautbois, Basson (duo)
8
Clarinette, Guitare (duo)
7
Clarinette, Basson (duo)
7
Quatuor de Flûtes à bec
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Violon, Piano
6
Flûte, Saxophone (duo)
6
5 Flûtes à bec
6
Flûte, Trompette (duo)
5
Flûte, Hautbois (duo)
5
Saxophone Soprano
4
Hautbois, Flûte
4
Clarinette, Violoncelle (duo)
4
Flûte à bec Alto, Piano
4
2 Clarinettes, Piano
4
Flûte et Trio à cordes
4
Hautbois, Violoncelle
3
Saxophone et Harpe
3
Flûte, Basson et Piano
3
Clarinette, Harpe (duo)
3
Piccolo, Piano
3
Hautbois, Harpe
3
Piccolo
3
Cor Anglais
3
Saxophone Baryton
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Alto
2
Saxophone
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Saxophones, Piano
2
Hautbois, violon (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Clarinette, Violon (trio)
2
3 Flûtes à bec (trio)
1
Flûte, trombone et piano
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Tuba (duo)
1
Flûte, Harpe et Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte irlandaise
1
Flûte, Hautbois, Violon
1
Hautbois, Violon, Piano
1
Flûte, Clarinette et Basson
1
Cornemuse
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violon et Violoncelle
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Piano
1
Clarinette, Orgue
1
Clarinette Basse
1
Hautbois et alto (duo)
1
+ 105 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
229
Quatuor de Cuivres : 2 trompettes, trombone, tuba
164
Trombone et Piano
86
Trompette
83
Trompette, Piano
78
Quatuor de Cuivres: 2 trompettes, Cor, trombone
71
Cor et Piano
60
Euphonium, Piano (duo)
44
Ensemble de Trombones
43
Tuba et Piano
40
Cor
39
Trombone
39
Quatuor de Cuivres
38
Trompette (partie séparée)
36
2 Trombones (duo)
34
Trombone (partie séparée)
33
Ensemble de Trompettes
30
Cor anglais, Piano
29
2 Trompettes (duo)
29
Tuba
23
2 Cors (duo)
19
Trompette, Trombone (duo)
17
Quatuor de cuivres: 4 trombones
15
2 Tubas (duo)
11
Quatuor de cuivres: 4 cors
11
Trompette, Saxophone (duo)
8
Euphonium
8
Ensemble de Cors
7
Cor (partie séparée)
7
Tuba (partie séparée)
5
Trompette, Cor (duo)
5
4 Tubas
4
Quatuor de cuivres: 4 trompettes
4
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Cor Anglais
3
Trio de Cuivres
3
Trompette, Tuba (duo)
2
Trombone, Orgue
2
2 Euphoniums (duo)
2
Trompette, Harpe
2
Tuba et Orgue
2
Cor anglais et Harpe (duo)
1
3 Trombones (trio)
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Euphonium (duo)
1
3 Tubas (trio)
1
Trombone basse
1
Euphonium, Tuba (duo)
1
Cor et Harpe
1
Cor, Violoncelle (duo)
1
3 Trompettes (trio)
1
2 Trombones, Piano
1
2 Cors Anglais Et Pianoforte
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
517
Violon et Piano
159
Violon
132
Violoncelle, Piano
108
Alto, Piano
108
Violoncelle
87
Harpe
87
Violon, Violoncelle (duo)
75
2 Violons (duo)
61
Trio à Cordes: violon, alto, violoncelle
54
Trio à Cordes: 2 violons, violoncelle
48
Quintette à cordes: 2 violons, alto, violoncelle, basse
43
Alto seul
42
2 Violoncelles (duo)
38
2 Altos (duo)
37
Violon, Alto (duo)
32
Contre Basse
31
Contrebasse, Piano (duo)
24
Ensemble d'Altos
21
Ensemble de Violons
20
Violon (partie séparée)
15
4 Violoncelles
14
Harpe, Flûte (duo)
13
Alto (partie séparée)
13
Alto, Violoncelle (duo)
12
2 Contrebasses (duo)
12
Contrebasse (partie séparée)
10
Quatuor à cordes : 4 altos
9
Quatuor à cordes: 4 violons
9
Harpe, Violon (duo)
8
Trio à Cordes: 3 violoncelles
8
Trio à cordes: 3 violins
8
2 Harpes (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violon, Guitare (duo)
5
Alto et Harpe
4
Trio à Cordes: 2 violons, alto
4
Violoncelle, Contrebasse (duo)
3
Violon, Basson (duo)
3
Trio à cordes: 3 altos
3
Harpe, Voix
2
Violoncelle , Guitare (duo)
2
Harpe (partie séparée)
2
Violoncelle (partie séparée)
2
Alto et Basson
2
Violon, Orgue
2
4 Contrebasses
2
Harpe et Piano
1
Violon, Tuba (duo)
1
Harpe et mandoline
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orchestre
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
545
Ensemble Jazz
225
Orchestre à Cordes
203
Orchestre
193
Ensemble de cuivres
90
Orchestre de chambre
56
Jazz combo
54
Cloches
45
Ensemble de Percussions
37
Fanfare
23
Batterie
14
Batterie (partie séparée)
6
Marimba
5
Percussion (partie séparée)
4
2 Xylophones
2
Big band
2
Xylophone, Piano
2
Xylophone ou Marimba ou Vibraphone
2
Conga
1
Xylophone
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Vibraphone
1
Instrumentation Flexible
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Piano et Orchestre
1
+ 22 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Like It Is - Kygo
Guitare
Partitions à imprimer
172 partitions trouvées
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151
My Love is Like a Red, Red Rose (Solo Guitar Version)
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Traditional Scotland
#
Dan Jones www
#
My Love is Like a Red, Red Ros
#
DanJonesGuitarist
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1135557 By Traditional Scotland (Robert 'Rabbie' Burns). By Traditional (text by Robert 'Rabbie' Burns). Arranged by Dan...
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Solo Guitar - Level 4 - SKU: A0.1135557 By Traditional Scotland (Robert 'Rabbie' Burns). By Traditional (text by Robert 'Rabbie' Burns). Arranged by Dan Jones www.danjonesguitarist.com. Celtic,Classical,Irish,Traditional. Individual part. 6 pages. DanJonesGuitarist #735611. Published by DanJonesGuitarist (A0.1135557). My Love is Like a Red, Red Rose Traditional, Scotland - After Robert 'Rabbie' Burns Arranged for solo guitar by Dan Jones www.danjonesguitarist.com This iconic song, set here in an instrumental version for solo guitar, has a text by the great Scots poet, Robert 'Rabbie' Burns. The tune is believed to have been inspired by traditional sources. This version is suitable for more advanced players. The verses are set with the melody appearing in the top line, and then in the bass. A score is provided in notes and TAB, and in a version with just notes. It is perfect for concerts, background music, weddings and encores. I have also arranged this tune for easy guitar quartet. A YouTube video of this arrangement will be available before the end of 2022. For a wealth of music for solo guitar, guitar in ensemble, teaching material, writings and much more, please visit: www.danjonesguitarist.com Thank you, and I hope you enjoy My Love is Like a Red, Red Rose.
$4.95
(there's No Place Like) Home For The Holidays
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Guitare
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INTERMÉDIAIRE
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Perry Como
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Bill Swick
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(there's No Place Like) Home F
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Bill Swick
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1305515 By Perry Como. By Al Stillman and Robert Allen. Arranged by Bill Swick. 20th Century,Christmas,Film/TV,Holiday,J...
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Solo Guitar - Level 3 - SKU: A0.1305515 By Perry Como. By Al Stillman and Robert Allen. Arranged by Bill Swick. 20th Century,Christmas,Film/TV,Holiday,Jazz. Individual part. 4 pages. Bill Swick #894963. Published by Bill Swick (A0.1305515). This arrangement of There’s No Place Like Home for the Holidays is written for solo guitar and may be performed on an electric guitar, steel string acoustic, or nylon string guitar.  It is written in both standard notation with chord symbols as well as tablature.
$4.99
Something like loneliness (Algo a ver com a solidão) - Solo Guitar
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Guitare
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FACILE
#
Bisdré Santos
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Bisdré Santos
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Something like loneliness
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Soul - Musical Creations
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.948961 By Bisdré Santos. By Bisdré Santos. Arranged by Bisdré Santos. Contemporary,Instructional,Multicultural,...
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Solo Guitar - Level 2 - SKU: A0.948961 By Bisdré Santos. By Bisdré Santos. Arranged by Bisdré Santos. Contemporary,Instructional,Multicultural,World. Individual part. 2 pages. Soul - Musical Creations #5019705. Published by Soul - Musical Creations (A0.948961). Prelude for solo guitar. I wrote this song in Rio de Janeiro in 2006. It is a simple composition that presents some technical difficulties, but it can be performed by beginner students (first year of guitar). It can be played without tempo (ad libtum) or in the tempo indicated in the score. Good studies.
$1.99
Happy Xmas (war Is Over)
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Guitare
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DÉBUTANT
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John & Yoko Ono W/harlem Comm
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Caleb Abreu
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Happy Xmas
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caleb.guitar
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1141712 By John & Yoko Ono W/harlem Comm. By John Lennon and Yoko Ono. Arranged by Caleb Abreu. Children,Christmas,Film/...
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Solo Guitar - Level 1 - SKU: A0.1141712 By John & Yoko Ono W/harlem Comm. By John Lennon and Yoko Ono. Arranged by Caleb Abreu. Children,Christmas,Film/TV,Multicultural,Standards,World. Individual part. 3 pages. Caleb.guitar #742097. Published by caleb.guitar (A0.1141712). Merry Christmas! I made this simple guitar arrangement for beginners of this Christmas classic by the great John Lennon and Yoko Ono. Hope you like it.
$7.99
Like Someone In Love
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Jazz
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Bjork
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John Fries
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Like Someone In Love
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John Fries
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271541 By Bjork. By Bjork Gudmundsdottir. Arranged by John Fries. 20th Century,Jazz,Standards. Individual part. 2 pages...
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Solo Guitar - Level 4 - SKU: A0.1271541 By Bjork. By Bjork Gudmundsdottir. Arranged by John Fries. 20th Century,Jazz,Standards. Individual part. 2 pages. John Fries #863940. Published by John Fries (A0.1271541). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Like Someone in Love is a popular song composed in 1944 by Jimmy Van Heusen, with lyrics by Johnny Burke. It was written (along with Sleigh Ride in July) for the 1944 film Belle of the Yukon, where it was sung by Dinah Shore. It was a hit for Bing Crosby in March 1945, reaching #15, and has since become a jazz standard.
$4.99
It's Only A Paper Moon
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Guitare
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AVANCÉ
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Billy Rose, E
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Christopher J
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It's Only A Paper Moon
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Christopher J. Malin
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1305049 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/...
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Solo Guitar - Level 5 - SKU: A0.1305049 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/TV,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #894466. Published by Christopher J. Malin (A0.1305049). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Harold Arlen's finer pieces. The film Papermoon was named after the song! Very unusual.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I also wrote the lyrics under the chords/notes in the B section to help with the timing. This song is in an ABABA format. I love the light, childlike melody! Sounds great on acoustic and electric guitars.
$5.99
It's Beginning To Look Like Christmas
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Guitare
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Noël
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Meredith Willson
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Mike West
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It's Beginning To Look Like Ch
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Kicker Productions Ltd.
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SheetMusicPlus
Solo Guitar - SKU: A0.833657 Composed by Meredith Willson. Arranged by Mike West. Contemporary. Individual part. 3 pages. Kicker Productions Ltd. #61957...
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Solo Guitar - SKU: A0.833657 Composed by Meredith Willson. Arranged by Mike West. Contemporary. Individual part. 3 pages. Kicker Productions Ltd. #6195703. Published by Kicker Productions Ltd. (A0.833657). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks.Please visit www.kickerproductions.com to view and purchase our click tracks and backing tracks, and to view the sheet music available.
$4.99
Your Body Is A Wonderland
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Guitare
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FACILE
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John Mayer
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Enrique Rojas
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Your Body Is A Wonderland
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Enrique Rojas Music
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.507236 By John Mayer. By John Mayer. Arranged by Enrique Rojas. Pop,Wedding. Individual part. 5 pages. Enrique Rojas Mus...
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Solo Guitar - Level 2 - SKU: A0.507236 By John Mayer. By John Mayer. Arranged by Enrique Rojas. Pop,Wedding. Individual part. 5 pages. Enrique Rojas Music #118559. Published by Enrique Rojas Music (A0.507236). This is a solo guitar fingerstyle arrangement for guitar. This easy arrangement is ideal for guitarists that would like to include popular music into their repertoire. It uses standard tuning and capo on the 5th fret to maximize open strings to harmonize with the melody.
$4.99
"It Came Upon The Midnight Clear"-Piano Background for Guitar and Piano
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Guitare
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INTERMÉDIAIRE
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Richard Storrs Willis
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Fishel Pustilnik
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Piano (Jazz/Pop Version)
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"It Came Upon The Midnigh
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.633079 Composed by Richard Storrs Willis. Arranged by Fishel Pustilnik. Christmas,Film/TV,Jazz,Pop. Individual part. 6 p...
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Solo Guitar - Level 3 - SKU: A0.633079 Composed by Richard Storrs Willis. Arranged by Fishel Pustilnik. Christmas,Film/TV,Jazz,Pop. Individual part. 6 pages. F & N Enterprise #3365319. Published by F & N Enterprise (A0.633079). Piano Background for famous Christmas Song It Came Upon The Midnight Clear- Guitar & Piano (Jazz/Pop Version). Plus Version at SMP: SO 263893 The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard
$1.99
Bourrée in E MInor
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Hirsch
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Bourrée in E MInor
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Indivi...
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Solo Guitar - Level 4 - SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Individual part. 3 pages. Richard Hirsch #925741. Published by Richard Hirsch (A0.1340077). I offer the famous Bourrée from Bach’s First Suite for Lute in E minor notated for solo acoustic guitar. The notation is accompanied by tablature and extensive left and right hand fingering as an aid to the student. The fingering aims to be as economical and as ergonomic as possible. If played according to the tablature and left hand fingering, the left hand flows smoothly from one position to another over the fretboard. This is especially important in the second part of the piece where Bach takes us on a tour of the harmonic space related to the key of E minor. The piece is a good introduction to the full potential of the fretboard as there are many alternative left hand fingerings, among which I have chosen those I feel fit together and enable flow best. Notice especially how the little finger plays an important role in guiding the left hand from one position to another. The fingering for the right hand is also good for the practice of alternating the index and middle fingers in the melody while the thumb plays the bases.This piece has become part of the standard repertoire for classical guitar, but is also a piece that sounds equally good on a steel string acoustic guitar. The steel strings make the piece sound like it is being played on a harpsichord. I first heard the piece as a boy of 15 back in 1960 in a recording by Chet Atkins playing on a steel string electric guitar!The piece has been transcribed from the original score for Lute and notated for guitar by many guitarists over the years. I hope my version contributes to its continued popularity, making the piece even more accessible and relevant to intermediate students of acoustic guitar.I have chosen a tempo of 130bpm for the notation which I think gives the piece a lively but not overly stressed quickness appropriate for a courtly dance.
$4.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Rumores de la Caleta
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Isaac Albeniz
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Nick Mordal
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Rumores de la Caleta
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Nick Mordal
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1329558 By Isaac Albeniz. By Isaac Albeniz. Arranged by Nick Mordal. 20th Century,Classical,Latin,Multicultural,Romantic...
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Solo Guitar - Level 4 - SKU: A0.1329558 By Isaac Albeniz. By Isaac Albeniz. Arranged by Nick Mordal. 20th Century,Classical,Latin,Multicultural,Romantic Period,World. Individual part. 3 pages. Nick Mordal #917541. Published by Nick Mordal (A0.1329558). This brilliantly rhythmic piano piece by Albéniz has been transposed up a fifth for guitar. Albéniz wrote this music with the percussion of a guitar in mind. Like another famous Albéniz guitar transcription, Asturias (Leyenda), it fits very nicely on the classical guitar. It is fairly difficult with some quick position shifts and is worth putting time into. Its' sound is a mix between classical and flamenco guitar. This piece has been done by several classical guitarists like Christopher Parkening, and this is my take on it. It features two contrasting sections. The A section is harsh, percussive and very Spanish. The B section is a melodically driven change of pace, before it finishes in a repeat of the A section.
$5.00
Alice In Wonderland
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Guitare
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AVANCÉ
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Bill Evans
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Christopher J
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Alice In Wonderland
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/...
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Solo Guitar - Level 5 - SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/TV,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #1038354. Published by Christopher J. Malin (A0.1459406). Solo jazz guitar chord/melody arrangement with tablature. This one is by Sammy Fain/Bob Hilliard in 1951. I believe this was written for an early Disney animated film. Watching this piece (available online) may help you get a feel for it. It’s in a ¾ jazz waltz time signature. I also believe Dave Brubeck covered it.I interpreted many chords to be played as triads or eliminated, and single notes are used. I tend to use a minimalist style that keeps the important parts of the music. I arranged it to be played an octave above as written (8 va.). It sounds great on electric guitars. Accurate intonation is important on this song. You do need access to the upper notes. It explores the upper register of the guitar. I also play many of the chords as arpeggios (varying between high note to low note and vice versa). It is a very beautiful tune! I hope you will like it! I certainly do!P.S. I have to admit, I like using chorus and delay on the electric guitar, it gives an ethereal quality to this one!
$4.99
Canto de mi corazon, meditacion, The singing of my heart, meditation
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Guitare
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AVANCÉ
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Alfred Feenstra
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Canto de mi corazon, meditacio
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.978021 Composed by Alfred Feenstra. 20th Century,Concert,Contemporary,World. Individual part. 8 pages. Alfred Feenstra #...
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Solo Guitar - Level 5 - SKU: A0.978021 Composed by Alfred Feenstra. 20th Century,Concert,Contemporary,World. Individual part. 8 pages. Alfred Feenstra #4986005. Published by Alfred Feenstra (A0.978021). Here again a very special piece for the classical guitar. Now some years later for me, it feels like a kind of monument.A very intense work, hard labour for the right hand. If it flows well you get in a type of trance and then it has an effect that a meditation piece has.I played it for Leo Brouwer some time ago, with the fear that he would not like it al all. But happily, he judged it, like also my Gabriel piece that I played for, as very positive. The video is recorded in the tower of Benavites with a lot of natural acoustics
$4.50
EL LIBRO DE ARTEMIDORO, Op.63, for guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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CÉSAR CANO
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EL LIBRO DE ARTEMIDORO, Op.63,
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POLYHYMNIA Ediciones musicales
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1029294 Composed by CÉSAR CANO. Contemporary,World. Individual part. 35 pages. POLYHYMNIA Ediciones musicales #47997...
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Solo Guitar - Level 4 - SKU: A0.1029294 Composed by CÉSAR CANO. Contemporary,World. Individual part. 35 pages. POLYHYMNIA Ediciones musicales #4799751. Published by POLYHYMNIA Ediciones musicales (A0.1029294). In the second century AD, Artemidoro de Daldis (135-200), a very cultured man who had traveled a lot, contemporary of Emperor Marco Aurelio, wrote in Ephesus his work Symbolism of Dreams (Oneirocritica). In it he tried to create a systematic theory for the interpretation of dreams, based on experience. Artemidoro claimed that he had written his work in five volumes by express order of the god Apollo, who had appeared several times in his dreams. In his fascinating book he distinguishes five kinds of dreams: Dream, Vision, Oracle, Appearance and Fantasy. Artemidoro’s book, Op. 63, is a work for guitar in five movements, which take their titles as the kinds of dreams mentioned above: Dream, Vision, Oracle, Appearance and Fantasy. It is an extensive composition, 19 minutes long, and with a great variety of compositional and instrumental techniques: the performer, who is asked for a lot of versatility and imagination, has to play glissandi, harmonics, pizzicati, bells, loops, metric modulations, ordinary and muted strokes, microtones, distortions, various kinds of bumps in the box, etc. The five movements share a special scordature and the same melodic, harmonic and rhythmic material, which is transformed according to the dreamlike atmosphere of the piece, but always maintaining each of the structural elements a recognizable identity. The multiple presences of these essential identities throughout the work articulate the complex form of the Book. I finished the composition of The Book of Artemidoro on April 24, 2006. The work is dedicated to guitarist José Guerola, who premiered it at the Vivanco Palace in Catarroja (Spain), on May 5, 2006.
$6.99
Four Short Single Focus Compositions for Guitar Solo
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Guitare
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FACILE
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Contemporain
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Scott A
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Four Short Single Focus Compos
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Ponticello Music
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1028891 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 7 pages. Ponticello Music #4364608. P...
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Solo Guitar - Level 2 - SKU: A0.1028891 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 7 pages. Ponticello Music #4364608. Published by Ponticello Music (A0.1028891). A suite of short pieces for solo guitar intended to capture a unique yet popular idiosyncratic sound. Some of these are new works, some have been re-worked from older ideas. They all incorporate the idea of popular rock style guitar music being combined with standard classical guitar technique and notation.Andante Tremolo creates an eerie yet nostalgic mood with a sixteenth note tremolo figure at the beginning that bursts into a middle section utilizing pull offs to open strings and a more rapid tremolo. It features a descending melodic figure that leads to nowhere... Anniversary Theme is a half-remembered hum-along melody at the end of the formal celebration when the chairs are being put away but the decorations are still up. It uses simple harmonies that don't really make sense but just follow that same half-forgotten melody, cadencing here and there when they feel like it. Cloudburst Arpeggio focuses on the chime-like campanella effect produced by a descending slur pulled-off to an open string, and then hammering it back on again. It begins with a straight-ahead arpeggio pattern going through a standard chord change, and then jumps off the edge of the cliff into other areas...Mobile is a perpetual motion machine that rocks its way into an Arabic sounding riff in the middle. The low D tuning allows utilization of a drone on the high open D string that produces interesting sonic effects allowing for unique sounds to pull off to open strings.
$5.00
Tremolo from the Regondi Nocturne (Op.19)
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Guitare
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Classique
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Giulio Regondi
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Rod Whittle
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4 pp
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Tremolo from the Regondi Noctu
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081...
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Solo Guitar - SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00
Spanish Romance
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Guitare
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INTERMÉDIAIRE
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Classique
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Paul Adrian Moldez
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Paul Adrian Moldez
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Spanish Romance
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Paul Adrian Moldez
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1042088 By Paul Adrian Moldez. By Traditional. Arranged by Paul Adrian Moldez. Classical,Romantic Period. Individual par...
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Solo Guitar - Level 3 - SKU: A0.1042088 By Paul Adrian Moldez. By Traditional. Arranged by Paul Adrian Moldez. Classical,Romantic Period. Individual part. 16 pages. Paul Adrian Moldez #646882. Published by Paul Adrian Moldez (A0.1042088). Spanish Romance is a popular piece for solo guitar. It is also called by its other names such as Romanza, Romance D’Amour, and Romance de España. Currently, the authorship of the piece is in question. It is suspected, however, that it is an instrumental guitar work from the 19th century. Spanish Romance’s earliest recording is on a cylinder. It was made in Madrid sometime between 1897 and 1901. It was titled “Sort-Estudio para Guitarra por S. Ramirez. More likely than not, the name “Sort refers to Fernando Sor, for Sor’s surname is sometimes also spelled Sort or Sorts.
$7.99
Waltz No. 1 Opus 57
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Guitare
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FACILE
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Mauro Giuliani
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Brian Streckfus
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Waltz No. 1 Opus 57
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1468989 Composed by Mauro Giuliani. Arranged by Brian Streckfus. 19th Century,Classical,Historic,Instructional. Individu...
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Solo Guitar - Level 2 - SKU: A0.1468989 Composed by Mauro Giuliani. Arranged by Brian Streckfus. 19th Century,Classical,Historic,Instructional. Individual part. 2 pages. Brian Streckfus #1047058. Published by Brian Streckfus (A0.1468989). This is more utilitarian than a creative arrangement, and by that I mean that this is designed to save you time fingering and analyzing, which is often the tedious stuff that hardly anyone would enjoy over actually playing the piece.The fingering numbers are truly fingering numbers so don't let the numbers confuse you on what pitch it is. These numbers are more difficult to understand than just fret numbers, but they are more professional. I have glissando markings, but they are to show pivot fingers and parallelisms rather than glissandos. Having chord names for classical music is unconventional, but that is part of what gives this arrangement its uniqueness. I'm not sure why classical sheet music doesn't; the chord names are extremely beneficial, and they technically stem from figured bass that composers like Bach would use. Sometimes it is tricky to give a measure a chord name though, since sometimes it is more of an implied harmony, or it's too vague, or it's too melodic. Features1. Fingerings added 2. Position markers added3. Chord names added4. Engraved for obvious phrases5. Composer indications added.
$1.99
The Entertainer (Excerpt)
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Guitare
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DÉBUTANT
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Ragtime
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual pa...
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Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
Every Breath You Take
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Guitare
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FACILE
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Rock
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The Police
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Pablo Alcázar
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Every Breath You Take
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pab...
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Solo Guitar - Level 2 - SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
$4.99
Grand Vals Franciso Tarrega for easy intermediate guitar
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Guitare
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INTERMÉDIAIRE
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Classique
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Francisco Tarrega
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Dennis Greensmith
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Grand Vals Franciso Tarrega fo
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Dennis Greensmith
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954709 Composed by Francisco Tarrega. Arranged by Dennis Greensmith. Romantic Period. Individual part. 8 pages. Dennis G...
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Solo Guitar - Level 3 - SKU: A0.954709 Composed by Francisco Tarrega. Arranged by Dennis Greensmith. Romantic Period. Individual part. 8 pages. Dennis Greensmith #3664221. Published by Dennis Greensmith (A0.954709). Grand Vals by Francisco Tarrega. Guitar.Arrangement for easy intermediate guitar by Dennis Greensmith. This arrangement is for early intermediate level though keeping the complete full structure, melody and harmony content by transposing the song to G major and the other key changes within the piece (rather that there original A major). This allows more use of open bass notes though the arrangement still requires where appropriate the use of Barres.The original song is often listed as intermediate level thought it is a well known as a Trinity College Grade 8 piece which clearly falls in to an advance category. This arrangement is around the Grade 4 to 5 and much more suited to those players not yet at advanced level.The piece is presented in standard notation for those who like just read music and separately standard notation and TAB for those who like to have TAB as well.A full tutorial video of the arrangement can be found at the Guitarfingers Youtube channel which goes through there whole piece and offer many helpful tips in playing the song and options to help you through the more tricky passages.
$6.00
La Philippine by CPE Bach
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Guitare
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Classique
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Carl Philipp Emanuel Bach
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Eric J Roth
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La Philippine by CPE Bach
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Eric J Roth
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SheetMusicPlus
Solo Guitar - SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Er...
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Solo Guitar - SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Eric J Roth #6017141. Published by Eric J Roth (A0.914749). La Philippine, H. 96 (Wq. 117/34) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and ornaments kept simple. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher, and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the style as Arioso (between an aria and recitative). In terms of tempo, various keyboardists interpret it very differently. Some play it quick and light while others opt for a slower, more lyrical approach. Guitarists should feel free to experiment with what sounds best on their instrument.
$2.99
Three-dimensional study I
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Guitare
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Alejandro Goldenberg
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Three-dimensional study I
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Alejandro Goldenberg
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SheetMusicPlus
Solo Guitar - SKU: A0.1025538 Composed by Alejandro Goldenberg. 20th Century,Contemporary,Standards. Individual part. 5 pages. Alejandro Goldenberg #483...
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Solo Guitar - SKU: A0.1025538 Composed by Alejandro Goldenberg. 20th Century,Contemporary,Standards. Individual part. 5 pages. Alejandro Goldenberg #4832485. Published by Alejandro Goldenberg (A0.1025538). The main idea was to write a music material with a study structure that allowed it to be performed by two players, but also by only one. This characteristic inspired the name of the studies, as I imagined each part of the duet as a dimension, and the whole of it, the union of both, as the third dimension. This score include the two guitars version and the one guitar version.Moreover with the Three-Dimensional, I searched for a diversity of composition styles, starting by the music of our American Continent and reflecting some of its traces.Thus sometimes in an explicit way, others only suggesting, River Plate, Brazilian, Caribbean and North American atmospheres are present. It is basically an integrating music, and because of its construction it asks the performer to improvise, compose and do whatever he likes with it.
$1.99
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