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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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PIANO & CLAVIERS
Piano seul
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Piano Facile
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Piano, Voix et Guitare
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Orgue
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1 Piano, 4 mains
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Accordéon
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2 Pianos, 4 mains
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GUITARES
Guitare notes et tablatures
88
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47
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6
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3
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2
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VOIX
Chorale SATB
195
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133
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86
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17
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16
Voix duo, Piano
13
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7
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6
Voix duo
4
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3
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3
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2
Chorale
2
Voix Soprano
1
Voix seule
1
Voix haute, Piano
1
Chorale SSAATTBB
1
Voix Tenor, Piano
1
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VENTS
Flûte traversière et Piano
45
Clarinette
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Hautbois, Piano (duo)
31
Quatuor de Saxophones: 4 saxophones
30
2 Saxophones (duo)
25
Clarinette et Piano
23
Flûte traversière
22
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19
Hautbois (partie séparée)
19
Saxophone Alto et Piano
19
2 Clarinettes (duo)
17
Saxophone Soprano et Piano
17
2 Flûtes traversières (duo)
15
Quintette de Saxophone: 5 saxophones
15
Flûte, Clarinette (duo)
14
Saxophone (partie séparée)
13
Saxophone Baryton, Piano
12
Quatuor de Clarinettes: 4 clarinettes
11
Flûte, Hautbois, Clarinette, Basson
11
3 Clarinettes (trio)
10
Cor anglais, Piano
9
Quatuor de Flûtes : 4 flûtes
8
Clarinette Basse, Piano
8
Saxophone Alto
8
Flûte à Bec
7
2 Hautbois (duo)
5
Ensemble de Clarinettes
5
Clarinette, Basson (duo)
5
Flûte, Violoncelle
4
Saxophone, Clarinette (duo)
4
Clarinette, Violoncelle (duo)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Violon
3
Ensemble de Flûtes
3
Hautbois, Basson (duo)
3
Ensemble de saxophones
3
2 Flûte à bec (duo)
3
Flûte à bec Soprano
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Hautbois, Clarinette (duo)
3
3 Saxophones (trio)
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Trompette (duo)
2
Hautbois
2
Flûte, Hautbois (duo)
2
5 Flûtes à bec
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Violoncelle
2
Flûte, Saxophone (duo)
2
Harmonica
2
Clarinette, Violon (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Guitare (duo)
2
Flûte à bec Alto
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano, Piano
1
3 Flûtes à bec (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Basson
1
Flûte, Alto (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Flûte
1
Flûte, Trompette (duo)
1
Clarinette et Alto
1
Quatuor de Flûtes à bec
1
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CUIVRES
Trompette
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trombone et Piano
24
Trompette, Piano
17
2 Trombones (duo)
16
Cor et Piano
16
Trombone
14
Euphonium, Piano (duo)
14
Cor
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Tuba et Piano
10
Tuba
9
Cor anglais, Piano
9
2 Trompettes (duo)
9
2 Euphoniums (duo)
6
Trompette, Trombone (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Cors (duo)
4
Trompette (partie séparée)
4
Trompette, Cor (duo)
4
Cor, Violoncelle (duo)
3
2 Tubas (duo)
3
Ensemble de Trompettes
2
Quatuor de Cuivres
2
Euphonium
2
Ensemble de Trombones
2
Trompette, Saxophone (duo)
2
Trio de Cuivres
2
2 Euphoniums et 2 Tubas
2
Trombone basse
1
Quatuor de cuivres: 4 trompettes
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor et Basson (duo)
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon et Piano
47
Violon
32
Violoncelle (partie séparée)
31
Alto, Piano
30
Violoncelle, Piano
29
Alto seul
23
Violon, Violoncelle (duo)
20
2 Violons (duo)
18
Harpe
15
Trio à Cordes: violon, alto, violoncelle
15
2 Violoncelles (duo)
14
Violon, Alto (duo)
14
Contre Basse
13
2 Altos (duo)
12
Trio à Cordes: 2 violons, violoncelle
8
Violoncelle
7
Alto (partie séparée)
7
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto, Violoncelle (duo)
5
Quatuor à cordes : 4 altos
4
Violon, Basson (duo)
4
Quatuor à cordes: 4 violons
2
Alto et Basson
2
Trio à cordes: 3 violins
2
2 Contrebasses (duo)
2
2 Harpes (duo)
2
Harpe, Voix
2
Ensemble d'Altos
2
Violon, Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Ensemble de Violons
2
Harpe, Violon (duo)
2
Violon (partie séparée)
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
Harpe, Violon, Violoncelle
1
Trio à Cordes: 3 violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
57
Orchestre d'harmonie
39
Orchestre
17
Cloches
13
Ensemble de cuivres
12
Ensemble Jazz
10
Orchestre de chambre
10
Fanfare
2
Marimba
2
Ensemble de Percussions
2
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
2 Xylophones
1
Batterie
1
Xylophone, Piano
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AUTRES
Vous avez sélectionné:
Like a Child
SheetMusicPlus
Partitions à imprimer
16 partitions trouvées
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Sometimes I feel like a motherless child
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1322033 Composed by Traditional. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1322033 Composed by Traditional. Arranged by Bettina Schipp. Blues,Country,Folk,Traditional. Individual part. 2 pages. Songbooks.info #910451. Published by songbooks.info (A0.1322033). These Folk and Gospel Songs and Traditionals were arranged for Guitar fingerpicking. They were written in the well-known tablature for string instruments as well as in classical musical notation - for slightly intermediate and advanced guitarists. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!Diese Folk und Gospel Songs und Traditionals wurden für das Fingerpicking mit der Gitarre arrangiert. Sie wurden in der bekannten Tabulatur für Saiteninstrumente sowie in der klassischen Notenschrift notiert - für leicht fortgeschrittene und fortgeschrittene GitarristInnen. Die Lieder wurden in einem langsamen Tempo und mit einem Metronom im Hintergrund aufgenommen. Viel Spaß beim Musizieren...!
$1.99
1.83 €
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Guitare
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Traditional
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Bettina Schipp
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Sometimes I feel like a motherless child
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songbooks.info
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SheetMusicPlus
I've Got Peace Like A River
Guitare
Easy Guitar (no TAB) - Digital Download SKU: HX.1356611 This edition: scorch. Child…
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Easy Guitar (no TAB) - Digital Download SKU: HX.1356611 This edition: scorch. Children,Gospel,Sacred. Score. 1 pages. Hal Leonard - Digital #11063. Published by Hal Leonard - Digital (HX.1356611).
$2.99
2.75 €
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Guitare
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I've Got Peace Like A River
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Hal Leonard - Digital
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SheetMusicPlus
It's Only A Paper Moon
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1305049 Composed by Billy Rose, E.…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1305049 Composed by Billy Rose, E.Y. Yip Harburg, and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/TV,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #894466. Published by Christopher J. Malin (A0.1305049). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Harold Arlen's finer pieces. The film Papermoon was named after the song! Very unusual.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I also wrote the lyrics under the chords/notes in the B section to help with the timing. This song is in an ABABA format. I love the light, childlike melody! Sounds great on acoustic and electric guitars.
$5.99
5.52 €
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Guitare
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Billy Rose, E
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Christopher J
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It's Only A Paper Moon
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Christopher J. Malin
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SheetMusicPlus
André (Guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Sout…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part. 17 pages. Publisher by Rudesindo Soutelo #903830. Published by Publisher by Rudesindo Soutelo (A0.1315103). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Guitar, ca. 14'40) 1. (A) Prelúdio da manhã / Morning prelude 2. (n) Alvorecer na janela / Dawn in the window 3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz 4. (r) A catedral imergente / The immersing cathedral 5. (é) Marcha da formiga atónita / March of the astonished antISWC: T-045.522.026-4ISMN: 979-0-707704-19-6This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts.The “Morning prelude†is the restless awakening; the “Dawn in the window†is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltzâ€, who turn rifles into pairs to dance with. From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedralâ€, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant†is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].The original version is for piano. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã†é o acordar buliçoso; o “Alvorecer na janela†é a luz do novo dia a esclarecer o espÃrito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo†que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente†que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declÃnio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita†são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].A versão original é para Piano. Consulte https://soutelo.eu
$8.00
7.37 €
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Guitare
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Rudesindo Soutelo
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Guitar
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André
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.83 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Tremolo from the Regondi Nocturne (Op.19)
Guitare
Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged …
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Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo) 4 pp (7 min.)GIULIO REGONDI (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
$5.00
4.61 €
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Guitare
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Giulio Regondi
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Rod Whittle
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4 pp
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Tremolo from the Regondi Nocturne
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Maggie Creek Music
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SheetMusicPlus
Spanish Dance for Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444330 Composed by Henry Worrall.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444330 Composed by Henry Worrall. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Historic,Instructional. Individual part. 6 pages. Keith Terrett #1024245. Published by Keith Terrett (A0.1444330). The story of “Spanish Fandango” begins in 1825, when Henry Worrall was born in Liverpool, England. Worrall immigrated to New York as a child, and his biography is a classic American tale of energy and self-invention. After his family moved to Cincinnati, Ohio, around 1835, young Worrall left his occupation as a newsboy to work for a decorative glass cutter.At the same time, Worrall set about teaching himself to play guitar—and, eventually, painting, engraving, and design. In the 1850s, he published a popular tutorial, Worrall’s Guitar School, and his original compositions, with evocative titles like “Mexican Airs,” “Saint Louis Rondo,” and “Sebastopol—A Descriptive Fantaisie for the Guitar,” became part of America’s popular music canon.
$1.99
1.83 €
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Guitare
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Henry Worrall
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Keith Terrett
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Spanish Dance for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Left-Handed Modern Guitar Method Grade 1
Guitare
Composed by Mel Bay. Children and Young Beginner. Modern Guitar Method. 0. E-book and …
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Composed by Mel Bay. Children and Young Beginner. Modern Guitar Method. 0. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30090MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619113558.<br> <br> For decades, guitar students and teachers alike have struggled with the idea of left-handed individuals playing right-handed. Now that the idea of letting the dominant hand rule is widely accepted as the best course of action, here at last is a proven method for the left-handed guitarist! The world's premier method for learning modern plectrum style guitar, time-tested and proven successful in building the theoretic and technical foundation needed to play in any style. All seven grades of this method are written in standard notation only to encourage better sight reading. In Grade 1, the student guitarist will learn to play solos, duets, scales, and chords in the keys of C, A minor, G and E minor. Even in Grade 1, the student is already exposed to the chord/melody concept of guitar performance. A supplementary study book entitled Grade 1 Studies, two different play-along audio recordings (pop version and traditional), and video are available. The companion recordings feature Tommy Flint and William Bay playing in split-track format, with the solo parts performed on the right channel, and the accompaniment or second duet parts played on the left. The student can play along with the full recording, or tune out either channel and play the missing part. The Left-Handed Modern Guitar Method Grade 1 provides valuable enhancement to the world's most popular guitar method.
$9.99
9.2 €
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Guitare
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Mel Bay
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Left-Handed Modern Guitar Method Grade 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Aquarela-toquinho
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1221594 Composed by Antonio Filho,…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1221594 Composed by Antonio Filho, Guido Morra, Maurizio Fabrizio, and Vinicius Moraes. Arranged by KAUE PAIM NASCIMENTO. Children,Folk,Multicultural,Pop,Traditional,World. Individual part. 1 pages. KAUE PAIM NASCIMENTO #817895. Published by KAUE PAIM NASCIMENTO (A0.1221594). WatercolorA Work released in the early eighties, it is a song that goes back to the universe of childhood. She reminds the listener of the need to imagine alternative scenarios, contemplating the beauty of being able to go beyond through our creative capacity.For those who want to play chord melody on guitar (classical guitar), this is a good option for a new experience and great ideas for a good arrangement done in C major.Hope you like it. AquarelaUma Obra lançada no princÃpio dos anos oitenta, é uma música que remonta ao universo da infância. Ela recorda o ouvinte da necessidade de se imaginar cenários alternativos, contemplando a beleza que é poder ir além através da nossa capacidade de criação.Para quem almeija tocar chord melody no violão (guitarra classica), esta é uma boa opção para uma nova experiência e grandes ideias para um bom arranjo feito em Dó maior.Espero que gostem.
$4.99
4.6 €
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Guitare
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Antonio Filho, Guido Morra, Maurizio Fabrizio, and Vinicius Moraes
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KAUE PAIM NASCIMENTO
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Aquarela-toquinho
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KAUE PAIM NASCIMENTO
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SheetMusicPlus
Sometimes I Feel Like A Motherless Child
Guitare
Folk; Gospel; Traditional. Guitar Solo. 2 pages. Published by Hal Leonard - Digital Sheet …
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Folk; Gospel; Traditional. Guitar Solo. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.328063). - Guitar Solo - Folk; Gospel; Traditional - Hal Leonard - Digital Sheet Music
$4.99
4.6 €
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Guitare
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Gospel
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Sometimes I Feel Like A Motherless Child
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Dance "Polka".
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.978139 Composed by Valery Dzyabenk…
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Solo Guitar - Level 2 - Digital Download SKU: A0.978139 Composed by Valery Dzyabenko. Children,Contemporary,Country,Standards,World. Individual part. 3 pages. Valery Dzyabenko #5722963. Published by Valery Dzyabenko (A0.978139). Elegant dance Polka . A moving piece for guitar in a comfortable A major key. Cheerful music. Easy to execute and quick to remember. I like it very much for children - students of music schools. Duration 1:10.
$1.99
1.83 €
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Guitare
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Valery Dzyabenko
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Dance "Polka".
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Valery Dzyabenko
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SheetMusicPlus
Pequenos estudos para violão
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1258827 By Fabio Madureira. By Fab…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1258827 By Fabio Madureira. By Fabio Madureira. Arranged by Fabio Madureira. Chamber,Children,Classical,Instructional,Multicultural,World. Individual part. 6 pages. FABIO MADUREIRA #852088. Published by FABIO MADUREIRA (A0.1258827). I wrote these “little studies for the guitar†with the aim of helping my students to develop their first steps in the technique of the instrument in a pleasant way and with a feeling of achievement. These are beautiful and interesting studies. They are suitable for anyone who is a beginner, or who is a teacher and would like to have easy-to-understand material available for their own lessons.
$10.00
9.21 €
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Guitare
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Fabio Madureira
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Fabio Madureira
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Pequenos estudos para violão
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FABIO MADUREIRA
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SheetMusicPlus
The Wheels on the Bus (ROCK! version)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1097129 Composed by Traditional. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1097129 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Children,Grunge,Rock,Traditional. Individual part. 1 pages. Danny Crocome Music #701089. Published by Danny Crocome Music (A0.1097129). A rock version of the song, using Drop D tuning. The in-your-face power chord sound is reminiscent of grunge era bands like Soundgarden and Alice in Chains. The piece uses a variety of rock guitar techniques, such as pull-offs, slides, and palm muting. A new take on an old classic.
$3.99
3.68 €
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Guitare
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Traditional
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Danny Crocome
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The Wheels on the Bus
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Danny Crocome Music
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SheetMusicPlus
ode to joy in d guitar sheet music - arezzo sheet music engraver for beginners
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1244072 By L. v. Beethoven. By Lud…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1244072 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Classical. Individual part. 1 pages. Arezzo Music #839047. Published by Arezzo Music (A0.1244072). Ode to joy in d guitar sheet music - arezzo sheet music engraver for beginnerswe present a beginner-friendly guitar sheet music arrangement of Beethoven's iconic Ode to Joy in the key of D major, engraved with precision using Arezzo, the renowned sheet music engraving software. Immerse yourself in the uplifting melodies of this timeless composition as we guide you through the steps to master this classic piece on the guitar. Whether you're a beginner guitarist or someone looking to learn this famous melody, this sheet music tutorial is perfect for you. Follow along with the provided sheet music and discover the joy of playing Ode to Joy on the guitar. The notation, meticulously engraved with Arezzo, ensures clarity and readability, making it easier for beginners to learn and play. Join us as we delve into the world of Beethoven's masterpiece, and let the guitar bring the joy of music into your life. Don't forget to like, comment, and subscribe to our channel for more beginner-friendly sheet music tutorials and captivating performances.  ode to joy in d guitar sheet music - arezzo sheet music engraver for beginners
$2.99
2.75 €
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Guitare
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L
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Arezzo Music
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ode to joy in d guitar sheet music - arezzo sheet music engraver for beginners
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Arezzo Music
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SheetMusicPlus
10 Sketches
Guitare
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4261 Composed by José Mora-Jiménez.…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4261 Composed by José Mora-Jiménez. Score. 21 pages. Les Productions d'OZ - Digital #DZ 4261. Published by Les Productions d'OZ - Digital
Après avoir été quelque temps éloigné de la composition classique, j'ai décidé de me lancer un défi et d'écrire un court morceau de guitare par jour. Je l'ai fait pendant un mois et j'ai fini avec une vingtaine de "Sketches". L'idée de départ était de réaliser des pièces courtes pour les enfants. Certaines se sont révélées trop difficiles pour les étudiants et pourraient donc devenir des pièces plus longues à l'avenir. D?autres, je n?ai tout simplement pas beaucoup aimé. Au final, j'ai sélectionné les 10 Sketches qui m'ont le plus plu. Ces 10 morceaux sont destinés à des joueurs de niveau intermédiaire et chacun d'entre eux se concentre sur un aspect technique ou musical. After being some time away from classical composition I decided to challenge myself and write one short guitar piece daily. I did it for a month and ended up with around 20 "Sketches". The original idea was to make short pieces for children. Some turned out to be too difficult for students, so they might become longer pieces in the future. Some others I just didn't like that much. In the end I selected the 10 Sketches that I liked the most. These 10 pieces are intended for intermediate level players and each of them focuses on a technical or musical aspect.
$10.95
10.09 €
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Guitare
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José Mora-Jiménez
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10 Sketches
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Les Productions d'OZ - Digital
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SheetMusicPlus
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