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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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Prix + au -
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
99
PIANO & CLAVIERS
Piano seul
117
Accordéon
24
Piano, Voix et Guitare
19
Orgue
18
Piano Facile
15
Piano, Voix
15
Instruments en Do
7
Piano grosses notes
1
Accompagnement Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 4 mains
1
Instrumentations suivantes
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GUITARES
Guitare
17
Guitare notes et tablatures
9
Mandoline
5
Ukulele
5
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
5
Paroles et Accords
4
2 Guitares (duo)
3
Guitare (partie séparée)
3
Banjo
2
Dulcimer
2
Guitare Pedal Steel
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
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VOIX
Chorale SATB
56
Chorale 3 parties
20
Chorale 2 parties
6
Chorale Unison
4
Chorale TTBB
4
Voix Soprano, Piano
2
Voix seule
2
Chorale SSAA
2
Voix moyenne, Piano
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
Instrumentations suivantes
Retracter
VENTS
Saxophone
15
Saxophone (partie séparée)
9
Flûte traversière
7
Clarinette
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Flûte traversière et Piano
5
Hautbois, Piano (duo)
4
Saxophone Alto
4
Quatuor de Clarinettes: 4 clarinettes
3
Quatuor de Saxophones: 4 saxophones
3
Clarinette, Guitare (duo)
3
Saxophone Alto et Piano
3
Flûte et Guitare
3
2 Clarinettes (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Cor anglais, Guitare (duo)
2
Flûte, alto et harpe
2
3 Saxophones (trio)
2
Saxophone et Guitare
1
2 Saxophones (duo)
1
Flûte à bec Soprano, Piano
1
Clarinette et Piano
1
Saxophone Tenor
1
Saxophone et Orgue
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de Flûtes
1
Quatuor de Flûtes : 4 flûtes
1
Trio de Flûtes: 3 flûtes
1
2 Flûtes traversières (duo)
1
Instruments en Mib
1
Hautbois
1
Clarinette, Violoncelle (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trombone (partie séparée)
10
Trombone
9
Trompette (partie séparée)
9
Trompette
7
Cor et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trombone et Piano
3
Euphonium, Piano (duo)
2
Cor anglais, Guitare (duo)
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 trombones
2
Tuba (partie séparée)
1
Tuba
1
Euphonium
1
Trompette, Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
Instruments en Sib
1
Cor
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
18
Harpe
12
Violon
10
Violon, Guitare (duo)
7
Violoncelle, Piano
5
Trio à Cordes: violon, alto, violoncelle
5
Violon et Piano
3
Contrebasse (partie séparée)
3
Violoncelle
3
Violon, Violoncelle (duo)
2
Alto (partie séparée)
2
Alto seul
2
Alto, Violoncelle (duo)
1
Contre Basse
1
2 Altos (duo)
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Harpe, Flûte (duo)
1
Alto, Piano
1
2 Violons (duo)
1
Violoncelle , Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
117
Orchestre
17
Orchestre à Cordes
12
Ensemble Jazz
10
Batterie
9
Orchestre de chambre
6
Ensemble de Percussions
4
Ensemble de cuivres
4
Percussion
3
Orchestre, Violon
2
Batterie (partie séparée)
2
Jazz combo
1
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Logical
Guitare
Partitions à imprimer
17 partitions trouvées
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1
You Can Teach Yourself Jazz Guitar
Guitare
Guitar (flatpicking) - Beginning - Digital Download SKU: M0.95162BCDEB Composed by …
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Guitar (flatpicking) - Beginning - Digital Download SKU: M0.95162BCDEB Composed by John Griggs. You Can Teach Yourself. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #95162BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95162BCDEB). ISBN 9781610655026. 8.75x11.75 inches.This book is designed to prepare the aspiring jazz guitarist to arrange and improvise in a jazz style. Playing by ear is stressed from the very first exercise. You will learn 12-bar blues, 8-bar blues, and standards, as well as how to create fill-ins, improvise, develop ideas, play comping chords, develop a walking bass line, and more. Scales, chords, and arpeggios for the development of technical skills, ear training and fingerboard knowledge cover the niter fingerboard, and in all keys. You will learn how to develop a tune in a logical manner form the basic tune to a full-blown performance arrangement. In notation and tablature.The companion online recording contains all of the solos in the book (but not the etudes). The tracks are split with solo on the right channel and accompaniment on the left, and the count is given so that you can play along. The pieces are designed to develop technique as well as musicianship.
$14.99
13.59 €
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Guitare
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John Griggs
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You Can Teach Yourself Jazz Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Prelude, BWV 999
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1186697 By Gerry Saulter. By Johan…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1186697 By Gerry Saulter. By Johann Sebastian Bach. Arranged by Gerry Saulter. Baroque,Classical,Early Music. Individual part. 7 pages. Serenade Music #786346. Published by Serenade Music (A0.1186697). Johann Sebastian Bach likely composed this Prelude sometime between 1717-1723 while he served as Kapellmeister for Prince Leopold of Anhalt-Cöthen. My goal was to create a very playable arrangement that sounds beautiful. I started with developing left hand gestures and fingerings that would be simple and logical. The left hand gestures combine with the right hand arpeggio pattern help to enhance the lyrical quality of the down-stem voice, which is consistently played with the right hand thumb. Additionally, the simplified left hand function assists to give clarity to the moving sequential chord arpeggio. To help memorize the sequential chords, I have identified the implied chord harmony as it changes throughout the Prelude.I hope that this arrangement makes the process of learning this magical and beautiful Prelude a joyful one for every guitar player.
$6.99
6.34 €
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Guitare
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Gerry Saulter
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Gerry Saulter
#
Prelude, BWV 999
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Serenade Music
#
SheetMusicPlus
Carson Cooman: Dionis Dreaming (2002) for mandolin and guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.533634 Composed by Carson Cooman. …
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Solo Guitar - Level 5 - Digital Download SKU: A0.533634 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishing #3034035. Published by Musik Fabrik Music Publishing (A0.533634). Dionis Dreaming (2002) for mandolin and guitar was commissioned by Duo Ahlert andSchwab.The title refers to Dionis, a beach region on the north shore of Nantucket Island,Massachusetts USA. This work is one of a variety of pieces deeply connected to thelandscape of Nantucket. In this case, the work is about memory and psychological journeys,using the landscape of Dionis as a starting point. The material is one score for two players. Two copies should be printed.I. Obsessions and MemoriesII. Dune Dream (Fragment in the Sand)III. North Shore (Cantilena)IV. Spirit and Release
$25.95
23.53 €
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Guitare
#
Carson Cooman
#
Carson Cooman: Dionis Dreaming
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Demain La Terre
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1032558 Composed by Philippe Vieu.…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1032558 Composed by Philippe Vieu. Film/TV,Folk,Graduation,New Age,Pop. Individual part. 2 pages. Philip Viel #4983937. Published by Philip Viel (A0.1032558). A song (mellow but long and complicated !) about those who despise environment issues... Released (France) in 2018 but has been used in ecological marches around the world. A little girl sings at the end It's my planet, it's my struggle. We have to fight for it -we've got no choice.
$2.99
2.71 €
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Guitare
#
Philippe Vieu
#
 
#
Demain La Terre
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Philip Viel
#
SheetMusicPlus
S.L. Weiss Ciacconne SW10 for guitar. Preface & score. P. J. Gómez-J. Velázquez ed.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.943991 Composed by S.L. Weiss. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.943991 Composed by S.L. Weiss. Arranged by Pedro J. Gómez (arr.), Juan Velázquez (ed.). Baroque. Individual part. 35 pages. Pedro Jesús Gómez #4799321. Published by Pedro Jesús Gómez (A0.943991). First contemporary guitar arrangement of Weiss' baroque lute Ciacconne SW10, with musicological study and references from the original tablature. Arranged by Pedro Jesús Gómez and edited by Juan Velázquez
$8.99
8.15 €
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Guitare
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S
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Pedro J
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S.L. Weiss Ciacconne SW10 for guitar. Preface & score. P. J. Gómez-J. Velázquez ed.
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Pedro Jesús Gómez
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.35 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Jesu, Joy of Man's Desiring
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.940533 Composed by Johann Sebastia…
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Solo Guitar - Level 3 - Digital Download SKU: A0.940533 Composed by Johann Sebastian Bach. Arranged by Nick Clow. Concert,Instructional,Spiritual,Standards,Wedding. Individual part. 2 pages. Nick Clow #3379965. Published by Nick Clow (A0.940533). This famous piece is something of a crowd pleaser. It is often indicated to be an intermediate piece, but some versions are a little awkward for a piece at this level.This arrangement pays attention to left hand fingerings in order to smooth out some clunky sections. Bass notes are done away with in certain sections (with no loss to the musicality of the piece) to make it easier and more consistent. Hopefully this piece flows a little better than some others.The piece is set out tidily and logically on one page with one set of repeat bar lines. More fingerings are indicated than strictly necessary.The main tip for playing this piece relates to the unusual 9/8 tempo. Don't let it run away with you - play it solidly with a slowish pulse. That is the biggest challenge of this piece.
$2.99
2.71 €
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Guitare
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Johann Sebastian Bach
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Nick Clow
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Jesu, Joy of Man's Desiring
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Nick Clow
#
SheetMusicPlus
Preludio
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert Pieces from 6 Centuries for Guitar (easy). This edition: Sheet music. Guitar - classical music - original pieces. Guitarissimo. 130 leichte Vortragsstücke aus 6 Jahrhunderten für Gitarre. Downloadable. Schott Music - Digital #Q46314. Published by Schott Music - Digital (S9.Q46314). Preludio contains 130 easy attractive performance pieces from six centuries, thus offering the most important pieces for beginners' guitar lessons in one comprehensive volume. The repertoire is ideal for first performances at music schools, as pieces for competitions and examinations or just as a 'treasure trove' for teachers, pupils, students, and guitar lovers. The selected pieces can be played in the second to fourth year of guitar lessons. They are divided chronologically into five chapters and arranged progressively according to their level of difficulty. Each chapter refers to another epoch: Renaissance – Baroque – Classical period – Romanticism and early 20th century – modern, pop and world music. The result is a tune book which can already be used during or immediately after studying any guitar method. Most pieces can be played in the 1st and 2nd positions, without requiring any barré fingering or ties and slurs. The somewhat more difficult pieces that require small and large barré fingering as well as position playing are placed at the end of each chapter. The majority of the pieces are original works, and the editors have refrained from making any radical simplifications. Only a few difficult passages have alternatively been made easier to play such that the level of difficulty within a piece does not vary too much.
$21.99
19.94 €
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Guitare
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Preludio
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Schott Music - Digital
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.35 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.35 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.35 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
The Guitar Scales, Vol. 1
Guitare
By Philippe Ganter. For Guitar (All). All Styles. 96 pages. Published by Mel Bay Publicati…
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By Philippe Ganter. For Guitar (All). All Styles. 96 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610656931. The Guitar Scales Vol. 1 is a complete guide to the scales that beginning and intermediate guitarists need for practicing and soloing. Each chapter covers a specific approach to these basic scales, including examples, exercises and studies. Music scores including fingerings, tablatures and grid diagrams, along with logical, step by step explanations allow the student to build his own understanding as well as the technical and improvising skills. The online audio includes all music material of the book. Each example, exercise and study is recorded. In addition 8 rhythm section tracks provide a set of accompaniments for practical applications of each scale and its appropriate improvisational exercise. Includes access to online audio.ISBN 9781610656931. The Guitar Scales Vol. 1 is a complete guide to the scales that beginning and intermediate guitarists need for practicing and soloing. Each chapter covers a specific approach to these basic scales, including examples, exercises and studies. Music scores including fingerings, tablatures and grid diagrams, along with logical, step by step explanations allow the student to build his own understanding as well as the technical and improvising skills. The online audio includes all music material of the book. Each example, exercise and study is recorded. In addition 8 rhythm section tracks provide a set of accompaniments for practical applications of each scale and its appropriate improvisational exercise. Includes access to online audio.
$17.99
16.31 €
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Guitare
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Philippe Ganter
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The Guitar Scales, Vol. 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Roger Hodgson: The Logical Song for guitar
Guitare
Instantly downloadable sheet music by Roger Hodgson for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Roger Hodgson for guitar of MEDIUM skill level.
$2.99
2.71 €
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Guitare
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Roger Hodgson
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Virtualsheetmusic
Master Pick Style Guitar Technique
Guitare
Guitar - Beginning - Intermediate - Digital Download Jazz. E-book. 164 pages. Mel B…
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Guitar - Beginning - Intermediate - Digital Download Jazz. E-book. 164 pages. Mel Bay Publications - Digital Sheet Music #93856EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455501. 8.75 x 11.75 inches.<br> <br> Master Pick Style Guitar Technique: A Natural Approach teaches you to develop a technically correct and musical approach to playing the guitar. It is a straight-forward summation of what the author learned, observed and put into practice about music, digested into a logical, systematic and musically oriented way of approaching the problems of building capability and knowledge about the guitar. It is a way you can learn to build the competence that will allow you to play your own music and other peoples music without technical limitations.ISBN 9781513455501. 8.75 x 11.75 inches.<br> <br> Master Pick Style Guitar Technique: A Natural Approach teaches you to develop a technically correct and musical approach to playing the guitar. It is a straight-forward summation of what the author learned, observed and put into practice about music, digested into a logical, systematic and musically oriented way of approaching the problems of building capability and knowledge about the guitar. It is a way you can learn to build the competence that will allow you to play your own music and other peoples music without technical limitations.
$24.99
22.66 €
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Guitare
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Master Pick Style Guitar Technique
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar for Seniors
Guitare
By Mike Christiansen. For Guitar (All). All Styles. 120 pages. Published by Mel Bay Public…
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By Mike Christiansen. For Guitar (All). All Styles. 120 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610658539. This is a beginning guitar method. The contents of this book present the fundamentals of playing guitar in a sequence making the material logical and easy to learn. The primary difference between this method and many others is that this book is written for seniors wanting to learn to play the guitar. While many would say that getting on in years is only a state of mind, the fact is that some of the body parts (including the eyes) don't function quite the same as they did in younger years. With this in mind, the font has purposely been enlarged. Care has been taken to select repertoire familiar and appealing to a more mature audience and attention has been given to the pacing of the material. Includes access to online audio.ISBN 9781610658539. This is a beginning guitar method. The contents of this book present the fundamentals of playing guitar in a sequence making the material logical and easy to learn. The primary difference between this method and many others is that this book is written for seniors wanting to learn to play the guitar. While many would say that getting on in years is only a state of mind, the fact is that some of the body parts (including the eyes) don't function quite the same as they did in younger years. With this in mind, the font has purposely been enlarged. Care has been taken to select repertoire familiar and appealing to a more mature audience and attention has been given to the pacing of the material. Includes access to online audio.
$17.99
16.31 €
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Guitare
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Mike Christiansen
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Guitar for Seniors
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Classical Guitar Pedagogy
Guitare
By Anthony L Glise. For Guitar (Classical). Classic. Published by Mel Bay Publications, In…
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By Anthony L Glise. For Guitar (Classical). Classic. Published by Mel Bay Publications, Inc
ISBN 9781609740948. This comprehensive, illustrated text offers an in-depth look at the mechanics and musical thought process of teaching the classical guitar the "why" rather than the "how" the classical guitarist does things a certain way. In the author's words, "Classical Guitar Pedagogy is the study of how to teach guitarists to teach." This university-level text will be of enormous assistance to the teacher in explaining the musical, anatomical, technical, and psychological underpinning of guitar performance. It contains ideas and techniques to help organize your teaching more efficiently, plus tips on career development as a classical guitar teacher and performer. If you make your living as a classical guitar teacher/performer you owe it to yourself and your students to get this book.ISBN 9781609740948. This comprehensive, illustrated text offers an in-depth look at the mechanics and musical thought process of teaching the classical guitar the "why" rather than the "how" the classical guitarist does things a certain way. In the author's words, "Classical Guitar Pedagogy is the study of how to teach guitarists to teach." This university-level text will be of enormous assistance to the teacher in explaining the musical, anatomical, technical, and psychological underpinning of guitar performance. It contains ideas and techniques to help organize your teaching more efficiently, plus tips on career development as a classical guitar teacher and performer. If you make your living as a classical guitar teacher/performer you owe it to yourself and your students to get this book.
$29.99
27.19 €
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Guitare
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Anthony L Glise
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Classical Guitar Pedagogy
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Mel Bay Publications, Inc
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SheetMusicPlus
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