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ACCORDEON
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PIANO & CLAVIERS
Piano seul
490
Piano, Voix et Guitare
370
Piano, Voix
333
Piano Facile
270
Instruments en Do
115
Orgue
27
Accompagnement Piano
15
1 Piano, 4 mains
11
Piano grosses notes
10
Piano Trio: piano, violon, violoncelle
9
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5
Accordéon
4
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4
2 Pianos, 4 mains
3
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3
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1
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GUITARES
Guitare notes et tablatures
80
Guitare
54
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43
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34
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8
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7
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6
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4
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2
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2
Banjo
2
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1
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1
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1
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VOIX
Chorale SATB
224
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67
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54
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35
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35
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20
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19
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12
Voix haute
7
Voix duo
4
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3
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2
Voix basse
1
Chorale SSAATTBB
1
Voix Alto, Piano
1
Chorale SSATB
1
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1
Voix Tenor
1
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VENTS
Flûte traversière et Piano
93
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74
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61
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54
Clarinette
53
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45
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43
2 Saxophones (duo)
37
Saxophone Tenor et Piano
36
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35
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34
Saxophone Alto
28
Saxophone Soprano et Piano
24
Hautbois (partie séparée)
23
Ensemble de Flûtes
22
2 Clarinettes (duo)
22
Flûte, Hautbois, Clarinette, Basson
20
Clarinette (partie séparée)
19
Quatuor de Clarinettes: 4 clarinettes
18
Ensemble de Clarinettes
15
Saxophone Baryton, Piano
15
Saxophone
14
Quatuor de Flûtes : 4 flûtes
13
2 Flûtes traversières (duo)
13
Saxophone, Clarinette (duo)
12
Cor anglais, Piano
12
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10
Saxophone Tenor
10
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10
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9
3 Clarinettes (trio)
9
Ensemble de saxophones
8
2 Hautbois (duo)
7
Quintette de Saxophone: 5 saxophones
7
Flûte, Alto (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Basson (duo)
6
Flûte à Bec
6
Clarinette et Alto
5
Flûte, Violon
5
Hautbois, Flûte
5
Clarinette Basse, Piano
5
3 Saxophones (trio)
5
Flûte, Clarinette et Basson
4
Clarinette, Harpe (duo)
4
Clarinette, Guitare (duo)
4
Flute (partie séparée)
4
Flûte à bec Soprano
4
Hautbois
3
Flûte, Saxophone (duo)
3
Cor Anglais
3
Flûte à bec Alto, Piano
3
Flûte et Guitare
3
Flûte à bec Alto
2
Flûte, Violoncelle
2
Hautbois, Clarinette (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Basson (duo)
2
Piccolo, Piano
2
Flûte, Violon, Piano
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Hautbois, Violoncelle
1
Flûte, Trompette (duo)
1
Clarinette, Violoncelle (duo)
1
3 Flûtes à bec (trio)
1
5 Flûtes à bec
1
Flûte irlandaise
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec, Piano
1
Flûte à bec Soprano, Piano
1
Quintette de Flûte : 5 flûtes
1
Clarinette Basse
1
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CUIVRES
Trompette
57
Trombone et Piano
48
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Trompette, Piano
43
Trombone
40
Cor et Piano
39
Trompette (partie séparée)
31
Cor
29
Tuba
18
Tuba et Piano
18
Quatuor de cuivres: 4 trombones
14
Trombone (partie séparée)
14
Euphonium, Piano (duo)
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Cor anglais, Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
2 Trompettes (duo)
9
Trompette, Saxophone (duo)
8
Trompette, Trombone (duo)
8
2 Trombones (duo)
8
Quatuor de Cuivres
7
Tuba (partie séparée)
6
Cor (partie séparée)
5
Euphonium
5
2 Cors (duo)
4
Ensemble de Trompettes
3
Cor Anglais
3
Quatuor de cuivres: 4 cors
2
Tuba et Orgue
2
Ensemble de Trombones
2
Ensemble de Cors
2
Trombone basse et Piano
1
Euphonium, Tuba (duo)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Cor (duo)
1
Trio de Cuivres
1
2 Euphoniums (duo)
1
3 Trombones (trio)
1
Ensemble de Tubas
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Cor, Trompette, Trombone (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
109
Violon et Piano
94
Violoncelle, Piano
88
Alto, Piano
75
Violon
57
Violon, Violoncelle (duo)
39
Violoncelle (partie séparée)
33
Alto seul
32
Harpe
29
Violon (partie séparée)
21
Violoncelle
21
Trio à Cordes: 2 violons, violoncelle
20
2 Violoncelles (duo)
18
Violon, Alto (duo)
17
Trio à Cordes: violon, alto, violoncelle
16
Alto, Violoncelle (duo)
15
Contre Basse
13
Contrebasse, Piano (duo)
13
2 Violons (duo)
11
Alto (partie séparée)
9
2 Altos (duo)
7
2 Harpes (duo)
5
Violon, Guitare (duo)
5
Contrebasse (partie séparée)
5
Harpe, Voix
5
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 violins
3
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Flûte (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à Cordes: 3 violoncelles
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
341
Batterie
136
Orchestre
71
Orchestre à Cordes
61
Ensemble Jazz
52
Ensemble de cuivres
32
Jazz combo
21
Cloches
20
Percussion (partie séparée)
18
Orchestre de chambre
18
Ensemble de Percussions
11
Fanfare
10
Xylophone, Piano
4
Marimba
4
Batterie (partie séparée)
3
Xylophone
3
2 Xylophones
1
Piano et Orchestre
1
Vibraphone et Marimba
1
Voix et Orchestre
1
Caisse Claire
1
Instrumentations suivantes
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AUTRES
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Long Way Down
Guitare
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Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
11.07 €
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Guitare
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Milonga Oriental
Guitare
Composed by Abel Carlevaro (1916-2001). Downloadable. Duration 2' 36. Chanterelle…
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Composed by Abel Carlevaro (1916-2001). Downloadable. Duration 2' 36. Chanterelle #Q581218. Published by Chanterelle
English • Spanish.<br> <br> Born in Montevideo, guitarist, composer and teacher Abel Carlevaro (1916-2001), who always lived in Uruguay, was one of the most important figures in the history of the guitar, because he revolutionized the art of guitar playing and his pedagogy created a completely unique methodology. “Milonga Oriental” is a charming and very catchy Milonga from the East of Uruguay and a later work by Carlevaro.
$7.99
7.37 €
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Guitare
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Abel Carlevaro (1916-2001)
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36
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Milonga Oriental
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Chanterelle
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SheetMusicPlus
Long Blue Highway
Guitare
Solo Guitar - Digital Download SKU: A0.1025001 Composed by Robert Dingus-DeVille. C…
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Solo Guitar - Digital Download SKU: A0.1025001 Composed by Robert Dingus-DeVille. Country,Pop,Rock. Individual part. 2 pages. Robert Dingus-DeVille #4326019. Published by Robert Dingus-DeVille (A0.1025001). This is a an old-school, Hank Sr., type of country song. It's all about being so hurt and angry that one loses any capability of thinking rationally. Includes both lead sheet and melody score.
$2.99
2.76 €
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Guitare
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Robert Dingus-DeVille
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Long Blue Highway
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Robert Dingus-DeVille
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SheetMusicPlus
Mother's Way
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1434548 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1434548 By The Candlelight Guitarist. By Bradley Powell. Classical,Country,Folk,Holiday,Jazz. Individual part. 8 pages. Geofonica Artistworks #1014684. Published by Geofonica Artistworks (A0.1434548). In honor and tribute to a mother, this is an instrumental guitar solo (with optional lyrics included), as recorded by The Candlelight Guitarist, with music and lyrics composed by Bradley Powell. The piece seemlessly blends country, jazz, folk and classical guitar styles, and the lyrics are heartfelt, warm, loving and positive.It's an intermediate level fingerstyle-classical guitar solo (comparable in difficulty to an easier Sor or Carcassi etude, or Beatle song played as intrumental solo). This sheet music is in Standard notation... (a version in Standard notation with TAB is also available). You can see Brad Powell's performance of the piece on the YouTube link provided below.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$4.99
4.61 €
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Guitare
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The Candlelight Guitarist
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Mother's Way
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Geofonica Artistworks
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SheetMusicPlus
Long ago and far away for guitar solo (mp3)
Guitare
Guitar - Digital Download SKU: A0.1059707 Composed by Jerome Kern. Arranged by Davi…
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Guitar - Digital Download SKU: A0.1059707 Composed by Jerome Kern. Arranged by David Warin Solomons. 20th Century,Musical/Show. Full Performance. Duration 165. David Warin Solomons #3874393. Published by David Warin Solomons (A0.1059707). Score:
$2.60
2.4 €
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Guitare
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Jerome Kern
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David Warin Solomons
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Long ago and far away for guitar solo
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David Warin Solomons
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SheetMusicPlus
Long ago and far away for classical guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.576468 Composed by Jerome Kern. Ar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.576468 Composed by Jerome Kern. Arranged by David Warin Solomons. 20th Century. Individual part. 2 pages. David Warin Solomons #26621. Published by David Warin Solomons (A0.576468). Medium difficulty arrangement for solo classical guitar of Jerome Kern's song. The sound sample is my own performance.
$7.00
6.46 €
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Guitare
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Jerome Kern
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David Warin Solomons
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Long ago and far away for classical guitar
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David Warin Solomons
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SheetMusicPlus
Away in a Manger
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1316196 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1316196 By The Candlelight Guitarist. By Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 3 pages. Geofonica Artistworks #904933. Published by Geofonica Artistworks (A0.1316196). This arrangement of Away in a Manger is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. Away in a Manger can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 2:38 (see YouTube timeline). The entire Christmas Suite 1225 is available for pruchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
2.76 €
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Guitare
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The Candlelight Guitarist
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Bradley Powell
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Away in a Manger
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Geofonica Artistworks
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SheetMusicPlus
How Long Has This Been Going On? (arr. Matt Otten)
Guitare
Solo Guitar - Digital Download SKU: HX.504973 Arranged by Matt Otten. This edition:…
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Solo Guitar - Digital Download SKU: HX.504973 Arranged by Matt Otten. This edition: scorch. Broadway,Jazz,Standards. Individual part. 6 pages. Published by Hal Leonard - Digital (HX.504973).
$4.99
4.61 €
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Guitare
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Matt Otten
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How Long Has This Been Going On?
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Hal Leonard - Digital
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SheetMusicPlus
Away
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1388343 Composed by Cheryl Terhune…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1388343 Composed by Cheryl Terhune Cronk. Arranged by Cheryl Terhune Cronk. 21st Century,Classical,Contemporary. Individual part. 7 pages. Foxglove Music Press #971940. Published by Foxglove Music Press (A0.1388343). For Solo Guitar, this intermediate piece helps develop knowledge of the keyboard from 1st to 12th position.  Written in the key of G and with tablature, it is a light pleasant piece that hints of longing.
$5.99
5.53 €
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Guitare
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Cheryl Terhune Cronk
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Cheryl Terhune Cronk
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Away
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Foxglove Music Press
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SheetMusicPlus
Evil Ways
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.582339 By Santana. By Sonny Henry.…
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Solo Guitar - Level 2 - Digital Download SKU: A0.582339 By Santana. By Sonny Henry. Arranged by Jeff Tincher. Latin,Pop,Rock. Individual part. 11 pages. Jeff Tincher #3024585. Published by Jeff Tincher (A0.582339). This is a guitar tab/vocal arrangement of Santana's first big hit. This is the single version, which appears on the Greatest Hits CD. The single version does not have the complete organ solo. This is a score transcription from the original key. Great for any live performances of playing along with the record. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftinktincher.
$4.99
4.61 €
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Guitare
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Santana
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Jeff Tincher
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Evil Ways
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Jeff Tincher
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SheetMusicPlus
Blind Joe Death
Guitare
Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.30599EB Composed b…
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Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.30599EB Composed by Andrew Lardner. Adult Contemporary. Contemporary. E-book. Mel Bay Publications - Digital Sheet Music #30599EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30599EB). ISBN 9781619117198. 8.75x11.75 inches.John Fahey transformed the world of acoustic flat-top steel-string guitar by bringing it to the concert stage as a respected, solo instrument. Blind Joe Death: Volume 1 looks at the important people and genres that shaped him as a composer. This volume focuses on Side 1 of the original 1967 Blind Joe Death LP, a collection of mostly traditional music that was adapted for solo guitar. Hints of Fahey's early influences endured throughout his career as a composer, yet early on, and in Blind Joe Death, a unique voice is coming into focus-one that is not afraid to explore the avant-garde with journeys into collage and expressionism. Six extensively edited solos from Blind Joe Death are included in Volume 1: On Doing an Evil Deed Blues, St. Louis Blues, Poor Boy a Long Ways from Home, Uncloudy Day, John Henry and In Christ There Is No East or West. Within these transcriptions, Andrew Lardner has provided admirers of John Fahey's body of work with the essential keys to launch their own journeys into replicating the sounds and style of Fahey's landmark solos from Blind Joe Death.
$17.99
16.6 €
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Guitare
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Andrew Lardner
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Blind Joe Death
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
10 Sketches
Guitare
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4261 Composed by José Mora-Jiménez.…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4261 Composed by José Mora-Jiménez. Score. 21 pages. Les Productions d'OZ - Digital #DZ 4261. Published by Les Productions d'OZ - Digital
Après avoir été quelque temps éloigné de la composition classique, j'ai décidé de me lancer un défi et d'écrire un court morceau de guitare par jour. Je l'ai fait pendant un mois et j'ai fini avec une vingtaine de "Sketches". L'idée de départ était de réaliser des pièces courtes pour les enfants. Certaines se sont révélées trop difficiles pour les étudiants et pourraient donc devenir des pièces plus longues à l'avenir. D?autres, je n?ai tout simplement pas beaucoup aimé. Au final, j'ai sélectionné les 10 Sketches qui m'ont le plus plu. Ces 10 morceaux sont destinés à des joueurs de niveau intermédiaire et chacun d'entre eux se concentre sur un aspect technique ou musical. After being some time away from classical composition I decided to challenge myself and write one short guitar piece daily. I did it for a month and ended up with around 20 "Sketches". The original idea was to make short pieces for children. Some turned out to be too difficult for students, so they might become longer pieces in the future. Some others I just didn't like that much. In the end I selected the 10 Sketches that I liked the most. These 10 pieces are intended for intermediate level players and each of them focuses on a technical or musical aspect.
$10.95
10.11 €
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Guitare
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José Mora-Jiménez
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10 Sketches
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Les Productions d'OZ - Digital
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SheetMusicPlus
Malcolm Young: It's A Long Way To The Top (If You Wanna Rock 'N' Roll) for guitar
Guitare
Instantly downloadable sheet music by Malcolm Young for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Malcolm Young for guitar of MEDIUM skill level.
$2.99
2.76 €
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Guitare
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Malcolm Young
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Virtualsheetmusic
Neve
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914745 Composed by Eric J Roth. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914745 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 6 pages. Eric J Roth #5733799. Published by Eric J Roth (A0.914745). Two pages of music.Neve (pronounced NEEV) is an ancestral name within my family, to whom this piece is dedicated. The word appears in multiple languages and has a variety of meanings. In British English, Neve has two definitions, both of which have long been out of common usage. The first definition refers to a younger male relative such as a nephew or grandson. The second refers to a spendthrift. Neve is also found in Irish as a girl’s name. In various Latin and Romance languages, it refers to snow or glaciers. Neve is one of a set of four pieces composed in late 2019 and early 2020. The publication of the entire set is forthcoming, but I am also offering Neve here as a short standalone work. Composed for guitar solo, Neve evokes a young boy’s leisurely daydream. The 3/2 time signature, marked andante, and opening G major tonality convey the sense of a lazy weekend day outside in the woods or by the water. Like many daydreams, Neve starts out simply before wandering off into different moods and ideas. A recurring transitional passage (set as a quasi hemiola) serves to modulate to new tonal areas, each of which has its own distinct character. The brief section in A Dorian is marked con moto and evokes the thoughts of excitement and adventure. This is followed by a contrapuntal section in E minor with hints of Dorian. The mood here is more subdued and perhaps even melancholy. The penultimate section in C# minor (with hints of pentatonic and Phrygian) suggests a longing for faraway exotic places before returning to G major to end the piece.
$2.99
2.76 €
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Guitare
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Eric J Roth
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Neve
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Eric J Roth
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.46 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Intermediate Pieces for Classical Guitar
Guitare
Guitar - Intermediate - Digital Download Composed by Lily Afshar. Classical. E-book. …
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Guitar - Intermediate - Digital Download Composed by Lily Afshar. Classical. E-book. 116 pages. Mel Bay Publications - Digital Sheet Music #30832EB. Published by Mel Bay Publications - Digital Sheet Music (
ISBN 9781513455006.<br> <br> Intermediate-level guitarists will enjoy playing through this varied collection of pieces, all in one volume. A wide gamut of composers from the Renaissance to the nineteenth century is included, along with a few anonymous contributions. Continuing with the techniques and carefully thought-out fingerings and notation employed in Dr. Afshars previous publication (Beginning Pieces for Classical Guitar), selections like Carcassi Study #3 and Sor Studies Nos. 5 and 6 require the execution of rest stroke technique on their melodies in order to distinguish them clearly from the concurrent free-stroke accompaniment. In the same spirit, Study No. 5 by Fernando Sor has been written out in a way that clearly shows the melody as it appears on beats one and three. The nine-movement suites by Gaspar Sanz and Robert de Visee introduce the student guitarist to Baroque dances and ornamentation.
$17.99
16.6 €
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Guitare
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Lily Afshar
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Intermediate Pieces for Classical Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Recuerdos de la Alhanbra for Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Franc…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
1.84 €
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Guitare
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Keith Terrett
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Keith Terrett
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Recuerdos de la Alhanbra for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Wallpaper Music
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1265015 By Gregory John Madge. By …
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Solo Guitar - Level 2 - Digital Download SKU: A0.1265015 By Gregory John Madge. By Gregory John Madge. Arranged by Gregory John Madge. 21st Century,Classical. Individual part. 15 pages. Gregory Madge #857857. Published by Gregory Madge (A0.1265015). A 'wallpaper gig'consists of a restaurant or caféhiring a musician to add 'atmosphere' in thebackground as their diners or customers enjoy their refreshments. Musicians spend years preparing concert pieces to amaze and move audiences, but are they always appropriate in the relaxed setting of a café?These ten pieces aim to give the performer repertoire which they can use in these situations. Each piece is written to convey emotion, but not disturb the diner. Structurally, they consist of one or two sections with long harmonic progressions. This should allow the player to repeat each section as many times as they likewithout the audience noticing or becoming bored. I have included suggested structures in the scores, but these are suggestions only. This is true of the tempo markings as well. Feel free to slow the pieces down when a calmer atmosphere is required and the opposite when customers are a little livlier.
$1.99
1.84 €
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Guitare
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Gregory John Madge
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Gregory John Madge
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Wallpaper Music
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Gregory Madge
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SheetMusicPlus
Angels We Have Heard on High
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1292094 Composed by Music:Traditio…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1292094 Composed by Music:Traditional / Words by: James Chadwick. Arranged by John Chamley. Christian,Christmas,Classical,Folk,Traditional. Individual part. 3 pages. John Chamley #882686. Published by John Chamley (A0.1292094). This is a festive and fun piece. It will probably take some preparing to play this up to speed if you want to play it fast. The chorus has a nice counterÂmelody in the bass. The main melody also switches octaves as you might hear a choir exchange parts between the different voices. The first verse stays in the main voice, then the 2nd verse moves up an octave, then down to the bass strings. A certain amount of syncopation will keep the fingers busy on the right hand. The left will need to handle a few stretches but nothing outrageous. A 1/2 barre is required at one point along the way.
$2.99
2.76 €
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Guitare
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Music:Traditional / Words by: James Chadwick
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John Chamley
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Angels We Have Heard on High
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John Chamley
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.65 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.84 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Melody Guitar Book 2: Strings 4-6
Guitare
Guitar - Level 1 - Digital Download SKU: A0.977918 Composed by Tom Godfrey. Instruc…
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Guitar - Level 1 - Digital Download SKU: A0.977918 Composed by Tom Godfrey. Instructional. Educational Method. 92 pages. Tom Godfrey #4822759. Published by Tom Godfrey (A0.977918). The Godfrey Guitar System series includes four Melody Guitar books that focus on melody playing and music reading and three Rhythm Guitar books that focus on chords and accompaniment patterns. Melody Guitar Book 2 picks up where Melody Guitar Book 1, leaves off. You will learn notes on strings 4-6, as well as the minor pentatonic, blues, and chromatic scales as you progress through 160 melodies and exercises. Along the way, you will be introduced to sharps and flats, articulations, musical roadmaps, tempo markings, and much more. Melody Guitar Book 2 also includes several duets that you can play with a friend or a teacher. The Melody Guitar and Rhythm Guitar books together will help you build a solid foundation for any style of music. Visit www.godfreyguitarlessons.com for free supplementary downloads and online lesson information.
$11.00
10.15 €
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Guitare
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Tom Godfrey
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Melody Guitar Book 2: Strings 4-6
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Tom Godfrey
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SheetMusicPlus
Study: Secondary Dominance
Guitare
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1163714 Composed by Brian…
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Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1163714 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Score. 1 pages. Brian Streckfus #764059. Published by Brian Streckfus (A0.1163714). This piece gives practice in understanding sophisticated chord progressions that use secondary dominance (temporary key changes). For Example:Key of E minor:G E7 Am The E7 chord does not belong (diatonic) in the key of E minor. However, it is the V7 chord of the A minor chord. Therefor, the E7 chord is a dominant chord, it is just not the primary dominant 7th chord in the key of e minor, it's a secondary one. In measure 13 of this piece there is a G#dim7 chord that leads steretypically to A minor. This is the same trick explained earlier, just the chords are ever so slightly different by one note, drastically changing the name of the chord. G#dim7 does not belong (diatonic) in the key of E minor. Tips:1. Secondary dominance allows a composer to get to any chord and key in a seamless sounding way.2. Secondary dominance is a common way to incorporate more chromaticism in compositions.
$1.99
1.84 €
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Guitare
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Brian Streckfus
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Study: Secondary Dominance
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Brian Streckfus
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SheetMusicPlus
Midsummer Moon
Guitare
Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.95552EB Award-W…
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Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.95552EB Award-Winning Fingerstyle Guitar Solos. Composed by Al Petteway. Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #95552EB. Published by Mel Bay Publications - Digital Sheet Music (M0.95552EB). ISBN 9781619119215. 8.75x11.75 inches.Master guitarist Al Petteway ventures into new territory with 15 Celtic-inspired, traditional, and New Age fingerstyle compositions in standard and alternate tunings. Derived from Al’s award-winning solo recording of the same title, each piece bears the inimitable Petteway signature of profoundly graceful, inspired innovation. Written in standard notation and tab with several pieces in alternate tunings. Al began his professional music career at the age of 11. He played guitar, drums, and string bass with a variety of rock and folk acts in the Washington D.C. area during the 60’s, becoming a local legend by the time he went to college to study music composition in 1970. In 1977, Al took a job with The National Geographic Society. His work as Supervisor of Picture Editing for the society’s Image Collection, gave him the artistic freedom to develop his own acoustic guitar style. While long recognized as one of the country’s foremost bluegrass and folk sidemen, Celtic music specialty label Maggie’s Music signed Al in 1993 and released Whispering Stones following by The Waters and the Wild-exposing his solo acoustic guitar work to an international audience for the first time. Al left the National Geographic to become a full-time musician in the spring of 1995, just before the release of Midsummer Moon.
$17.99
16.6 €
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Guitare
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Al Petteway
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Midsummer Moon
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar Sonata No. 2 in C major
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.985324 Composed by Jeremiah Lawson…
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Solo Guitar - Level 3 - Digital Download SKU: A0.985324 Composed by Jeremiah Lawson. Contemporary. Individual part. 6 pages. Jeremiah Lawson #6012227. Published by Jeremiah Lawson (A0.985324). I composed my second guitar sonata in 2010. Guitar Sonata No. 2 in C major is six pages long, has two movements, and its estimated performance time is 8:30 to 9:00. The first movement, Inner Visions & Power Puffs, is a zippy sonata form opening with a 12-bar blues Theme 1. After a conventional modulating transition Theme 2 appears in the traditional key of G major. The title of the movement alludes to the Stevie Wonder album Innervisions and, of course, the Powerpuff Girls. The sonata form has a climax by way of three Bartok pizzicati on the dominant pedal to depict the girls defeating Mojo Jojo and putting him in jail. The second movement is a lullaby with variations. The lullaby is an original song I used to sing for one of my nieces to help her fall asleep. The complete sonata has been recorded by Daniel Estrem and is available on the Magnatune release Estrem Plays Lawson.http://magnatune.com/artists/albums/estrem-estremlawson/I played movement 1 at a Seattle Classic Guitar Society open mic in 2012 on a warm summer Friday night and there were kids playing and screaming in the background, which helped set the mood of the sonata rather than break it.
$5.00
4.61 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 2 in C major
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Jeremiah Lawson
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SheetMusicPlus
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