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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Love Is Free
Non classifié
172
Piano & claviers
Piano seul
169
Piano, Voix
105
Piano Facile
80
Piano, Voix et Guitare
49
Instruments en Do
45
Orgue
8
1 Piano, 4 mains
5
Orgue, Piano (duo)
2
Accordéon
2
Accompagnement Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Basse electrique
28
Guitare
24
Guitare notes et tablatures
16
Ligne De Mélodie, (Paroles) et Accords
3
Ukulele
3
2 Guitares (duo)
2
2 Mandolines (duo)
2
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Mandoline
1
Paroles et Accords
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
97
Chorale 3 parties
44
Chorale 2 parties
15
Voix seule
13
Voix Alto, Piano
10
Voix Soprano, Piano
10
Chorale TTBB
8
Chorale Unison
5
Voix duo, Piano
4
Voix haute
3
Voix moyenne, Piano
2
Voix basse, Piano
1
Voix Tenor, Piano
1
Chorale SSAA
1
+ 9 instrumentations
Retracter
Vents
Saxophone
147
Flûte traversière
67
Clarinette
61
Saxophone Alto
24
Flûte traversière et Piano
18
Saxophone Tenor
18
Hautbois, Piano (duo)
15
Clarinette et Piano
15
Saxophone Alto et Piano
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
2 Saxophones (duo)
9
2 Flûtes traversières (duo)
9
Quatuor de Saxophones: 4 saxophones
9
Saxophone (partie séparée)
8
Quintette de Saxophone: 5 saxophones
6
Saxophone Tenor et Piano
5
Flûte et Guitare
5
Hautbois (partie séparée)
5
Saxophone, Clarinette (duo)
5
Clarinette, Guitare (duo)
4
Hautbois
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette, Violon (duo)
3
2 Clarinettes (duo)
3
Ensemble de Flûtes
3
Clarinette, Trompette (duo)
3
Hautbois, Basson (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Hautbois, Clarinette (duo)
2
2 Hautbois (duo)
2
Flûte, Alto et Piano
2
Clarinette et Alto
2
Hautbois, Guitare (duo)
2
Flûte à Bec
2
Flûte, Violon
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois, Flûte
2
Ensemble de Clarinettes
2
Flûte, Clarinette (duo)
1
Saxophone Baryton, Piano
1
Flûte, Saxophone (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette Basse, Piano
1
Ensemble de saxophones
1
2 Clarinettes, Piano
1
Flûte, Alto (duo)
1
Cor anglais, Piano
1
Saxophone Soprano
1
Flûte, Trompette (duo)
1
Saxophone Soprano et Piano
1
+ 45 instrumentations
Retracter
Cuivres
Trompette
83
Trombone
68
Trompette, Piano
14
Cor et Piano
13
Trombone et Piano
13
Tuba et Piano
10
Cor
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Saxophone (duo)
4
Euphonium, Piano (duo)
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
2 Trombones (duo)
1
Trompette (partie séparée)
1
Cor, Violoncelle (duo)
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais, Piano
1
3 Euphoniums
1
Quatuor de cuivres: 4 cors
1
+ 19 instrumentations
Retracter
Cordes
Violon
78
Quatuor à cordes: 2 violons, alto, violoncelle
77
Violoncelle
48
Violon et Piano
29
Violoncelle, Piano
19
Alto, Piano
16
Trio à Cordes: violon, alto, violoncelle
14
Harpe
13
Violon, Violoncelle (duo)
12
Alto seul
7
2 Violons (duo)
6
Contrebasse, Piano (duo)
5
Violon, Alto (duo)
5
Trio à Cordes: 3 violoncelles
4
2 Altos (duo)
4
2 Violoncelles (duo)
3
Violon, Guitare (duo)
3
Violoncelle , Guitare (duo)
2
Alto, Violoncelle (duo)
2
Ensemble de Violons
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Guitare (duo)
2
Alto (partie séparée)
2
Ensemble d'Altos
2
4 Violoncelles
1
Violon (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
27
Ensemble Jazz
20
Batterie
18
Orchestre
15
Ensemble de cuivres
14
Orchestre d'harmonie
14
Orchestre de chambre
8
Ensemble de Percussions
4
Cloches
2
Fanfare
1
Marimba
1
+ 6 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Love Is Free
Guitare
Partitions à imprimer
24 partitions trouvées
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1
Melody Gardot : Our Love Is Easy (niveau intermédiaire)
Guitare
Téléchargez la tablature et la partition Guitare Our Love Is Easy (niveau in…
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Téléchargez la tablature et la partition Guitare Our Love Is Easy (niveau intermédiaire) de Melody Gardot. Tab pour Lead Guitar -- Jazz
5.99 €
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Guitare
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Melody Gardot
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Our Love Is Easy
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Tomplay
Melody Gardot : Our Love Is Easy (niveau très facile)
Guitare
Téléchargez la tablature et la partition Guitare Our Love Is Easy (niveau tr…
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Téléchargez la tablature et la partition Guitare Our Love Is Easy (niveau très facile) de Melody Gardot. Tab pour Lead Guitar -- Jazz
5.99 €
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Guitare
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Melody Gardot
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Our Love Is Easy
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Tomplay
Melody Gardot : Our Love Is Easy (niveau facile/intermédiaire)
Guitare
Téléchargez la tablature et la partition Guitare Our Love Is Easy (niveau fa…
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Téléchargez la tablature et la partition Guitare Our Love Is Easy (niveau facile/intermédiaire) de Melody Gardot. Tab pour Lead Guitar -- Jazz
5.99 €
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Guitare
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Melody Gardot
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Our Love Is Easy
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Tomplay
Melody Gardot : Our Love Is Easy (niveau facile)
Guitare
Téléchargez la tablature et la partition Guitare Our Love Is Easy (niveau fa…
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Téléchargez la tablature et la partition Guitare Our Love Is Easy (niveau facile) de Melody Gardot. Tab pour Lead Guitar -- Jazz
5.99 €
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Guitare
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Melody Gardot
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Our Love Is Easy
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Tomplay
Melody Gardot : Our Love Is Easy (niveau difficile)
Guitare
Téléchargez la tablature et la partition Guitare Our Love Is Easy (niveau di…
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Téléchargez la tablature et la partition Guitare Our Love Is Easy (niveau difficile) de Melody Gardot. Tab pour Lead Guitar -- Jazz
5.99 €
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Guitare
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Melody Gardot
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Our Love Is Easy
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Tomplay
Bee Gees : Saturday Night Fever - How Deep Is Your Love (niveau facile/intermédiaire, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Saturday Night Fever - How …
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Téléchargez la tablature et la partition Guitare Saturday Night Fever - How Deep Is Your Love (niveau facile/intermédiaire, guitare d'accompagnement) de Bee Gees. Tab pour Guitare d'accompagnement -- Musique de film
5.99 €
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Guitare
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Bee Gees
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Saturday Night Fever
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Tomplay
The Beatles : All You Need Is Love (niveau facile/intermédiaire, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare All You Need Is Love (nivea…
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Téléchargez la tablature et la partition Guitare All You Need Is Love (niveau facile/intermédiaire, guitare d'accompagnement) de The Beatles. Tab pour Guitare d'accompagnement -- Pop/rock
5.99 €
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Guitare
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The Beatles
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All You Need Is Love
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Tomplay
Bee Gees : Saturday Night Fever - How Deep Is Your Love (niveau facile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Saturday Night Fever - How …
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Téléchargez la tablature et la partition Guitare Saturday Night Fever - How Deep Is Your Love (niveau facile, guitare d'accompagnement) de Bee Gees. Tab pour Guitare d'accompagnement -- Musique de film
5.99 €
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Guitare
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Bee Gees
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Saturday Night Fever
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Tomplay
Bee Gees : Saturday Night Fever - How Deep Is Your Love (niveau très facile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Saturday Night Fever - How …
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Téléchargez la tablature et la partition Guitare Saturday Night Fever - How Deep Is Your Love (niveau très facile, guitare d'accompagnement) de Bee Gees. Tab pour Guitare d'accompagnement -- Musique de film
5.99 €
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Guitare
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Bee Gees
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Saturday Night Fever
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Tomplay
The Beatles : All You Need Is Love (niveau débutant, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare All You Need Is Love (nivea…
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Téléchargez la tablature et la partition Guitare All You Need Is Love (niveau débutant, guitare d'accompagnement) de The Beatles. Tab pour Guitare d'accompagnement -- Pop/rock
5.99 €
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Guitare
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The Beatles
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All You Need Is Love
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Tomplay
The Beatles : All You Need Is Love (niveau très facile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare All You Need Is Love (nivea…
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Téléchargez la tablature et la partition Guitare All You Need Is Love (niveau très facile, guitare d'accompagnement) de The Beatles. Tab pour Guitare d'accompagnement -- Pop/rock
5.99 €
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Guitare
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The Beatles
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All You Need Is Love
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Tomplay
Love Somebody, Yes I Do - Fingerstyle Guitar (with TAB, Chords)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1289198 Composed by Traditional. A…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1289198 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #879970. Published by Yuri Noronha (A0.1289198). Love Somebody Yes I Do is a Traditional English Folk Song.This arrangement was written for fingerstyle guitar.Level is easy!1 Page.love sombody yes i do sheet music free, love sombody yes i do sheet music, love sombody yes i do guitar tab, love sombody yes i do guitar lesson, guitar sheet music for love sombody yes i do, love sombody yes i do guitar, love sombody yes i do on guitar, how to play love sombody yes i do on guitar, sheet music guitar love sombody yes i do, sheet music acoustic guitar love sombody yes i do, sheet music classical guitar love sombody yes i do, fingerstyle guitar love sombody yes i do, love sombody yes i do fingerstyle, love sombody yes i do classical guitar,.
$1.99
1.83 €
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Guitare
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Traditional
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Yuri Noronha
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Love Somebody, Yes I Do - Fingerstyle Guitar
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Yuri Noronha
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SheetMusicPlus
Love Somebody, Yes I Do - Classical Guitar (with Fingering)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1172475 Composed by English Folk S…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1172475 Composed by English Folk Song. Arranged by Yuri Noronha. Children,Classical,Folk,Holiday,Traditional. Individual part. 1 pages. Yuri Noronha #772701. Published by Yuri Noronha (A0.1172475). Tom Dooley is a Traditional American Folk Song.This arrangement was written for classical guitar.Level is easy!1 Page.love sombody yes i do sheet music free, love sombody yes i do sheet music, love sombody yes i do guitar tab, love sombody yes i do guitar lesson, guitar sheet music for love sombody yes i do, love sombody yes i do guitar, love sombody yes i do on guitar, how to play love sombody yes i do on guitar, sheet music guitar love sombody yes i do, sheet music acoustic guitar love sombody yes i do, sheet music classical guitar love sombody yes i do, fingerstyle guitar love sombody yes i do, love sombody yes i do fingerstyle, love sombody yes i do classical guitar,.
$1.99
1.83 €
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Guitare
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English Folk Song
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Yuri Noronha
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Love Somebody, Yes I Do - Classical Guitar
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Yuri Noronha
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SheetMusicPlus
Love Somebody, Yes I Do - Classical Guitar
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1172478 Composed by English Folk S…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1172478 Composed by English Folk Song. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #772704. Published by Yuri Noronha (A0.1172478). Tom Dooley is a Traditional American Folk Song.This arrangement was written for classical guitar.Level is easy!1 Page.love sombody yes i do sheet music free, love sombody yes i do sheet music, love sombody yes i do guitar tab, love sombody yes i do guitar lesson, guitar sheet music for love sombody yes i do, love sombody yes i do guitar, love sombody yes i do on guitar, how to play love sombody yes i do on guitar, sheet music guitar love sombody yes i do, sheet music acoustic guitar love sombody yes i do, sheet music classical guitar love sombody yes i do, fingerstyle guitar love sombody yes i do, love sombody yes i do fingerstyle, love sombody yes i do classical guitar,.
$1.99
1.83 €
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Guitare
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English Folk Song
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Yuri Noronha
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Love Somebody, Yes I Do - Classical Guitar
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Yuri Noronha
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SheetMusicPlus
Can't Help Falling In Love
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1496357 By Elvis Presley. By Georg…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1496357 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Seamus McDaniel. 20th Century,Pop. Individual part. 4 pages. Seamus McDaniel #1072929. Published by Seamus McDaniel (A0.1496357). This is my arrangement/transcription of Can't Help Falling in Love by Elvis! I've included the chord names and really aimed for note-by-note accuracy with the melody in this one. There is standard notation as well as tabature in the PDF.If you have any questions or suggestions regarding my tabs, feel free to reach out to me at my website!
$5.99
5.52 €
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Guitare
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Elvis Presley
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Seamus McDaniel
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Can't Help Falling In Love
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Seamus McDaniel
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SheetMusicPlus
Solitude
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1328873 By 40s Instrumental Music.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1328873 By 40s Instrumental Music. By Duke Ellington, Eddie De Lange, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #916882. Published by Christopher J. Malin (A0.1328873). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the A section in free time, adding improvisation. Then almost like a modern Power Ballad I play the B' section in a strong swing time. I repeat measures 11 to 14 three times! Then, I pull in the reins and slow her down towards the end and improvise freely at the bitter end. I love this tune! Hope you will too.
$7.00
6.45 €
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Guitare
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40s Instrumental Music
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Christopher J
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Solitude
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Christopher J. Malin
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SheetMusicPlus
I Surrender All
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1130430 Composed by J.W. Van DeVen…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1130430 Composed by J.W. Van DeVenter and W. S.Weeden. Arranged by Janderson Gomes. Christian,Classical,Religious,Traditional. Individual part. 6 pages. JANDERSON GOMES DA SILVA #730798. Published by JANDERSON GOMES DA SILVA (A0.1130430). This is a tablature version of the homonymous title material: “I Surrender Allâ€; traditional Christian hymn arranged for solo guitar with classical music elements and dissonant chords. The objective of this variant is to reach music lovers who do not have the theoretical knowledge of musical reading (score). The arrangement was created freely according to the arranger's sensibility and instrumental experience. Although created by a professional, in this version the work can be appropriated by amateurs who basically contemplate reading tablature.
$1.99
1.83 €
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Guitare
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J
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Janderson Gomes
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I Surrender All
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JANDERSON GOMES DA SILVA
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
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Guitare
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Richard Strauss
#
Rod Whittle
#
for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Lyrical Solos
Guitare
Guitar (flatpicking) - Advanced - Digital Download SKU: M0.WBM15EB Composed by Will…
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Guitar (flatpicking) - Advanced - Digital Download SKU: M0.WBM15EB Composed by William Bay. Concert and Documentaries, Adult Contemporary. Contemporary. E-book. Mel Bay Publications - Digital Sheet Music #WBM15EB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM15EB). ISBN 9781619114906. 8.75x11.75 inches.The guitar has so many moods and colors. I have always loved the expressive, lyrical pieces written for this unique instrument. This book is a collection of 19 solos of medium difficulty which present a colorful array of moods, harmonies and tonal textures. Each piece gives the guitarist ample opportunity for reflection, interpretation and expression. The solos should be played freely with maximum use of dynamics and tone color. The harmonies are rich and often contemporary. I hope you enjoy playing these compositions as I certainly enjoyed writing them.
$12.99
11.98 €
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Guitare
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William Bay
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Lyrical Solos
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
David W. Solomons, Oxford Days for solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.533472 Composed by David Warin Sol…
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Solo Guitar - Level 4 - Digital Download SKU: A0.533472 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Individual part. 21 pages. Musik Fabrik Music Publishing #2994073. Published by Musik Fabrik Music Publishing (A0.533472). Eight pieces for solo guitar : I. Innocence Asleep; II. Lamento (Gethsemane); III. Hyde Park Rag; IV. Fantasia from the other bank; V. Prelude in Dorian mode (Dorian Serendipity); VI. The Princess's Tune; VII. Quelques minutes espagnoles; VIII. Sketch in BlueA series of guitar solos illustrating some of the moods and discoveries of the composer when he was young and fancy free ... at college.Christianity:- Innocence Asleep - a gentle tune depicting the baby Jesus- Lamento (Gethsemane) - part of a long lost Easter Suite, reflecting the sorrow in the GardenHolidays- Hyde Park Rag - a quasi ragtime composed on the composer's first outing from Oxford to London.Sexuality- Fantasia from the other bank - the downward sweep of the strangely augmented chord represents the composer's initial feeling of surprise when he realises he is from the other bank (vom anderen Ufer is German slang for gay)Musical discoveries- Prelude in Dorian mode (Dorian Serendipity) - the beginning of a long love affair with this mode, in which the major 6th and minor third give a special flavour.- The Princess's Tune - a curiously atonal piece based on a short theme given to the composer by a very shy fellow student known as the Princess.- Quelques minutes espagnoles - first venture into the Spanish flavours of guitar music- Sketch in Blue - an early experiment making use of blues harmonies
$19.95
18.39 €
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Guitare
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David Warin Solomons
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II. Lamento (Gethsemane)
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David W. Solomons, Oxford Days for solo guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sonidos Negros
Guitare
Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part…
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Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch
A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called “Andalusian” cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called “Andalusian” cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.
$6.99
6.44 €
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Guitare
#
Richard Hirsch
#
Sonidos Negros
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Richard Hirsch
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SheetMusicPlus
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