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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNEMUSE
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2 Saxophones (duo)
46
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9
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CUIVRES
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2 Trombones (duo)
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2 Tubas (duo)
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Euphonium
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Cor
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Cor et Piano
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Tuba (partie séparée)
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CORDES
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37
2 Altos (duo)
20
2 Violons (duo)
19
2 Violoncelles (duo)
19
2 Contrebasses (duo)
16
Violon
8
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Violon et Piano
6
Trio à Cordes: 3 violoncelles
5
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Contre Basse
4
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3
Harpe
3
Alto seul
3
Alto (partie séparée)
3
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse (partie séparée)
2
Violoncelle, Piano
2
Harpe (partie séparée)
1
Piano Trio: Violon, Alto, Piano
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Violon, Alto (duo)
1
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Alto, Violoncelle (duo)
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PERCUSSIONS & ORCHESTRES
Cloches
19
Ensemble de Percussions
17
Orchestre
13
Orchestre à Cordes
6
Orchestre d'harmonie
5
Orchestre de chambre
3
Ensemble de cuivres
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Timbales (partie séparée)
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Batterie
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AUTRES
Vous avez sélectionné:
May H
Guitare
Partitions à imprimer
4 partitions trouvées
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Dungeons of Danger for five classical guitars
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1162331 By Matthew H Schwarz. By Matthe…
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Guitar - Level 3 - Digital Download SKU: A0.1162331 By Matthew H Schwarz. By Matthew H Schwarz. Arranged by Matthew H Schwarz. Chamber,Classical,Contemporary,Rock,Video Game. 31 pages. Matthew H Schwarz #762689. Published by Matthew H Schwarz (A0.1162331). A 3-1/2 minute piece written to showcase a 5-piece guitar ensemble. This was written for classical guitars, but playable on steel-string or electric with pick.  A fun piece that evokes the ominous atmosphere of a fantasy dungeon adventure, influenced by Spanish classical guitar and maybe a touch of heavy metal. Melodies and ideas are traded between the guitarists for stereo/antiphonal fun.There are some challenging fast runs, but having five guitars means each part plays a melody or chord, so there's little multi-part playing for any individual. Due to fitting in five voices, there are some passsages up to the 12th fret. Parts include suggested fret positions and chord names for full chords.
$10.00
9.12 €
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Guitare
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Matthew H Schwarz
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Matthew H Schwarz
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Dungeons of Danger for five classical guitars
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Matthew H Schwarz
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SheetMusicPlus
La Caroline by CPE Bach
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.914748 Composed by Carl Philipp Em…
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Solo Guitar - Level 3 - Digital Download SKU: A0.914748 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 2 pages. Eric J Roth #6017047. Published by Eric J Roth (A0.914748). La Caroline, H. 98 (Wq. 117/36) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and most ornaments, except for trills, have been written out rather than notated with a symbol. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the tempo as Allegro ma con tenerezza (fast but with tenderness) and most keyboardists take it a moderate to quick tempo. On the guitar, which has a different resonance, the piece can also be convincing played at somewhat slower tempos, but certainly nothing slower than a true andante.
$2.99
2.73 €
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Guitare
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Carl Philipp Emanuel Bach
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Eric J Roth
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La Caroline by CPE Bach
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Eric J Roth
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SheetMusicPlus
La Philippine by CPE Bach
Guitare
Solo Guitar - Digital Download SKU: A0.914749 Composed by Carl Philipp Emanuel Bach…
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Solo Guitar - Digital Download SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Eric J Roth #6017141. Published by Eric J Roth (A0.914749). La Philippine, H. 96 (Wq. 117/34) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and ornaments kept simple. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher, and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the style as Arioso (between an aria and recitative). In terms of tempo, various keyboardists interpret it very differently. Some play it quick and light while others opt for a slower, more lyrical approach. Guitarists should feel free to experiment with what sounds best on their instrument.
$2.99
2.73 €
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Guitare
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Carl Philipp Emanuel Bach
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Eric J Roth
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La Philippine by CPE Bach
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Eric J Roth
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SheetMusicPlus
The Vampire: A Dramatic Theme
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
3.64 €
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Guitare
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
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