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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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172
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10
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8
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7
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26
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7
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3
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2
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2
2 Cors (duo)
2
2 Tubas (duo)
2
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Cor
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1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
37
Harpe
15
Violon et Piano
12
Alto, Piano
8
Violoncelle, Piano
6
2 Violons (duo)
6
Violoncelle
5
Violon, Violoncelle (duo)
5
2 Violoncelles (duo)
5
Violon
5
2 Altos (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Alto (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Harpe, Voix
2
Harpe, Flûte (duo)
1
3 Harpes
1
Trio à cordes
1
Alto seul
1
Alto, Guitare (duo)
1
2 Contrebasses (duo)
1
Ensemble d'Altos
1
Ensemble de Violons
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
31
Orchestre
23
Cloches
21
Orchestre à Cordes
16
Ensemble de cuivres
13
Ensemble Jazz
9
Jazz combo
8
Batterie
6
Orchestre de chambre
3
Marimba
3
Ensemble d'École
1
Quintette de Cuivres: autres combinaisons
1
Ensemble de Percussions
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Xylophone
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AUTRES
Vous avez sélectionné:
May Night
Guitare
Partitions à imprimer
7 partitions trouvées
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Stille Nacht (Holy Night) - Gitarre
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1337194 Composed by Joseph Mohr. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1337194 Composed by Joseph Mohr. Arranged by Albrecht Kuch-Weidenbrück. Children,Christmas. Individual part. 1 pages. Albrecht Kuch-Weidenbrück #922998. Published by Albrecht Kuch-Weidenbrück (A0.1337194). One of the most popular christmas charol.Easy melody, but in combination with the Play Along, which you can purchase as well and maybe other players, you may have fun with it.The notes are available for Recorder, Flute, Oboe, Bassoon, Clarinet, French Horn, Euphonium, Accordion (only right hand), Piano (only right hand), guitar (standard notation), guitar (tabs), Violine, Cello, Glockenspiel, Xylophon and voice. German lyrics are included. Capo is needed (fret 5).
$1.99
1.82 €
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Guitare
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Joseph Mohr
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Albrecht Kuch-Weidenbrück
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Stille Nacht
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Albrecht Kuch-Weidenbrück
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SheetMusicPlus
McKnight's Crossing - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939076 Composed by Gene Swanson. H…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939076 Composed by Gene Swanson. Holiday. Individual part. 1 pages. Gene Swanson #3038397. Published by Gene Swanson (A0.939076). McKnight's Crossing is the fourth tune from Play Along! - Student Inspired St. Patrick's Day Tunes for Guitar Vol. #1 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.82 €
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Guitare
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Gene Swanson
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McKnight's Crossing - Play Along!
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Gene Swanson
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SheetMusicPlus
Oh Holy Night
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1292396 Composed by Adolphe-Charle…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1292396 Composed by Adolphe-Charles Adam. Arranged by John Chamley. 19th Century,Advent,Christian,Christmas,Holiday. Individual part. 4 pages. John Chamley #882952. Published by John Chamley (A0.1292396). This piece has a beautiful resonant open-string tuning which can be fun and stimulating to master. The guitar is tuned to a D major chord. Strings are tuned to D-A-D-F#-A-D. Even good music readers will probably want to consult the TAB for this song because of the tuning. However, the notation is useful for the timing, accents and fingerings. Melody notes on the staff are also accented for easy reference. Fingerings may be challenging in places with a few finger stretches being required. But the result will be worth your effort.
$2.99
2.73 €
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Guitare
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Adolphe-Charles Adam
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John Chamley
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Oh Holy Night
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John Chamley
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SheetMusicPlus
A Bright Summer Night
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1083293 Composed by Tomas Ericsson…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1083293 Composed by Tomas Ericsson. Classical,Contemporary. Individual part. 3 pages. Tomas Ericsson #687489. Published by Tomas Ericsson (A0.1083293). A Bright Summer Night is a piece of contemporary classical guitar music which I wrote in June 2022, during the brightest time of the year. The level of difficulty is intermediate which means that if you're a beginner it might be too difficult. However many parts of the music is fairly easy, so even if you consider yourself to be at easy intermediate level you could give it a try. Maybe this piece is the one that takes you to the next level! Duration: 2:49 Performing Rights Organization: STIM (Sweden).
$3.00
2.74 €
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Guitare
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Tomas Ericsson
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A Bright Summer Night
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Tomas Ericsson
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SheetMusicPlus
I'll Be Home For Christmas
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1307699 By Brian McKnight. By Kim …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1307699 By Brian McKnight. By Kim Gannon and Walter Kent. Arranged by Bill Swick. 20th Century,Christmas,Film/TV,Holiday,Jazz. Individual part. 4 pages. Bill Swick #896962. Published by Bill Swick (A0.1307699). This arrangement of I’ll Be Home for Christmas is written for solo guitar and may be performed on an electric guitar, steel string acoustic, or nylon string guitar.  It is written in both standard notation with chord symbols as well as tablature.
$4.99
4.56 €
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Guitare
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Brian McKnight
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Bill Swick
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I'll Be Home For Christmas
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Bill Swick
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SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
10.96 €
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Guitare
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Pluck for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Green…
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Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
14.63 €
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Guitare
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
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