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ACCORDEON
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AUTRES INST…
BALALAIKA
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
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CLARINETTE
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CLOCHES
CONTREBASSE
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Musicnotes
Note4Piano
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intermédiaire
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expert
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avec vidéo
avec play-along
Non classifié
247
PIANO & CLAVIERS
Piano seul
141
Piano, Voix
53
Piano, Voix et Guitare
34
Piano Facile
25
Orgue
17
1 Piano, 4 mains
8
Instruments en Do
4
Piano Trio: piano, violon, violoncelle
3
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
Orgue, Piano (duo)
1
Piano (partie séparée)
1
2 Pianos, 4 mains
1
Accompagnement Piano
1
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GUITARES
Guitare notes et tablatures
21
Guitare
19
Dulcimer
5
Ukulele
4
Mandoline
2
2 Guitares (duo)
1
Ensemble de guitares
1
Guitare (partie séparée)
1
Ligne De Mélodie, (Paroles) et Accords
1
Banjo
1
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VOIX
Chorale SATB
106
Chorale 3 parties
35
Chorale 2 parties
25
Chorale TTBB
18
Chorale Unison
13
Voix Soprano, Piano
9
Voix duo, Piano
8
Voix duo
4
Chorale SSAA
4
Chorale
2
Voix Tenor, Piano
1
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VENTS
Flûte traversière
13
Ensemble de Clarinettes
11
2 Saxophones (duo)
8
3 Saxophones (trio)
7
Flûte traversière et Piano
7
Quatuor de Clarinettes: 4 clarinettes
5
2 Flûtes traversières (duo)
4
Saxophone (partie séparée)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Saxophone Alto
3
2 Clarinettes (duo)
2
Clarinette
2
Hautbois (partie séparée)
2
Flûte, Violoncelle, Piano (trio)
2
Quatuor de Saxophones: 4 saxophones
2
Ensemble de Flûtes
2
Clarinette et Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Clarinette, Basson
2
Clarinette, Guitare (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Basson (duo)
1
2 Clarinettes, Basson
1
Saxophone Alto et Piano
1
Saxophone Tenor et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Basson (duo)
1
Flute, harpe et violon
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Basson
1
Hautbois, Flûte
1
Ensemble de saxophones
1
3 Clarinettes (trio)
1
3 Hautbois
1
2 Hautbois (duo)
1
Flûte, Clarinette (duo)
1
Hautbois, Piano (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette
5
Trompette, Piano
3
Quatuor de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Cors (duo)
2
2 Trompettes (duo)
1
Trombone et Piano
1
2 Trombones (duo)
1
Euphonium, Tuba (duo)
1
Cor
1
Trompette (partie séparée)
1
Euphonium, Piano (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violoncelle, Piano
16
Violon et Piano
14
Violon
11
Violon, Violoncelle (duo)
8
Violoncelle (partie séparée)
8
Trio à Cordes: violon, alto, violoncelle
6
Harpe
4
Violon (partie séparée)
3
Violon, Alto (duo)
3
Alto, Piano
3
Contrebasse (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
2 Violons (duo)
3
Alto seul
2
Alto (partie séparée)
2
2 Altos (duo)
2
2 Violoncelles (duo)
2
Violoncelle
2
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
54
Orchestre à Cordes
27
Orchestre
16
Ensemble Jazz
10
Cloches
10
Ensemble de cuivres
8
Orchestre de chambre
5
Fanfare
4
Batterie
2
Batterie (partie séparée)
2
Jazz combo
2
Vibraphone
1
Piano et Orchestre
1
Quintette à Vent
1
Quintette de Cuivres: autres combinaisons
1
Ensemble de Percussions
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
Meant To Be
Guitare
Partitions à imprimer
19 partitions trouvées
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1
Donut Music
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.979661 Composed by Roger Aldridge.…
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Solo Guitar - Level 5 - Digital Download SKU: A0.979661 Composed by Roger Aldridge. Blues,Contemporary,Folk,Jazz,World. Individual part. 6 pages. Roger Aldridge #484355. Published by Roger Aldridge (A0.979661). Donut Music is an extended piece for solo guitar. It was commissioned by Keith Calmes and is on his CD All We Know is Now. The music was inspired by a line in a story written by my granddaughter Eillonwy (then 8 years old): Sitting in a dark room, eating a chocolate donut. The music represents a stream of memories, images, and thoughts as one’s life is contemplated over a donut. The composition is in 9 movements...or bites. The movements have varied lengths, from miniatures to developed pieces, and draw upon various roots-based musical styles including blues, Appalachian, tango, jazz, and samba. Miniature compositions have been an interest to me for many years. Donut Music's imagery gave me an opportunity to have several miniature compositions along with the longer movements. Above all, this piece is meant to be fun and playful -- especially, in how old and new styles are juxtaposed. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/he_aw8XV_s4 WEBSITE: http://www.rogeraldridge.com/ DURATION: around 8:00 to 10:00. YEAR OF RELEASE: 2012 PERFORMANCE: The lead sheet format enables performers have the freedom to shape this music to their vision and personal style. The score has optional improvisation in movements 2 (blues), 7 (tango), and 9 (samba). In addition, Donut Music can be performed as a complete composition or by using individual movements.
$5.00
4.59 €
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Guitare
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Roger Aldridge
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Donut Music
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Roger Aldridge
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SheetMusicPlus
In Motion - for Guitar Orchestra
Guitare
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.971811 Composed by Brit…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.971811 Composed by Britt Andrew Burns. Contemporary. Score and parts. 24 pages. Indie Classical Publications #3141393. Published by Indie Classical Publications (A0.971811). IN MOTION was written in the Summer of 2017 as a result of a friend's suggestion. This is the first time I have attempted to compose for a guitar orchestra ensemble, which has only emerged in recent years. This somewhat syncopated work is meant to be both fun for the performers and the audience. The 5th Guitar 's sixth string must be tuned down to drop-D tuning. The rest of the guitars are in standard tuning. It is recommended to double each part with at least three guitarists if possible. The key signatures represent A Dorian and F Lydian. Level: grade 4 (intermediate). Duration: About 2 minutes, 5 seconds. Instrumentation: Five Nylon-String Guitars (15 players or more).
$25.00
22.96 €
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Guitare
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Britt Andrew Burns
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In Motion - for Guitar Orchestra
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Indie Classical Publications
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SheetMusicPlus
Skye Boat Song (Outlander) - Fingerstyle Guitar (DADGAD)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1097589 Composed by Traditional Sc…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1097589 Composed by Traditional Scottish Song. Arranged by Yuri Federsoni. Celtic,Children,Film/TV,Irish,New Age,Traditional. Individual part. 3 pages. Yuri Federsoni #701270. Published by Yuri Federsoni (A0.1097589). Beatiful arrangement for fingersrtyle guitar of the Skye Boat Song ; a traditional scottish song that became well known with the Outlander series main theme. This arrangement it's meant to be played with DADGAD tuning, and has two main easy sections, perfect for the beginner and intermediate guitarrist who wants to develop their fingerstyle skills, this piece contains easy chord patterns and it is very fluid to play; everything is writen with TABs, to show you the exact place to put yout fingers on the fretboard, as well it contains the normal music notation with the exact notations for your picking hand and fretboard hand. Have a great time with this piece!
$5.00
4.59 €
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Guitare
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Traditional Scottish Song
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Yuri Federsoni
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Skye Boat Song
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Yuri Federsoni
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SheetMusicPlus
Red Sunset - Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.948491 Composed by J.W. Heidebrech…
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Solo Guitar - Level 3 - Digital Download SKU: A0.948491 Composed by J.W. Heidebrecht. Jazz. Individual part. 2 pages. Musician Place #3457601. Published by Musician Place (A0.948491). This contrasting piece was written with influences in mind: Snarky Puppy and Monty Norman. Red Sunset starts off very mellow and delicate, then slowly transitions into an intense chord progression, with solos in between, meant to be a break before the climax, as well as after. After the second chorus, an enormous breakdown takes place, to end the piece!
$2.00
1.84 €
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Guitare
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J
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Red Sunset - Guitar
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Musician Place
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SheetMusicPlus
God Loves
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.841513 Composed by Andrew Mc Donal…
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Solo Guitar - Level 3 - Digital Download SKU: A0.841513 Composed by Andrew Mc Donald. Christian,Folk,Gospel. Individual part. 3 pages. Andrew Mc Donald (Macka Records) #3471271. Published by Andrew Mc Donald (Macka Records) (A0.841513). God Loves is a song about all sorts of peoples and race and how God loves all of them. This song is meant to be strummed on the ecoustic guitar and for an aboriginal or islander to sing the lyrics.
$4.99
4.58 €
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Guitare
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Andrew Mc Donald
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God Loves
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Andrew Mc Donald
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SheetMusicPlus
Remember Me (lullaby)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1309133 Composed by Kristen Anders…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1309133 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Nathan L. Hatico. Broadway,Film/TV,Musical/Show,Pop. Individual part. 3 pages. Nathan L. Hatico #898318. Published by Nathan L. Hatico (A0.1309133). This is an intermediate level fingerstyle solo guitar arrangement of the beautiful lullaby from the movie Coco. Althogh the tune is played pretty straight the first time through, the turnaround introduces some jazz voicings and chromatic movement which continue through the rest of the arrangement. This arrangement is meant to be played freely and expressively, payng special attention to emphasizing the melody.
$4.99
4.58 €
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Guitare
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Kristen Anderson-Lopez and Robert Lopez
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Nathan L
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Remember Me
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Nathan L. Hatico
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SheetMusicPlus
Sadness Reborn
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1031848 Composed by Bruce Ryder. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1031848 Composed by Bruce Ryder. Arranged by Bruce Ryder. Classical,Contemporary. Individual part. 3 pages. Bruce Ryder #3604383. Published by Bruce Ryder (A0.1031848). A classically inspired piece meant to be played on any 6 string guitar, written in the key of G-major. a great piece for experienced musicians and students.
$3.99
3.66 €
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Guitare
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Bruce Ryder
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Bruce Ryder
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Sadness Reborn
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Bruce Ryder
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SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.58 €
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Guitare
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Moonrise
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.962475 Composed by Kevin J Gardner…
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Solo Guitar - Level 2 - Digital Download SKU: A0.962475 Composed by Kevin J Gardner. Concert,Instructional,Standards. Individual part. 2 pages. Kevin J Gardner #3415811. Published by Kevin J Gardner (A0.962475). This original composition is a study meant for beginner to intermediate flat picking guitar students or players. It is meant to work the fingers by running short scales. It can be used to build skill level, for warm up exercise, or recital. This is the tablature version.
$1.99
1.83 €
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Guitare
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Kevin J Gardner
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Moonrise
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Kevin J Gardner
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SheetMusicPlus
Standard Music Reading for Beginning Guitar
Guitare
Acoustic Guitar - Level 1 - Digital Download SKU: A0.1315011 By Jay Jordan. By Jay …
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Acoustic Guitar - Level 1 - Digital Download SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Music #903760. Published by Pro Creations Music (A0.1315011). Beginning guitar courses at the middle school and high school level can be a popular addition to curricula that so often center around performing groups. Such a course, when offered as a general music course, i.e.,a course that has no prerequisite and no public performance component, can be an attractive way for students to complete an arts requirement without an extra-curricular commitment.  At the same time a class like beginning guitar may serve as the only chance a music educator has to introduce the very idea of music to students as both an art form and a language. In todayâ??s on-line world there are countless avenues for learning guitar, be it YouTube videos, dedicated apps, or TAB sites. While the sharing of user-generated transcriptions of popular songs using tablature may be quick and easy, TAB sites do not employ standard music notation (not to mention being rife with mistakes both practical and theoretical). Standard Music Reading for Beginning Guitar was developed as a sequential, practical method for learning the basics of standard music notation using acoustic guitar as a vehicle. It is not meant to replace other methods e.g., the learning of popular songs or a music theory component, but as a companion so that students can learn about music as a language while, hopefully, continuing to enjoy guitar playing for years to come.
$10.00
9.18 €
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Guitare
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Jay Jordan
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Standard Music Reading for Beginning Guitar
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Pro Creations Music
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SheetMusicPlus
Patios de Córdoba
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.66 €
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Guitare
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.58 €
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Guitare
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
What A Wonderful World
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
4.58 €
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Guitare
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Guitar Partita - in the form of five etudes
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1155371 Composed by J. A. Devor. C…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1155371 Composed by J. A. Devor. Classical,Contemporary,Contest,Festival,Instructional. Individual part. 7 pages. JDevor Music, LLC #755661. Published by JDevor Music, LLC (A0.1155371). This partita for solo classical guitar is meant to develop key technical skills for the intermediate-advanced student. Each etude is in a different tonal center and meter to explore the entire instrument in a manageable and approachable manner. The partita can be divvied up as supplemental material to students, or be performed in its entirety as a concert work.
$8.99
8.26 €
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Guitare
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J
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Guitar Partita - in the form of five etudes
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JDevor Music, LLC
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SheetMusicPlus
Lenten Music for solo Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.930386 Composed by Eugene Astapov.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.930386 Composed by Eugene Astapov. Contemporary. Individual part. 8 pages. EAMUSIC #5363. Published by EAMUSIC (A0.930386). Lenten Music, for solo guitar, is a work that reflects the various types of musical material that are the fundamental structures of each of the four movements, and these are clearly stated in the titles of each movement. The titles are in Russian and most of them correspond to their Latin equivalent; yet the language that I grew up with adds a special meaning for every musical unit: I. Phráza (Phrase); II. Ouzór (Pattern); III. Achórd (Chord); IV. Melódia (Melody). The technical aspects of the compositional process of this work are partly defined by the technical limitations that the guitar imposes on the composer. The title of the work also suggests that structural and expressive character of each piece would be very modest and simple: Lenten. Apart from this, each piece is meant to represent a certain mood or a state of mind that is influenced by personal and extramusical factors. The piece runs 4.5 minutes in performance, works great as an encore and the full recording can be found here: https://soundcloud.com/eugene-astapov/lenten-music.
$8.99
8.26 €
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Guitare
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Eugene Astapov
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Lenten Music for solo Guitar
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EAMUSIC
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SheetMusicPlus
Xanadu
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.827207 By Oliva Newton-John/Electr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.827207 By Oliva Newton-John/Electric Light Orchestra. By Jeff Lynne. Arranged by Fiona Caldarevic. 20th Century,Film/TV,Pop,Rock. Individual part. 3 pages. Fiona Caldarevic #3545105. Published by Fiona Caldarevic (A0.827207). Xanadu, the classic super hit from 1980, written by Jeff Lynne and performed by Olivia Newton-John and ELO, is arranged here for solo finger-style guitar by Fiona Caldarevic.This arrangement is a calmer version of the song and is meant for intermediate-advanced players. There are a number of position changes and one or two finger-stretching arpeggiated chords, but most of the time the fingering is straightforward. This would be a perfect addition to a guitarist's repertoire for any event or performance.A version with TAB is available from here: https://www.sheetmusicplus.com/title/20754061Â www.fionacaldamusic.com
$4.99
4.58 €
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Guitare
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Oliva Newton-John/Electric Light Orchestra
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Fiona Caldarevic
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Xanadu
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Fiona Caldarevic
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SheetMusicPlus
Chromatic Fantasia and Fugue in D Minor BWV 903 by J. S. Bach
Guitare
Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publica…
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Composed by Johann Sebastian Bach (1685-1750). Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #30631EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118249.<br> <br> Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its own era.Nestor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the workas sonority, and the 6th string of the guitar had to be lowered to D to expand the guitaras range and adhere to the original key.The articulation of the piece often requires the use of the slur technique to maintain and enhance the legato effect in the melodic line. As the guitar has a more percussive character than the harpsichord, various inconveniences occur in the management or execution of the legato, but the transcriber has done his best to preserve the character of the original piece.Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bachas intentions and avoid shortcuts and aberrations which would have depleted the original harmonies and melodies. In the process, he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original score mandates.Written in standard notation only, with each line of music forming only one measure, this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musical benefits.
$9.99
9.17 €
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Guitare
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Johann Sebastian Bach
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Chromatic Fantasia and Fugue in D Minor BWV 903 by J. S. Bach
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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