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Vous avez sélectionné:
Melodic Variations
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Partitions à imprimer
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Theme and Variations
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Guitare
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Apostolos Paraskevas
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Theme and Variations
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - SKU: A0.942071 Composed by Apostolos Paraskevas. 20th Century,Instructional,World. Individual part. 8 pages. Silver Sickle Publications #4...
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Solo Guitar - SKU: A0.942071 Composed by Apostolos Paraskevas. 20th Century,Instructional,World. Individual part. 8 pages. Silver Sickle Publications #4764609. Published by Silver Sickle Publications (A0.942071). Theme and Variations for solo guitar was written in 1988 by Apostolos Paraskevas. One of his early works in tonal language and quite melodic and exciting to perform. His original title was Etudes I. It was recorded by the composer in the CD The Garden of Eden.
$7.88
Mauro Giuliani: Sonatina in C op.71 no.1
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Guitare
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INTERMÉDIAIRE
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. ...
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Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
Wet Hands
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Guitare
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FACILE
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Jeux Videos
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C418
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André Nusa
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Wet Hands
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Andre_Nusa
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1216007 By C418. By Daniel Rosenfeld. Arranged by André Nusa. Video Game. Individual part. 1 pages. Andre_Nusa #81266...
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Solo Guitar - Level 2 - SKU: A0.1216007 By C418. By Daniel Rosenfeld. Arranged by André Nusa. Video Game. Individual part. 1 pages. Andre_Nusa #812665. Published by Andre_Nusa (A0.1216007). This arrangement for guitar of the song Wet Hands from the game Minecraft captures the contemplative and peaceful tone of the original composition. The guitar weaves in harmony, delicately exploring the melodic motifs that are central to the piece. The arrangement might include variations in dynamics and phrasing, allowing the guitar to convey the emotional depth of the song's simple yet poignant melody. The arrangement highlights the beauty of the piece's simple, minimalist structure, emphasizing the warmth and intimacy of the sound of the guitar playing. This arrangement is a great choice for guitarists looking to add a calming and reflective piece to their repertoire, or for gamers who want to experience the meditative quality of the music outside the context of the game.
$5.99
Prelude Op.11 No 5
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Guitare
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INTERMÉDIAIRE
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Classique
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Alexander Scriabin
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Rod Whittle
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Prelude Op.11 No 5
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899143 Composed by Alexander Scriabin. Arranged by Rod Whittle. Romantic Period. Individual part. 2 pages. Maggie Creek ...
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Solo Guitar - Level 3 - SKU: A0.899143 Composed by Alexander Scriabin. Arranged by Rod Whittle. Romantic Period. Individual part. 2 pages. Maggie Creek Music #4758403. Published by Maggie Creek Music (A0.899143). for solo classical guitar 2ppAlexander Scriabin 1872-1915 Some relevant facts about Scriabin are: He was Russian – he was born and died in Moscow. He was a child prodigy of the piano, and a great admirer of Chopin. His piano and orchestral compositions are finely crafted, the latter uniting aesthetics with religion. Both are naturally laced with the Russian temperament, and show an embrace of the harmonic revolution of his time. The Opus 11 preludes are early pieces exhibiting Scriabin's melodic and harmonic flair. The form of No 4 is binary, with a surprising, very expressive and poignant coda. No 5 could be described as a theme (with a prominent ninth) followed by two variations. The first variation ends with a bridging section that briefly changes tempo. maggie creek music
$5.00
Big Drum
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568....
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Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
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Melodic Variations
