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ACCORDEON
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BASSON
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BOUZOUKI
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CITHARE
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CLARINETTE
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CORNEMUSE
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EUPHONIUM
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
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66
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45
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15
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7
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
75
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Clarinette Basse
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Clarinette, Contrebasse (duo)
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Flûte à bec Tenor
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Flûte à bec Alto
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Saxophone Baryton, Piano
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2 Clarinettes, Piano
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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5 Flûtes à bec
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Flûte, Hautbois, Clarinette (trio)
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2 Flûte à bec (duo)
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Clarinette, Tuba
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Ensemble de Hautbois
1
Flûte, Trombone (duo)
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Flûte, Clarinette et Basson
1
2 Flûtes traversières (duo)
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Flûte, Hautbois, Basson
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Saxophone
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CUIVRES
Trombone (partie séparée)
38
Trombone et Piano
20
Trompette (partie séparée)
14
Ensemble de Trombones
11
Trombone
9
Tuba et Piano
9
Tuba
8
Trompette
7
Euphonium, Tuba (duo)
6
Trompette, Piano
5
2 Trombones (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Quatuor de cuivres: 4 trombones
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Cor et Piano
4
Trombone basse
4
Cor
3
Cor (partie séparée)
3
Tuba (partie séparée)
3
Quatuor de cuivres: 4 cors
3
2 Euphoniums et 2 Tubas
3
Euphonium, Piano (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor anglais, Guitare (duo)
2
2 Cors (duo)
1
4 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de Cuivres
1
Bass Clef Instruments
1
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CORDES
Contre Basse
270
Contrebasse, Piano (duo)
84
Contrebasse (partie séparée)
75
Quatuor à cordes: 2 violons, alto, violoncelle
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Violon et Piano
21
Alto, Piano
12
Violoncelle (partie séparée)
11
Violoncelle, Piano
11
2 Violoncelles (duo)
8
Violon
8
Trio à Cordes: violon, alto, violoncelle
7
2 Contrebasses (duo)
6
Violoncelle
6
Harpe
5
Alto seul
3
Violon, Alto (duo)
3
Violon, Violoncelle (duo)
3
Violoncelle, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
4 Violoncelles
2
Harpe, Flûte (duo)
1
Flûte, Contrebasse (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Violoncelle (duo)
1
Alto (partie séparée)
1
2 Harpes (duo)
1
2 Violons (duo)
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
80
Orchestre d'harmonie
54
Orchestre à Cordes
34
Orchestre de chambre
13
Orchestre
11
Jazz combo
11
Ensemble de cuivres
11
Ensemble de Percussions
5
Batterie (partie séparée)
5
Ensemble d'École
5
Cloches
4
Fanfare
2
Xylophone
1
Piano et Orchestre
1
Vibraphone
1
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AUTRES
Vous avez sélectionné:
Melody for Solo Bass
Guitare
Partitions à imprimer
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My Love is Like a Red, Red Rose (Solo Guitar Version)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1135557 By Traditional Scotland (R…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1135557 By Traditional Scotland (Robert 'Rabbie' Burns). By Traditional (text by Robert 'Rabbie' Burns). Arranged by Dan Jones www.danjonesguitarist.com. Celtic,Classical,Irish,Traditional. Individual part. 6 pages. DanJonesGuitarist #735611. Published by DanJonesGuitarist (A0.1135557). My Love is Like a Red, Red Rose Traditional, Scotland - After Robert 'Rabbie' Burns Arranged for solo guitar by Dan Jones www.danjonesguitarist.com This iconic song, set here in an instrumental version for solo guitar, has a text by the great Scots poet, Robert 'Rabbie' Burns. The tune is believed to have been inspired by traditional sources. This version is suitable for more advanced players. The verses are set with the melody appearing in the top line, and then in the bass. A score is provided in notes and TAB, and in a version with just notes. It is perfect for concerts, background music, weddings and encores. I have also arranged this tune for easy guitar quartet. A YouTube video of this arrangement will be available before the end of 2022. For a wealth of music for solo guitar, guitar in ensemble, teaching material, writings and much more, please visit: www.danjonesguitarist.com Thank you, and I hope you enjoy My Love is Like a Red, Red Rose.
$4.95
4.58 €
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Guitare
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Traditional Scotland
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Dan Jones www
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My Love is Like a Red, Red Rose
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DanJonesGuitarist
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SheetMusicPlus
Prelude (BWV1006) in E major transcribed for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.982528 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.982528 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 8 pages. Daniel Clark #6437311. Published by Daniel Clark (A0.982528). This is a transcription of the prelude from Bach's third solo violin partita. The transcription has been made to be as close to the original violin partita as possible while still being playable (taking into account the octave difference between the instruments). The key changes made are transposition by an octave of pedal notes, similar to lute versions.The main difference between this violin transcription version and the arrangements from lute is that the bass notes are not present. However, there are also some minor differences in melody which may be unfamiliar to guitarists familiar with the lute arrangements.
$2.00
1.85 €
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Guitare
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Johann Sebastian Bach
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Daniel Clark
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Prelude
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Daniel Clark
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SheetMusicPlus
Hooray For Hollywood
Guitare
Solo Guitar - Digital Download SKU: A0.483628 Composed by Johnny Mercer and Richard…
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Solo Guitar - Digital Download SKU: A0.483628 Composed by Johnny Mercer and Richard A. Whiting. Arranged by Steven Michael King. 20th Century,Broadway,Film/TV,Jazz,Musical/Show. Individual part. 3 pages. Published by STEVEN KING (A0.483628). Solo Fingerstyle Guitar includes treble and tab clefs, arranged by Winfield Championship Winner Steven King, in his style that creates simultaneous melody, bass lines, chords and rhythms.
$4.99
4.61 €
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Guitare
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Johnny Mercer and Richard A
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Steven Michael King
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Hooray For Hollywood
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STEVEN KING
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SheetMusicPlus
Grand Vals Franciso Tarrega for easy intermediate guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.954709 Composed by Francisco Tarre…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954709 Composed by Francisco Tarrega. Arranged by Dennis Greensmith. Romantic Period. Individual part. 8 pages. Dennis Greensmith #3664221. Published by Dennis Greensmith (A0.954709). Grand Vals by Francisco Tarrega. Guitar.Arrangement for easy intermediate guitar by Dennis Greensmith. This arrangement is for early intermediate level though keeping the complete full structure, melody and harmony content by transposing the song to G major and the other key changes within the piece (rather that there original A major). This allows more use of open bass notes though the arrangement still requires where appropriate the use of Barres.The original song is often listed as intermediate level thought it is a well known as a Trinity College Grade 8 piece which clearly falls in to an advance category. This arrangement is around the Grade 4 to 5 and much more suited to those players not yet at advanced level.The piece is presented in standard notation for those who like just read music and separately standard notation and TAB for those who like to have TAB as well.A full tutorial video of the arrangement can be found at the Guitarfingers Youtube channel which goes through there whole piece and offer many helpful tips in playing the song and options to help you through the more tricky passages.
$6.00
5.55 €
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Guitare
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Francisco Tarrega
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Dennis Greensmith
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Grand Vals Franciso Tarrega for easy intermediate guitar
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Dennis Greensmith
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SheetMusicPlus
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
9.24 €
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Guitare
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Johann Sebastian Bach
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Matthew Nace
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bass line
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Jesu, Joy of Man's Desiring
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Matthew Nace
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SheetMusicPlus
Diego Barber Compositions for Classical Guitar
Guitare
Guitar (classical and lute) - Intermediate-Advanced - Digital Download Featuring Sona…
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Guitar (classical and lute) - Intermediate-Advanced - Digital Download Featuring Sonata Banc d'Arguin. Composed by Diego Barber. Contemporary. E-book and online audio. 84 pages. Mel Bay Publications - Digital Sheet Music #30717MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118171.<br> <br> Classically trained jazz guitarist Diego Barber presents five well-developed themes and a 3-movement solo sonata transcribed from his outstanding commercial CD recordings: Calima, One Minute Later, Tales, and The Choice. Two of the tracks, aElvira Mariaa and the 3-movement Sonata aBanc daArguina are strictly guitar solos, while aRichia is a solo accompanied by light percussion. aKilianas Mountaina is a reduced score of an extended duet with a pianist, and aDesiertoa and aVirgiannaa include expert sidemen on saxophone, bass and drums. The music ventures from complex melody-chord textures to hard-swinging grooves, all played with spontaneity and a heightened awareness of time, dynamics, color, technique and tone. Even seasoned guitarists will find these pieces rhythmically and technically challenging, but they provide a roadmap to the recordings, and rare insight to the workings of a unique musical mind. Diego Barberas Compositions for Classical Guitar are written in standard notation only, with online access to stellar solo and ensemble recordings. About Sonata aBanc daArguina a\| Diego Barber is a native of Lanzarote in the Canary Islands, just off the northeast coast of Africa; in writing Sonata aBanc daArguin,a the main solo piece in this collection, he was inspired by the major cities, Nouadhibou and Nouakchott, the Banc daArguin National Park, and the desert of the West African country of Mauritania.
$17.99
16.63 €
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Guitare
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Diego Barber
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Diego Barber Compositions for Classical Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.62 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.62 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Unusual Studies
Guitare
Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method…
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Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method, Etudes and Exercises, Repertoire, Classroom. Solo Part. 45 pages. Published by Oleg Boyko
There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure.
$15.00
13.87 €
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Guitare
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Oleg Boyko
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Unusual Studies
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Oleg Boyko
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SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.62 €
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Guitare
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Alban Berg
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Rod Whittle
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Hotel California
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1302452 By The Eagles. By Don Felder, D…
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Guitar - Level 4 - Digital Download SKU: A0.1302452 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. Classical,Country,Pop,Rock. 39 pages. Ron Calabrese #892072. Published by Ron Calabrese (A0.1302452). Arrangement by Ron Calabrese: Score, 5 Guitar Parts, Guitar Tablature: 39 pages. Introduction: Hotel California is a guitar arrangement created for beginners as well as intermediate and advanced players.  The guitar harmonies or the piece brings a special blending that is enjoyable to play and perform for any occasion.  The iconic guitar solo includes smooth harmonies across multiple guitar parts.   Part Descriptions: Guitar 1:  The Guitar 1 Part is written to showcase the tune’s main melody and chorus.  This part should be played by an advanced player, mainly due to the advanced guitar soloing toward the end of the piece.  All fingering and tabulator are included for convenience. Guitar 2:  The Guitar 2 Part provides adds a fingerstyle chord technique that is unmistakable.  Toward the end of the piece, Guitar 2 plays harmony with Guitar 1 for the iconic solo.  This part can be played by an intermediate player.  All fingering and tabulator are included for convenience. Guitar 3 & 4:  The Guitar 3 and Guitar 4 Parts provide contrasting melodic sequences to the melody and solo sections.  These parts can be challenging, but are intended to be played by a beginner to intermediate player. Guitar 5:  The Guitar 5 Part is the bass guitar part (written in G clef).  From time to time, the part includes key rhythmic phrases used to complement the other parts.  The Guitar 5 Part also includes the chords as a potential 6th Part. I wrote this arrangement of Hotel California to fill a void in contemporary guitar ensemble arrangements.  I hope you enjoy playing it.  Ron.
$19.98
18.47 €
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Guitare
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The Eagles
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Ron Calabrese
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Hotel California
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Ron Calabrese
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SheetMusicPlus
Hotel California
Guitare
Guitar - Level 3 - Interactive Download SKU: A0.1350516 By The Eagles. By Don Felde…
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Guitar - Level 3 - Interactive Download SKU: A0.1350516 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. This edition: Interactive Download. Classical,Folk,Pop,Rock. 79 pages. Duration 372. Ron Calabrese #TNcRYrWN5BaTRWl6j56eK. Published by Ron Calabrese (A0.1350516). Key: A minor.Guitar, Guitar Ensemble, Guitar Ensemble – Beginner/Advanced – Ron Calabrese Hotel California (Arrangement by Ron Calabrese): Score, 5 Guitar Parts, Guitar Tablature: 49 pages. Introduction: Hotel California is a guitar arrangement created for beginners as well as intermediate and advanced players. The guitar harmonies or the piece brings a special blending that is enjoyable to play and perform for any occasion. The iconic guitar solo includes smooth harmonies across multiple guitar parts. Part Descriptions: Guitar 1: The Guitar 1 Part is written to showcase the tune’s main melody and chorus. This part should be played by an advanced player, mainly due to the advanced guitar soloing toward the end of the piece. All fingering and tabulator are included for convenience. Guitar 2: The Guitar 2 Part provides adds a fingerstyle chord technique that is unmistakable. Toward the end of the piece, Guitar 2 plays harmony with Guitar 1 for the iconic solo. This part can be played by an intermediate player. All fingering and tabulator are included for convenience. Guitar 3 & 4: The Guitar 3 and Guitar 4 Parts provide contrasting melodic sequences to the melody and solo sections. These parts can be challenging, but are intended to be played by a beginner to intermediate player. Guitar 5: The Guitar 5 Part is the bass guitar part (written in G clef). From time to time, the part includes key rhythmic phrases used to complement the other parts. The Guitar 5 Part also includes the chords as a potential 6th Part.
$19.99
18.48 €
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Guitare
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The Eagles
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Ron Calabrese
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Hotel California
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Ron Calabrese
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SheetMusicPlus
Every Breath You Take
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. A…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
$4.99
4.61 €
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Guitare
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The Police
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Pablo Alcázar
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every move you make
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Every Breath You Take
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Pablo Alcázar
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SheetMusicPlus
He's A Pirate
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1201117 Composed by Geoffrey Zanel…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1201117 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by André Nusa. Film/TV. Individual part. 3 pages. Andre_Nusa #799762. Published by Andre_Nusa (A0.1201117). An arrangement for solo guitar of He's a Pirate by Hans Zimmer is a dynamic and exciting interpretation of the original composition. This arrangement is designed for a skilled guitarist with advanced technical abilities. The arrangement captures the iconic melody of He's a Pirate on the higher register of the guitar, while the lower strings provide a driving bassline, the performer may incorporate changes in tempo, dynamics, and phrasing to add excitement and depth to the arrangement. Overall, the arrangement of He's a Pirate is a thrilling and challenging interpretation of the original composition. It showcases the performer's technical and musical abilities and is a valuable addition to any guitarist's repertoire.
$5.99
5.54 €
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Guitare
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Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt
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André Nusa
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He's A Pirate
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Andre_Nusa
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SheetMusicPlus
Classical Guitar "Suite of Dances" by J. S. Bach
Guitare
Solo Guitar - Digital Download SKU: A0.926033 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.926033 Composed by Johann Sebastian Bach. Arranged by Ken Turley. Baroque,Instructional,Standards. Individual part. 22 pages. Ken Turley #5298929. Published by Ken Turley (A0.926033). This suite for solo classical guitar is a selection of movements from the various sonatas and partitas for solo instrument by J. S. Bach. They have been transposed to a common key and arranged for ease of playing on guitar. Nonetheless, with only a few minor adjustments and added bass notes, they are true to the originals in form and melody and work quite well for both study and performance.
$7.00
6.47 €
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Guitare
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Johann Sebastian Bach
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Ken Turley
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Classical Guitar "Suite of Dances" by J. S. Bach
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Ken Turley
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SheetMusicPlus
Puff The Magic Dragon
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1257738 By Peter Paul and Mary. By…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1257738 By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Peng Chen. Folk,Pop. Individual part. 3 pages. JCmusic.com #850969. Published by JCmusic.com (A0.1257738). I arranged the melody with bass line and chords in key of G to A major, for solo fingerstyle guitar, most fingering had been marked, please watch my youtube video before learn it.
$9.99
9.24 €
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Guitare
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Peter Paul and Mary
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Peng Chen
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Puff The Magic Dragon
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JCmusic.com
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SheetMusicPlus
Menuet (from the Anna Magdalena notebooks)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1444676 Composed by Johann Sebasti…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1444676 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024539. Published by Rodrigo Faleiros (A0.1444676). Discover the elegance of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks in this beautifully arranged piece for solo classical guitar. This version, designed for beginner to intermediate players, weaves a simple bass accompaniment with the melody, offering a fuller harmonic experience while remaining accessible to those developing their skills.Key Features: Beginner to Intermediate Level: A perfect blend of simplicity and complexity, suitable for guitarists growing in their musical journey. Melody with Bass Accompaniment: Integrates a straightforward bass line that complements the melody, enriching the overall texture of the piece. This arrangement of the “Menuet” is an inviting gateway into the world of classical guitar, balancing the beauty of Bach’s composition with the joy of learning and playing.To explore more arrangements that bridge beginner and intermediate levels, click here to expand your repertoire.
$1.99
1.84 €
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Guitare
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Johann Sebastian Bach
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Rodrigo Faleiros
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Menuet
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Rodrigo Faleiros
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SheetMusicPlus
Menuet (from the Anna Magdalena notebooks)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444678 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444678 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024542. Published by Rodrigo Faleiros (A0.1444678). Embark on a more intricate musical journey with this intermediate-level arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, crafted for solo classical guitar. This edition introduces a richer bass line that weaves through the melody, providing depth and a more complex harmonic structure.Key Features: Intermediate Level: Challenges and engages players with a more elaborate arrangement that demands greater skill and musical understanding. Melody with Rich Bass Accompaniment: A sophisticated bass line enhances the foundational harmony, complementing the melody and adding a new dimension to the piece. This “Menuet” arrangement is a splendid opportunity for intermediate guitarists to delve into the subtleties of classical guitar, bringing out the full character and emotion of Bach’s composition.Continue to develop your skills and enrich your musical expression by clicking here for more intermediate-level arrangements.
$3.99
3.69 €
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Guitare
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Johann Sebastian Bach
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Rodrigo Faleiros
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Menuet
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Rodrigo Faleiros
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SheetMusicPlus
Menuet (from the Anna Magdalena notebooks)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444679 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444679 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024543. Published by Rodrigo Faleiros (A0.1444679). Embark on a more intricate musical journey with this intermediate-level arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, crafted for solo classical guitar. This edition introduces a richer bass line that weaves through the melody, providing depth and a more complex harmonic structure. The sheet music is thoughtfully annotated with fingerings to guide intermediate players through the nuanced interpretation of this Baroque masterpiece.Key Features: Intermediate Level: Challenges and engages players with a more elaborate arrangement that demands greater skill and musical understanding. Melody with Rich Bass Accompaniment: A sophisticated bass line enhances the foundational harmony, complementing the melody and adding a new dimension to the piece. Fingerings Included: Offers clear fingerings to assist in the execution of more complex passages, ensuring a smooth learning curve. This “Menuet” arrangement is a splendid opportunity for intermediate guitarists to delve into the subtleties of classical guitar, bringing out the full character and emotion of Bach’s composition.Continue to develop your skills and enrich your musical expression by clicking here for more intermediate-level arrangements.
$3.99
3.69 €
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Guitare
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Johann Sebastian Bach
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Rodrigo Faleiros
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Menuet
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Rodrigo Faleiros
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SheetMusicPlus
Havana
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.935134 By Camila Cabello. By Adam …
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Solo Guitar - Level 3 - Digital Download SKU: A0.935134 By Camila Cabello. By Adam Feeney, Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Andrew Wotman, Brandon Perry, Brian Dong Ho Lee, Brian Lee, Brittany Hazzard, Camila Cabello, Jeffery Lamar Williams, Kaan Gunesberk, Louis Bell, Pharrell, Ramon Ayala, and etc. Arranged by Simon Dawson. Pop. Individual part. 7 pages. Dawson Music UK #5793665. Published by Dawson Music UK (A0.935134). This is an arrangement of Havana by Camila Cabello, feat. Young Thug, for solo classical guitar. Scored in standard notation only, this is a full song arrangement which features an instrumental section in the middle centred around the bass line of the song for a little extra guitar flare. Itâ??s in the key of A minor to lend itself to the natural resonance of the guitar.This version is intended to be played a little slower and more rubato than the original to bring out the expressive qualities of the melody and character within this instrumentation. Although, it can be played faster like the original if preferred. This is an intermediate piece of approximately grade 5-6 level (ABRSM). Follow the link to a full performance on YouTube, or contact me directly for further information at simon@dawsonmusic.co.uk. www.dawsonmusic.co.uk
$4.99
4.61 €
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Guitare
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Camila Cabello
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Simon Dawson
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Havana
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Dawson Music UK
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SheetMusicPlus
December
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1304698 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1304698 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #894142. Published by Doug Smith Guitar Studio (A0.1304698). December is a guitar solo that is composed for performance on the seventh fret of the guitar. The piece begins with a melody in the bass range and a chordal accampniment that modulates to a challenging arpeggio section in the key of E minor that winds it way to a finale.
$2.99
2.76 €
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Guitare
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Doug Smith
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December
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Doug Smith Guitar Studio
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SheetMusicPlus
Jingle Bells (One Horse Open Sleigh)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1138317 Composed by James Lord Pie…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1138317 Composed by James Lord Pierpont. Arranged by Adam Flanagan. 19th Century,Children,Christmas,Standards,Traditional. Individual part. 3 pages. Adam Flanagan #738601. Published by Adam Flanagan (A0.1138317). This classic festive song is arranged for solo guitarists. The piece is in D major, giving students an opportunity to play a recognisable melody in 2nd position, whilst filling out the performance with bass notes (played on open strings). Students approaching grade 2 level should find this challenging, but fun none the less. Enjoy and spread joy!
$1.99
1.84 €
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Guitare
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James Lord Pierpont
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Adam Flanagan
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Jingle Bells
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Adam Flanagan
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SheetMusicPlus
Jingle Bells (One Horse Open Sleigh) including Tablature
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1138318 Composed by James Lord Pie…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1138318 Composed by James Lord Pierpont. Arranged by Adam Flanagan. 19th Century,Children,Christmas,Standards,Traditional. Individual part. 4 pages. Adam Flanagan #738606. Published by Adam Flanagan (A0.1138318). This classic festive song is arranged for solo guitarists, and includes tablature. The piece is in D major, giving students an opportunity to play a recognisable melody in 2nd position, whilst filling out the performance with bass notes (played on open strings). Students approaching grade 2 level should find this challenging, but fun none the less. Enjoy and spread festive cheer!
$1.99
1.84 €
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Guitare
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James Lord Pierpont
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Adam Flanagan
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Jingle Bells
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Adam Flanagan
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.47 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.47 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
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