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FLUTE A DIX…
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GUITARE PED…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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PIANO & CLAVIERS
Piano Facile
377
Piano seul
267
Instruments en Do
201
Piano, Voix
98
Accompagnement Piano
80
Piano, Voix et Guitare
45
1 Piano, 4 mains
18
Piano Trio: piano, violon, violoncelle
17
Orgue
13
Orgue, Trompette (duo)
3
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
146
Ukulele
31
Guitare notes et tablatures
13
Guitare
11
Piano, Guitare (duo)
4
2 Guitares (duo)
4
Paroles et Accords
2
Ensemble de guitares
1
4 Guitares (Quatuor)
1
2 Ukuleles
1
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VOIX
Voix Tenor, Piano
17
Chorale SATB
13
Chorale SSAA
12
Chorale 3 parties
11
Chorale TTBB
9
Chorale 2 parties
8
Voix Soprano, Piano
7
Voix Alto, Piano
5
Voix Tenor
4
Voix duo, Piano
4
Voix moyenne, Piano
2
Chorale Unison
2
Voix seule
1
Voix Soprano
1
Voix basse, Piano
1
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VENTS
Flûte traversière et Piano
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Clarinette et Piano
27
Hautbois, Piano (duo)
26
Saxophone Alto et Piano
24
Quintette de Saxophone: 5 saxophones
20
Quatuor de Saxophones: 4 saxophones
20
Flûte traversière
17
Flûte, Hautbois, Clarinette, Basson
15
Saxophone Tenor et Piano
15
Clarinette
13
Saxophone Soprano et Piano
12
2 Saxophones (duo)
9
Saxophone (partie séparée)
8
Saxophone Alto
8
3 Saxophones (trio)
7
Saxophone Baryton, Piano
7
2 Clarinettes (duo)
7
Hautbois
6
Quatuor de Clarinettes: 4 clarinettes
6
Hautbois (partie séparée)
6
Trio de Flûtes: 3 flûtes
5
Saxophone Tenor
4
Flûte et Guitare
4
Hautbois, Basson (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Quatuor de Flûtes : 4 flûtes
4
Cor anglais, Piano
4
Hautbois, Violoncelle
3
2 Flûtes traversières (duo)
3
Flûte, Violon, Piano
3
Quintette de Flûte : 5 flûtes
3
Clarinette Basse, Piano
3
Quatuor de Flûtes à bec
3
2 Flûte à bec (duo)
3
Clarinette, Violoncelle (duo)
3
Cor anglais, Guitare (duo)
2
Flute, harpe et violon
2
Flûte, Hautbois, Clarinette (trio)
2
3 Flûtes à bec (trio)
2
Ensemble de Flûtes
2
Flûte, Violoncelle
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Guitare (duo)
2
Clarinette, Basson (duo)
2
Flûte, Clarinette, Piano (trio)
2
Saxophone et Guitare
2
3 Clarinettes (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Piccolo
1
2 Saxophones, Piano
1
Flûte et Trio à cordes
1
Hautbois, Harpe
1
Flûte de Pan
1
Ensemble de saxophones
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
5 Flûtes à bec
1
Flûte, Alto et Piano
1
Ensemble de Hautbois
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette (duo)
1
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CUIVRES
Trompette, Piano
26
Trombone et Piano
23
Trompette
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Cor et Piano
13
Quatuor de Cuivres
10
Tuba et Piano
8
Trombone
8
Tuba
8
Trompette (partie séparée)
7
Trombone (partie séparée)
6
Cor
6
Euphonium, Piano (duo)
6
2 Trompettes (duo)
5
2 Trombones (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor anglais, Piano
4
Cor, Violoncelle (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trombones
2
Cor anglais, Guitare (duo)
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trompettes
2
Ensemble de Cors
2
2 Cors (duo)
2
Trompette, Trombone (duo)
1
3 Trombones (trio)
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trombones
1
Cor et Basson (duo)
1
Ensemble de Trompettes
1
3 Tubas (trio)
1
3 Cors (trio)
1
Trompette, Violoncelle et Piano
1
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CORDES
Harpe
50
Quatuor à cordes: 2 violons, alto, violoncelle
45
Violon et Piano
42
Alto, Piano
24
Violoncelle, Piano
24
Violoncelle
22
Violon
22
2 Violoncelles (duo)
20
Alto, Violoncelle (duo)
20
Violon, Violoncelle (duo)
18
Alto seul
14
Contre Basse
12
Contrebasse, Piano (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Trio à Cordes: violon, alto, violoncelle
8
Violon, Alto (duo)
6
Alto (partie séparée)
5
2 Violons (duo)
4
Alto et Basson
3
Trio à Cordes: 2 violons, violoncelle
3
2 Altos (duo)
3
Violon, Guitare (duo)
3
Violon, Basson (duo)
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Violon (partie séparée)
1
Harpe, Voix
1
2 Harpes (duo)
1
Autoharp
1
Violoncelle , Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
39
Orchestre à Cordes
26
Ensemble Jazz
18
Cloches
13
Ensemble de cuivres
12
Jazz combo
4
Orchestre de chambre
2
Vibraphone
1
Ensemble d'École
1
Marimba
1
Orchestre
1
Ensemble de Percussions
1
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AUTRES
Vous avez sélectionné:
Melody in C Major
SheetMusicPlus
Partitions à imprimer
11 partitions trouvées
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1
Caprice in C Major
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1162307 Composed by Doug Smith. Ch…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1162307 Composed by Doug Smith. Children,Classical,Folk,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #762665. Published by Doug Smith Guitar Studio (A0.1162307). Caprice in C Major is played with three note Pim arpeggios in the keys of C major and A minor. The music is set in the first position and uses the technique of holding down basic chords while placing down or removing a finger. A melody is woven within the texure of the piece that is played on the third string.
$1.99
1.82 €
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Guitare
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Doug Smith
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Caprice in C Major
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Doug Smith Guitar Studio
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SheetMusicPlus
Prelude No 3 in C (Streams)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1189167 Composed by Simon James. C…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published by DML (A0.1189167). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece makes extensive use of open strings but is essentially a set of variations. The melody keeps returning but with small alterations as does the accompaniment. There is also a B section in E minor before a return to the opening melody. The return to the opening section has, as a variation, a change in bass and harmony. The original C major7 chord becomes E minor by changing the bass and the E minor chord becomes C major7 in the same fashion. The effect is subtle but attractive and is no harder to play.
$2.99
2.73 €
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Guitare
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Simon James
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Prelude No 3 in C
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DML
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SheetMusicPlus
Aquarela-toquinho
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1221594 Composed by Antonio Filho,…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1221594 Composed by Antonio Filho, Guido Morra, Maurizio Fabrizio, and Vinicius Moraes. Arranged by KAUE PAIM NASCIMENTO. Children,Folk,Multicultural,Pop,Traditional,World. Individual part. 1 pages. KAUE PAIM NASCIMENTO #817895. Published by KAUE PAIM NASCIMENTO (A0.1221594). WatercolorA Work released in the early eighties, it is a song that goes back to the universe of childhood. She reminds the listener of the need to imagine alternative scenarios, contemplating the beauty of being able to go beyond through our creative capacity.For those who want to play chord melody on guitar (classical guitar), this is a good option for a new experience and great ideas for a good arrangement done in C major.Hope you like it. AquarelaUma Obra lançada no princÃpio dos anos oitenta, é uma música que remonta ao universo da infância. Ela recorda o ouvinte da necessidade de se imaginar cenários alternativos, contemplando a beleza que é poder ir além através da nossa capacidade de criação.Para quem almeija tocar chord melody no violão (guitarra classica), esta é uma boa opção para uma nova experiência e grandes ideias para um bom arranjo feito em Dó maior.Espero que gostem.
$4.99
4.55 €
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Guitare
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Antonio Filho, Guido Morra, Maurizio Fabrizio, and Vinicius Moraes
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KAUE PAIM NASCIMENTO
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Aquarela-toquinho
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KAUE PAIM NASCIMENTO
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SheetMusicPlus
Traveling
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1162823 Composed by Doug Smith. Cl…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1162823 Composed by Doug Smith. Classical,Country,Folk,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #763186. Published by Doug Smith Guitar Studio (A0.1162823). Traveling is set in C Major with a melody in the bass voice that is plucked with the thumb. The piece is begins with Pim three note arpeggios in a folf style and then moves into a middle section that uses two note textures played with the index and middle fingers together. There are tempo changes, slurs, dynamics and the solo ends with an harmonic on the 7th fret.
$1.99
1.82 €
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Guitare
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Doug Smith
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Traveling
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Doug Smith Guitar Studio
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SheetMusicPlus
My Old Kentucky Home
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
1.82 €
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Guitare
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Rock My Soul
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1444613 Composed by Traditional. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1444613 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Ragtime,Spiritual,World. Individual part. 13 pages. Richard Hirsch #1024507. Published by Richard Hirsch (A0.1444613). I offer an arrangement of the Spiritual “Rock My Soul in the Bosom of Abraham” for acoustic fingerstyle guitar. The arrangement is in the ragtime style of guitar playing reminiscent of Reverend Gary Davis. The melody is played with alternating middle, index, and ring fingers over alternating bases played by the thumb. The melody is repeated in different major keys starting in the key of D and moving through the keys of A , G, and C, returning at the end to D.The arrangement is intended as a fun instructional introduction to the various keys that are good for fingerstyle guitar with alternating bases in normal tuning. There are lots of little ornamentations like pulls-offs, slurs, and trills that liven up the piece and are good practice for the intermediate to advanced student of fingerstyle guitar.I have given Presto as the tempo as that is the tempo in which I first conceived of the arrangement, but the piece can also be played at a slower tempo, i.e. Allegro.In a number of instances in the notation harmonics are marked as sounding one or two octaves higher than notated. These notes are notated and tabulated at the position they are to be found on the fretboard. When played as harmonics they will sound one or two octaves higher.The piece would I think work well also in contexts where the guitarist might like to have some audience participation in the way of hand-clapping of the beat while moving through the various key changes. The piece also works well as a warm-up. I really enjoy playing the piece. It makes my day!
$6.99
6.38 €
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Guitare
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Traditional
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Richard Hirsch
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Rock My Soul
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Richard Hirsch
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SheetMusicPlus
Patios de Córdoba
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.64 €
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Guitare
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
The Entertainer (Excerpt)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
1.82 €
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Guitare
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
January
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1304723 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1304723 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #894148. Published by Doug Smith Guitar Studio (A0.1304723). January is music composed for performance on the eighth fret of the guitar. The piece is in the key of C major and artfully weaves in a melody as part of an arpeggiated chord progression. The mood is reflective llike observing the wind blow over glazed snow in the depth of winter on a sunny day.
$2.99
2.73 €
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Guitare
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Doug Smith
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January
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Doug Smith Guitar Studio
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SheetMusicPlus
Mud Slappin' Blues/ Orange Sunrise
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1304664 Composed by Doug Smith. 20…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1304664 Composed by Doug Smith. 20th Century,Blues,Classical,Instructional,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #894105. Published by Doug Smith Guitar Studio (A0.1304664). The first of a group of guitara solos composed to be perfomred on one fret. Mud Slappin Blue's is uses a G pentatonic scale with bends and open strings on the third fret. The short blues solo is followede by a light hearted jazz waltz that flows easily  in the key of C major with melody, chord formations and arpeggios.
$1.99
1.82 €
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Guitare
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Doug Smith
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Mud Slappin' Blues/ Orange Sunrise
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Doug Smith Guitar Studio
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SheetMusicPlus
Nineteen Gilbert and Sullivan Favorites
Guitare
By Mark Marrington. For Guitar (Classical). Parlor/Salon. 24 pages. Published by Mel Bay P…
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By Mark Marrington. For Guitar (Classical). Parlor/Salon. 24 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609745578. This anthology contains nineteen of the most popular Gilbert and Sullivan classics arranged in easily sight-readable versions for beginning to intermediate classical guitarists. All the favorites are here, ranging from sentimental ballads such as 'Little Buttercup', 'Willow, Tit-Willow' and 'There Grew a Little Flower', to more up-tempo 'patter' type pieces such as 'Oh! A Private Buffoon', 'Kind Sir You Cannot Have the Heart' and 'A Policeman's Lot'. The aim has been to provide both a useful teaching resource and a light-hearted alternative to the more 'serious' music of the classical guitar repertoire. All the pieces lend themselves extremely well to the common idiomatic textures of the classical guitar. A variety of melody and accompaniment styles are employed, including block chords, arpeggio patterns and passages of double-stopped thirds and sixths. A number of the pieces are in easy first position format, while others explore the common higher positions. The standard guitar keys are utilized (C, G, D, A, E) but there are occasional more challenging temporary modulations to 'difficult' keys, such as E flat major. There are also instances of drop-D tuning, which is often required in classical guitar playing.ISBN 9781609745578. This anthology contains nineteen of the most popular Gilbert and Sullivan classics arranged in easily sight-readable versions for beginning to intermediate classical guitarists. All the favorites are here, ranging from sentimental ballads such as 'Little Buttercup', 'Willow, Tit-Willow' and 'There Grew a Little Flower', to more up-tempo 'patter' type pieces such as 'Oh! A Private Buffoon', 'Kind Sir You Cannot Have the Heart' and 'A Policeman's Lot'. The aim has been to provide both a useful teaching resource and a light-hearted alternative to the more 'serious' music of the classical guitar repertoire. All the pieces lend themselves extremely well to the common idiomatic textures of the classical guitar. A variety of melody and accompaniment styles are employed, including block chords, arpeggio patterns and passages of double-stopped thirds and sixths. A number of the pieces are in easy first position format, while others explore the common higher positions. The standard guitar keys are utilized (C, G, D, A, E) but there are occasional more challenging temporary modulations to 'difficult' keys, such as E flat major. There are also instances of drop-D tuning, which is often required in classical guitar playing.
$9.99
9.12 €
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Guitare
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Mark Marrington
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Nineteen Gilbert and Sullivan Favorites
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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