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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mood Swing
Non classifié
36
Piano & claviers
Piano seul
53
Piano, Voix et Guitare
25
Piano Facile
7
Instruments en Do
4
Piano, Voix
3
Orgue
1
Piano grosses notes
1
1 Piano, 4 mains
1
Piano (partie séparée)
1
+ 4 instrumentations
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Guitares
Guitare
5
Ligne De Mélodie, (Paroles) et Accords
4
Guitare notes et tablatures
2
Paroles et Accords
2
Guitare (partie séparée)
2
Piano, Guitare (duo)
1
+ 1 instrumentations
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Voix
Chorale 3 parties
9
Chorale SATB
8
Chorale 2 parties
4
Chorale TTBB
1
Chorale SSAATTBB
1
Chorale Unison
1
+ 1 instrumentations
Retracter
Vents
Saxophone (partie séparée)
7
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette
3
Ensemble de saxophones
2
Quatuor de Saxophones: 4 saxophones
2
Flûte, Clarinette (duo)
2
Saxophone Alto et Piano
1
Saxophone Tenor
1
Saxophone Baryton, Piano
1
Hautbois (partie séparée)
1
Saxophone Alto
1
Flute (partie séparée)
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette et Piano
1
2 Clarinettes (duo)
1
Flûte traversière
1
+ 11 instrumentations
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Cuivres
Trombone (partie séparée)
6
Trompette (partie séparée)
4
Trompette
2
Ensemble de Tubas
1
Trombone et Piano
1
Tuba (partie séparée)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Tuba et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor (partie séparée)
1
Trombone
1
Cor et Piano
1
Tuba
1
Quatuor de Cuivres
1
Cor
1
Euphonium, Tuba (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette, Piano
1
+ 13 instrumentations
Retracter
Cordes
Harpe
136
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon
2
Contrebasse (partie séparée)
2
Alto seul
2
Violoncelle, Piano
1
Violoncelle
1
2 Violoncelles (duo)
1
Piano Trio: Violon, Alto, Piano
1
Alto, Piano
1
Violon et Piano
1
+ 6 instrumentations
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Orchestre & Percussions
Ensemble Jazz
10
Jazz combo
2
Cloches
2
Orchestre d'harmonie
2
Batterie
1
Ensemble de cuivres
1
Batterie (partie séparée)
1
+ 2 instrumentations
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AUTRES INST…
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BASSE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
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TROMPETTE
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VIOLE DE GA…
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VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Mood Swing
Guitare
Partitions à imprimer
5 partitions trouvées
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Mood Indigo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1295010 By Duke Ellington. By Alba…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1295010 By Duke Ellington. By Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,R & B,Soul,Standards. Individual part. 1 pages. Christopher J. Malin #885330. Published by Christopher J. Malin (A0.1295010). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of the Duke's      finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. This piece needs to be swung hard. It don't mean a thing, if it ain't got that swing! Very danceable piece. Legend has it that Ellington's orchestra would play this rhythm as long as the floor was filled with dancers! Another tried and true arrangement. Have fun with it! Sounds great on acoustic and electric guitars.
$4.99
4.6 €
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Guitare
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Duke Ellington
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Christopher J
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Mood Indigo
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Christopher J. Malin
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SheetMusicPlus
Swinging Pradigm
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1010598 Composed by Shoryu Itazu. …
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Solo Guitar - Level 5 - Digital Download SKU: A0.1010598 Composed by Shoryu Itazu. 20th Century,Concert,Contemporary,Latin,Standards. Individual part. 7 pages. Shoryu Itazu #3022593. Published by Shoryu Itazu (A0.1010598). Music with variety of stylistic fragments and moods are swinging.
$5.00
4.61 €
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Guitare
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Shoryu Itazu
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Swinging Pradigm
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Shoryu Itazu
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SheetMusicPlus
Easy Over
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1183817 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1183817 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783503. Published by Doug Smith Guitar Studio (A0.1183817). Easy Over offers a taste of smooth jazz and beautiful “sweet guitar†stylings with three contrasting mood swings. A laid back harmonic and rhythmic beginning moves into a slower melodic section. Then a layered improvisation builds to reach a grand climactic run before retuning to the earlier opening mood.
$3.99
3.68 €
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Guitare
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Doug Smith
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Easy Over
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Doug Smith Guitar Studio
#
SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.6 €
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Guitare
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
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Mood Swing
