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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Most of All
Non classifié
4 091
Piano & claviers
Piano grosses notes
3 296
Orgue
1 733
Piano seul
1 600
Piano, Voix
717
Piano Facile
558
Piano, Voix et Guitare
306
Instruments en Do
168
Accompagnement Piano
164
Clavier
60
Accordéon
52
1 Piano, 4 mains
49
Piano Trio: piano, violon, violoncelle
43
Piano Quatuor: piano, violon, alto, violoncelle
20
2 Pianos, 4 mains
14
Piano Quatuor: piano, 2 violons, violoncelle
12
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano (partie séparée)
4
Orgue, Piano (duo)
3
Clavecin
3
Orgue, Trompette (duo)
3
1 Piano, 6 mains
1
2 Accordéons
1
Fake Book
1
2 Pianos, 8 mains
1
+ 19 instrumentations
Retracter
Guitares
Guitare
221
Guitare notes et tablatures
194
Ukulele
66
Ligne De Mélodie, (Paroles) et Accords
47
Basse electrique
30
2 Guitares (duo)
29
Dulcimer
20
Mandoline
18
4 Guitares (Quatuor)
12
Banjo
11
Piano, Guitare (duo)
10
Guitare (partie séparée)
6
Guitare, Violon, Violoncelle (trio)
4
3 Guitares (trio)
4
Ensemble de guitares
4
Paroles et Accords
3
Mandoline, Guitare (duo)
3
2 Mandolines (duo)
3
Ensemble de Ukulélés
1
Orchestre à Plectres
1
Guitare, Orchestre
1
+ 16 instrumentations
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Voix
Chorale SATB
725
Chorale 3 parties
251
Chorale 2 parties
226
Chorale TTBB
146
Chorale Unison
101
Chorale SSAA
62
Voix Soprano, Piano
58
Voix duo, Piano
54
Voix Tenor, Piano
49
Voix Alto, Piano
48
Voix duo
41
Voix haute
21
Voix seule
13
Voix Tenor
6
Voix Baryton, Piano
6
Voix moyenne, Piano
5
Soli, choeur mixte et accompagnement
4
Chorale SSATTB
4
Voix basse, Piano
3
Chorale SSAATTBB
3
Chorale
1
Voix Soprano
1
Chorale SSATB
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
340
Quatuor de Saxophones: 4 saxophones
330
Flûte traversière et Piano
301
Clarinette et Piano
287
Saxophone Alto et Piano
240
Hautbois, Piano (duo)
240
2 Saxophones (duo)
232
Flûte, Hautbois, Clarinette, Basson
219
Quintette de Saxophone: 5 saxophones
204
Clarinette
188
Saxophone Tenor et Piano
186
Saxophone Soprano et Piano
181
Flûte traversière
176
Saxophone Alto
168
2 Flûtes traversières (duo)
168
Quatuor de Clarinettes: 4 clarinettes
167
Saxophone Tenor
114
Saxophone Baryton, Piano
110
2 Clarinettes (duo)
93
Ensemble de Clarinettes
92
Quatuor de Flûtes : 4 flûtes
91
Ensemble de saxophones
88
Saxophone (partie séparée)
84
Hautbois (partie séparée)
79
Flûte, Clarinette (duo)
68
3 Saxophones (trio)
61
Hautbois
60
Cor anglais, Piano
59
Saxophone, Clarinette (duo)
57
Ensemble de Flûtes
56
Quintette de Clarinettes: 5 clarinettes
55
Clarinette Basse, Piano
51
Saxophone Soprano
50
2 Hautbois (duo)
40
3 Clarinettes (trio)
40
Clarinette, Violon (duo)
38
Hautbois, Basson (duo)
38
Clarinette, Trompette (duo)
26
Flûte à bec Soprano
26
Hautbois, Flûte
25
Flûte, Violon, Piano
24
2 Flûte à bec (duo)
24
Quintette de Flûte : 5 flûtes
24
Saxophone Baryton
22
Trio de Flûtes: 3 flûtes
22
Cor Anglais
22
Clarinette et Alto
18
Hautbois, Clarinette (duo)
18
Flûte, Saxophone (duo)
18
Hautbois, Clarinette, Basson (trio d'anches)
17
Flûte, Violon
17
Hautbois, Violoncelle
14
Flûte, Trompette (duo)
14
Flûte, Alto (duo)
13
Flûte à Bec
13
Flûte et Guitare
13
Clarinette (partie séparée)
12
Flûte à bec Alto
12
Clarinette, Basson (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
Quatuor de Flûtes à bec
10
Flûte irlandaise
10
Flute (partie séparée)
9
5 Flûtes à bec
8
Clarinette, Guitare (duo)
8
2 Saxophones, Piano
8
Piccolo, Piano
7
3 Flûtes à bec (trio)
7
Ocarina
7
Flûte, Clarinette et Basson
7
Flûte à bec Alto, Piano
6
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Violoncelle, Piano (trio)
5
Flûte, Hautbois (duo)
5
Flûte, Violon, Violoncelle et Piano
4
Piccolo
4
Ensemble De Flûte à bec
4
Harmonica
4
Clarinette, Harpe (duo)
4
Saxophone et Orgue
3
Flûte, Violoncelle
3
Flûte à bec Tenor
3
Flûte, Hautbois, Basson
3
Flûte, Hautbois, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Flûte et Trio à cordes
3
Clarinette, Violoncelle (duo)
2
Flute, harpe et violon
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Alto, Basse continue
2
Flûte, Basson et Piano
2
Hautbois, Guitare (duo)
2
2 Cors Anglais Et Pianoforte
2
Flûte à bec, Guitare (duo)
2
Flûte, Violon et Violoncelle
2
Saxophone
2
Flûte, Alto et Piano
2
Saxophone et Harpe
2
Hautbois, Harpe
1
Flûte, Harpe et Violoncelle
1
Flûte à Bec, Piano
1
Clarinette, Alto et Piano (trio)
1
Clarinette Basse
1
Clarinette, Orgue
1
Flûte, alto et harpe
1
Cor anglais et Harpe (duo)
1
Flûte, trombone et piano
1
Ensemble de Hautbois
1
Flûte de Pan
1
Hautbois, Basson et Piano
1
2 Clarinettes, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, trompette et piano
1
Saxophone et Piano
1
Ensemble à vent
1
2 Flûtes traversières, Piano
1
Clarinette, Trombone (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 114 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
364
Trombone et Piano
235
Trompette
220
Trompette, Piano
217
Quatuor de Cuivres : 2 trompettes, trombone, tuba
203
Cor et Piano
169
Trombone
132
Quatuor de Cuivres: 2 trompettes, Cor, trombone
87
Cor
87
Tuba et Piano
80
Euphonium, Piano (duo)
65
2 Trompettes (duo)
61
Cor anglais, Piano
59
Tuba
57
Ensemble de Trompettes
54
Ensemble de Trombones
50
2 Trombones (duo)
50
Trompette, Trombone (duo)
47
Quatuor de cuivres: 4 trombones
45
Trompette, Saxophone (duo)
43
Quatuor de Cuivres
39
Trompette (partie séparée)
37
Trombone (partie séparée)
29
Trompette, Cor (duo)
28
2 Cors (duo)
22
Cor Anglais
22
Quatuor de cuivres: 4 cors
21
Cor (partie séparée)
15
Quatuor de cuivres: 4 trompettes
13
Ensemble de Cors
10
Euphonium
9
2 Tubas (duo)
9
4 Tubas
9
2 Euphoniums et 2 Tubas
8
3 Trombones (trio)
7
3 Trompettes (trio)
7
Tuba (partie séparée)
7
Trio de Cuivres
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trombone basse et Piano
4
2 Trombones, Piano
3
2 Euphoniums (duo)
3
Trombone, Orgue
3
Trombone basse
3
Euphonium, Tuba (duo)
3
Trompette, Harpe
2
2 Cors Anglais Et Pianoforte
2
Tuba et Orgue
2
3 Tubas (trio)
2
Bass Clef Instruments
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
Trombone et orchestre
1
Trompette, Trombone, Piano
1
Trombone, Cor (duo)
1
Cor et Orgue
1
Trombone, Tuba (duo)
1
3 Euphoniums
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
794
Violon et Piano
354
Violon
330
Violon, Violoncelle (duo)
285
Violoncelle, Piano
267
Alto, Piano
251
Trio à Cordes: violon, alto, violoncelle
230
Violoncelle
222
Harpe
155
2 Harpes (duo)
125
Alto seul
112
2 Violons (duo)
93
Quintette à cordes: 2 violons, alto, violoncelle, basse
88
2 Violoncelles (duo)
86
Contre Basse
79
Violon, Alto (duo)
75
Contrebasse, Piano (duo)
59
Trio à Cordes: 2 violons, violoncelle
55
2 Altos (duo)
51
4 Violoncelles
32
Violon (partie séparée)
29
Piano Trio: Violon, Alto, Piano
27
Alto (partie séparée)
24
Contrebasse (partie séparée)
21
Alto, Violoncelle (duo)
18
Ensemble de Violons
14
Trio à cordes: 3 violins
14
Harpe, Flûte (duo)
14
Violon, Guitare (duo)
14
Trio à Cordes: 3 violoncelles
14
Trio à cordes: 3 altos
13
Ensemble d'Altos
12
Quatuor à cordes : 4 altos
12
Violoncelle, Contrebasse (duo)
11
Quatuor à cordes: 4 violons
9
Violoncelle , Guitare (duo)
8
Trio à Cordes: 2 violons, alto
8
Harpe, Voix
7
Harpe, Violon (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Alto, Guitare (duo)
5
Harpe, Violoncelle (duo)
4
Violoncelle (partie séparée)
4
Alto et Harpe
4
Violoncelle, Orgue
3
Ensemble de Violoncelles
3
2 Violoncelles, Piano
3
2 Contrebasses (duo)
3
Violoncelle, Orchestre
2
4 Contrebasses
1
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
Harpe, Quatuor à cordes
1
2 Violons, Piano
1
Autoharp
1
Alto et orchestre
1
3 Harpes
1
Harpe et Orgue
1
Violoncelle, Basse continue
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 382
Orchestre à Cordes
444
Orchestre
286
Ensemble de cuivres
202
Orchestre de chambre
115
Ensemble Jazz
104
Cloches
89
Fanfare
70
Ensemble de Percussions
30
Jazz combo
21
Batterie
14
Xylophone, Piano
10
Percussion (partie séparée)
10
Marimba
8
Ensemble d'École
7
Instrumentation Flexible
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
3
Batterie (partie séparée)
3
3 Marimbas
2
Vibraphone et Marimba
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
Caisse Claire
1
Xylophone
1
Bongos
1
Marimba et Orgue
1
Marimba, Piano (duo)
1
+ 24 instrumentations
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Autres
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
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GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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ORCHESTRE
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PERCU. ORCH…
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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MANDOLINE
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Guitare
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201
'Change of scene' from Act III of Wozzeck
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Alban Berg
#
Rod Whittle
#
'Change of scene' from Act III
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Sonata No. 6 "Kharkiv", Op. 48
#
Guitare
#
AVANCÉ
#
Classique
#
Konstantin Bliokh
#
Sonata No. 6 "Kharkiv", Op. 48
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
(+)
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Matthew Nace
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bass line
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Jesu, Joy of Man's Desiring
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Matthew Nace
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Indiv...
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Solo Guitar - Level 3 - SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
Shallow
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Guitare
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INTERMÉDIAIRE
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Lady Gaga
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Barry McCormick
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Shallow
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B. McCormick
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1372204 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Barry McCorm...
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Solo Guitar - Level 3 - SKU: A0.1372204 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Barry McCormick. Film/TV,Pop,Wedding. Individual part. 7 pages. B. McCormick #956465. Published by B. McCormick (A0.1372204). Shallow is a hit song by Lady Gaga and Bradley Cooper from the 2018 musical drama film A Star is Born. The song won several awards, including an Oscar, a Golden Globe, and four Grammys. It is a powerful duet that showcases the vocal talents and emotional connection of the two singers. Lady Gaga is one of the most influential and versatile artists of our time, with a range of genres and styles in her repertoire.This guitar fingerstyle sheet music arrangement of Shallow captures the essence and beauty of the original song, while adding some unique touches and embellishments. It is a higher intermediate level guitar piece that requires some technical skills and expressive playing. The arrangement closely follows the structure of the original song. The performance markings indicate the dynamics, tempo, articulation, and other aspects of how to play the piece. The piece also comes with a performance note that provides more details and tips on how to interpret the arrangement.This sheet music is perfect for guitarists who want to impress their audience with a stunning rendition of this popular song. It can be used as a solo piece or as part of a set list for various occasions. Whether you are a fan of Lady Gaga, A Star is Born, or just love beautiful music, this guitar fingerstyle sheet music arrangement of Shallow will make you feel the emotions and depth of this masterpiece.
$5.99
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Song Of The Jet (samba Do Avião)
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Guitare
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INTERMÉDIAIRE
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Antonio Carlos Jobim and Gene
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Luiz Duarte
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Song Of The Jet
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Alan Anunciação
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1115898 Composed by Antonio Carlos Jobim and Gene Lees. Arranged by Luiz Duarte. 20th Century,Jazz,Latin,Multicultural,S...
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Solo Guitar - Level 3 - SKU: A0.1115898 Composed by Antonio Carlos Jobim and Gene Lees. Arranged by Luiz Duarte. 20th Century,Jazz,Latin,Multicultural,Standards,World. Individual part. 4 pages. Alan Anunciação #717621. Published by Alan Anunciação (A0.1115898). In this video, we will show you how to play the famous Samba do Avião (Song of the Jet) by Tom Jobim - Sheet Music + Tablature. This beautiful song was written in the late 1960s and has become one of the most famous and well-known samba tunes of all time. This is an arrangement that, according to my teacher Luiz, is a combination of arrangements he likes, such as Gamela and Baden Powell. If you're a fan of Brazilian music and want to learn how to play the famous Samba do Avião (Song of the Jet) then this video is for you! We'll teach you the chords and melody of this beautiful song, so you can enjoy it wherever you go.
$6.00
Allemande - Suite No. 1, BWV 1007
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Guitare
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Classique
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Gerry Saulter - Guitar
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Gerry Saulter
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Allemande - Suite No. 1, BWV 1
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Serenade Music
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SheetMusicPlus
Guitar - SKU: A0.1105350 By Gerry Saulter - Guitar. By Johann Sebastian Bach. Arranged by Gerry Saulter. Baroque,Classical,Traditional. Full Performance...
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Guitar - SKU: A0.1105350 By Gerry Saulter - Guitar. By Johann Sebastian Bach. Arranged by Gerry Saulter. Baroque,Classical,Traditional. Full Performance. Duration 332. Serenade Music #708598. Published by Serenade Music (A0.1105350). The 1st cello suite of J.S. Bach is one of his most enduring and recognizable works. This recording was done live in-studio with no edits. My arrangement of the full suite is designed to be very accessible, including fingerings, chord symbols, and even TAB. It is also available through ArrangeMe. I hope you find this selection and all of the other movements from this suite as enchanting as I do.
$1.99
All The Small Things
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Guitare
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FACILE
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Blink 182
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Hollywood Charts
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All The Small Things
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Hollywood Charts
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1491288 By Blink 182. By Mark Hoppus, Tom DeLonge, and Travis Barker. Arranged by Hollywood Charts. Pop,Punk,Rock. Indiv...
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Solo Guitar - Level 2 - SKU: A0.1491288 By Blink 182. By Mark Hoppus, Tom DeLonge, and Travis Barker. Arranged by Hollywood Charts. Pop,Punk,Rock. Individual part. 5 pages. Hollywood Charts #1068026. Published by Hollywood Charts (A0.1491288). Unlock the infectious energy of Blink-182’s iconic hit All The Small Things with this meticulously crafted note-for-note guitar transcription. Perfectly suited for guitarists who read standard notation, this sheet music offers a faithful and detailed rendition of every riff, chord, and melodic line that made the song a pop-punk anthem. Whether you're a seasoned musician looking to expand your repertoire or a dedicated fan eager to bring this classic track to life on your instrument, this transcription ensures you capture the essence of the original recording with precision and flair. Ideal for performances, practice sessions, or simply enjoying the thrill of playing along to one of the most beloved songs of the early 2000s, this sheet music is an essential addition to any guitarist's collection.
$5.99
Guitar Reading and Technique, The New All-Fret Approach
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Guitare
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FACILE
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Donald B
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Guitar Reading and Technique,
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Donald Miller Music
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1251016 By Donald B. Miller. By Donald B. Miller. Instructional. Individual part. 96 pages. Donald Miller Music #845311....
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Solo Guitar - Level 2 - SKU: A0.1251016 By Donald B. Miller. By Donald B. Miller. Instructional. Individual part. 96 pages. Donald Miller Music #845311. Published by Donald Miller Music (A0.1251016). Why is it of paramount importance to approach guitar reading tech- nique by working from the lower strings upward rather than from the top string downward? There are many reasons, but two of the most important ones are that chords are built vertically, from the bottom up, and that the lower notes frequently determine the exact fret( s) for these upper and mid- dle neck areas. Therefore this book is based on the only natural approach to guitar reading: from lower strings upward. And it should be noted that this method has met with 100 percent success, whether with students who are beginning non-readers or those who have studied the instrument but read poorly or not at all.
$20.00
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
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Guitare
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INTERMÉDIAIRE
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Classique
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Gordon Mizzi
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Saints and Fireworks: The Musi
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music ...
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Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music #22170EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22170EB). ISBN 9781619112094. 8.75x11.75 inches.This collection of the work of the Maltese composer, Gordon Mizzi, for solo guitar is being made available to the public for the first time. Saints and Fireworks, The Music of Gordon Mizzi Volume Two is the second of two albums of Gordon Mizzi's music, which are available from Mel Bay Publications. This album takes its title from the  CD, Gordon Mizzi, Saints and Fireworks that has been recorded by Carlos Bonell, one of today's most celebrated guitarists and which is available from Spearhead Music. The individual track recordings are also available as downloads from itunes, amazon.com and other sites.This album contains a diverse collection of original works as well as transcriptions of Renaissance and Maltese folk music by Gordon Mizzi. The Branles de Malte by Jean d'Estr+¬e were originally composed by the French Knights of St. John in Malta in 1551 for the Dauphin of France. Gordon Mizzi has made guitar transcriptions of these five dances and this is the first time that they are being published. The Branles de Malte by Adrian Le Roy are also included. There are a number of original compositions. Saints and Fireworks, a piece in two movements, vividly represents Malta's village festas. Island Scenes are six musical portraits of towns and villages dotting the landscape of Malta.They include Valletta- Barrakka Gardens, San Giljan-After the Feast, Mdina- Citt+á Notabile, the dreamy Comino-The Blue Lagoon, Sliema- The Tower, and the pulsatingly brash Paceville -Sin City. Three Love Poems : Hula, Lahaina and Hana are influences from Hawaii. There are also two cradle songs Child Don't Cry and Ninna Nanna as well as folk inspired melodies such as Night Crossing and il- Maltija. The guitarist will find a veritable pot pourri of scents and sounds in this album.
$17.99
MEMORIES OF SPAIN
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Guitare
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Gilbert Piger
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MEMORIES OF SPAIN
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GJP Productions
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SheetMusicPlus
Solo Guitar - SKU: A0.1018717 Composed by Gilbert Piger. Contemporary,World. Individual part. 1 pages. GJP Productions #1911315. Published by GJP Produc...
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Solo Guitar - SKU: A0.1018717 Composed by Gilbert Piger. Contemporary,World. Individual part. 1 pages. GJP Productions #1911315. Published by GJP Productions (A0.1018717). MEMORIES OF SPAIN is a compiled three pieces consisting of Duende, Cancion, and Anoranza. There is difficulty in all pieces with the 1st being the most popular being as how it has been the most heard.
$24.50
Beautiful Child of Song (classical guitar)
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Guitare
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen Foster
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Ivan Paschoito
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Beautiful Child of Song
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Ivan Paschoito
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.900101 Composed by Stephen Foster. Arranged by Ivan Paschoito. Traditional. Individual part. 3 pages. Ivan Paschoito #30...
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Solo Guitar - Level 3 - SKU: A0.900101 Composed by Stephen Foster. Arranged by Ivan Paschoito. Traditional. Individual part. 3 pages. Ivan Paschoito #3032501. Published by Ivan Paschoito (A0.900101). Although virtually unknown, this is one of the most beautiful Foster songs.
$3.99
Can't Help Falling In Love
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Guitare
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FACILE
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Rock
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Rock
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Elvis Presley
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Jim Bosse
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Can't Help Falling In Love
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.955044 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jim Bosse. Rock. Individua...
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Solo Guitar - Level 2 - SKU: A0.955044 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Jim Bosse. Rock. Individual part. 2 pages. Jim Bosse #4601859. Published by Jim Bosse (A0.955044). The Elvis Presley version of this love song is the most popular but my wife and I chose this song for our wedding because we liked the Al Martino recording. I made this arrangement for solo classical guitar for Nancy, for our 25th wedding anniversary. Performance time is 2 minutes with a demand level of early intermediate. Jim's web site is www.facebook.com/jimbosseguitar .
$4.99
Niel Gow's Lament for the Death of His Second Wife (For Fingerstyle Guitar Tuned CGDGAD)
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Guitare
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Public Domain
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Ellsworth McMeen
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Niel Gow's Lament for the Deat
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Ellsworth McMeen
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.806164 Composed by Public Domain. Arranged by Ellsworth McMeen. Celtic,Folk. Individual part. 5 pages. Ellsworth McMeen ...
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Solo Guitar - Level 3 - SKU: A0.806164 Composed by Public Domain. Arranged by Ellsworth McMeen. Celtic,Folk. Individual part. 5 pages. Ellsworth McMeen #4349849. Published by Ellsworth McMeen (A0.806164). Evocative fingerstyle guitar arrangement in CGDGAD tuning by guitarist El McMeen of one of the most beautiful fiddle tunes, from iconic Scottish fiddler Niel Gow (1727-1807). El is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitaristsMany of El's recordings are described here: https://store.cdbaby.com/Artist/ElMcMeenThis tune is included on El's recording called Amazing Grace.
$6.99
Niel Gow's Lament for the Death of His Second Wife (For Fingerstyle Guitar Tuned Drop D)
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Guitare
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Public Domain
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Ellsworth McMeen
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Niel Gow's Lament for the Deat
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Ellsworth McMeen
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.806165 Composed by Public Domain. Arranged by Ellsworth McMeen. Celtic,Folk. Individual part. 3 pages. Ellsworth McMeen ...
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Solo Guitar - Level 3 - SKU: A0.806165 Composed by Public Domain. Arranged by Ellsworth McMeen. Celtic,Folk. Individual part. 3 pages. Ellsworth McMeen #4349865. Published by Ellsworth McMeen (A0.806165). Evocative fingerstyle guitar arrangement in Drop D (DADGBE) tuning by guitarist El McMeen of one of the most beautiful fiddle tunes, from iconic Scottish fiddler Niel Gow (1727-1807). El is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitaristsMany of El's recordings are described here: https://store.cdbaby.com/Artist/ElMcMeenThis tune (performed in CGDGAD tuning) is included on El's recording called Amazing Grace.
$6.99
Glossary of Guitar Terms
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Collin Bay
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Glossary of Guitar Terms
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Mel Bay Publications, Inc
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SheetMusicPlus
By Collin Bay. For Guitar (All). All Styles. 12 pages. Published by Mel Bay Publications, Inc ...
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By Collin Bay. For Guitar (All). All Styles. 12 pages. Published by Mel Bay Publications, Inc
ISBN 9781619114043. Glossary of Guitar Terms is an informative addition to any musician's library. Included are a rundown of the parts of the instrument, a variety of helpful diagrams, and some of the most important terms and concepts for guitarists to be familiar with. Glossary of Guitar Terms is an excellent reference tool for players of all levels.
$9.99
Collection of polyphonic music for guitars. European composers of 17-18 centuries.
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Guitare
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FACILE
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Arcangelo Corelli, Daniel Gott
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Valery Dzyabenko
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Collection of polyphonic music
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Valery Dzyabenko
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.978129 Composed by Arcangelo Corelli, Daniel Gottlob Turk, Dionisio Aguado, Dzyabenko, Georg Philipp Telemann, Hurlebush...
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Solo Guitar - Level 2 - SKU: A0.978129 Composed by Arcangelo Corelli, Daniel Gottlob Turk, Dionisio Aguado, Dzyabenko, Georg Philipp Telemann, Hurlebush, I.S.Bach, Jean-Philippe Rameau, Johann Pachelbel, Krieger, Wiese, Wittgauer, and Wolfgang Amadeus Mozart. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,World. Individual part. 86 pages. Valery Dzyabenko #5354397. Published by Valery Dzyabenko (A0.978129). The collection of polyphonic pieces for classical guitar is intended for students of children's music schools. The complexity of the pieces is designed so that you can start learning polyphony even from 1st grade, and then up to 5th or 7th. Here you will find guitar arrangements of music by European composers of the 17th and 18th centuries. The collection contains many works that are not found in other publications. For example, the famous JS Bach's aria from Suite No. 3. The arrangement is performed in a comfortable key in C major, in good harmony with the transmission of almost all voices of this masterpiece of Bach. Or the famous Sarabande from JS Bach's suite. In other publications, it is presented in the key of B minor. In this edition, the Sarabande has been converted to the key minor. Sarabande became available to children. The collection also includes guitar arrangements by composers Mozart, Krieger, Türk, Rameau, Telemann, Aguado, Wiese, Corelli, Vitgauer, Hurlebusch and others.
$11.00
The Call of Ithaca (Guitar Quartet)
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Guitare
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Sean Michael Batura
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The Call of Ithaca
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Sean Michael Batura
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SheetMusicPlus
Solo Guitar - SKU: A0.945438 Composed by Sean Michael Batura. 20th Century,Contemporary,World. Individual part. 28 pages. Sean Michael Batura #5793399. ...
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Solo Guitar - SKU: A0.945438 Composed by Sean Michael Batura. 20th Century,Contemporary,World. Individual part. 28 pages. Sean Michael Batura #5793399. Published by Sean Michael Batura (A0.945438). This piece is about 4:00 long, and is fun for beginners as well as advanced players. Guitar 4 is entirely in 1st position, Guitar 3 almost completely is, and these two parts should be suitable for some beginners and intermediate players. Guitars 1 and 2 are suitable for intermediate to advanced players. If you have questions, feel free to contact me at https://seanbatura.com/contact/.
$7.99
Dream Not Of Today
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Guitare
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Apostolos Paraskevas
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Dream Not Of Today
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070393 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Jazz. Full Performance. Duration 335. Silver Sickle Publications #6...
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Guitar - SKU: A0.1070393 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Jazz. Full Performance. Duration 335. Silver Sickle Publications #6103013. Published by Silver Sickle Publications (A0.1070393). Dream Not of Today is a lullaby and a night storytelling fable with heroes, challenges and romances. It's a lullaby for the brave kids and for those adults full of emotions, who want to sleep at the end of it and only after all the good guys have already won. It is written in a jazzier and continuing motivic development style as almost a Theme and Variations. It was composed in 2013 and commissioned by and dedicated to Laura Young.
$1.99
Dream Not of Today
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Guitare
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Apostolos Paraskevas
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Dream Not of Today
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - SKU: A0.942089 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Jazz,World. Individual part. 6 pages. Silver Sickle Publication...
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Solo Guitar - SKU: A0.942089 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Jazz,World. Individual part. 6 pages. Silver Sickle Publications #5041113. Published by Silver Sickle Publications (A0.942089). Dream Not of Today is a lullaby and a night storytelling fable with heroes, challenges and romances. It's a lullaby for the brave kids and for those full of emotions adults who want to sleep at the end of it and only after all the good guys had already won. It is written in a jazzier and continuing motivic development style as almost a Theme and Variations. It was composed in 2013, commissioned by and dedicated to Laura Young.
$7.99
Nicolas Vallet: Le Secret des Muses Transcribed for Classical Guitar
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Guitare
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INTERMÉDIAIRE
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Renaissance
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Nicolas Vallet: Le Secret des
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Renaissance. Classics. E-book. 77 pages. Mel Bay Publications - Digital Sheet Music #30889EB. Published by Mel Bay Publications - Digital Sheet Music...
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Renaissance. Classics. E-book. 77 pages. Mel Bay Publications - Digital Sheet Music #30889EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459547. 8.75x11.75 inches.
This book of 53 intermediate-level guitar pieces is derived from Le Secret des Muses, a two-volume collection of lute tablature by Nicolas Vallet (c. 1583 c. 1642). Born in France, by 1614 Vallet had relocated to Amsterdam where he established a dance school and was active as a composer, lute teacher and leader of a consort that played at weddings and festivals. Le Secret des Muses is among the last published collections of French lute tablature intended for the 10-course Renaissance lute, which was ultimately supplanted by the larger 13-course Baroque model. Most of these pieces consist of traditional European dance forms, but also contains a few settings of popular lute themes and longer works suitable for concert performance are included. Written in standard notation only with occasional drop-D tuning, these pieces make excellent sight-reading and warmup material as well as historically significant concert selections.
$14.99
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Excerpt from Lulu Suite
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Guitare
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Contemporain
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Alban Berg
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Rod Whittle
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Publi...
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Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
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