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119 partitions trouvées
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Mendelssohn's Andante - Excerpt from Violin Concert #1 in E minor, 2nd Movement
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Guitare
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INTERMÉDIAIRE
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Classique
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Tom Salvatori
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Tom Salvatori
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Mendelssohn's Andante - Excerp
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Salvatori Productions, Inc.
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1473187 By Tom Salvatori. By Felix Bartholdy Mendelssohn. Arranged by Tom Salvatori. 19th Century,Classical,Romantic Per...
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Solo Guitar - Level 3 - SKU: A0.1473187 By Tom Salvatori. By Felix Bartholdy Mendelssohn. Arranged by Tom Salvatori. 19th Century,Classical,Romantic Period. Individual part. 1 pages. Salvatori Productions, Inc. #1050809. Published by Salvatori Productions, Inc. (A0.1473187). A note about this Guitar Arrangement - This piece presents a reimagined excerpt from Felix Mendelssohn's Violin Concerto #1 in E minor, 2nd Movement. My goal in the arrangement was to stay strongly reverent to the original form and structure of the composition, but to present it in a manner that I anticipate even Mendelssohn himself would have never expected to hear his work...as a solo nylon string guitar lullaby. My hope is that you will enjoy listening to it in it's new form, and that it will help bring Felix Mendelssohn's composing work newly to the ears of folks who may not be inclined to attend Classical Symphony concerts. - Tom Salvatori, Guitar ArrangerShow less.
$3.99
Key West Suite for Two Guitars. In three movements: 1. Seven-Mile Bridge, 2. Bolero del Atardecer,
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Guitare
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AVANCÉ
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Jose Lezcano
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Best wishes, Jose
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Key West Suite for Two Guitars
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Jose Manuel Lezcano
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1009964 Composed by Jose Lezcano. Contemporary,Jazz,Latin. Individual part. 42 pages. Jose Manuel Lezcano #6087209. Publ...
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Solo Guitar - Level 5 - SKU: A0.1009964 Composed by Jose Lezcano. Contemporary,Jazz,Latin. Individual part. 42 pages. Jose Manuel Lezcano #6087209. Published by Jose Manuel Lezcano (A0.1009964). Key West Suite was composed in 2013 on commission from the Amaral Duo, Jorge Amaral and Mia Pomerantz. The three movements are inspired by various places in Key West, Florida, where I was serving as an Artist in Residence at the Studios of Key West in June 2013. I'm a Cuban-American born in Havana, and my influences include Cuban popular music (of course), Jazz, and the contrapuntal music of Bach and other Baroque composers. I think you can hear all of that in this piece. Jorge and MIa perform it beautifully on their CD, Key West, which I highly recommend. I'm a member of ASCAP and you can read more about my work and purchase other compositions at these sites. Best wishes, Jose.www.joselezcanocomposer.webs.com
$30.00
Winter Movement 2
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Guitare
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Classique
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Antonio Vivaldi
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Robert McCormack
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Winter Movement 2
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Robert McCormak
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SheetMusicPlus
Solo Guitar - SKU: A0.483302 Composed by Antonio Vivaldi. Arranged by Robert McCormack. Baroque,Christmas,Classical,Holiday. Individual part. 2 pages. P...
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Solo Guitar - SKU: A0.483302 Composed by Antonio Vivaldi. Arranged by Robert McCormack. Baroque,Christmas,Classical,Holiday. Individual part. 2 pages. Published by Robert McCormak (A0.483302). This arrangement of Vivaldi's familiar Winter, Second Movement, drops the bass E string to D and is very playable for intermediate classical guitar. Consistent with the movement itself, it is slow and designed for relaxed listening and, in this case, playing. His signature lyric sequences are set up for graceful position changes and opportunities to show off your vibrato. Improvise to taste.
$3.99
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Nimbus for Solo Guitar
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Guitare
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AVANCÉ
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Mason Peralta
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Nimbus for Solo Guitar
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Mason Peralta
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1027911 Composed by Mason Peralta. Contemporary,Jazz. Individual part. 5 pages. Mason Peralta #3088127. Published by Mas...
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Solo Guitar - Level 5 - SKU: A0.1027911 Composed by Mason Peralta. Contemporary,Jazz. Individual part. 5 pages. Mason Peralta #3088127. Published by Mason Peralta (A0.1027911). Nimbus for Solo Guitar is a modern concert piece in one movement. It is an hommage to the works of guitarist Django Reinhardt and blurs the line between traditional classical and jazz repertoire.Number of pages: 4Total time: approx. 3 minutes, 30 secondshttps://masonperalta.com
$5.99
Every Breath You Take
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Guitare
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FACILE
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Rock
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The Police
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Pablo Alcázar
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every move you make
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Every Breath You Take
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pab...
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Solo Guitar - Level 2 - SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
$4.99
Annie's Song
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Guitare
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FACILE
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Pop musique
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John Denver
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Gerardo Perez Capdevila
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Annie's Song
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Gerardo Perez Capdevila
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1473706 By John Denver. By John Denver. Arranged by Gerardo Perez Capdevila. Pop. Individual part. 3 pages. Gerardo Pere...
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Solo Guitar - Level 2 - SKU: A0.1473706 By John Denver. By John Denver. Arranged by Gerardo Perez Capdevila. Pop. Individual part. 3 pages. Gerardo Perez Capdevila #1051418. Published by Gerardo Perez Capdevila (A0.1473706). Annie's Song by John Denver is a timeless and beautiful piece that resonates with listeners through its heartfelt melody and emotive lyrics. My solo guitar arrangement aims to capture the essence of this classic song, translating its rich harmonies and lyrical beauty into a captivating guitar performance.For intermediate and advanced guitarists, this arrangement offers a delightful challenge that is both rewarding and enriching. Intermediate players will find it an excellent opportunity to hone their fingerstyle techniques and explore expressive dynamics, while advanced players can appreciate the intricate voicings and subtle nuances that bring the song to life.Playing this arrangement allows guitarists to deeply connect with the music, expressing the song’s emotion through their instrument. It's a piece that not only showcases technical skill but also the ability to convey profound emotion, making it a must-learn for any guitarist looking to expand their repertoire with a beautiful and iconic song.Whether performed in an intimate setting or for a larger audience, Annie's Song on solo guitar is sure to captivate and move listeners, making it a wonderful addition to any guitarist’s repertoire.
$9.99
Guitar Sonata No. 5 in G major (open G tuning)
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jerem...
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Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
Etude no 1 by Villa Lobos. Right and Left Hand Edit by Angelos Tsoutsis
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Guitare
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AVANCÉ
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Heitor Villa Lobos
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Angelos Tsoutsis
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Etude no 1 by Villa Lobos. Rig
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angelos tsoutsis
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1436011 Composed by Heitor Villa Lobos. Arranged by Angelos Tsoutsis. 20th Century,Classical. Individual part. 4 pages. ...
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Solo Guitar - Level 5 - SKU: A0.1436011 Composed by Heitor Villa Lobos. Arranged by Angelos Tsoutsis. 20th Century,Classical. Individual part. 4 pages. Angelos tsoutsis #1016180. Published by angelos tsoutsis (A0.1436011). Here is a new approach of the famous Etude No 1 by Villa Lobos. I suggest a completely diferent way of fingering for the right hand which ,aside the complexety, gives another sound and qualities unknown until now.When the c letter appears on the score, it is there to indicate the use of the little finger of the right hand. Whenever the arrow appears, it means that the finger should strike the string the opposite way, as in Rasgueado , just like the fingers move in Chinese Pipa.
$19.99
Mauro Giuliani: Sonatina in C op.71 no.1
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Guitare
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INTERMÉDIAIRE
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. ...
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Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
Improvising Blues Guitar
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Guitare
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Blues
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Improvising Blues Guitar
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Schott Music - Digital
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SheetMusicPlus
Guitar - intermediate - SKU: S9.Q780097 An Introduction to Blues Guitar Styles, Techniques and Improvisation. Schott Pop-Styles. This unique book...
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Guitar - intermediate - SKU: S9.Q780097 An Introduction to Blues Guitar Styles, Techniques and Improvisation. Schott Pop-Styles. This unique book gives an in-depth insight into blues guitar, from early Chicago Blues, through Memphis and Detroit Blues, the British Blues boom, Jazz Blues and many other blues genres, right up to the blues styles of today’s hottest guitarists. Downloadable. Schott Music - Digital #Q780097. Published by Schott Music - Digital (S9.Q780097). English.This unique book gives an in-depth insight into blues guitar, from early Chicago Blues, through Memphis and Detroit Blues, the British Blues boom, Jazz Blues and many other blues genres, right up to the blues styles of today’s hottest guitarists. Focusing on the playing styles of influential guitarists, author John Wheatcroft teaches the basics of blues improvisation and shows how it has developed over the years. Learn how to solo like classic blues guitarists B. B. King, John Lee Hooker and Albert Collins and then move on to find out more about the playing styles of Eric Clapton, Jimi Hendrix, Stevie Ray Vaughan, Robben Ford and many others. Simple step-by-step guides introduce basic techniques, harmony and theory, with demo solos and backing tracks as audio download.
$28.99
Modern Guitar Method Grade 2 - Expanded Edition
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Guitare
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Jazz
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William Bay
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Modern Guitar Method Grade 2 -
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Beginning-Intermediate - SKU: M0.93201EEB Composed by William Bay. This edition: Expanded Edition. Jazz. Modern Guitar Method. All styles...
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Guitar (all) - Beginning-Intermediate - SKU: M0.93201EEB Composed by William Bay. This edition: Expanded Edition. Jazz. Modern Guitar Method. All styles. E-book and online audio. Mel Bay Publications - Digital Sheet Music #93201EEB. Published by Mel Bay Publications - Digital Sheet Music (M0.93201EEB). ISBN 9781609745929. 8.75x11.75 inches.Grade 2/Expanded version of the famed Mel Bay Modern Guitar Method adds new, carefully graded playing material for every concept taught. Solos are presented in various styles. A special feature is the addition of in-depth picking studies in the keys of C, Am, G, Em, F, Dm, D, and Bm. Additional studies are contained in second position and in 6/8 time. In short, if you really want to learn to play great guitar, this is the method! It is unmatched in its thoroughness in teaching every important concept. Includes access to online audio.-Additional New Music for Every Concept Taught.-Picking Studies in 8 keys.-New Solos in Diverse Styles.-Begins Study of Position Playing.-Carefully Graded to Move at a User Friendly Pace.-Unmatched in Comprehensiveness.-Companion online audio download.
$14.99
Pluck for guitar
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Guitare
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AVANCÉ
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Contemporain
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published ...
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Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
The Color of Fire is
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Guitare
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David Lucas Frith
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The Color of Fire is
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David Frith
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SheetMusicPlus
Solo Guitar - SKU: A0.904118 Composed by David Lucas Frith. Concert,Contemporary. Individual part. 17 pages. David Frith #33299. Published by David Frit...
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Solo Guitar - SKU: A0.904118 Composed by David Lucas Frith. Concert,Contemporary. Individual part. 17 pages. David Frith #33299. Published by David Frith (A0.904118). The Color of Fire is, for guitar and piano, paints a picture of a fire in various scenes. This piece was written for Jacob Cypranowski. It's three movements, I. Brilliant, II. Changing, and III. Renewed are all inspired by fire. The first movement is all about the brilliance of color in a flame, and how calming it can be to just watch a fire. The second movement is about how quickly a fire can change, and how dangerous it can become. The final movement is about how the color of a flame is constantly renewed and fresh, even as the flame dies.
$1.99
The Entertainer (Excerpt)
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Guitare
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DÉBUTANT
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Ragtime
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual pa...
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Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
Summer Idyll
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Andrew Howes
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Summer Idyll
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Andrew Howes
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1236980 By Andrew Howes. By Andrew Howes. 20th Century,21st Century,Classical. Individual part. 2 pages. Andrew Howes #8...
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Solo Guitar - Level 4 - SKU: A0.1236980 By Andrew Howes. By Andrew Howes. 20th Century,21st Century,Classical. Individual part. 2 pages. Andrew Howes #832517. Published by Andrew Howes (A0.1236980). This is the finale of my 'Eyeworth Suite' for the classical guitar, and it describes a tranquil, sunny afternoon by Eyeworth Pond in the New Forest, Hampshire, UK, and is written as a response to a seasonal cycle of four poems by my friend, the poet, David Dayson. The work is gentle and reflective but demands a high level of technique as a lot of it takes place around and above the twelfth fret. There will be no 'dusty bits' on your guitar after playing this one! :-)The whole suite is available either as single movements or as a complete work. The complete work is also available with tab. and consists of 'Prelude', 'Autumn', 'Winter', 'Spring' and this movement, the 'Summer Idyll' and intersperses two episocdic, lively movements between the two rhapsodic outer movements, with the doleful Winter in the middle - this does however, have a lively Yule Dance in 6/4 at its heart.
$4.00
Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 7 in D minor
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jere...
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Solo Guitar - Level 5 - SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jeremiah Lawson (A0.985329). This guitar sonata is a four-movement work in open D tuning throughout. The performance time is between 17 to 18 minutes. I worked on this sonata from 2016 through 2019 as an homage to Blind Willie Johnson. The movements are as follows.I. Andante (a fugue in triple counterpoint)II. ScherzoIII. Largo trionfante (a ragtime sonata whose recapitulation leads seamlessly into)IV. Variations on Restoration from William Walker's Southern HarmonyThe work is written in cumulative setting after the model of Charles Ives but in a Haydnesque homage to not just Blind Willie Johnson but also with musical tributes to Stevie Wonder, Bach (the triple counterpoint), Louis Armstrong and Lil Harden. The fourth movement is a bravura set of variations on the shape note hymn Restoration that is the foundation of the entire sonata, using bottleneck technique throughout as an homage to Blind Willie Johnson.Owing to the use of bottleneck technique and the open D tuning throughout this is a pretty tough sonata to play but it's fun to play and I've filmed myself playing through it to demonstrate its practicality in performance.
$9.95
Gigue
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eric J Roth
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Gigue
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by ...
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Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by Eric J Roth (A0.914743). This Gigue is the finale of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming. In the interim, I am offering three movements – the Passacaglia, Sarabande and Gigue – as single standalone works. I have performed them in my own concert programs both as part of the larger sonata and on their own. I believe that they work equally well both ways. The Gigue form is a lively dance in triple meter that stems from the Irish jig. It probably originated in England and Ireland in the 16th century. In the Baroque period and beyond, composers have often used gigues as the final movement of dance suites. The Gigue offered here is a galloping romp in 6/8 time with eighth notes running throughout most of the piece. It recalls similar gigues by the lutenist Sylvius Leopold Weiss (1687-1750) and the Tarantelle by Johann Kaspar Mertz (1806-1856). (The Tarantella is a similar lively dance form in triple time). Like the Passacaglia, the Gigue uses an E harmonic minor scale with an added (structural) B flat that helps to blur the sense of strict tonality. The second section includes hints of G and B tonal areas before returning to E minor to end the piece.
$2.99
Suite for Guitar No. 1 Op. 25 (1/2) Tablatur
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Guitare
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AVANCÉ
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Classique
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Suite for Guitar No. 1 Op. 25
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Fabio Dentello
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1201762 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th...
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Solo Guitar - Level 5 - SKU: A0.1201762 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 13 pages. Fabio Dentello #800379. Published by Fabio Dentello (A0.1201762). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$20.00
Suite for Guitar No. 1 Op. 25 (1/2) (Partitur +Tablatur)
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Guitare
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AVANCÉ
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Classique
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Suite for Guitar No. 1 Op. 25
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Fabio Dentello
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1201763 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th...
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Solo Guitar - Level 5 - SKU: A0.1201763 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 23 pages. Fabio Dentello #800380. Published by Fabio Dentello (A0.1201763). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$30.00
Suite for Guitar No. 1 Op. 25 (1/2) Partitur
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Guitare
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AVANCÉ
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Classique
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Suite for Guitar No. 1 Op. 25
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Fabio Dentello
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1201759 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th...
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Solo Guitar - Level 5 - SKU: A0.1201759 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 10 pages. Fabio Dentello #800376. Published by Fabio Dentello (A0.1201759). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition.
$20.00
Guitar Sonata No. 2 in C major
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 2 in C major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.985324 Composed by Jeremiah Lawson. Contemporary. Individual part. 6 pages. Jeremiah Lawson #6012227. Published by Jerem...
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Solo Guitar - Level 3 - SKU: A0.985324 Composed by Jeremiah Lawson. Contemporary. Individual part. 6 pages. Jeremiah Lawson #6012227. Published by Jeremiah Lawson (A0.985324). I composed my second guitar sonata in 2010. Guitar Sonata No. 2 in C major is six pages long, has two movements, and its estimated performance time is 8:30 to 9:00. The first movement, Inner Visions & Power Puffs, is a zippy sonata form opening with a 12-bar blues Theme 1. After a conventional modulating transition Theme 2 appears in the traditional key of G major. The title of the movement alludes to the Stevie Wonder album Innervisions and, of course, the Powerpuff Girls. The sonata form has a climax by way of three Bartok pizzicati on the dominant pedal to depict the girls defeating Mojo Jojo and putting him in jail. The second movement is a lullaby with variations. The lullaby is an original song I used to sing for one of my nieces to help her fall asleep. The complete sonata has been recorded by Daniel Estrem and is available on the Magnatune release Estrem Plays Lawson.http://magnatune.com/artists/albums/estrem-estremlawson/I played movement 1 at a Seattle Classic Guitar Society open mic in 2012 on a warm summer Friday night and there were kids playing and screaming in the background, which helped set the mood of the sonata rather than break it.
$5.00
Rebetiko Suita in La Minore
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Guitare
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AVANCÉ
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Contemporain
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Classique
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Socrates Arvanitakis
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Rebetiko Suita in La Minore
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1421796 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 19 pages. Socrates Arvanitakis #10031...
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Solo Guitar - Level 5 - SKU: A0.1421796 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 19 pages. Socrates Arvanitakis #1003143. Published by Socrates Arvanitakis (A0.1421796). Rebetiko Suita in La MinoreThis six-movement suite is in rebetiko style and it  starts with an introductory prelude rather than an improvisatory taximi. It also introduces the Syrtos rhythm in 2/4 but the main concentration is in the three main rhythms of Rebetiko in Zeibekiko 9/4, Hassapiko 2/4 or 4/4, and Antikristos 9/8.Two main scales are used throughout, the harmonic and the melodic minor and the order of the six movements is:1 Preludio2 Zeibekikos3 Syrtos4 Hassapikos 15 Hassapikos 2 - (Hassapikos 1 D.C.)6 AntikristosThe above titles are also given as internal active links and clicking on them brings the user to the relevant music page where clicking at the title of the piece brings again to the index.Socrates ArvanitakisLondon 2024.
$12.00
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