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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music Dialogue
Non classifié
354
Piano & claviers
Piano seul
36
Piano, Voix
17
Instruments en Do
13
Piano Facile
12
Piano, Voix et Guitare
11
Orgue
5
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
Orgue et Orchestre
1
Accordéon, Corde(s)
1
+ 7 instrumentations
Retracter
Guitares
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
3
Guitare notes et tablatures
2
Dulcimer
1
2 Guitares (duo)
1
Voix
Chorale SATB
33
Chorale 3 parties
9
Voix seule
8
Chorale Unison
7
Chorale TTBB
4
Voix duo, Piano
3
Chorale 2 parties
2
Chorale SSAA
2
Voix duo, Orgue
1
Voix basse, Piano
1
Voix haute
1
Chorale SSAATTBB
1
Voix duo
1
+ 8 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
32
Flûte traversière et Piano
22
Hautbois, Piano (duo)
21
2 Saxophones (duo)
18
Saxophone Alto et Piano
16
Hautbois, Basson (duo)
15
Clarinette et Piano
15
Flûte, Clarinette (duo)
12
Flûte, Violoncelle
12
Clarinette, Violoncelle (duo)
12
Hautbois, Violoncelle
11
Clarinette, Violon (duo)
10
Flûte, Violon
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Flûte, Alto (duo)
9
Clarinette, Basson (duo)
9
Flûte, Hautbois, Clarinette, Basson
8
Clarinette et Alto
8
Saxophone Alto
7
Saxophone Tenor et Piano
7
Saxophone, Clarinette (duo)
6
Hautbois et alto (duo)
6
Saxophone Soprano et Piano
6
Quatuor de Saxophones: 4 saxophones
6
2 Hautbois (duo)
6
Hautbois, Clarinette (duo)
5
Hautbois, violon (duo)
5
2 Clarinettes (duo)
5
Clarinette, Trompette (duo)
4
Saxophone (partie séparée)
4
Ensemble de Clarinettes
4
Flûte, Hautbois (duo)
4
Flûte, Trombone (duo)
4
Flûte traversière
4
Cor anglais, Piano
3
Flûte, Trompette (duo)
3
Clarinette, Trombone (duo)
3
Quintette de Saxophone: 5 saxophones
3
Hautbois (partie séparée)
3
Hautbois, trombone (duo)
3
Clarinette
3
Flûte, Saxophone (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Flûte
2
3 Clarinettes (trio)
2
Flûte, Violon, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette (partie séparée)
2
Clarinette, Tuba
2
Flûte à Bec
2
Flûte, Hautbois, Basson
2
3 Saxophones (trio)
2
Ensemble de Flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Tuba (duo)
2
Flûte, Basson et Piano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Contrebasse (duo)
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières, Piano
1
Hautbois, Orgue
1
Flûte et Guitare
1
Trio de Flûtes: 3 flûtes
1
Flute (partie séparée)
1
Clarinette Basse, Piano
1
Flûte à bec Soprano
1
Saxophone Tenor
1
+ 62 instrumentations
Retracter
Cuivres
Trombone et Piano
14
Trompette, Piano
13
Trompette, Trombone (duo)
12
Cor et Piano
8
Tuba et Piano
7
Cor, Violoncelle (duo)
6
Trompette, Violoncelle (duo)
6
2 Trombones (duo)
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Euphonium, Piano (duo)
5
Quatuor de Cuivres
5
2 Trompettes (duo)
5
Trompette, Saxophone (duo)
4
Trompette, Basson (duo)
4
Cor anglais, Piano
3
Trompette et Guitare
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette (partie séparée)
3
Trompette, Cor (duo)
3
2 Cors (duo)
3
Trompette
3
Trombone
3
Trompette, Tuba (duo)
2
Cor
2
Euphonium
2
2 Tubas (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone, Violon (duo)
1
Cor (partie séparée)
1
Ensemble de Trombones
1
Cor et Basson (duo)
1
Tuba
1
Tuba (partie séparée)
1
Trompette, violon (duo)
1
Trombone (partie séparée)
1
+ 30 instrumentations
Retracter
Cordes
Violon et Piano
24
Alto, Piano
24
Violoncelle, Piano
22
Quatuor à cordes: 2 violons, alto, violoncelle
18
2 Violons (duo)
14
Violon, Violoncelle (duo)
14
Trio à Cordes: violon, alto, violoncelle
12
Violon, Alto (duo)
10
Violon, Basson (duo)
8
Alto, Violoncelle (duo)
8
2 Violoncelles (duo)
6
Violoncelle
6
2 Altos (duo)
6
Violon
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto seul
5
Violon, Guitare (duo)
5
Contrebasse, Piano (duo)
3
Alto et Basson
3
Trio à Cordes: 2 violons, violoncelle
3
Contre Basse
2
2 Contrebasses (duo)
2
Violoncelle, Contrebasse (duo)
2
Harpe
2
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
2
Violon (partie séparée)
1
Violon, Tuba (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle (partie séparée)
1
Flûte, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Flûte (duo)
1
Violon, Clarinette, Piano (trio)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
14
Orchestre
11
Orchestre à Cordes
8
Ensemble de cuivres
5
Xylophone, Piano
3
Ensemble Jazz
3
Percussion (partie séparée)
2
Orchestre de chambre
2
Vibraphone
2
Percussion
1
Marimba et Orgue
1
2 Xylophones
1
+ 7 instrumentations
Retracter
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BASSON
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CORNET
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DULCIMER
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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TROMPETTE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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ENFANTS : EVEIL - IN…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Music Dialogue
Guitare
Partitions à imprimer
6 partitions trouvées
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1
The Lute Music of Robert Johnson
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Guitare
#
Renaissance
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The Lute Music of Robert Johns
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Lute - Multiple Levels - Artist Specific. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30864EB. Published by Mel Bay Publications -...
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Lute - Multiple Levels - Artist Specific. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30864EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459882. 8.75 x 11.75 inches.
Robert Johnson (c. 1583 1633) was the last of the great English lutenists; he served Prince Henry and was later a prominent figure in the court of Charles I. He wrote music for many plays and masques of the time, including several by Shakespeare. Decades after Johnsons death, in a Dialogue between the Author and His Lute within Musicks Monument and the persona of the Lute, writer and lutenist Thomas Mace described John Dowland and Robert Johnson as Two famous men; Great Masters in My Art. Despite such high praise and the fact that much of Johnsons music is well-suited to the guitar, few guitarists play it. This comprehensive collection of solo lute works, transcribed for guitar in standard notation, is an attempt to remedy this shortcoming. It includes music for the beginner as well as the advanced player. The books 23 pieces range from Johnsons delightful almains, galliards, masques and a single coranto to the somber intensity of the pavans and a fantasie. Dropped-D and lowered third-string tuning (F#) are frequently used to better approximate the tuning and range of the 9 or 10-course Renaissance lute.
$9.99
Canon K230
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Guitare
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DÉBUTANT
#
Classique
#
Wolfgang Amadeus Mozart
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André Nusa
#
Canon K230
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Andre_Nusa
#
SheetMusicPlus
Guitar - Level 1 - SKU: A0.1243117 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 6 pages. Andre_Nusa #838155. Publi...
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Guitar - Level 1 - SKU: A0.1243117 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 6 pages. Andre_Nusa #838155. Published by Andre_Nusa (A0.1243117). Immerse yourself in the enchanting melodies of Mozart's Canon K. 230 with this mesmerizing arrangement. This sheet music captures the timeless allure and intricate interplay of the original composition, allowing you to experience Mozart's musical brilliance in a new light. Specifically tailored for acoustic guitar duo, this arrangement showcases the essence of Canon K. 230 with precision and elegance. The two instruments blend seamlessly, creating a rich and resonant sound that highlights the depth and complexity of Mozart's composition. Perfect for performances, recitals, or chamber music enthusiasts, this arrangement offers an opportunity to showcase the talents of acoustic guitar, bringing the beauty of Canon K. 230 to life for your audience. The interplay between the instruments creates a captivating musical dialogue, accentuating the unique tonal colors and expressive capabilities of the two instruments. The sheet music includes standard notation and tablature.
$4.99
Suite for guitar and orchestra (mp3)
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Guitare
#
Contemporain
#
David Warin Solomons
#
Suite for guitar and orchestra
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David Warin Solomons
#
SheetMusicPlus
Guitar - SKU: A0.1059303 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 650. David Warin Solomons #511059. Publ...
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Guitar - SKU: A0.1059303 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 650. David Warin Solomons #511059. Published by David Warin Solomons (A0.1059303). Performance of my suite for guitar and orchestra by András Csáki and the Budapest Scoring Symphonic Orchestra under Péter Illényi in 2015. The suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm It has elements of Romantic and Renaissance music, flamenco, Latin American, a bit of Celtic square dancing, classical minuets and a general joie de vivre mixed with a little spirituality. Dreaming is a romantic getting to know you scene between guitar and orchestra, with slow harmonic progressions in the strings and melodic imitations and dialogues between guitar and woodwind and then also between guitar and harp. A simple waltz follows, in which the flutes take up new melodies and the guitar initially just provides accompaniment but joins in the conversation as the movement progresses. The Sanctus and Benedictus section reflects the rhythms of the Latin words of the mass, with the Osanna after each main part being a little faster and reminsicent of some of the lute works of Vincenzo Galilei. The harmonic ideas of the Sanctus also colour the slower parts of the last movement, Distant Storm, but the main part of this final movement is a rhythmically exciting dialogue between the various sections of the orchestra and the guitar, leading to an abrupt conclusion, possibly the first thunderclap of a distant but approaching storm, or possibly just a bit of fun. Score and parts:https://www.sheetmusicplus.com/title/20143223?aff_id=175705
$3.50
Serafin Que Con Dulce Armonia
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Guitare
#
FACILE
#
Simon James
#
Simon James
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Serafin Que Con Dulce Armonia
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DML
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1143138 By Simon James. By Joan Cererols. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 18 pages...
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Guitar - Level 2 - SKU: A0.1143138 By Simon James. By Joan Cererols. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 18 pages. DML #743497. Published by DML (A0.1143138). Joan Cererols (1618 – 1680) was a Spanish composer and Benedictine monk. Cererols was born in Martorell. He entered the choir school Escolania de Montserrat around 1626. Cererols took his first steps in music under the direction of Father Joan Marc, a famous organist. He is known today chiefly for a single villancico, the beautiful marizápalos a lo divino - SerafÃn que con dulce armonÃa . The marizápalos was a song with a special harmonic pattern that often served as a framework for improvisation. This arrangement is for guitar quartet and solo guitar (Guitar 5). The quartet parts are easy, the solo guitar part is more challenging. The piece is fascinating, at times a dialogue between the solo guitar and the quartet but at other times the quartet splits into two giving a dialogue between three groups.
$5.99
Dialethia
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Jeremy Hart
#
Dialethia
#
Jeremy Graham Hart
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1028190 Composed by Jeremy Hart. 20th Century,Contemporary. Individual part. 8 pages. Jeremy Graham Hart #6590411. Publi...
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Solo Guitar - Level 4 - SKU: A0.1028190 Composed by Jeremy Hart. 20th Century,Contemporary. Individual part. 8 pages. Jeremy Graham Hart #6590411. Published by Jeremy Graham Hart (A0.1028190). Dialethia is, at its core, an internal dialogue on style, musical language and authenticity. Through its many, abrupt and questioning diversions it portrays a process of self-interrogation which can become quite confrontational at times. Despite this the music always returns to the simple diatonic melody that forms the principle character of this work, regardless of the metamorphoses of its harmonization. This is of course with the exception of the closing passages, in which the work retains a melodic construction of limited intervallic usage taken from the previous diversion. Though, whether this retention represents an answer or a lingering question is not made clear.
$4.99
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
#
AVANCÉ
#
Classique
#
Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
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