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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
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MANDOLINE
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342
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Piano seul
186
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46
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35
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31
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1 Piano, 4 mains
9
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7
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Instruments en Do
3
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2
Accompagnement Piano
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Guitare
17
Ligne De Mélodie, (Paroles) et Accords
11
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2
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1
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Voix duo, Piano
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Chorale SSAA
5
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5
Voix duo
3
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2
Chorale
2
Voix, Guitare
2
Voix haute
2
Voix moyenne, Piano
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Quintette de Saxophone: 5 saxophones
48
Clarinette et Piano
33
Flûte traversière et Piano
29
Saxophone Alto et Piano
26
Hautbois, Piano (duo)
19
Saxophone Soprano et Piano
18
Quatuor de Saxophones: 4 saxophones
10
Flûte, Hautbois, Clarinette, Basson
10
Clarinette
7
2 Clarinettes (duo)
7
Ensemble de Clarinettes
5
2 Saxophones (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Flûte traversière
5
Flute (partie séparée)
5
3 Saxophones (trio)
5
Saxophone Tenor et Piano
4
Cor anglais, Piano
4
Saxophone Baryton, Piano
4
Quintette de Flûte : 5 flûtes
3
Flûte, Violoncelle, Piano (trio)
3
Saxophone, Clarinette (duo)
3
2 Flûtes traversières (duo)
3
Saxophone Alto
3
Saxophone Tenor
3
Ensemble de saxophones
3
Clarinette, Violon (duo)
2
Flûte à bec Soprano
2
Clarinette (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Trio de Flûtes: 3 flûtes
2
2 Hautbois (duo)
2
Flûte, Violon
2
Clarinette, Trompette (duo)
2
Saxophone et Orgue
2
Hautbois (partie séparée)
2
3 Clarinettes (trio)
1
2 Flûte à bec (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Soprano, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
5 Flûtes à bec
1
Flûte, Clarinette (duo)
1
Flûte traversière, Basse continue
1
Clarinette et Alto
1
Clarinette, Violoncelle (duo)
1
Hautbois, Flûte
1
Flûte à Bec
1
Flûte à bec Alto
1
3 Flûtes à bec (trio)
1
Clarinette Basse, Piano
1
Flûte, Trompette (duo)
1
Saxophone et Guitare
1
Ensemble de Flûtes
1
Saxophone (partie séparée)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Trompette, Piano
16
Quatuor de Cuivres
10
Trombone et Piano
8
Trompette
7
Cor et Piano
6
Ensemble de Trombones
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor anglais, Piano
4
2 Trompettes (duo)
4
Quatuor de cuivres: 4 trombones
4
Tuba et Piano
4
Cor
3
Ensemble de Trompettes
3
Euphonium, Piano (duo)
2
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
2 Cors (duo)
1
Tuba et Orgue
1
Ensemble de Cors
1
Tuba
1
Trombone (partie séparée)
1
Trombone
1
Cor et Harpe
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 cors
1
Cor (partie séparée)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
34
Violoncelle, Piano
28
Alto, Piano
24
Violon
10
Trio à Cordes: violon, alto, violoncelle
8
Harpe
8
2 Violons (duo)
7
Violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
4
Contrebasse, Piano (duo)
4
Ensemble d'Altos
4
Violon, Violoncelle (duo)
4
2 Violoncelles (duo)
4
Contrebasse (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Violon, Violoncelle
2
2 Altos (duo)
2
Violon, Alto (duo)
2
4 Violoncelles
2
Alto seul
2
Trio à cordes: 3 altos
1
Harpe, Violon (duo)
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Alto et Harpe
1
Violon (partie séparée)
1
Quatuor à cordes : 4 altos
1
Alto, Violoncelle (duo)
1
Violon, Basse continue
1
Harpe, Flûte (duo)
1
Alto (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
31
Orchestre
24
Orchestre à Cordes
19
Ensemble de cuivres
16
Cloches
12
Batterie
11
Ensemble Jazz
5
Orchestre de chambre
4
Percussion (partie séparée)
1
Jazz combo
1
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
New Born
Guitare
Partitions à imprimer
17 partitions trouvées
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1
Oh, How Wondrous News!
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.946170 Composed by Folk Song. Arra…
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Solo Guitar - Level 2 - Digital Download SKU: A0.946170 Composed by Folk Song. Arranged by Tudor Niculescu-Mizil. Christmas,Folk,Instructional. Individual part. 1 pages. Tudor Niculescu-Mizil #6119121. Published by Tudor Niculescu-Mizil (A0.946170). Oh, How Wondrous News! is a very popular Romanian carol. The arrangement is made for an early-intermediate level and it has to be played in a slow tempo. Its lyrics go as follow:1. Oh, how wondrous newsIs shown to us from Bethlehem.That the Pure VirginHas born a childFrom the Holy Spirit.2. As Joseph and Mary wentTo Bethlehem, in order to be censed.In a small shepherds’ shelter,Close to that town,The Messiah was born.3. Whom the Lord, who is before all ages,Sent to us, so that He would come,To be born,To grow up,And to save us all. .
$3.99
3.63 €
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Guitare
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Folk Song
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Tudor Niculescu-Mizil
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Oh, How Wondrous News!
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Tudor Niculescu-Mizil
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SheetMusicPlus
Landscape II - New Edition
Guitare
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele…
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape II is the second piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.<br> <br> This is the 10 strings classical guitar edition F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).<br> <br> Written in a modern language, it's time signature is 3/4 in the Key of D Major. Following the path of Landscape I, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.<br> <br> Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.<br> <br> The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.<br> <br> Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.Landscape II is the second piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.<br> <br> This is the 10 strings classical guitar edition F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).<br> <br> Written in a modern language, it's time signature is 3/4 in the Key of D Major. Following the path of Landscape I, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.<br> <br> Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.<br> <br> The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.<br> <br> Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$5.99
5.45 €
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Guitare
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Pablo Emiliano Fedele
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Landscape II - New Edition
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Pablo Fedele
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SheetMusicPlus
Landscape III - New Edition
Guitare
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele…
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 5 pages. Published by Pablo Fedele
Landscape III is the third piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.<br> <br> This is the 10 strings classical guitar edition F G Bb C D A D G B E (Standard guitar edition with tuning C A D G B E, also available).<br> <br> Written in a modern language, it's time signature is 3/4 in the Key of C Major. Following the path of Landscape I and Landscape II, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.<br> <br> Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.<br> <br> The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.<br> <br> Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.Landscape III is the third piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.<br> <br> This is the 10 strings classical guitar edition F G Bb C D A D G B E (Standard guitar edition with tuning C A D G B E, also available).<br> <br> Written in a modern language, it's time signature is 3/4 in the Key of C Major. Following the path of Landscape I and Landscape II, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.<br> <br> Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.<br> <br> The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.<br> <br> Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$5.99
5.45 €
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Guitare
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Pablo Emiliano Fedele
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Landscape III - New Edition
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Pablo Fedele
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SheetMusicPlus
Landscape I - New Edition
Guitare
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele…
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape I is a contemporary piece for guitar written by Argentine-born American composer Pablo Emiliano Fedele.<br> <br> This is the 10 strings classical guitar F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).<br> <br> Written in a modern language, it's time signature is 6/4 without a key signature indication. The piece explores chords and textures in combination with single notes passages, creating layers of sound.<br> <br> The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.Landscape I is a contemporary piece for guitar written by Argentine-born American composer Pablo Emiliano Fedele.<br> <br> This is the 10 strings classical guitar F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).<br> <br> Written in a modern language, it's time signature is 6/4 without a key signature indication. The piece explores chords and textures in combination with single notes passages, creating layers of sound.<br> <br> The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
$5.99
5.45 €
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Guitare
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Pablo Emiliano Fedele
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Landscape I - New Edition
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Pablo Fedele
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SheetMusicPlus
Spanish Dance for Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1443629 Composed by Adolf Frey (4 …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1443629 Composed by Adolf Frey (4 April 1865 – 4 October 1938). Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 6 pages. Keith Terrett #1023567. Published by Keith Terrett (A0.1443629). Adolf Frey (4 April 1865 – 4 October 1938) was an American composer of German birth. Born in Landau, Kingdom of Bavaria. He was a pupil of Johannes Brahms, Immanuel Faiszt, and Clara Schumann. From 1887 to 1893 he was a musician to Prince Alexander Frederick of Hesse. He then moved to the United States, where he began teaching on the faculty of Syracuse University in the Fall of 1893. From Wikipedia, the free encyclopedia This article relies largely or entirely on a single source. Relevant discussion may be found on the talk page. Please help improve this article by introducing citations to additional sources.Find sources: Adolf Frey composer – news · newspapers · books · scholar · JSTOR (October 2010)Adolf Frey (4 April 1865 – 4 October 1938)[1] was an American composer of German birth. Born in Landau, Kingdom of Bavaria. He was a pupil of Johannes Brahms, Immanuel Faiszt, and Clara Schumann. From 1887 to 1893 he was a musician to Prince Alexander Frederick of Hesse. He then moved to the United States, where he began teaching on the faculty of Syracuse University in the Fall of 1893.[2].
$1.99
1.81 €
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Guitare
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Adolf Frey
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Keith Terrett
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Spanish Dance for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Phineas Newborn: If I Should Lose You - guitar solo
Guitare
Instantly printable sheet music by Phineas Newborn for guitar solo of MEDIUM skill level. …
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Instantly printable sheet music by Phineas Newborn for guitar solo of MEDIUM skill level. / jazz
$6.97
6.35 €
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Guitare
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Phineas Newborn
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Virtualsheetmusic
Spanish Dance for Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444330 Composed by Henry Worrall.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444330 Composed by Henry Worrall. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Historic,Instructional. Individual part. 6 pages. Keith Terrett #1024245. Published by Keith Terrett (A0.1444330). The story of “Spanish Fandango” begins in 1825, when Henry Worrall was born in Liverpool, England. Worrall immigrated to New York as a child, and his biography is a classic American tale of energy and self-invention. After his family moved to Cincinnati, Ohio, around 1835, young Worrall left his occupation as a newsboy to work for a decorative glass cutter.At the same time, Worrall set about teaching himself to play guitar—and, eventually, painting, engraving, and design. In the 1850s, he published a popular tutorial, Worrall’s Guitar School, and his original compositions, with evocative titles like “Mexican Airs,” “Saint Louis Rondo,” and “Sebastopol—A Descriptive Fantaisie for the Guitar,” became part of America’s popular music canon.
$1.99
1.81 €
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Guitare
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Henry Worrall
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Keith Terrett
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Spanish Dance for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Variations on a Sentimental Theme
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1488584 Composed by Luiz José Mar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1488584 Composed by Luiz José Maria de Oliveira (1821-1883). Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 12 pages. Rui Namora #1065450. Published by Rui Namora (A0.1488584). Luiz José Maria de Oliveira, a man of many trades, was born in Portugal in 1821.He lived until 1883 in Coimbra, where he was a musician and composer, lithographer, merchant and hairdresser. These Variations on a Sentimental Theme, from his guitar magazine O Conimbricense Armónico published between 1848-49 are one of the rare examples of composition for the 6 string guitar in Portugal during the first half of the 19th century. This fingered and revised edition corrects some minor mistakes in the original. It contains all my research and newly discovered informations about this previously unknown composer.Full bio here
$8.99
8.19 €
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Guitare
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Luiz José Maria de Oliveira
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Rui Namora
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Variations on a Sentimental Theme
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Rui Namora
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.6 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
"Barnsley's Garden" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1478018 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1478018 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 4 pages. Keith Gehle #1055382. Published by Keith Gehle (A0.1478018). British born Godfrey Barnsley was determined to construct his home on an acorn shaped hill in northwest Georgia despite being warned by his Cherokee neighbors that the land he chose to build on was sacred and that he would be cursed. He built the Italianate style house anyway and sadly many tragedies followed. One was the death of his close friend Col. Richard G. Earle who was killed by a Union sniper in May of 1864 as he rode in to warn the family of the approach of Sherman’s army. Col. Earle was laid to rest in the garden just steps from the back door. Years later the home was abandoned after the roof was torn off by a tornado… it quickly fell into ruins. Today, the lush English style garden and surroundings (but not the house) have been restored to their previous splendor and the site is frequently used for elegant weddings and social events. This musical impression of Godfrey Barnsley’s enchanted garden was released as a single on streaming platforms in July of 2024. The PDF includes detailed fingerings and interpretation in standard notation with tablature. There’s also a version with TAB available on this site. The accompanying English horn and cello parts are available by request at no charge by contacting the composer directly through his website: www.keithgehle.com
$1.99
1.81 €
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Guitare
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Keith Gehle
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"Barnsley's Garden" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
How the Cowboy Makes his Lariat
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1013060 Composed by Christine Sout…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1013060 Composed by Christine Southworth. 20th Century,Contemporary. Individual part. 5 pages. Airplane Ears Music #5802099. Published by Airplane Ears Music (A0.1013060). How the Cowboy Makes His Lariat (2010, 3:20)two acoustic guitarsCommissioned by National Film Preservation Foundation for Treasures [from American Film Archives] V: The [American] West. How the Cowboy Makes His Lariat (1917) Production Company: Bray Studios Inc., for Paramount-Bray-Pictographs. Cast: Pedro León. Transfer Note: Copied at 20 frames per second from a 35mm print preserved by George Eastman House. New Music: Christine Southworth (score), Charles Whalen (guitar), Evan Ziporyn (whistling). Commentary: Donald W. Reeves. Running Time: 3 minutes. Featured in Treasures 5: The West, 1898-1938.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
4.55 €
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Guitare
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Christine Southworth
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How the Cowboy Makes his Lariat
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Airplane Ears Music
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SheetMusicPlus
The Vampire: A Dramatic Theme
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
3.63 €
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Guitare
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Auguste Franchomme - Three Cello Pieces Arranged for Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914746 Composed by Auguste Francho…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914746 Composed by Auguste Franchomme (1808-1884). Arranged by Eric J Roth. Romantic Period. Individual part. 10 pages. Eric J Roth #5178787. Published by Eric J Roth (A0.914746). Auguste Franchomme was one of the most well-known and respected cellists in 19th century France. He was born in 1808 in Lille and went on to have a long, celebrated career in Paris as a performer, teacher and composer. Of the three pieces arranged here for guitar, one is drawn from the Twelve Caprices, Op. 7 and two are from the Twelve Etudes, Op. 35. The Caprice, No. 9, Larghetto con dolore, retains its original key of B minor. Etudes, No. 5, Allegretto, and No. 6, Andante con moto, have been transposed to new keys. All transfer well to the guitar, offering novel textures while still seeming idiomatic to the instrument. .
$5.99
5.45 €
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Guitare
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Auguste Franchomme
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Eric J Roth
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Auguste Franchomme - Three Cello Pieces Arranged for Guitar
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Eric J Roth
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SheetMusicPlus
Preludio in A (estudio nº15)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1261509 Composed by Antonio JimÃ…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1261509 Composed by Antonio Jiménez Manjón. Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 11 pages. Rui Namora #854571. Published by Rui Namora (A0.1261509). This beautiful étude, originally written for the 11-string guitar (7+4) that Antonio Manjón used, is practically unknown today. Although it was composed as an étude for this instrument, this arrangement for the 6-string guitar doesn't fail to capture its beauty. The 7-string version is faithful to the original, regarding the bass notes. This set includes a new engraving of the original in double staff and both 6 and 7 string guitar standard notation. Antonio Jimenéz Manjón (1866-1919)Antonio Jiménez Manjón was a Spanish guitarist born in 1866 in the Andalusian city of Villacarillo. Blind from an early age, he began his musical career at the age of twelve, performing in Spain and Portugal, where he played for the Portuguese King Fernando II.Soon after, the young Antonio traveled to Paris alone, where he studied violin at the Conservatory while pursuing his guitar career. He was surrounded by musicians such as Gounod, Saint-Saëns, and Sarasate.In 1887, Manjón returned to his home country and was invited by the Spanish monarchs to perform in the Royal Palace. During those years, he toured Europe with his Torres eleven-string guitar. In 1893, he crossed the Atlantic to the Americas, settling in Buenos Aires in 1902 after performing and teaching in several Latin American countries.In Argentina, he founded a conservatory and published his work Escuela de Guitarra.Antonio Jiménez Manjón passed away in 1919 in Buenos Aires.ISMN 979-0-9007524-5-1 Â
$6.00
5.46 €
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Guitare
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Antonio Jiménez Manjón
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Rui Namora
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Preludio in A
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Rui Namora
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SheetMusicPlus
Blue Wizard (guitar)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.971659 Composed by Jeffrey Hoover.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.971659 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 11 pages. Musicart Publications #5793861. Published by Musicart Publications (A0.971659). Blue Wizard is inspired by American Jazz, Blues, and Flamenco traditions. For solo classical guitar, it is 6 minutes in length. The work begins as a Blues, with its familiar twelve-measure form and phrasing, but rapidly moves into a musical fantasy based on five-tone and modal scales heard in jazz. The music continues to travel through a variety of moods, colors, and textures. Ideas return and are transformed. The closing section of Blue Wizard possesses a dancing quality, with a final push to the end. As with other compositions by Jeffrey Hoover, there is an interpretive painting Blue Wizard, painted by the composer.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysite
$9.95
9.06 €
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Guitare
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Jeffrey Hoover
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Blue Wizard
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Musicart Publications
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SheetMusicPlus
An Unexpected Vista (guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.971655 Composed by Jeffrey Hoover.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.971655 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 10 pages. Musicart Publications #5793563. Published by Musicart Publications (A0.971655). An Unexpected Vista is a work for solo guitar by Jeffrey Hoover. Cinematic in quality, the music possesses an expansiveness. While a contemporary work, this composition has been performed effectively on programs that include Classical, Romantic, or 20th-century works. As with other compositions by Hoover, there is an interpretive painting by Hoover that may be projected during the performance if desired. The score in this edition is arranged to be printed double-sided, with correct page turns.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. For more information about his compositions, availability for appearance and festivals, and commissions, please contact him through his website.https://jeffreyhooverart.wixsite.com/mysite
$9.95
9.06 €
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Guitare
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Jeffrey Hoover
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An Unexpected Vista
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Musicart Publications
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SheetMusicPlus
Sliding Around
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q18628 10 Easy Pop Piec…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q18628 10 Easy Pop Pieces for Guitar. Composed by Joern Michael Borner. This edition: Sheet music. Schott Popular Music. Downloadable. Schott Music - Digital #Q18628. Published by Schott Music - Digital (S9.Q18628). In 'Sliding Around', Jörn Michael Borner presents 10 new compositions for classical guitar. The guitarist and educationalist has been known as a wanderer between the musical styles. In the pop songs of this volume, special attention has been paid to the playing techniques of the electric guitar, such as power chords. The pieces are set for acoustic guitar in easy to intermediate arrangements.
$13.99
12.74 €
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Guitare
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Joern Michael Borner
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Sliding Around
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Schott Music - Digital
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SheetMusicPlus
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