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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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SAXOPHONE
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AFRICAIN
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ASIE
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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expert
avec audio
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Non classifié
505
PIANO & CLAVIERS
Piano seul
220
Piano, Voix
74
Piano, Voix et Guitare
38
Piano Facile
36
Instruments en Do
13
1 Piano, 4 mains
8
Orgue
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
2
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
Accordéon
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
15
Guitare
13
Piano, Guitare (duo)
7
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
5
Guitare (partie séparée)
4
Basse electrique
3
Mandoline
3
Paroles et Accords
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
83
Chorale 3 parties
15
Chorale 2 parties
12
Chorale SSAA
10
Voix Soprano, Piano
6
Chorale TTBB
6
Voix seule
5
Chorale Unison
4
Voix Baryton, Piano
4
Chorale
2
Voix Tenor, Piano
2
Voix haute
2
Voix Alto, Piano
1
Soli, choeur mixte et accompagnement
1
Voix duo, Piano
1
Voix Tenor
1
Voix Moyenne
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
83
2 Saxophones (duo)
63
Clarinette et Piano
63
Hautbois, Piano (duo)
43
Saxophone Soprano et Piano
41
Saxophone Tenor et Piano
40
Saxophone Alto et Piano
40
2 Flûtes traversières (duo)
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Saxophone Baryton, Piano
35
Saxophone, Clarinette (duo)
34
Quatuor de Saxophones: 4 saxophones
33
Clarinette
31
2 Clarinettes (duo)
27
Cor anglais, Piano
27
Clarinette, Violon (duo)
25
3 Saxophones (trio)
25
Clarinette Basse, Piano
21
Quintette de Saxophone: 5 saxophones
19
Hautbois (partie séparée)
18
Flûte, Clarinette (duo)
17
Clarinette, Trompette (duo)
17
Saxophone (partie séparée)
16
Ensemble de saxophones
16
Flûte traversière
15
Quatuor de Clarinettes: 4 clarinettes
15
2 Hautbois (duo)
14
Flûte, Hautbois, Clarinette, Basson
13
Flûte, Violon
13
Hautbois, Clarinette (duo)
12
Clarinette et Alto
12
Flûte, Saxophone (duo)
12
Flûte, Hautbois, Clarinette (trio)
11
Saxophone Tenor
11
Hautbois, Flûte
11
Saxophone Alto
10
Hautbois, Basson (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Flûte, Alto (duo)
9
Flûte, Trompette (duo)
9
Quatuor de Flûtes : 4 flûtes
7
Saxophone Baryton
6
Quintette de Flûte : 5 flûtes
6
Saxophone Soprano
6
Ensemble de Flûtes
6
2 Flûte à bec (duo)
5
Piccolo, Piano
4
Quatuor de Flûtes à bec
4
Hautbois
4
Ensemble de Clarinettes
4
Flûte à bec Soprano
4
Ocarina
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte à Bec
3
3 Clarinettes (trio)
2
Trio de Flûtes: 3 flûtes
2
Flûte et Guitare
2
2 Clarinettes, Piano
2
Flûte à bec Tenor
2
Flûte irlandaise
2
5 Flûtes à bec
2
Harmonica
2
Clarinette, Basson (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Violon et Violoncelle
1
Saxophone et Orgue
1
Ensemble De Flûte à bec
1
Flûte, Clarinette et Basson
1
Clarinette, Guitare (duo)
1
Ensemble de Hautbois
1
Hautbois, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto
1
Flûte à Bec, Piano
1
Flûte, Violoncelle
1
3 Flûtes à bec (trio)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
53
Trombone et Piano
42
Euphonium, Piano (duo)
41
Cor et Piano
36
Trompette, Piano
29
Trompette
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Cor anglais, Piano
27
Trompette, Saxophone (duo)
23
Cor
13
2 Trombones (duo)
12
Trompette, Trombone (duo)
11
Trombone
11
Tuba
11
Trombone (partie séparée)
10
Tuba et Piano
10
2 Trompettes (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette (partie séparée)
5
Tuba et Orgue
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 trombones
2
Cor (partie séparée)
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
2 Cors (duo)
1
Trombone basse et Piano
1
2 Tubas (duo)
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Cors
1
4 Tubas
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
106
Violon et Piano
64
Alto, Piano
60
Trio à Cordes: violon, alto, violoncelle
55
Violoncelle, Piano
46
Violon
43
Violon, Violoncelle (duo)
32
2 Violons (duo)
25
Harpe
19
Violoncelle
16
Violon, Alto (duo)
14
2 Altos (duo)
14
2 Violoncelles (duo)
13
Alto seul
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Contre Basse
9
Contrebasse, Piano (duo)
9
2 Harpes (duo)
5
Alto (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
4
Alto, Violoncelle (duo)
4
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
2
Contrebasse (partie séparée)
2
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
4 Contrebasses
1
Ensemble de Violons
1
Quatuor à cordes : 4 altos
1
Harpe, Violon (duo)
1
Trio à cordes: 3 altos
1
Violon (partie séparée)
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
Ensemble d'Altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
63
Orchestre à Cordes
49
Ensemble Jazz
27
Ensemble de cuivres
27
Orchestre
23
Orchestre de chambre
14
Cloches
11
Jazz combo
3
Ensemble de Percussions
3
Xylophone, Piano
2
Batterie
2
Batterie (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
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No more time
Guitare
Partitions à imprimer
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1
Dan Levenson's Master Collection of Old-Time Tunes
Guitare
Guitar - Intermediate - Digital Download SKU: M0.31088EB Over 300 tunes in stand…
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Guitar - Intermediate - Digital Download SKU: M0.31088EB Over 300 tunes in standard notation for all instruments. Country. E-book. 125 pages. Mel Bay Publications - Digital Sheet Music #31088EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31088EB). ISBN 9781513473437. 8.75X11.77 inches.Whether you already play old-time music, or you are just getting started, this is the book for you.áDan LevensonÆs Master Collection of Old-Time Tunesápresents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them.Some might call this a complete repertoire in a book in the following sense: It is a large though not encyclopedic collection of old-time fiddle tunes played in todayÆs sessions.Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.
Song List: Ain't Gonna Get No Supper Here Tonight Altamont Angelina Baker (aka Angeline the Baker) Antelope Gap Arkansas Traveler Avalon Quickstep And The Cat Came Back Barlow Knife (John Salyer) Barlow Knife (Song) Banjo Tramp Been To The East, Been To The West Big Eyed Rabbit Big John McNeil Big Scioto Bill Cheatam Billy In The Low Ground Black Eyed Suzianna (aka Susiana) Black Cat in a Briar Patch Black Hills Waltz Black Jack GroveBlackbird Says to the CrowBoatman Bob Tailed Mule Booth Shot Lincoln Bowl-a-Rama Breaking Up Christmas Briar Picker Brown Broken Down Gambler Buck Mountain Buffalo Gals (KY version in G) Buffalo Gals (Common version in G) Buffalo Gals (in A) Buckin' Dun ull at the Wagon Camp Chase Camp Meeting on the 4th of July Candy Girl Chase the Squirrel Chattanooga Cincinnati Hornpipe Cherokee Shuffle (in A) Cherokee Shuffle (in D) Chinese Breakdown Climbing the Golden Stairs Chinquapin Hunting (in A) Chinquapin Hunting (in D û Stamper) Coast Is Clear Cluck Old Hen Colored Aristocracy Cookhouse Joe Crow Little Rooster Crook Brothers Breakdown Crow Creek Cuffy Cuckoo's Nest in D Cuckoo's Nest in A (aka Richmond) Dance All Night with a Bottle in My Hand Devil Eat the Groundhog Dinah Doctor, Doctor Dogs in the Dishes Double File Dry And Dusty Drunken Hiccups Ducks on the Mill Pond Dubuque Duck River Ducks in the pond Duke of Kent's Waltz Mr. Fishar's Hornpipe (aka Fisher's Hornpipe) Durang's Hornpipe Dusty Miller Ebenezer
$19.99
18 €
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Guitare
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Dan Levenson's Master Collection of Old-Time Tunes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Etude No 10 opus 60 for Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.742404 Composed by Matteo Carcassi…
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Solo Guitar - Level 3 - Digital Download SKU: A0.742404 Composed by Matteo Carcassi. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 3 pages. Arte Nova Music Lab #3007597. Published by Arte Nova Music Lab (A0.742404). Carcassi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuosoconcert guitarist.He moved to Germany in 1810, gaining almost immediate success. In 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. On a concert tour in Germany in 1819, he met his friend Antoine Meissonnier for the first time. Also a famous guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget.From 1820 on, Carcassi spent the majority of his time in Paris. In 1823, he performed an extremely successful series of concerts in London that earned him great fame, both as a performing artist and as a teacher. However, in Paris, a long time passed before his talents were truly recognized, partly because of the presence of Ferdinando Carulli.Carcassi was in Germany again during autumn 1824. Afterwards he performed in London, where his reputation now gave him access to more prestigious concert halls. Finally he returned to Paris. For several years, he made concert trips from here to the most important cultural towns of Europe, including London. After a short return to performing in 1836, he quit his concert practice around 1840 and died in Paris in 1853. Taken from https://en.wikipedia.org/wiki/Matteo_Carcassi
$5.00
4.5 €
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Guitare
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Matteo Carcassi
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Arte Nova Music Lab
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Etude No 10 opus 60 for Guitar
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Arte Nova Music Lab
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SheetMusicPlus
No Time To Die
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.961511 By Billie Eilish. By Billie…
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Solo Guitar - Level 4 - Digital Download SKU: A0.961511 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Colin Tommis. Pop. Individual part. 4 pages. Colin Tommis #6114397. Published by Colin Tommis (A0.961511). This intermediate /advanced version of the new James Bond song lasts towards 4 minutes and is unusual in so much that the 3rd string is detuned to F#. This makes it trickier to read but much more fun to play. There are some large stretches and unusual hammer techniques. In the latter, the player creates a note from nothing by hammering a left-hand finger down on a string. I have employed a lot of off-beats, and the idea is to keep it licking along, almost like a piece of dance reggae-style music. This makes it wonderful for the listener and challenging for the player. This is offered in notation only, there is no tab.
$5.99
5.39 €
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Guitare
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Billie Eilish
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Colin Tommis
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No Time To Die
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Colin Tommis
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SheetMusicPlus
Hard Times Come Again No More (Solo Fingerstyle Arrangement)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1436594 By Stephen Forster. By Ste…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1436594 By Stephen Forster. By Stephen Forster. Arranged by Harrison Marsh. Folk,Historic,Standards,Traditional. Individual part. 3 pages. Harrison Marsh #1016705. Published by Harrison Marsh (A0.1436594). The American Traditional folk or parlour song by Stephen Forster arranged for solo fingerstyle acoustic guitar. This arrangement also works well for classical guitar and can be used for graded exams.
$1.99
1.79 €
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Guitare
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Stephen Forster
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Harrison Marsh
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Hard Times Come Again No More
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Harrison Marsh
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SheetMusicPlus
Hard Times (Come Again No More) (For Fingerstyle Guitar Tuned CGDGAD)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.806145 Composed by Public Domain. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.806145 Composed by Public Domain. Arranged by Ellsworth McMeen. Folk. Individual part. 5 pages. Ellsworth McMeen #4349011. Published by Ellsworth McMeen (A0.806145). Evocative, harplike arrangement of a classic Stephen Foster song for solo fingerstyle guitar in CGDGAD tuning. El McMeen is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitaristsThis tune is on El's recording called Acoustic Guitar Treasures.
$3.99
3.59 €
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Guitare
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Public Domain
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Ellsworth McMeen
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Hard Times
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Ellsworth McMeen
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SheetMusicPlus
Banjo Picking Tunes - Beautiful American Airs & Ballads
Guitare
Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and …
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Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and online audio. 41 pages. Mel Bay Publications - Digital Sheet Music #30906MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30906MEB). ISBN 9781513476667. 8.75X11.75 inches.This solo collection presents 19 iconic melodies from the American traditional song book plus 6 modern original compositions by William Bay, president of Mel Bay Publications; all selections have been arranged in tablature for the 5-string banjo in gDGBD tuning by Catalonian multi-instrumentalist and bluegrass specialist, Llu?s G?mez.Any collection of American ballads would be incomplete without settings of the beautiful melodies penned by Stephen Foster, several of which appear here including Beautiful Dreamer, Darling Nellie Gray, I Dream of Jeanie with the Light Brown Hair, and Hard Times, Come Again No More. Some of these tunes are arranged in uncommon banjo keys, all without retuning the banjo or using a capo. These keys may be challenging at first but will teach you a lot about the banjo fretboard.The authorÆs generous preface offers tips on practice, performance and interpretation rarely found in tablature collections such as these, but this book has it all, including online recordings of each arrangement.
Song List: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times, Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyn' for You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy û O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears
$14.99
13.5 €
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Guitare
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Banjo Picking Tunes - Beautiful American Airs & Ballads
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.01 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.79 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
10.8 €
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Guitare
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Gioco. Sonata for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.4 €
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Guitare
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Frank Vignola- Building Guitar Finger Strength
Guitare
Guitar (flatpicking) - Intermediate - Digital Download SKU: M0.99659EB And 26 Di…
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Guitar (flatpicking) - Intermediate - Digital Download SKU: M0.99659EB And 26 Different II-5-I Progressions. Composed by Frank Vignola. Style. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99659EB. Published by Mel Bay Publications - Digital Sheet Music (M0.99659EB). ISBN 9781619112582. 8.75x11.75 inches.In the Building Finger Strength section of this book, we will cover 12 different finger-strengthening exercises. Practice these exercises slowly and accurately before trying to build speed. On the optional practice-along recording you will find three different tempos for each individual exercise. This is to help you build up your speed and your finger strength one step at a time. Obviously beginners should start with the slow tempo. I also believe that the more advanced students should start with the slow tempo to build accuracy. I found when recording these exercises for the practice-along recording that the slowest tempo was the hardest to execute with no mistakes. Diligent practice will build flexibility and strength!In the latter section of this book (26 ii-V-I Progressions), we will be looking at 26 different ways to play the ii û V û I chord progression. We will be working in the key of C. The ii chord is Dm7, the V chord is G7 and the I chord is C. It is recommended that you transpose these into other keys. These studies can be used for ear training and to facilitate improvisation on standard chord progressions. Includes access to online audio.
$12.99
11.7 €
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Guitare
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Frank Vignola
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Frank Vignola- Building Guitar Finger Strength
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Mauro Giuliani: 24 Etudes Op.100 for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1250788 Composed by Mauro Giuliani…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1250788 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 93 pages. Socrates Arvanitakis #845053. Published by Socrates Arvanitakis (A0.1250788). PREFACE & Editorial NotesThe 24 studies op.100  by Mauro Giuliani are in general of a moderate difficulty and their didactic purposes can be perceived as the solid establishment of an intermediate level of technique and the advancement into a higher level, so some of them may be a little more difficult than the rest. At the same time, most of them are entertaining musical pieces with high aesthetic value and can also be studied and played for musical enjoyment.Notes1 Metronome marks are editorial suggestions and should not be taken too literally.2 Staff size has been reduced by different percentages for studies no. 11, 12, 13, 14, 15, 16 & 24 so that they can be rendered in a two-page view as the rest of the pieces.3 This volume is offered  with decorated and undecorated pages (as two books in one) so that the user can chose which version he prefers and construct his printed or digital book accordingly. Blank pages have been added to be used or omitted for the arrangement of left and right hand pages.
$15.00
13.51 €
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: 24 Etudes Op.100 for Classical Guitar
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Socrates Arvanitakis
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SheetMusicPlus
CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
Guitare
Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publica…
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Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publications - Digital Sheet Music #30947EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459844. 8.75x11.75 inches.<br> <br> This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.
$12.99
11.7 €
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Guitare
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CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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