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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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CHANT - CHO…
CHARANGO
CITHARE
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Non classifié
291
PIANO & CLAVIERS
Piano, Voix
245
Piano seul
192
Accordéon
37
Piano Facile
29
Orgue
21
Piano, Voix et Guitare
15
Instruments en Do
10
Accompagnement Piano
7
1 Piano, 4 mains
4
2 Pianos, 4 mains
3
Orgue, Trompette (duo)
2
Accordéon, Piano
1
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare
13
Guitare notes et tablatures
12
Ligne De Mélodie, (Paroles) et Accords
5
Ukulele
3
Banjo
3
Mandoline
1
2 Guitares (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
87
Chorale 3 parties
19
Chorale TTBB
15
Chorale 2 parties
13
Voix duo, Piano
11
Chorale Unison
11
Chorale SSAA
5
Voix duo
3
Chorale SSAATB
1
Voix Baryton
1
Voix Soprano, Piano
1
Voix Tenor
1
Voix seule
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
26
Saxophone (partie séparée)
24
Clarinette (partie séparée)
21
2 Saxophones (duo)
20
Clarinette et Piano
15
Saxophone Soprano et Piano
13
Cor anglais, Piano
12
Saxophone Baryton, Piano
11
Hautbois, Piano (duo)
11
Saxophone Tenor et Piano
11
Clarinette
9
Saxophone, Clarinette (duo)
9
Saxophone Alto et Piano
9
Clarinette Basse, Piano
9
2 Clarinettes (duo)
7
Clarinette, Trompette (duo)
6
Flute (partie séparée)
6
Clarinette, Violon (duo)
6
2 Flûtes traversières (duo)
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte traversière
5
Trio de Flûtes: 3 flûtes
5
Hautbois (partie séparée)
4
2 Hautbois (duo)
4
Flûte, Clarinette (duo)
4
Flûte, Violon
4
Quintette de Saxophone: 5 saxophones
3
Clarinette et Alto
3
Saxophone Alto
3
Hautbois, Clarinette (duo)
3
Flûte, Saxophone (duo)
3
Quatuor de Saxophones: 4 saxophones
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois, Flûte
2
Flûte, Trompette (duo)
2
Flûte, Hautbois, Clarinette, Basson
1
3 Clarinettes (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de Clarinettes
1
Flûte, Hautbois (duo)
1
Flûte, Alto (duo)
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano, Piano
1
Hautbois
1
Piccolo, Piano
1
Clarinette, Harpe (duo)
1
Ensemble de saxophones
1
Hautbois, Basson (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trombone et Piano
14
Trombone (partie séparée)
14
Euphonium, Piano (duo)
12
Trompette, Piano
12
Cor anglais, Piano
12
Cor et Piano
9
Trompette
8
Cor (partie séparée)
7
Tuba (partie séparée)
7
2 Trombones (duo)
6
2 Trompettes (duo)
6
Trompette, Saxophone (duo)
6
Trompette (partie séparée)
5
Cornet A Pistons
5
Trompette, violon (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de Cuivres
2
Cor et Harpe
2
Trompette, Trombone (duo)
2
Trompette, Cor (duo)
2
3 Trompettes (trio)
1
2 Euphoniums (duo)
1
Tuba et Piano
1
Trombone
1
Quatuor de cuivres: 4 cors
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Harpe
1
Instrumentations suivantes
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CORDES
2 Harpes (duo)
32
Violon et Piano
28
Quatuor à cordes: 2 violons, alto, violoncelle
25
Violon
20
Harpe
16
Violoncelle, Piano
13
Alto, Piano
13
Violon, Violoncelle (duo)
11
2 Violons (duo)
10
Harpe, Flûte (duo)
8
2 Violoncelles (duo)
7
Violon, Alto (duo)
7
Violon (partie séparée)
6
Violoncelle
5
Violoncelle (partie séparée)
5
2 Altos (duo)
4
Violoncelle, Contrebasse (duo)
3
Contrebasse (partie séparée)
3
Violon, Guitare (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
2
Alto seul
2
Harpe, Violon (duo)
2
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
107
Orchestre
30
Orchestre à Cordes
21
Cloches
10
Percussion (partie séparée)
9
Ensemble de cuivres
9
Orchestre de chambre
8
Percussion
3
Ensemble Jazz
3
Timbales (partie séparée)
2
Xylophone
1
Timbales
1
Vibraphone
1
Instrumentation Flexible
1
Cajon
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
O, America!
SheetMusicPlus
Partitions à imprimer
13 partitions trouvées
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1
Banjo Picking Tunes - Beautiful American Airs & Ballads
Guitare
Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and …
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Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and online audio. 41 pages. Mel Bay Publications - Digital Sheet Music #30906MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30906MEB). ISBN 9781513476667. 8.75X11.75 inches.This solo collection presents 19 iconic melodies from the American traditional song book plus 6 modern original compositions by William Bay, president of Mel Bay Publications; all selections have been arranged in tablature for the 5-string banjo in gDGBD tuning by Catalonian multi-instrumentalist and bluegrass specialist, Llu?s G?mez.Any collection of American ballads would be incomplete without settings of the beautiful melodies penned by Stephen Foster, several of which appear here including Beautiful Dreamer, Darling Nellie Gray, I Dream of Jeanie with the Light Brown Hair, and Hard Times, Come Again No More. Some of these tunes are arranged in uncommon banjo keys, all without retuning the banjo or using a capo. These keys may be challenging at first but will teach you a lot about the banjo fretboard.The authorÆs generous preface offers tips on practice, performance and interpretation rarely found in tablature collections such as these, but this book has it all, including online recordings of each arrangement.
Song List: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times, Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyn' for You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy û O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears
$14.99
13.8 €
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Guitare
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Banjo Picking Tunes - Beautiful American Airs & Ballads
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
O My Darling Clementine (Duet Guitar Score)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.788529 Composed by American Tradit…
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Solo Guitar - Level 2 - Digital Download SKU: A0.788529 Composed by American Traditional Song. Arranged by Antonius Agung Setiawan. Contemporary. Individual part. 2 pages. Antonius Agung Setiawan #6364991. Published by Antonius Agung Setiawan (A0.788529). O My Darling Clementine by American Traditional SongDuet guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playOh My Darling, Clementine is an American western folk ballad in trochaic meter usually credited to Percy Montrose (1884), although it is sometimes credited to Barker Bradford. The song is believed to have been based on another song called Down by the River Liv'd a Maiden by H. S. Thompson (1863). It is commonly performed in the key of F Major. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
$4.99
4.59 €
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Guitare
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American Traditional Song
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Antonius Agung Setiawan
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O My Darling Clementine
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Antonius Agung Setiawan
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SheetMusicPlus
Aquarela do Brasil (violão)
Guitare
Composed by Ary Barroso (1903-1964). Arranged by Paulo Barreiros. 20th Century, South Amer…
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Composed by Ary Barroso (1903-1964). Arranged by Paulo Barreiros. 20th Century, South American. Score. 6 pages. Published by Musica Brasilis (S0.239063). - Score - 20th Century,South American - Musica Brasilis
$5.00
4.6 €
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Guitare
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Ary Barroso
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Paulo Barreiros
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Aquarela do Brasil
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Musica Brasilis
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SheetMusicPlus
Sonata para violão
Guitare
Composed by César Guerra-Peixe. South American. 12 pages. Published by Musica Brasilis (S…
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Composed by César Guerra-Peixe. South American. 12 pages. Published by Musica Brasilis (S0.240105). - - South American - Musica Brasilis
$5.00
4.6 €
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Guitare
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César Guerra-Peixe
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Sonata para violão
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Musica Brasilis
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SheetMusicPlus
Os pintinhos no terreiro... (violão)
Guitare
Composed by Zequinha de Abreu. South American. Solo Part. 4 pages. Published by Musica Bra…
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Composed by Zequinha de Abreu. South American. Solo Part. 4 pages. Published by Musica Brasilis (S0.240369). - Solo Part - South American - Musica Brasilis
$5.00
4.6 €
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Guitare
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Zequinha de Abreu
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Os pintinhos no terreiro...
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Musica Brasilis
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SheetMusicPlus
Desilusão
Guitare
Composed by Antonio Giacomino. 20th Century, South American. Individual Part. 4 pages. Pub…
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Composed by Antonio Giacomino. 20th Century, South American. Individual Part. 4 pages. Published by Musica Brasilis (S0.240419). - Individual Part - 20th Century,South American - Musica Brasilis
$5.00
4.6 €
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Guitare
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Antonio Giacomino
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Desilusão
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Musica Brasilis
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SheetMusicPlus
Romance Anonimo (tremolo) for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon RamÃrez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer IsaÃas Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violà o e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
1.83 €
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Guitare
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Anon
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Keith Terrett
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Romance Anonimo
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Keith Terrett
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SheetMusicPlus
Mi corazón
Guitare
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4271 Composed by David Jacques.…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4271 Composed by David Jacques. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4271. Published by Les Productions d'OZ - Digital (ZZ.DZ-4271). Mi Corazon est dédié àCarmen Genest -ma complice dans la vie et sur scène- et rappelle nos tournées en Amérique du sud. Composé dans un style néo-romantique, elle sâ??inspire plus spécialement des airs lyriques mexicains.Mi Corazon is dedicated to Carmen Genest - my accomplice in life and on stage - and recalls our tours in South America. Composed in a neo-romantic style, it is particularly inspired by Mexican lyrical airs.
$3.95
3.64 €
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Guitare
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David Jacques
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Mi corazón
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Les Productions d'OZ - Digital
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SheetMusicPlus
PRA DON VENTURA
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1214854 By Lúcio Yanel. By LÅ
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Solo Guitar - Level 3 - Digital Download SKU: A0.1214854 By Lúcio Yanel. By Lúcio Yanel. Arranged by Leonardo Nunes. Multicultural,Traditional,World. Individual part. 3 pages. Leonardo Nunes #811787. Published by Leonardo Nunes (A0.1214854). Pra Don Ventura é uma das músicas mais conhecidas, composta pelo gênio do violão gaúcho e latinoamericano, Lúcio Yanel. Tem como ritmo a milonga.
$9.99
9.2 €
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Guitare
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Lúcio Yanel
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Leonardo Nunes
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PRA DON VENTURA
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Leonardo Nunes
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SheetMusicPlus
Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
Guitare
Guitar - Digital Download SKU: A0.1070307 Composed by Juan Carlos Cortés Aguirre…
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Guitar - Digital Download SKU: A0.1070307 Composed by Juan Carlos Cortés Aguirre. 20th Century,Holiday,Instructional,Wedding. Full Performance. Duration 293. Juan Carlos Cortés Aguirre #4316841. Published by Juan Carlos Cortés Aguirre (A0.1070307). Trémolo para Guitarra Clásica (Guitarra Acústica). Composición musical por JUAN CARLOS CORTÉS. Puesto previamente una consideración para su interpretación, concepto y aprobación; siendo después elogiado favorablemente por algunos de los más aclamados Guitarristas del mundo como: Christopher Parkening, David Rusell, Ernesto Bitetti, Göran Söllscher, Carlos Posada Ramos y muchos más. Apropiado para los amantes del repertorio latinoamericano o neo clásico donde se demuestra un gran lucimiento técnico del trémolo para guitarra. Su nombre describe las campanas que presentan los armónicos iniciales, invocando a la oración, que se presenta luego reflexiva con el canto melodioso del trémolo, invitando al reconocimiento y la paz espiritual.
$2.25
2.07 €
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Guitare
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Juan Carlos Cortés Aguirre
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Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.958663 Composed by Juan Carlos Cor…
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Solo Guitar - Level 5 - Digital Download SKU: A0.958663 Composed by Juan Carlos Cortés Aguirre. 20th Century,Standards. Individual part. 9 pages. Juan Carlos Cortés Aguirre #4313259. Published by Juan Carlos Cortés Aguirre (A0.958663). Trémolo para Guitarra Clásica (Guitarra Acústica). Composición musical por JUAN CARLOS CORTÉS.Puesto previamente a consideración para su interpretación, concepto y aprobación; siendo después elogiado favorablemente por algunos de los más aclamados Guitarristas del mundo como: Christopher Parkening, David Rusell, Ernesto Bitetti, Göran Söllscher, Carlos Posada Ramos y muchos más. Apropiado para recital con repertorio latinoamericano o neo clásico donde se demuestra un gran lucimiento técnico del trémolo para guitarra. Su nombre describe las campanas que presentan los armónicos iniciales, invocando a la oración, que se presenta luego reflexiva con el canto melodioso del trémolo, invitando al recogimiento y la paz espiritual.
$7.99
7.36 €
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Guitare
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Juan Carlos Cortés Aguirre
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Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né àDouala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller àl'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé àLa Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé àParis où il a commencé des études d'anglais àla Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique àla mode àcette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait àde nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre àjouer de l'instrument lui-même.Il a commencé àcomposer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain àParis), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile àconcilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique àl'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment àtravers le piano àpouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun àla Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité àse produire, àdonner des conférences ou àrencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité àfaire partie du jury d'un concours de guitare classique àCaracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès àla fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Yankee Doodle
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.912082 Composed by George L.O. Str…
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Solo Guitar - Level 1 - Digital Download SKU: A0.912082 Composed by George L.O. Strid, Mary Donnelly, and Traditional. Arranged by Kee Kai ( Malaysia ). 20th Century,Children,Contemporary,Contest,Country,Festival. Individual part. 1 pages. KeeKai #518014. Published by KeeKai (A0.912082). An famous American folk tune also a state anthem of Connecticut. Now in solo guitar for beginner in travis picking style.
$4.99
4.59 €
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Guitare
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George L
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Kee Kai ( Malaysia )
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Yankee Doodle
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KeeKai
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SheetMusicPlus
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