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LUTH, THEOR…
MANDOLINE
MARIMBA
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PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
SYNTHETISEUR
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CLASSIQUE - BAROQUE …
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COUNTRY
EGLISE - SACRE
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312
PIANO & CLAVIERS
Piano seul
145
Piano, Voix
71
Piano Facile
29
Piano, Voix et Guitare
20
Instruments en Do
12
Orgue
11
1 Piano, 4 mains
8
Accompagnement Piano
6
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
3
Clavier
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
1
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GUITARES
Guitare
10
Guitare notes et tablatures
7
Ligne De Mélodie, (Paroles) et Accords
1
Piano, Guitare (duo)
1
Mandoline
1
Banjo
1
Ukulele
1
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VOIX
Chorale SATB
83
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66
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39
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28
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17
Voix duo, Piano
15
Chorale TTBB
11
Chorale SSAA
7
Voix seule
4
Voix Alto, Piano
2
Voix basse
2
Voix haute
1
Voix Tenor
1
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VENTS
2 Saxophones (duo)
76
2 Flûte à bec (duo)
42
2 Clarinettes (duo)
38
Saxophone, Clarinette (duo)
36
Clarinette, Violon (duo)
25
Clarinette, Trompette (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
2 Flûtes traversières (duo)
23
Clarinette
18
Flûte traversière et Piano
18
Quintette de Saxophone: 5 saxophones
18
Saxophone Tenor et Piano
16
Saxophone Alto
16
Saxophone Soprano et Piano
15
Saxophone Alto et Piano
14
Flûte, Violon
13
Flûte, Clarinette (duo)
13
Saxophone (partie séparée)
13
2 Hautbois (duo)
13
Hautbois, Basson (duo)
13
Quatuor de Saxophones: 4 saxophones
12
Ensemble de saxophones
12
Flûte, Alto (duo)
12
Clarinette et Alto
12
Hautbois, Clarinette (duo)
12
Flûte, Saxophone (duo)
12
Hautbois, Flûte
12
Ensemble de Clarinettes
11
Clarinette, Trombone (duo)
9
Flûte, Trompette (duo)
9
Flûte, Hautbois, Clarinette, Basson
8
Quatuor de Clarinettes: 4 clarinettes
8
Hautbois, Piano (duo)
7
Clarinette et Piano
7
Clarinette (partie séparée)
6
3 Saxophones (trio)
6
Quintette de Flûte : 5 flûtes
6
Flûte traversière
5
Ensemble de Flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Hautbois, Clarinette (trio)
3
3 Clarinettes (trio)
3
Hautbois (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
3
2 Clarinettes, Piano
2
Flûte, trombone et piano
2
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Alto et Piano
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette, Piano (trio)
1
Saxophone
1
Flûte irlandaise
1
Clarinette Basse, Piano
1
2 Clarinettes, Basson
1
Ensemble de Hautbois
1
Saxophone Baryton, Piano
1
Trio de Flûtes: 3 flûtes
1
Saxophone et Orgue
1
Clarinette Basse
1
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CUIVRES
Trompette, Saxophone (duo)
25
2 Trombones (duo)
24
2 Trompettes (duo)
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trompette, Piano
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone et Piano
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette, Trombone (duo)
13
Trompette
13
2 Euphoniums (duo)
10
Ensemble de Trombones
7
Quatuor de Cuivres
4
Trombone (partie séparée)
4
Cor (partie séparée)
4
Tuba et Piano
4
Trompette (partie séparée)
3
Cor et Piano
3
2 Cors (duo)
2
Ensemble de Trompettes
2
Trombone
2
Trompette, Cor (duo)
2
Cor
2
2 Tubas (duo)
1
Tuba
1
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
4 Tubas
1
Instrumentations suivantes
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CORDES
Violon et Piano
25
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violon, Violoncelle (duo)
15
2 Violoncelles (duo)
14
Alto, Piano
13
Violon, Alto (duo)
12
2 Violons (duo)
12
2 Altos (duo)
10
Violon
10
Violoncelle, Piano
9
Piano Trio: Violon, Alto, Piano
4
Violoncelle (partie séparée)
4
Violon (partie séparée)
3
Trio à Cordes: violon, alto, violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, violoncelle
2
Ensemble de Violons
2
Harpe
2
Alto seul
2
Ensemble d'Altos
2
Alto (partie séparée)
2
Harpe et Piano
1
Trio à Cordes: 3 violoncelles
1
Violoncelle
1
4 Violoncelles
1
Contrebasse (partie séparée)
1
Contre Basse
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
424
Orchestre à Cordes
29
Orchestre
26
Ensemble Jazz
8
Jazz combo
8
Orchestre de chambre
8
Ensemble de cuivres
6
Percussion (partie séparée)
5
Batterie
1
2 Marimbas
1
Piano et Orchestre
1
Cloches
1
Instrumentations suivantes
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AUTRES
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Once-A-Year-Day
Guitare
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What if a Day or a Month or a Year
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46850 From: The Jane P…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46850 From: The Jane Pickering Lute Book (1616). Composed by Anonymous. This edition: Sheet music. Copyright 2017 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q46850. Published by Schott Music - Digital (S9.Q46850). Digital publication of the piece found in the following print music collection: Preludio - 130 Easy Concert Pieces from 6 Centuries for Guitar (easy).
$2.99
2.74 €
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Guitare
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Anonymous
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What if a Day or a Month or a Year
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Schott Music - Digital
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SheetMusicPlus
André (Guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Sout…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part. 17 pages. Publisher by Rudesindo Soutelo #903830. Published by Publisher by Rudesindo Soutelo (A0.1315103). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Guitar, ca. 14'40) 1. (A) Prelúdio da manhã / Morning prelude 2. (n) Alvorecer na janela / Dawn in the window 3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz 4. (r) A catedral imergente / The immersing cathedral 5. (é) Marcha da formiga atónita / March of the astonished antISWC: T-045.522.026-4ISMN: 979-0-707704-19-6This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts.The “Morning prelude†is the restless awakening; the “Dawn in the window†is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltzâ€, who turn rifles into pairs to dance with. From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedralâ€, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant†is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].The original version is for piano. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã†é o acordar buliçoso; o “Alvorecer na janela†é a luz do novo dia a esclarecer o espÃrito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo†que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente†que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declÃnio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita†são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].A versão original é para Piano. Consulte https://soutelo.eu
$8.00
7.34 €
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Guitare
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Rudesindo Soutelo
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Guitar
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André
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.62 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
"Wintersong" album for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1411002 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1411002 By Keith Gehle. By Keith W. Gehle. Classical,Contemporary,Folk,New Age. Individual part. 47 pages. Keith Gehle #993372. Published by Keith Gehle (A0.1411002). Wintersong is a collection of 20 original compositions for solo guitar in standard notation ranging from very simple pieces for students (Prelude, Windsong, Contemplation) to more advanced and extended works (Daybreak, Montana, Reverie). This folio offers the classical or fingerstyle guitarist a body of ambient/pastoral pieces with a contemporary “new age†sound. If you’re a fan of Andrew York’s music, give these tunes a listen; you’re sure to find at least a few gems for your concert programs or gigs. Here’s what one listener wrote of the Wintersong recording:I have purchased almost 200 Cd's from CD Baby over the last few years, most recently were acoustic guitar. This is certainly in the top three, if not the best, of ALL the CD's I've bought… very pure acoustic sound. .. beautiful, flowing sound from the heart. I could listen to it over and over every day. I can't wait to hear more from this splendid artist.- Bob S.The sample MP3 features three pieces: Montana, Kimberly’s Song (starting @ 4:23) and Into the Mist (starting at 6:26). There’s also a version of this collection available with TAB on this site.
$14.99
13.75 €
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Guitare
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Keith Gehle
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"Wintersong" album for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
Fruit and Veggie Chops - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939097 Composed by Gene Swanson. C…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939097 Composed by Gene Swanson. Children,Concert,Holiday,Instructional,Standards. Individual part. 1 pages. Gene Swanson #3875751. Published by Gene Swanson (A0.939097). Fruit and Veggie Chops is the third tune from Play Along! series - Student Inspired Thanksgiving Tunes for Guitar Vol. #2 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.83 €
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Guitare
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Gene Swanson
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Fruit and Veggie Chops - Play Along!
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Gene Swanson
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SheetMusicPlus
On the Mayflower - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939096 Composed by Gene Swanson. C…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939096 Composed by Gene Swanson. Children,Concert,Holiday,Instructional,Standards. Individual part. 1 pages. Gene Swanson #3875745. Published by Gene Swanson (A0.939096). On the Mayflower is the second tune from Play Along! series - Student Inspired Thanksgiving Tunes for Guitar Vol. #2 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.83 €
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Guitare
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Gene Swanson
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On the Mayflower - Play Along!
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Gene Swanson
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SheetMusicPlus
Bird-Tastic Hoedown - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939100 Composed by Gene Swanson. C…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939100 Composed by Gene Swanson. Children,Concert,Holiday,Instructional,Standards. Individual part. 1 pages. Gene Swanson #3875771. Published by Gene Swanson (A0.939100). Bird-Tastic Hoedown is the sixth tune from Play Along! series - Student Inspired Thanksgiving Tunes for Guitar Vol. #2 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.83 €
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Guitare
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Gene Swanson
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Bird-Tastic Hoedown - Play Along!
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Gene Swanson
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SheetMusicPlus
Cornucopia - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939095 Composed by Gene Swanson. C…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939095 Composed by Gene Swanson. Children,Concert,Holiday,Instructional,Standards. Individual part. 1 pages. Gene Swanson #3875741. Published by Gene Swanson (A0.939095). Cornucopia is the first tune from Play Along! series - Student Inspired Thanksgiving Tunes for Guitar Vol. #2 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired.I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.83 €
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Guitare
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Gene Swanson
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Cornucopia - Play Along!
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Gene Swanson
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SheetMusicPlus
Harvest Moon - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939099 Composed by Gene Swanson. C…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939099 Composed by Gene Swanson. Children,Concert,Holiday,Instructional,Standards. Individual part. 1 pages. Gene Swanson #3875757. Published by Gene Swanson (A0.939099). Harvest Moon is the fourth tune from Play Along! series - Student Inspired Thanksgiving Tunes for Guitar Vol. #2 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.83 €
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Guitare
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Gene Swanson
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Harvest Moon - Play Along!
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Gene Swanson
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SheetMusicPlus
Handbook of Guitar and Lute Composers
Guitare
By Hanna Annala. For Guitar (Classical). Classic. 172 pages. Published by Mel Bay Publicat…
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By Hanna Annala. For Guitar (Classical). Classic. 172 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743536. In compiling this landmark sourcebook, Finnish guitarists Hannu Annala and Heiki Matlik consulted more than 70 music texts as well as dozens of composer resumes acquired from the musical information centers of several countries. During the writing process, which lasted for more than three years, they received additional information from many modern composers, including Leo Brouwer and Reginald Smith Brindle among others. In addition, several internationally renowned performing guitarists provided valuable information; these include Magnus Andersson (Sweden), Remi Boucher (Canada), Margarita Escarpa (Spain), Aleksander Frauchi (Russia) and David Tanenbaum (USA) among others.The authors' aim was to write a well-structured book with separate chapters for each instrument, such as the Renaissance and Baroque guitar, the Renaissance and Baroque lute, the vihuela, etc. This unique structure enables the reader to easily discover which composers wrote for a certain instrument during any given period. In addition to the composers one would expect to find in such a comprehensive listing, the book documents several historical and modern composers for whom little previous information has been available. The book's list of more than 400 guitar and lute concertos dating from the Baroque era to the present day is a totally unprecedented. Short introductions regarding guitar and lute-like instruments as well as their basic histories are provided at the beginning of the book. The authors hope that the Handbook of Guitar and Lute Composers will serve as a practical guide for both amateurs and professionals, encouraging further study of the history of these instruments and expanding the repertoire heard on today's concert stage.
$19.99
18.34 €
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Guitare
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Hanna Annala
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Handbook of Guitar and Lute Composers
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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