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CHANT - CHO…
CHARANGO
CITHARE
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CLAVECIN
CLOCHES
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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Non classifié
1819
PIANO & CLAVIERS
Piano seul
415
Piano Facile
156
Piano, Voix et Guitare
90
Piano, Voix
63
2 Pianos, 4 mains
28
Orgue
26
1 Piano, 4 mains
21
Instruments en Do
17
Accompagnement Piano
9
Piano Trio: piano, violon, violoncelle
7
Accordéon
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavecin
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon, Piano
1
2 Accordéons
1
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GUITARES
Guitare
46
Guitare notes et tablatures
32
Ligne De Mélodie, (Paroles) et Accords
16
Ukulele
15
Basse électrique (partie séparée)
9
2 Guitares (duo)
9
Basse electrique
8
3 Guitares (trio)
8
Paroles et Accords
6
Guitare (partie séparée)
5
Mandoline
5
Dulcimer
3
Banjo
3
Piano, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
2 Ukuleles
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Instrumentations suivantes
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VOIX
Chorale SATB
141
Chorale 3 parties
43
Chorale TTBB
28
Chorale SSAA
23
Chorale 2 parties
21
Chorale Unison
13
Voix duo, Piano
3
Voix Soprano, Piano
3
Male Voice
2
Voix Baryton, Piano
2
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Voix duo
1
Voix Tenor, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Alto, Piano
1
Chorale
1
Chorale SSATB
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
566
Quatuor de Saxophones: 4 saxophones
309
2 Saxophones (duo)
237
Saxophone Alto et Piano
169
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
127
Saxophone Alto
123
Saxophone Tenor et Piano
121
Saxophone Tenor
116
Quintette de Saxophone: 5 saxophones
107
Flûte traversière et Piano
88
Saxophone, Clarinette (duo)
80
Saxophone Soprano et Piano
80
2 Clarinettes (duo)
80
Flûte, Hautbois, Clarinette, Basson
64
Ensemble de saxophones
62
2 Flûtes traversières (duo)
57
Clarinette et Piano
57
Clarinette, Violon (duo)
55
Clarinette
46
Saxophone Baryton, Piano
46
Clarinette, Trompette (duo)
45
Hautbois, Piano (duo)
39
Flûte traversière
37
3 Saxophones (trio)
36
Quatuor de Clarinettes: 4 clarinettes
36
Flûte, Clarinette (duo)
31
Flûte, Violon
30
Flûte, Saxophone (duo)
29
Hautbois, Clarinette (duo)
28
Clarinette et Alto
26
2 Hautbois (duo)
26
Hautbois, Flûte
25
2 Flûtes traversières, Piano
25
Ensemble de Clarinettes
23
Hautbois, Basson (duo)
22
Flûte, Trompette (duo)
22
Quatuor de Flûtes : 4 flûtes
22
Clarinette (partie séparée)
21
Flûte, Alto (duo)
18
Hautbois (partie séparée)
17
Cor anglais, Piano
14
Flute (partie séparée)
12
3 Clarinettes (trio)
10
Flûte à bec Soprano
10
2 Flûte à bec (duo)
10
Ensemble de Flûtes
10
Flûte et Guitare
10
Clarinette Basse, Piano
8
Saxophone Baryton
8
Saxophone Soprano
8
Clarinette, Guitare (duo)
8
Ensemble De Flûte à bec
7
Saxophone
7
2 Saxophones, Piano
7
Trio de Flûtes: 3 flûtes
6
Quintette de Flûte : 5 flûtes
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Hautbois, Clarinette (trio)
5
Hautbois
5
Quintette de Clarinettes: 5 clarinettes
5
Piccolo, Piano
4
Saxophone et Guitare
4
Piccolo
4
Flûte, Hautbois, Basson
4
Cor Anglais
4
Flûte à Bec, Piano
4
3 Flûtes à bec (trio)
4
Flûte à bec Alto, Piano
4
Quatuor de Flûtes à bec
4
Flûte à bec Tenor
4
Flûte, Hautbois (duo)
4
Clarinette, Basson (duo)
4
Clarinette, Trombone (duo)
4
Saxophone et Harpe
3
Saxophone, Basson (duo)
3
Flûte, Violon, Piano
3
Harmonica
2
Flûte à Bec
2
Flûte irlandaise
2
Flûte, Violon et Violoncelle
2
Clarinette Basse
2
2 Flûtes à bec, Guitare
1
Clarinette, Violoncelle (duo)
1
Saxophone et Orgue
1
Hautbois, violon (duo)
1
Flûte et Trio à cordes
1
Flûte à bec Alto
1
Hautbois, Harpe
1
Flûte, Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Trombone (duo)
1
Flûte à bec Soprano, Piano
1
Flute, harpe et violon
1
Instrumentations suivantes
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CUIVRES
Trombone (partie séparée)
360
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
223
Quatuor de Cuivres : 2 trompettes, trombone, tuba
176
Trombone et Piano
150
Trombone
146
Trompette, Saxophone (duo)
59
2 Trombones (duo)
55
Trompette (partie séparée)
44
Trompette, Trombone (duo)
42
Quatuor de Cuivres: 2 trompettes, Cor, trombone
42
Quatuor de cuivres: 4 trombones
39
Trompette, Piano
36
Trompette
31
Cor et Piano
31
2 Trompettes (duo)
29
Quatuor de Cuivres
24
Tuba et Piano
24
Cor
22
Euphonium, Piano (duo)
21
Cor (partie séparée)
17
Cor anglais, Piano
14
Tuba ou Euphonium ou Saxhorn
14
Tuba
14
Ensemble de Trombones
13
Tuba (partie séparée)
13
Trombone basse et Piano
10
2 Cors (duo)
8
Quatuor de cuivres: 4 cors
8
Trio de Cuivres
8
Trombone basse
7
Quatuor de cuivres: 4 trompettes
6
Ensemble de Trompettes
6
3 Trombones (trio)
6
2 Tubas (duo)
5
Cor Anglais
4
Trombone, Violon (duo)
4
4 Tubas
3
Trombone, Cor (duo)
3
Trombone, Tuba (duo)
3
Trompette, Trombone, Piano
3
Cor, Tuba (duo)
2
3 Trompettes (trio)
2
Trompette, Cor (duo)
2
2 Euphoniums et 2 Tubas
2
Euphonium
2
Tuba et Orgue
2
Trombone, Orgue
1
Trompette, Harpe
1
Bass Clef Instruments
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
179
Violon et Piano
84
Violon, Violoncelle (duo)
54
Violoncelle, Piano
54
Violon
44
2 Violons (duo)
43
Alto, Piano
41
Violon, Alto (duo)
36
Trio à Cordes: violon, alto, violoncelle
36
Violoncelle
34
Harpe
33
2 Violoncelles (duo)
29
2 Altos (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Alto seul
14
Trio à Cordes: 2 violons, violoncelle
14
Violon (partie séparée)
14
Violon, Guitare (duo)
11
Contre Basse
11
Contrebasse (partie séparée)
11
Contrebasse, Piano (duo)
10
4 Violoncelles
9
Ensemble d'Altos
7
Ensemble de Violons
7
Alto (partie séparée)
7
Alto, Violoncelle (duo)
5
Harpe, Flûte (duo)
5
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
2 Harpes (duo)
2
Trio à cordes: 3 altos
2
Harpe et Piano
1
4 Contrebasses
1
Alto, Guitare (duo)
1
Violoncelle, Basse continue
1
Violoncelle, Orgue
1
Violoncelle (partie séparée)
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
833
Ensemble Jazz
128
Orchestre à Cordes
116
Orchestre
112
Fanfare
78
Ensemble de cuivres
61
Batterie (partie séparée)
36
Jazz combo
30
Ensemble de Percussions
25
Orchestre de chambre
23
Cloches
19
Percussion (partie séparée)
15
Xylophone
9
Batterie
7
Marimba
5
2 Xylophones
5
Xylophone, Piano
4
Percussion
3
Piano et Orchestre
2
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Ensemble d'École
1
Instrumentations suivantes
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AUTRES
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Guitar arrangement of the "Spanish dance No.6" (Danza Española n°6 "Rondalla Aragonesa")
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1304298 Composed by Enrique Granad…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1304298 Composed by Enrique Granados. Arranged by Iury Cardoso. 19th Century,20th Century,Classical,Multicultural,Romantic Period,World. Individual part. 6 pages. Iury Cardoso #893804. Published by Iury Cardoso (A0.1304298). Guitar arrangement of the Spanish dance No.6 by Enrique Granados (Danza Española n°6 Rondalla Aragonesa) from 12 Spanish dances (12 Danzas Españolas Op.37).
$4.99
4.49 €
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Guitare
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Enrique Granados
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Iury Cardoso
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Guitar arrangement of the "Spanish dance No.6"
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Iury Cardoso
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SheetMusicPlus
Balkan Dance Rachenica (guitar trio)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.997086 Composed by Anastas Mihaylo…
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Solo Guitar - Level 2 - Digital Download SKU: A0.997086 Composed by Anastas Mihaylov. Folk,World. Individual part. 12 pages. Anastas Mihaylov #5037665. Published by Anastas Mihaylov (A0.997086). Rachenica or Rachenitsa is one of the most famous Bulgarian folk dances. It is in a fast and lively tempo. This original composition for guitar trio used the different tapping techniques like tambour and knocking on the guitar body, imitating the traditional Bulgarian biggest drum, closely associated with that dance. The level of technical difficulty is Grade 3-5 It works well for concert performance as well as for fun. The tabs will be published soon.
$9.95
8.95 €
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Guitare
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Anastas Mihaylov
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Balkan Dance Rachenica
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Anastas Mihaylov
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SheetMusicPlus
Riely's Dance
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.954944 Composed by Jim Bosse. Afri…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954944 Composed by Jim Bosse. African,Concert,Contemporary. Individual part. 10 pages. Jim Bosse #4574663. Published by Jim Bosse (A0.954944). This is the first movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Riely's Dance was intended to present only African rhythms with no melody, but a rock n' roll middle somehow snuck in. Performance time is 5 minutes with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.79 €
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Guitare
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Jim Bosse
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Riely's Dance
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Jim Bosse
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SheetMusicPlus
Last Waltz To Dance Alone for solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.922267 Composed by Omar Felipe Mer…
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Solo Guitar - Level 4 - Digital Download SKU: A0.922267 Composed by Omar Felipe Merchán. 20th Century,Jazz,New Age. Individual part. 2 pages. Omar Felipe #5852245. Published by Omar Felipe (A0.922267). Last waltz to dance alone is a little piece for solo guitar in the unusual key of G minor. Being a waltz it is impossible to avoid Chopin´s influence but you can also find reflects from the Impressionists like Debussy and Faure or from jazz musicians like Pat Metheny with a certain minimalist touch taken from the New Age.
$2.40
2.16 €
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Guitare
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Omar Felipe Merchán
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Last Waltz To Dance Alone for solo guitar
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Omar Felipe
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SheetMusicPlus
Rondalla Aragonesa (Spanish Dance No. 6) Enrique Granados arr. for two classical guitars
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.775478 Composed by Enrique Granado…
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Solo Guitar - Level 4 - Digital Download SKU: A0.775478 Composed by Enrique Granados (1867-1916). Arranged by John Pinno. 20th Century,Concert. Individual part. 13 pages. John Pinno #5022851. Published by John Pinno (A0.775478). An arrangement by John Pinno for two classical guitars, of Rondella Aragonesa (Spanish Dance #6) by Enrique Granados. The two separate guitar parts each come fully fingered in standard music notation. Note to purchasers of arrangements and/or compositions by John Pinno published on Sheet Music Plus: ~For any comments and/or questions, email to jpinno093@hotmail.com with subject of sheet music plus ~Please also see my other publications on Sheet Music Plus at http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745 ~This includes arrangements and/or compositions for solo classical guitar, classical guitar duos and quartets, Christmas arrangements for solo guitar and guitar quartets, classical ensemble arrangements for voice and guitar, flute and guitar, and other combinations, and also works for recorder ensembles.
$14.00
12.59 €
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Guitare
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Enrique Granados
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John Pinno
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Rondalla Aragonesa
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John Pinno
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SheetMusicPlus
Hymn And Dance For The Forgotten
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783510. Published by Doug Smith Guitar Studio (A0.1183820). Hymn & Dance for the Forgotten is a tribute giving thanks to all of the generations that came before us. The Hymn is reflective and supportive in tone, using four part harmonies like a chorale that gently moves to form a sense of wholeness. After a dramatic pause, this transitions abruptly to the rhythmic shifting impulses of a modern reality flowing over the top of many of the same harmonies of the past.
$3.99
3.59 €
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Guitare
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Doug Smith
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Hymn And Dance For The Forgotten
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Doug Smith Guitar Studio
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SheetMusicPlus
Dance Me To The End Of Love
Guitare
Solo Guitar - Digital Download SKU: A0.961493 By Madeleine Peyroux. By Leonard Cohe…
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Solo Guitar - Digital Download SKU: A0.961493 By Madeleine Peyroux. By Leonard Cohen. Arranged by Colin Tommis. Jazz. Individual part. 3 pages. Colin Tommis #4632143. Published by Colin Tommis (A0.961493). This is just one of a large collection of arrangements of popular tunes for advanced classical or acoustic guitar players - or very good intermediate-standard players. In some cases, ideas from the original are developed so that the piece can sustain interest as an instrumental piece. There is no tablature and no chords, just music notation.
$4.99
4.49 €
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Guitare
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Madeleine Peyroux
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Colin Tommis
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Dance Me To The End Of Love
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Colin Tommis
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SheetMusicPlus
VI. Little one - Romanian Folk Dances, Sz. 56. For GUITAR CONCERT
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.882820 Composed by Bela Bartok. Ar…
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Solo Guitar - Level 5 - Digital Download SKU: A0.882820 Composed by Bela Bartok. Arranged by Roberto Pugliese. 20th Century,Contemporary. Individual part. 8 pages. Roberto Pugliese #1920575. Published by Roberto Pugliese (A0.882820). A amazing number six song of suite by Béla Bartók Romanian Folk Dances (Hungarian: Román népi táncok), Sz. 56. Arrangement for classic guitar by the master Roberto Pugliese. This song is a ending suite, for all single song searching in this site, or take a book offer. Watch the suite here: https://www.youtube.com/watch?v=g7aA6QouJy4.
$2.99
2.69 €
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Guitare
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Bela Bartok
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Roberto Pugliese
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VI. Little one - Romanian Folk Dances, Sz. 56. For GUITAR CONCERT
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Roberto Pugliese
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SheetMusicPlus
Johannes Brahms Hungarian Dances for Solo Guitar
Guitare
Composed by Jozsef Eotvos (1962-). Solos. Style. E-book. Mel Bay Publications - Digita…
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Composed by Jozsef Eotvos (1962-). Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #20292EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609744748.<br> <br> While originally conceived as piano duets, Johannes Brahms' Hungarian Dances (Op. 39) have been transcribed for various instrumental ensembles, including the orchestral version provided by the composer himself. In this edition, outstanding Hungarian guitarist Jozsef Eotvos has transcribed all twenty-one of the dances for solo guitar, in standard notation only with suggested fingerings. While many of these transcriptions lie well on the fretboard, this volume is recommended for the advanced classic guitarist.
$17.99
16.18 €
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Guitare
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Jozsef Eotvos (1962-)
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Johannes Brahms Hungarian Dances for Solo Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Patios de Córdoba
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.59 €
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Guitare
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
What A Wonderful World
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
4.49 €
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Guitare
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
The Complete Chopin Mazurkas
Guitare
Guitar (classical and lute) - Intermediate - Digital Download Fifty-one Mazurkas Newl…
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Guitar (classical and lute) - Intermediate - Digital Download Fifty-one Mazurkas Newly Arranged for Solo Guitar. Composed by Stephen Aron. Solos. Style. E-book and online audio. 256 pages. Mel Bay Publications - Digital Sheet Music #98411MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742898.<br> <br> This collection presents, for the first time, the complete Mazurkas of Frederic Chopin arranged for solo classical guitar. The Mazurka is the only form the composer embraced throughout his lifetime. The distinctive and personal pieces are unimaginably varied and colorful, ranging from brief and vigorous dances to deep and complex extended works. Always achingly melodic and featuring surprising harmonies not evident in his other compositions, the Mazurkas are a true monument to Chopin's genius. These new arrangements were prepared with rigorous fidelity to the originals, while never sacrificing true playability. Careful attention to every detail of execution combined with thorough notes on each piece and the folk dance tradition that inspired them to make this unique offering truly user-friendly. Musically beautiful, idiomatic and accessible, this monumental collection is a breathtaking addition to the guitar repertoire. Written in standard notation only. Includes access to online audio.
$27.99
25.17 €
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Guitare
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Stephen Aron
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The Complete Chopin Mazurkas
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fantasy on a Mozart Theme
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Cl…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00
4.5 €
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Guitare
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Rod Whittle
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for solo classical guitar
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Fantasy on a Mozart Theme
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Maggie Creek Music
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.55 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Tico Tico (tico Tico No Fuba)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By …
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Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions. Classical,Latin,Multicultural,World. Individual part. 3 pages. Keith Terrett #5869485. Published by Keith Terrett (A0.747009). Arranged for solo Guitar, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$7.99
7.18 €
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Guitare
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The Andrews Sisters
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Music for all Occasions
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Mood Indigo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1295010 By Duke Ellington. By Alba…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1295010 By Duke Ellington. By Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,R & B,Soul,Standards. Individual part. 1 pages. Christopher J. Malin #885330. Published by Christopher J. Malin (A0.1295010). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of the Duke's      finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. This piece needs to be swung hard. It don't mean a thing, if it ain't got that swing! Very danceable piece. Legend has it that Ellington's orchestra would play this rhythm as long as the floor was filled with dancers! Another tried and true arrangement. Have fun with it! Sounds great on acoustic and electric guitars.
$4.99
4.49 €
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Guitare
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Duke Ellington
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Christopher J
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Mood Indigo
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Christopher J. Malin
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SheetMusicPlus
Suite Grandkids
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.954913 Composed by Jim Bosse. Conc…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954913 Composed by Jim Bosse. Concert,Contemporary. Individual part. 36 pages. Jim Bosse #4412049. Published by Jim Bosse (A0.954913). Suite Grandkids contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar solo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Individual titles are: Riely's Dance, Ananlysia's Margarita, Toy for Timothy, Air for Chiara, Lullaby for Mirabai, and Soren's Jig. Performance demand level is mostly intermediate with a few advanced sections. Multi-tasking required as percussion is played with feet. Jim's web site is www.facebook.com/jimbosseguitar
$4.99
4.49 €
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Guitare
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Jim Bosse
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Suite Grandkids
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Jim Bosse
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SheetMusicPlus
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
Guitare
Guitar (all) - Intermediate - Digital Download SKU: M0.22170EB Composed by Gordon M…
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Guitar (all) - Intermediate - Digital Download SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music #22170EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22170EB). ISBN 9781619112094. 8.75x11.75 inches.This collection of the work of the Maltese composer, Gordon Mizzi, for solo guitar is being made available to the public for the first time. Saints and Fireworks, The Music of Gordon Mizzi Volume Two is the second of two albums of Gordon Mizzi's music, which are available from Mel Bay Publications. This album takes its title from the  CD, Gordon Mizzi, Saints and Fireworks that has been recorded by Carlos Bonell, one of today's most celebrated guitarists and which is available from Spearhead Music. The individual track recordings are also available as downloads from itunes, amazon.com and other sites.This album contains a diverse collection of original works as well as transcriptions of Renaissance and Maltese folk music by Gordon Mizzi. The Branles de Malte by Jean d'Estr+¬e were originally composed by the French Knights of St. John in Malta in 1551 for the Dauphin of France. Gordon Mizzi has made guitar transcriptions of these five dances and this is the first time that they are being published. The Branles de Malte by Adrian Le Roy are also included. There are a number of original compositions. Saints and Fireworks, a piece in two movements, vividly represents Malta's village festas. Island Scenes are six musical portraits of towns and villages dotting the landscape of Malta.They include Valletta- Barrakka Gardens, San Giljan-After the Feast, Mdina- Citt+á Notabile, the dreamy Comino-The Blue Lagoon, Sliema- The Tower, and the pulsatingly brash Paceville -Sin City. Three Love Poems : Hula, Lahaina and Hana are influences from Hawaii. There are also two cradle songs Child Don't Cry and Ninna Nanna as well as folk inspired melodies such as Night Crossing and il- Maltija. The guitarist will find a veritable pot pourri of scents and sounds in this album.
$17.99
16.18 €
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Guitare
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Gordon Mizzi
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Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Tales of Greiffenberg
Guitare
Guitar - intermediate to advanced - Digital Download SKU: S9.Q588559 Composed by Da…
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q588559 Composed by Dale Kavanagh. Downloadable. Edition Chanterelle - Digital #Q588559. Published by Edition Chanterelle - Digital (S9.Q588559). English â?¢ German.Tales of Greiffenbergâ? was published in 2012 and written in 2010. On the Lake, The Forest and Wind Danceâ?, describe my experiences around Greiffenberg, a village,one hour outside of Berlin, in the direction of Poland. Here, I would visit my fine, longtime friend, Carlo Domeniconi and his friend, Justus Werden. They shared a house in Greiffenberg at the time.Carlo Domeniconi was my main teacher for composition and our visits would consist of working on ideas and pieces and also, long walks in the surrounding forest and fishing on the lake. Thus the movement names. Wind Dance is about the leaves flying through the forest in the autumn. Greiffenberg is a beautiful place, with fine memories and a piece of music was born giving thanks to Carlo and Justus for their friendship. (Dale Kavanagh).
$10.99
9.88 €
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Guitare
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Dale Kavanagh
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Tales of Greiffenberg
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Edition Chanterelle - Digital
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SheetMusicPlus
Sexyback
Guitare
Solo Guitar - Digital Download SKU: A0.832892 By Justin Timberlake. By Justin Timbe…
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Solo Guitar - Digital Download SKU: A0.832892 By Justin Timberlake. By Justin Timberlake, Nate Hills, and Tim Mosley. Arranged by Kicker Productions Ltd. Dance,Pop. Individual part. 3 pages. Kicker Productions Ltd. #5993079. Published by Kicker Productions Ltd. (A0.832892). This is an Guitar part for a Kicker Productions arrangement of this song.The sheet music is arranged to be used alongside our premium backing tracks and click tracks.Please visit www.kickerproductions.com to view and purchase our click tracks and backing tracks, and to view the sheet music available.Parts available for this arrangement, available separately:VocalsDrumsBass GuitarKeyboard 1 (E. Piano)Guitar 1Keyboards 22-Piece Brass Arrangement (Trumpet, Tenor Sax)3-Piece Brass Arrangement (Trumpet, Alto Sax, Trombone)3-Piece Brass Arrangement (Trumpet, Alto Sax, Tenor Sax)4-Piece Brass Arrangement (Trumpet, Alto Sax, Tenor Sax , Trombone)6-Piece Brass Arrangement (Trumpet 1+2, Trombone, Alto Sax, Tenor Sax, Baritone Sax).
$4.99
4.49 €
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Guitare
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Justin Timberlake
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Kicker Productions Ltd
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Sexyback
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Kicker Productions Ltd.
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SheetMusicPlus
Bourrée in E MInor
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Individual part. 3 pages. Richard Hirsch #925741. Published by Richard Hirsch (A0.1340077). I offer the famous Bourrée from Bach’s First Suite for Lute in E minor notated for solo acoustic guitar. The notation is accompanied by tablature and extensive left and right hand fingering as an aid to the student. The fingering aims to be as economical and as ergonomic as possible. If played according to the tablature and left hand fingering, the left hand flows smoothly from one position to another over the fretboard. This is especially important in the second part of the piece where Bach takes us on a tour of the harmonic space related to the key of E minor. The piece is a good introduction to the full potential of the fretboard as there are many alternative left hand fingerings, among which I have chosen those I feel fit together and enable flow best. Notice especially how the little finger plays an important role in guiding the left hand from one position to another. The fingering for the right hand is also good for the practice of alternating the index and middle fingers in the melody while the thumb plays the bases.This piece has become part of the standard repertoire for classical guitar, but is also a piece that sounds equally good on a steel string acoustic guitar. The steel strings make the piece sound like it is being played on a harpsichord. I first heard the piece as a boy of 15 back in 1960 in a recording by Chet Atkins playing on a steel string electric guitar!The piece has been transcribed from the original score for Lute and notated for guitar by many guitarists over the years. I hope my version contributes to its continued popularity, making the piece even more accessible and relevant to intermediate students of acoustic guitar.I have chosen a tempo of 130bpm for the notation which I think gives the piece a lively but not overly stressed quickness appropriate for a courtly dance.
$4.99
4.49 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Bourrée in E MInor
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Richard Hirsch
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SheetMusicPlus
Suite for guitar in E minor by J. A. de Logy
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1453811 Composed by Jan Antonin de…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1453811 Composed by Jan Antonin de Logy (1650-1721). Arranged by Socrates Arvanitakis. Baroque. Individual part. 34 pages. Socrates Arvanitakis #1033060. Published by Socrates Arvanitakis (A0.1453811). Jan Antonin de Logy, count of Rosinthal (1650-1721) was an aristocrat of Bohemia and official of the Austrian empire. As a musician he was a lute player of professional level and seems to have been a refined and prolific composer of single pieces and suites in the French style for his instrument. His compositions are becoming known to us today through important academic research but a lot more work has to be made in this field. The present suite in Em has the following eight movements:1 Allemande2 Courante3 Sarabande La Favorita4 Double5 Gavotte I6 Gavotte II & (Gavotte I da capo)7 Menuett8 GigueNone of these dance movements is too difficult to play, but they are all musically rewarding and the compositional standard is kept high in all of them maintaining a two-part contrapuntal writing throughout the suite.In these editions I prefer not to add any fingerings because I consider that they obscure the optical result rather than clarifying any particular way of playing the music. Especially if tablatures are provided as is the case with this volume the suggested left hand fingerings become quite clear, but Instrumentalists can disregard these suggestions and provide their own fingering and choice of positions.Interactive thematic index has been provided for easy navigation to individual movements either in decorated or in tablature pages and back to the index.If a printed copy is desired, blank pages have been provided for insertion at will and for correct order of left and right side pages.MP3 of the music has been created using the Note Performer playback engine.
$8.00
7.19 €
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Guitare
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Jan Antonin de Logy
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Socrates Arvanitakis
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Suite for guitar in E minor by J. A. de Logy
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Socrates Arvanitakis
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SheetMusicPlus
Solo Pieces from "Kids Pages"
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1189042 Composed by Oleg Boyko. Ch…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1189042 Composed by Oleg Boyko. Children,Contemporary,Contest,Festival,Instructional. Individual part. 45 pages. Oleg Boyko #788657. Published by Oleg Boyko (A0.1189042). Collection of solo pieces for young guitar players from beginners till ...:01. My First Song02. I walk alone03. Little waltz04. Slow Waltz05. Beyond the Mountains06. Barcarolle07. Silent Song08. Funny Walk09. Short Walk10. Dance Invitation11. Warm Wind12. Rock'n'Roll13. Cautious Steps14. Lullaby15. Playful Polka16. Procession17. In the Garden18. Around Flowers19. Gallant Minuet20. Tarantella21. A Bit of Autumn22. Spring Waltz23. Hide and Seek24. I'm a little sad25. Doll's Song26. Rain and Wind27. Gentle Minuet28. Let's dance together29. Spring Breeze30. Under Sail31. By the Sea32. I'm Leaving Today (Swing)33. Carousel34. Solar Song35. In a Bach Style36. Light Swing37. True Tale (Swing).
$17.00
15.29 €
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Guitare
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the Sea
32
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Oleg Boyko
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Solo Pieces from "Kids Pages"
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Oleg Boyko
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SheetMusicPlus
Stompin' At The Savoy "instrumental"
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1294292 By Dick Garcia. By Benny G…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1294292 By Dick Garcia. By Benny Goodman, Benny Us 1 Goodman, Chick William Webb, and Edgar M Sampson. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #884674. Published by Christopher J. Malin (A0.1294292). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Benny Goodman's finer pieces. It was actually written by Edgar Samposon. Although it became Goodman's most recognizable pieces. This is a leisure swing piece, that is danceable. Pay close attension to your timng on this one and also make it swing! In a trio setting it's fun to improvise over the B section.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. Tried and true arrangement. Sounds great on acoustic and electric guitars.
$4.99
4.49 €
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Guitare
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Dick Garcia
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Christopher J
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Stompin' At The Savoy "instrumental"
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Christopher J. Malin
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SheetMusicPlus
"Danza" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1412810 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1412810 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 3 pages. Keith Gehle #994814. Published by Keith Gehle (A0.1412810). â??Danzaâ? (or Dance) was recorded as part of Keithâ??s album of 20 original guitar solos entitled Wintersong released in 2002. With its use of rasqueado (strumming), the piece has a distinct Spanish/flamenco sound and is fun to play and a real crowd pleaser. Thereâ??s also a version available with TAB on this site. Hereâ??s what one listener wrote of the Wintersong recording:I have purchased almost 200 Cd's from CD Baby over the last few years, most recently were acoustic guitar. This is certainly in the top three, if not the best, of ALL the CD's I've boughtâ?¦ very pure acoustic sound... beautiful, flowing sound from the heart. I could listen to it over and over every day. I can't wait to hear more from this splendid artist.- Bob S.
$1.99
1.79 €
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Guitare
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Keith Gehle
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"Danza" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
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