English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2
Partitions
Numériques
11
Librairie
Musicale
69
Matériel
de Musique
250
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
400
PIANO & CLAVIERS
Piano seul
174
Piano Facile
87
Piano, Voix et Guitare
64
Piano, Voix
48
Instruments en Do
16
Orgue
9
Piano Quatuor: piano, violon, alto, violoncelle
5
2 Pianos, 4 mains
5
Piano Trio: piano, violon, violoncelle
3
1 Piano, 4 mains
3
Piano grosses notes
2
Accompagnement Piano
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
11
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
6
Ukulele
4
Ensemble de guitares
2
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Mandoline
1
Dulcimer
1
Mandoline, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
106
Chorale 3 parties
22
Chorale TTBB
20
Chorale SSAA
14
Chorale Unison
8
Chorale 2 parties
7
Voix Alto, Piano
6
Voix Baryton, Piano
3
Voix Soprano, Piano
3
Voix duo, Piano
3
Voix Tenor
2
Voix seule
2
Voix basse, Piano
1
Voix haute
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
80
Quintette de Saxophone: 5 saxophones
76
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Saxophone Alto et Piano
48
Quatuor de Saxophones: 4 saxophones
42
Flûte traversière et Piano
39
Saxophone Tenor et Piano
38
Saxophone Soprano et Piano
35
Hautbois, Piano (duo)
26
Clarinette et Piano
24
Saxophone, Clarinette (duo)
21
Saxophone (partie séparée)
19
Saxophone Baryton, Piano
19
Saxophone Alto
17
Clarinette
16
Clarinette, Violon (duo)
16
Cor anglais, Piano
13
Clarinette, Trompette (duo)
12
2 Clarinettes (duo)
12
Flûte, Clarinette (duo)
12
Flûte, Hautbois, Clarinette, Basson
10
Clarinette Basse, Piano
9
Flûte traversière
8
Hautbois, Basson (duo)
8
Clarinette et Alto
8
Flûte, Saxophone (duo)
8
Flûte, Trompette (duo)
7
Hautbois, Clarinette (duo)
7
Hautbois, Flûte
6
Flûte, Violon
6
2 Flûtes traversières (duo)
6
Ensemble de saxophones
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Clarinettes
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Tenor
4
Saxophone Soprano
4
Flûte, Alto (duo)
4
Flûte, Violoncelle, Piano (trio)
3
Flûte à Bec
3
Saxophone Baryton
3
Quatuor de Flûtes : 4 flûtes
3
Quintette de Flûte : 5 flûtes
2
Hautbois
2
2 Saxophones, Piano
2
3 Clarinettes (trio)
2
Flûte à bec Soprano
2
Piccolo, Piano
2
2 Flûte à bec (duo)
2
Ensemble de Flûtes
2
5 Flûtes à bec
1
Quatuor de Flûtes à bec
1
Flûte irlandaise
1
2 Hautbois (duo)
1
Trio de Flûtes: 3 flûtes
1
Ensemble De Flûte à bec
1
Flûte à bec Tenor
1
Saxophone et Orgue
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Violoncelle
1
Flûte et Guitare
1
Flûte, Violoncelle
1
Hautbois (partie séparée)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
107
Trombone et Piano
40
Trompette
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de Cuivres
19
Cor et Piano
18
Euphonium, Piano (duo)
17
2 Trombones (duo)
15
Trompette, Saxophone (duo)
14
Trombone
13
Cor anglais, Piano
13
Trompette, Piano
12
Trompette, Trombone (duo)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Tuba et Piano
6
Quatuor de cuivres: 4 trombones
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Ensemble de Trompettes
3
Trombone (partie séparée)
2
Tuba
2
Cor
2
Ensemble de Trombones
2
Ensemble de Cors
2
2 Trompettes (duo)
1
Trompette, Basson (duo)
1
2 Tubas (duo)
1
Tuba et Orgue
1
Euphonium
1
Quatuor de cuivres: 4 cors
1
Instrumentations suivantes
Retracter
CORDES
Quintette à cordes: 2 violons, alto, violoncelle, basse
48
Quatuor à cordes: 2 violons, alto, violoncelle
39
Violon et Piano
30
Alto, Piano
25
Violoncelle, Piano
24
Violon
17
Violon, Violoncelle (duo)
16
Violon, Alto (duo)
8
Violoncelle (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Violoncelle
5
2 Violoncelles (duo)
4
2 Violons (duo)
4
Contrebasse, Piano (duo)
3
Alto seul
3
2 Altos (duo)
2
Contre Basse
2
Harpe, Violon, Violoncelle
2
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Harpe, Voix
2
Quatuor à cordes : 4 altos
1
Ensemble de Violons
1
Ensemble d'Altos
1
Violon, Clarinette, Piano (trio)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
79
Orchestre
29
Ensemble Jazz
16
Orchestre à Cordes
15
Jazz combo
12
Batterie
9
Orchestre de chambre
9
Ensemble de cuivres
5
Ensemble de Percussions
3
Cloches
3
Xylophone
2
Fanfare
1
Marimba
1
Vibraphone
1
Marimba, Piano (duo)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
One More Life
Guitare
Partitions à imprimer
11 partitions trouvées
<
1
Story Of My Life
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.788415 By One Direction. By Harry …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.788415 By One Direction. By Harry Styles, Jamie Scott, John Henry Ryan, Julian Bunetta, Liam Payne, Louis Tomlinson, Niall Horan, and Zain Malik. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 5 pages. Antonius Agung Setiawan #5873711. Published by Antonius Agung Setiawan (A0.788415). Story Of My Life by One DirectionSolo guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playTo see more of my work, please visit https://linktr.ee/pakagung
$5.50
5.06 €
#
Guitare
#
One Direction
#
Antonius Agung Setiawan
#
Story Of My Life
#
Antonius Agung Setiawan
#
SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.42 €
#
Guitare
#
Larry Williams
#
Larry Williams Compositions- The Guitar Book
#
Larry Andrew Williams
#
SheetMusicPlus
Nadir
Guitare
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20t…
(+)
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
8.28 €
#
Guitare
#
Apostolos Paraskevas
#
Nadir
#
Silver Sickle Publications
#
SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
#
Guitare
#
Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
11.04 €
#
Guitare
#
Edwin Culver
#
Edwin Culver: a bridge a-way, exits within
#
Edwin Culver
#
SheetMusicPlus
KriyÄ (Direction, Goal) for 10-String Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Juli…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian Bertino #786726. Published by Julian Bertino (A0.1187094). Kriyā is a Sanskrit word meaning to do, make, perform, accomplish, cause, effect, prepare, undertake†toward something specific. We often live our lives hiding from ourselves, usually because of an artificial sense of fear, embarassment, shame or guilt that we may have acquired because of social pressures. This is why we many people have a mid-life crisis and suddenly change the way they have lived their lives into how they wished to live all along. This piece represents the unraveling of previously held ideals into one which is synchronous with the world around us, beginning with a vision reminding us of mortality, progressing through the difficulties and cognitive dissonances which occur when we must change our lives to find happiness. Kriya began originally as a tremolo etude on the 2nd and 3rd strings, but quickly evolved into a musical composition. Practicing Tremolo on strings other than the first develops control and discipline in the right hand, which was my original intention in writing it- but I felt as if the material that was generated required more and more variation and contrast- and quite quickly I realized that I had to complete it with the intention of performing it as a piece of music rather than simply a technical exercise.**This version is for 10-string guitar. There is a 6-string guitar version available also.
$9.99
9.2 €
#
Guitare
#
Julian Bertino
#
KriyÄ
#
Julian Bertino
#
SheetMusicPlus
Els Segons Temps
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.994725 Composed by Darian Stavans.…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.994725 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Individual part. 32 pages. Music Studio #4327163. Published by Music Studio (A0.994725). Els Segons Temps.Els Segons Temps - Guitar Music / Album Els Segons Temps by Darian Stavans.Els Segons Temps (The Second Times) is a very personal work for its composer. The music looks back to his origin and disarms conflicts as it resolves his emotional corners leading him to transform interior refinement into a delicious score. One would assume that the title of the album bespeaks second opportunities, but in fact that’s not the case. Likewise, the title in Catalan references nothing more that a very good friend of the artist’s. What really matters about this album, however, is its virtue of translating into sound the forcefulness of its author’s intimate life bereft of its complex acts and facts that serve only as a source of inspiration for musical delight. Guitarist Jaime Narváez renders an extraordinary interpretation of this work conveying its very foundation and origin. Listening to and understanding the force of this beautiful manuscript makes this an album one returns to time and again.1.- Próleg / Prólogo2.- En Mig / En Medio3.- Els Segons Temps / Los Segundos Tiempos4.- Llindar / Umbral5.- El Poder I la Gloria / El Poder y La Gloria6.- Epileg / EpÃlogoGuitar Music work.30 pages.Duration: 37:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$19.99
18.41 €
#
Guitare
#
Darian Stavans
#
Els Segons Temps
#
Music Studio
#
SheetMusicPlus
Another Brick In The Wall, Part 2
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1355903 By Pink Floyd. By Roger Waters.…
(+)
Guitar - Level 3 - Digital Download SKU: A0.1355903 By Pink Floyd. By Roger Waters. Arranged by Rafael Milhomem. Classical,Contemporary,Rock,Singer/Songwriter,Traditional. 22 pages. Milhomusic #940626. Published by Milhomusic (A0.1355903). Exploring Classics with Innovation: Another Brick in the Wall, Part 2 for Guitar QuartetYou are invited to embark on a unique musical journey with our vibrant and innovative arrangement of Pink Floyd's classic Another Brick in the Wall, Part 2, specially crafted for a guitar quartet. This renowned piece, already ingrained in the collective musical imagination, takes on new life in the skilled hands of our guitarists.Arrangement Highlights:Respect for the Original Essence: Our arrangement captures the emotional essence and powerful message of the original song, maintaining the integrity of Pink Floyd's masterpiece.Expressiveness of the Guitars: Each guitar plays a crucial role in recreating this classic, providing a unique and nuanced auditory experience.Versatility for Guitar Orchestra: Aside from being ideal for guitar quartets, this arrangement easily adapts for a guitar orchestra, allowing for an expansive and grand interpretation.Important Note: Our arrangement stands out for its unique approach, excluding the transcription of the guitar solo. However, we acknowledge that interested parties can easily access the guitar solo transcription in a PDF format available online to integrate, if desired.Rediscover a Classic: By choosing our arrangement of Another Brick in the Wall, Part 2, you're investing not only in an exceptional musical performance but also in an opportunity to offer your audience a renewed perspective on one of rock's greatest hits.Technical Information:Duration: [3´20´´]Availability: [intermediate]Don't miss the chance to add a distinctive piece to your repertoire. Contact us for more details and discover how our arrangement can elevate your musical performance to new heights.We look forward to being part of this exceptional musical journey with you!#Classicalguitar #guitarquartet #guitarorchestra #Pinkfloyd #Guitararragements.
$6.00
5.52 €
#
Guitare
#
Pink Floyd
#
Rafael Milhomem
#
Another Brick In The Wall, Part 2
#
Milhomusic
#
SheetMusicPlus
ode to joy in d guitar sheet music - arezzo sheet music engraver for beginners
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1244072 By L. v. Beethoven. By Lud…
(+)
Solo Guitar - Level 1 - Digital Download SKU: A0.1244072 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Classical. Individual part. 1 pages. Arezzo Music #839047. Published by Arezzo Music (A0.1244072). Ode to joy in d guitar sheet music - arezzo sheet music engraver for beginnerswe present a beginner-friendly guitar sheet music arrangement of Beethoven's iconic Ode to Joy in the key of D major, engraved with precision using Arezzo, the renowned sheet music engraving software. Immerse yourself in the uplifting melodies of this timeless composition as we guide you through the steps to master this classic piece on the guitar. Whether you're a beginner guitarist or someone looking to learn this famous melody, this sheet music tutorial is perfect for you. Follow along with the provided sheet music and discover the joy of playing Ode to Joy on the guitar. The notation, meticulously engraved with Arezzo, ensures clarity and readability, making it easier for beginners to learn and play. Join us as we delve into the world of Beethoven's masterpiece, and let the guitar bring the joy of music into your life. Don't forget to like, comment, and subscribe to our channel for more beginner-friendly sheet music tutorials and captivating performances.  ode to joy in d guitar sheet music - arezzo sheet music engraver for beginners
$2.99
2.75 €
#
Guitare
#
L
#
Arezzo Music
#
ode to joy in d guitar sheet music - arezzo sheet music engraver for beginners
#
Arezzo Music
#
SheetMusicPlus
FANTASIE IMPROMPTU FOR GUITAR SOLO
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1308881 By Frederic Chopin. By Fre…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1308881 By Frederic Chopin. By Frederic Chopin. Arranged by Tondi. FR. 19th Century,Classical,Contemporary,Early Music,Standards. Individual part. 14 pages. ToRa Swarna Diva #898138. Published by ToRa Swarna Diva (A0.1308881). Fantasie Impromptu is one of the most iconic solo instrumental pieces for pianists around the world. Fantasie Impromptu was written almost 200 years ago by Frederic Chopin (1834). Actually, this work was never published by Chopin. Julian Fontana was the first to publish it.More than 100 years later (1960), Arthur Rubenstein, in a piano recording session of this composition, discovered through an original sheet written by Chopin himself, that this work was a work that had been completed. Inside it is written, composed for, which shows that this work was an order from a nobleman. Chopin was paid to write this. So this is the reason this work was never published. And unfortunately, during the lifetime of two giants in guitar composition and arrangement: F. Tarrega & Agustin Barrios, for some reason, they did not transcribe this great work into guitar playing. In fact, both of them are recorded as having transcribed several Chopin works onto the guitar. And now, after almost old 200 years, this is the most complete guitar transcription from Fantasie Impromptu written by Tondi Rangkuti a.k.a Tondi FR. Written in Key Bm on movt. 1 and B Major in movt 2. Of course this arrangement is intended for the Advanced - Intermediate level. Very suitable for playing at concerts & international guitar competitions.
$22.00
20.26 €
#
Guitare
#
Frederic Chopin
#
Tondi
#
FANTASIE IMPROMPTU FOR GUITAR SOLO
#
ToRa Swarna Diva
#
SheetMusicPlus
ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
Guitare
Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac…
(+)
Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Flavio Sala. Impressionistic, Post-Romantic, Repertoire. Score. 7 pages. Published by Flavio Sala
Isaac Albéniz (1860– 1909) è, senza dubbio, il vero fondatore della musica spagnola moderna.<br> <br> Bambino prodigioe instancabile viaggiatore, la sua opera è impregnata dei colori e dei saporidella Spagna, paese che ha amato profondamente per tutta la vita. L’influenzadel Flamenco è accertata: Albéniz era un habitué delle taverne dove si cantavae suonava questo genere. ASTURIAS, ispirato dalla Granaína (stile flamenco di Granada) è uno di quei brani che ha superato i confinidella musica prettamente classica, raggiungendo un pubblico planetario.<br> <br> Questatrascrizione, pur conservando alcune idee geniali di Andrés Segovia (latonalità di Mi minore, le terzine a partire dalla terza frase, gli armonicinella sezione centrale), presenta una scrittura chitarristica più precisa, curatanei minimi particolari e una maggiore coerenza con l’originale. Diteggiature esoluzioni nuove per la mano sinistra danno vita a una partitura fresca, riccadi sonorità inedite.<br> <br> Bojano, 16 Settembre 2020.<br> <br> Flavio Sala.<br> <br> * * *<br> <br> Isaac Albéniz (1860 - 1909) is, without doubt, the truefounder of modern Spanish music.<br> <br> Child prodigy and tireless traveler, his works are full of colorsand flavors of Spain, a country he has deeply loved all his life. The influenceof Flamenco is proven: Albéniz was a regular in taverns where this genre wassung and played. ASTURIAS, inspired by the Granaína(flamenco style of Granada) is one of those pieces that went beyond theboundaries of purely classical music, reaching a global audience.<br> <br> This transcription, while retaining some brilliant ideas ofAndrés Segovia (the key of E minor, the triplets starting from the third phrase,the harmonics in the central section), presents a more precise guitar writing,with attention to the smallest details and greater coherence with the original.New fingerings and solutions for the left hand give life to a fresh score, fullof new sounds.<br> <br> Bojano, September 16,2020.<br> <br> Flavio Sala.
$10.00
9.21 €
#
Guitare
#
Isaac Albeniz (1860-1909)
#
Flavio Sala
#
ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
#
Flavio Sala
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale