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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Piece At A Time
Non classifié
923
Piano & claviers
Piano seul
412
Piano Facile
101
Piano, Voix
90
1 Piano, 4 mains
25
Orgue
24
Piano, Voix et Guitare
19
Piano Trio: piano, violon, violoncelle
19
Instruments en Do
17
2 Pianos, 4 mains
16
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Piano grosses notes
1
+ 10 instrumentations
Retracter
Guitares
Guitare
49
Guitare notes et tablatures
36
2 Guitares (duo)
29
Ukulele
14
3 Guitares (trio)
6
4 Guitares (Quatuor)
5
Ligne De Mélodie, (Paroles) et Accords
4
Paroles et Accords
3
Mandoline
3
Mandoline, Guitare (duo)
2
Mandoline, Piano (duo)
1
Piano, Guitare (duo)
1
Dulcimer
1
Guitare, Violon, Violoncelle (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
119
Chorale 3 parties
33
Voix Baryton, Piano
26
Chorale TTBB
15
Chorale SSAA
15
Chorale 2 parties
9
Chorale Unison
5
Voix Alto, Piano
2
Voix duo, Piano
2
Voix Tenor, Piano
2
Voix haute
1
Voix Soprano, Piano
1
Chorale SSAATTBB
1
+ 8 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
188
2 Saxophones (duo)
168
Quintette de Saxophone: 5 saxophones
113
Saxophone Alto et Piano
109
Saxophone, Clarinette (duo)
73
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
67
Flûte traversière et Piano
64
Saxophone Soprano et Piano
64
Saxophone Tenor et Piano
60
2 Clarinettes (duo)
56
Clarinette et Piano
52
Flûte, Hautbois, Clarinette, Basson
50
Hautbois, Piano (duo)
49
Clarinette, Violon (duo)
46
Clarinette
45
Clarinette, Trompette (duo)
45
Saxophone Baryton, Piano
43
Quatuor de Clarinettes: 4 clarinettes
41
2 Flûtes traversières (duo)
36
3 Saxophones (trio)
36
Saxophone Alto
34
Flûte, Clarinette (duo)
28
Saxophone Tenor
28
Flûte, Violon
26
Hautbois
25
Saxophone (partie séparée)
24
Hautbois, Clarinette (duo)
23
Flûte, Saxophone (duo)
23
Flûte traversière
22
Hautbois, Flûte
21
Clarinette et Alto
21
Flûte et Guitare
20
2 Hautbois (duo)
20
Flûte, Trompette (duo)
19
Ensemble de saxophones
18
Saxophone Soprano
16
Flûte, Alto (duo)
15
Hautbois, Basson (duo)
15
Saxophone Baryton
15
Cor anglais, Piano
13
Ensemble de Clarinettes
11
Hautbois, Clarinette, Basson (trio d'anches)
11
Ensemble de Flûtes
9
Trio de Flûtes: 3 flûtes
9
Flûte, Hautbois, Clarinette (trio)
9
Quatuor de Flûtes : 4 flûtes
9
Clarinette Basse, Piano
8
Hautbois (partie séparée)
8
3 Clarinettes (trio)
7
Quintette de Clarinettes: 5 clarinettes
6
Quintette de Flûte : 5 flûtes
6
3 Flûtes à bec (trio)
5
Flute (partie séparée)
4
2 Flûte à bec (duo)
4
Hautbois, Guitare (duo)
4
Flûte à Bec
3
Clarinette, Basson (duo)
2
5 Flûtes à bec
2
Flûte, Violoncelle
2
Clarinette, Guitare (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec Soprano, Piano
2
Ocarina
2
Flûte irlandaise
2
Flûte à bec Soprano
2
Flûte à bec Alto
2
Ensemble de Hautbois
1
Saxophone et Orgue
1
Hautbois, violon (duo)
1
Flûte à bec Tenor
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois (duo)
1
Piccolo, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Violon, Piano
1
Quatuor de Flûtes à bec
1
Flûte à Bec, Piano
1
Saxophone
1
Ensemble à vent
1
Flûte, Basson et Piano
1
Harmonica
1
Flûte traversière, Orgue (duo)
1
+ 79 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
165
Quatuor de Cuivres : 2 trompettes, trombone, tuba
88
Trombone et Piano
82
Trompette, Saxophone (duo)
47
Trombone
40
Trompette, Piano
39
2 Trombones (duo)
38
Trompette
34
Cor et Piano
32
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Trompette, Trombone (duo)
29
Cor
22
Tuba et Piano
22
Tuba
19
2 Trompettes (duo)
18
Euphonium, Piano (duo)
16
Cor anglais, Piano
13
Quatuor de Cuivres
8
Ensemble de Trombones
7
Trombone (partie séparée)
7
Ensemble de Trompettes
7
2 Cors (duo)
5
Quatuor de cuivres: 4 cors
4
3 Trompettes (trio)
3
Quatuor de cuivres: 4 trombones
3
Tuba et Orgue
2
Trompette (partie séparée)
2
Trombone, Cor (duo)
2
4 Tubas
2
2 Tubas (duo)
2
Ensemble de Cors
2
Quatuor de cuivres: 4 trompettes
2
Cor et Basson (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Trombones (trio)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
3 Euphoniums
1
Trompette, Euphonium (duo)
1
Trio de Cuivres
1
Trombone basse et Piano
1
Trombone basse
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
105
Violon et Piano
90
Alto, Piano
53
Violoncelle, Piano
51
Violon, Violoncelle (duo)
36
Violon
35
Trio à Cordes: violon, alto, violoncelle
34
Violon, Alto (duo)
31
2 Violons (duo)
30
Violoncelle
26
Alto seul
25
Contre Basse
22
Harpe
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
2 Altos (duo)
20
2 Violoncelles (duo)
20
Contrebasse, Piano (duo)
18
2 Harpes (duo)
5
4 Violoncelles
5
Trio à cordes: 3 violins
4
Ensemble de Violons
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, violoncelle
3
Quatuor à cordes : 4 altos
2
2 Contrebasses (duo)
2
Quatuor à cordes: 4 violons
2
Ensemble de Violoncelles
2
Trio à cordes: 3 altos
2
Alto, Violoncelle (duo)
2
Alto (partie séparée)
1
Ensemble d'Altos
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
4 Harpes
1
Violon (partie séparée)
1
Alto et Harpe
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
214
Orchestre
58
Orchestre à Cordes
57
Ensemble de cuivres
50
Ensemble Jazz
32
Cloches
24
Orchestre de chambre
24
Ensemble de Percussions
13
Jazz combo
11
Xylophone
6
Xylophone, Piano
5
Ensemble d'École
3
Batterie
2
Vibraphone et Marimba
1
Orchestre, Violon
1
Vibraphone
1
Marimba
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
One Piece At A Time
Guitare
Partitions à imprimer
49 partitions trouvées
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1
26
What A Wonderful World
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Guitare
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INTERMÉDIAIRE
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural...
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Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
Away in a Manger
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Guitare
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Away in a Manger
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Geofonica Artistworks
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1316196 By The Candlelight Guitarist. By Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,...
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Solo Guitar - Level 3 - SKU: A0.1316196 By The Candlelight Guitarist. By Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 3 pages. Geofonica Artistworks #904933. Published by Geofonica Artistworks (A0.1316196). This arrangement of Away in a Manger is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. Away in a Manger can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 2:38 (see YouTube timeline). The entire Christmas Suite 1225 is available for pruchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
A Bright Summer Night
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Tomas Ericsson
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A Bright Summer Night
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Tomas Ericsson
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1083293 Composed by Tomas Ericsson. Classical,Contemporary. Individual part. 3 pages. Tomas Ericsson #687489. Published ...
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Solo Guitar - Level 3 - SKU: A0.1083293 Composed by Tomas Ericsson. Classical,Contemporary. Individual part. 3 pages. Tomas Ericsson #687489. Published by Tomas Ericsson (A0.1083293). A Bright Summer Night is a piece of contemporary classical guitar music which I wrote in June 2022, during the brightest time of the year. The level of difficulty is intermediate which means that if you're a beginner it might be too difficult. However many parts of the music is fairly easy, so even if you consider yourself to be at easy intermediate level you could give it a try. Maybe this piece is the one that takes you to the next level! Duration: 2:49 Performing Rights Organization: STIM (Sweden).
$3.00
Presence-A Study For Guitar
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Guitare
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INTERMÉDIAIRE
#
Neal Fitzpatrick
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Presence-A Study For Guitar
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Neal Fitzpatrick Editions
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.955448 Composed by Neal Fitzpatrick. Contemporary,Instructional. Individual part. 3 pages. Neal Fitzpatrick Editions #64...
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Solo Guitar - Level 3 - SKU: A0.955448 Composed by Neal Fitzpatrick. Contemporary,Instructional. Individual part. 3 pages. Neal Fitzpatrick Editions #6497651. Published by Neal Fitzpatrick Editions (A0.955448). This study for guitar focuses on right hand finger assignment and tone production while at the same time reinforcing proper left hand positioning through the chromatic nature of the passages. The pieces also presents to the performer increased fretboard knowledge, increased mid-fretboard knowledge, time signature changes and overall note reading enhancements.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comhttps://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag
$2.99
...empty mind, open heart...
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Guitare
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Contemporain
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David Leisner
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...empty mind, open heart...
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - avancé - SKU: ZY.DO-1521 Composed by David Leisner. Score. 13 pages. Les Editions Doberman-Yppan (digital) #DO 1521. Published by Les Editions...
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Guitar - avancé - SKU: ZY.DO-1521 Composed by David Leisner. Score. 13 pages. Les Editions Doberman-Yppan (digital) #DO 1521. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1521). Dedicated to the luminary Steve Cowan, ?empty mind, open heart? is a four-movement suite that centers around the intervals of a fifth and a tritone. Each movement is inspired by a quote from the Tao Te Ching by Lao Tzu. The opening movement is a meditation. The aleatoric rhythms and pacing of the notes are guided by the breathing of the performer, according to specific instructions in the score. Out of that atmosphere emerges a fluid, serene series of arpeggios in irregular rhythms in the second movement. Each new chord changes only one or two notes at a time in a gradual evolution over time. The third movement is a study in rhythm, sometimes dizzying. And the piece ends with a heartfelt, mostly quiet soliloquy.Dédiée à la sommité Steve Cowan, ? esprit vide, c?ur ouvert? est une suite en quatre mouvements centrée sur les intervalles d'une quinte et d'un triton. Chaque mouvement est inspiré d'une citation du Tao Te Ching de Lao Tseu. Le mouvement d?ouverture est une méditation. Les rythmes aléatoires et le rythme des notes sont guidés par la respiration de l'interprète, selon des instructions spécifiques de la partition. De cette atmosphère émerge une série d?arpèges fluides et sereins aux rythmes irréguliers dans le deuxième mouvement. Chaque nouvel accord ne change qu'une ou deux notes à la fois selon une évolution progressive dans le temps. Le troisième mouvement est une étude du rythme, parfois vertigineuse. Et la pièce se termine par un monologue sincère, plutôt calme.
$7.95
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Wayne Kemp: One Piece At A Time for guitar
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Guitare
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INTERMÉDIAIRE
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Wayne Kemp
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Virtualsheetmusic
Instantly downloadable sheet music by Wayne Kemp for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Wayne Kemp for guitar of MEDIUM skill level.
$2.99
"Seven Guitar Solos from Space and Time"
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Guitare
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INTERMÉDIAIRE
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New Age
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Keith Gehle
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"Seven Guitar Solos from
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith ...
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Solo Guitar - Level 3 - SKU: A0.1429935 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 21 pages. Keith Gehle #1010571. Published by Keith Gehle (A0.1429935). Released in the summer of 2016, Keith Gehle’s 5th full length commercial recording (Space and Time) is a sincere, heartfelt journey of healing through instrumental sounds and compositions. The album features 11 tracks of steel and nylon string guitars with accompanying piano, cello, flute, oboe, strings and synth pad sounds. Keith wrote the music and produced the recordings over several years after the unexpected death of his brother Ken in January of 2010. The process of grieving an unimaginable loss coupled with writing and recording music as a tribute to his late brother was extremely difficult and at times painful. The resulting work is honest, pure, and for Keith, a healing endeavor. This folio contains seven pieces from the album that work well as guitar solos and include detailed fingerings and interpretation. There's also a version with TAB available on this site. Some reviews of the Space and Time album:...the music is hopeful, heartfelt, and very sincere in addition to being exceptionally beautiful... one of the best guitar albums I heard this year. Highly recommended! - Mainlypiano.com...a lovely and peaceful album, ‘Space and Time’ is like a welcome breath of fresh air. - Journeyscapes Radio A masterpiece of New Age instrumental sounds, filled with moving melodies. - Music Web Express 3000...on Space and Time each track is a gorgeous representation of the new age and classical genre meeting half way to create a successful marriage of sound. There was not one track I could not appreciate. The simplicity, delicacy and arrangements were superb. - NewAgeMusicReviews.netI would say Space and Time is your most ‘spiritual’ work. With your album I feel lots of existential longing… It’s apparent you’re drawing inspiration from the stillness of nature and dusky silhouettes. I’ve been very stressed lately so this is exactly what I needed. - David (a fan)
$14.99
Beginning Rock/Pop Guitar Etudes
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Guitare
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FACILE
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Methodes Etudes
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Adam Douglass
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Beginning Rock/Pop Guitar Etud
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (rock & blues) - Beginning-Intermediate - Composed by Adam Douglass. Rock. E-book and online video. 32 pages. Mel Bay Publications - Digi...
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Guitar (rock & blues) - Beginning-Intermediate - Composed by Adam Douglass. Rock. E-book and online video. 32 pages. Mel Bay Publications - Digital Sheet Music #30648MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117679.
Is the beginning stage of learning the guitar proving to be a frustrating experience? Do you lack songs which you can play from start to finish? Do the ones that you can play all the way through not sound much like their original versions? I have been teaching these pieces to my beginner students for quite some time now, and the success rate has been remarkable. Most methods start by having the student slowly move back and forth between basic chords using only down strokes, playing chords one note at a time to make sure all the notes ring clear. This book offers something much differentaplaying music! The pieces are designed to target trouble areas often experienced by beginners of the instrument: arching the fingers enough in order to let all the notes of a chord ring clearly. Rather than just droning on through a series of chords, musical patterns are created so that as you learn proper technique youare also playing something musical. The results have been better than expected. Focusing on figures that demand proper technique and some of the most common strumming patterns found in popular music, many of my students are able to execute beginner and intermediate level songs within a few weeks of picking up the instrument rather than a few months. Additionally, the dreaded F chord, or root 6 major barre chord, often rings clearly with all 6 notes being heard upon the first attempt. This book will help you achieve your guitar related goals quickly, more efficiently, and most importantly, more enjoyably. Includes access to online video.
$12.99
Big Drum
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568....
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Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
Analysia's Margarita
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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piece 
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Analysia's Margarita
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954945 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574665. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954945 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574665. Published by Jim Bosse (A0.954945). This is the second movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar solo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Analysia's Margarita was inspired by a street merchant melody that I heard in the Andes. I used this melody to give this piece a Peruvean flavor. Performance time is 3 minutes and 34 seconds with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Toy for Timothy
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Toy for Timothy
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954946 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574667. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954946 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574667. Published by Jim Bosse (A0.954946). This is the third movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required, to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Toy for Timothy was written in a Native American style, highlighting this aspect of Timothy's genetic heritage. Performance time is 3 minutes and 42 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Air for Chiara
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Air for Chiara
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954947 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 7 pages. Jim Bosse #4574675. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954947 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 7 pages. Jim Bosse #4574675. Published by Jim Bosse (A0.954947). This is the fourth movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Air for Chiara was written in a Scottish style, highlighting her genetic heritage. Performance time is 2 minutes and 36 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Riely's Dance
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Riely's Dance
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954944 Composed by Jim Bosse. African,Concert,Contemporary. Individual part. 10 pages. Jim Bosse #4574663. Published by ...
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Solo Guitar - Level 3 - SKU: A0.954944 Composed by Jim Bosse. African,Concert,Contemporary. Individual part. 10 pages. Jim Bosse #4574663. Published by Jim Bosse (A0.954944). This is the first movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Riely's Dance was intended to present only African rhythms with no melody, but a rock n' roll middle somehow snuck in. Performance time is 5 minutes with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Soren's Jig
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Soren's Jig
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954949 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 11 pages. Jim Bosse #4574679. Published by Ji...
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Solo Guitar - Level 3 - SKU: A0.954949 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 11 pages. Jim Bosse #4574679. Published by Jim Bosse (A0.954949). This is the final movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Soren's Jig was written in a Scottish style, highlighting his genetic heritage. As the finale for this suite, each other gandkid's theme is revisited. Performance time is 4 minutes and 09 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Lullaby for Mirabai
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Lullaby for Mirabai
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954948 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 6 pages. Jim Bosse #4574677. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954948 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 6 pages. Jim Bosse #4574677. Published by Jim Bosse (A0.954948). This is the fifth movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Lullaby for Mirabai was written in a Scottish style, highlighting her genetic heritage. Performance time is 3 minutes and 30 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Suite Grandkids
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Suite Grandkids
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954913 Composed by Jim Bosse. Concert,Contemporary. Individual part. 36 pages. Jim Bosse #4412049. Published by Jim Boss...
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Solo Guitar - Level 3 - SKU: A0.954913 Composed by Jim Bosse. Concert,Contemporary. Individual part. 36 pages. Jim Bosse #4412049. Published by Jim Bosse (A0.954913). Suite Grandkids contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar solo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Individual titles are: Riely's Dance, Ananlysia's Margarita, Toy for Timothy, Air for Chiara, Lullaby for Mirabai, and Soren's Jig. Performance demand level is mostly intermediate with a few advanced sections. Multi-tasking required as percussion is played with feet. Jim's web site is www.facebook.com/jimbosseguitar
$4.99
Tales of Greiffenberg
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Dale Kavanagh
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Tales of Greiffenberg
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Edition Chanterelle - Digital
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SheetMusicPlus
Guitar - intermediate to advanced - SKU: S9.Q588559 Composed by Dale Kavanagh. Downloadable. Edition Chanterelle - Digital #Q588559. Published by Editio...
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Guitar - intermediate to advanced - SKU: S9.Q588559 Composed by Dale Kavanagh. Downloadable. Edition Chanterelle - Digital #Q588559. Published by Edition Chanterelle - Digital (S9.Q588559). English â?¢ German.Tales of Greiffenbergâ? was published in 2012 and written in 2010. On the Lake, The Forest and Wind Danceâ?, describe my experiences around Greiffenberg, a village,one hour outside of Berlin, in the direction of Poland. Here, I would visit my fine, longtime friend, Carlo Domeniconi and his friend, Justus Werden. They shared a house in Greiffenberg at the time.Carlo Domeniconi was my main teacher for composition and our visits would consist of working on ideas and pieces and also, long walks in the surrounding forest and fishing on the lake. Thus the movement names. Wind Dance is about the leaves flying through the forest in the autumn. Greiffenberg is a beautiful place, with fine memories and a piece of music was born giving thanks to Carlo and Justus for their friendship. (Dale Kavanagh).
$10.99
March Of The Wooden Soldiers
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Guitare
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DÉBUTANT
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Classique
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(Various artists)
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Derek Hasted
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March Of The Wooden Soldiers
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Derek Hasted
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1149151 By (Various artists). By Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. 19th Century,Classical. 25 pages. Derek ...
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Guitar - Level 1 - SKU: A0.1149151 By (Various artists). By Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. 19th Century,Classical. 25 pages. Derek Hasted #749280. Published by Derek Hasted (A0.1149151). MARCH OF THE WOODEN SOLDIERS - EASY GUITAR QUARTETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes This charming little piece makes a great concert item for a quartet or large ensemble with modest experience - it’s perfect for a school ensemble’s first concert! It’s playable entirely in the first position, and with the exception of an occasional 3rd string G#, works well in the second position. A more experienced quartet might like to take the higher notes further up the neck for a more rounded sound. There are two arrangements here...One is in traditional SATB style - the four lines playing at four different pitches.The second rotates the parts at every phrase boundary so that everyone plays the tune at some point - the line currently holding the tune has a slightly louder dynamic marking. I hope you enjoy these arrangements!
$1.99
Rock My Soul
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Richard Hirsch
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Rock My Soul
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1444613 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Ragtime,Spiritual,World. I...
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Solo Guitar - Level 4 - SKU: A0.1444613 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Ragtime,Spiritual,World. Individual part. 13 pages. Richard Hirsch #1024507. Published by Richard Hirsch (A0.1444613). I offer an arrangement of the Spiritual “Rock My Soul in the Bosom of Abraham” for acoustic fingerstyle guitar. The arrangement is in the ragtime style of guitar playing reminiscent of Reverend Gary Davis. The melody is played with alternating middle, index, and ring fingers over alternating bases played by the thumb. The melody is repeated in different major keys starting in the key of D and moving through the keys of A , G, and C, returning at the end to D.The arrangement is intended as a fun instructional introduction to the various keys that are good for fingerstyle guitar with alternating bases in normal tuning. There are lots of little ornamentations like pulls-offs, slurs, and trills that liven up the piece and are good practice for the intermediate to advanced student of fingerstyle guitar.I have given Presto as the tempo as that is the tempo in which I first conceived of the arrangement, but the piece can also be played at a slower tempo, i.e. Allegro.In a number of instances in the notation harmonics are marked as sounding one or two octaves higher than notated. These notes are notated and tabulated at the position they are to be found on the fretboard. When played as harmonics they will sound one or two octaves higher.The piece would I think work well also in contexts where the guitarist might like to have some audience participation in the way of hand-clapping of the beat while moving through the various key changes. The piece also works well as a warm-up. I really enjoy playing the piece. It makes my day!
$6.99
Gebeth (Prayer)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Kaspar Mertz
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Erik Gibelyou
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Gebeth
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Erik Gibelyou
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1165626 By Johann Kaspar Mertz. By Johann Kaspar Mertz. Arranged by Erik Gibelyou. 19th Century,Classical,Romantic Perio...
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Solo Guitar - Level 4 - SKU: A0.1165626 By Johann Kaspar Mertz. By Johann Kaspar Mertz. Arranged by Erik Gibelyou. 19th Century,Classical,Romantic Period. Individual part. 3 pages. Erik Gibelyou #765991. Published by Erik Gibelyou (A0.1165626). “Gebeth†(Prayer) is one of the most beautiful and moving character pieces written by Johann Kaspar Mertz (1806–1856). Born in Pressburg (modern Bratislava), Mertz later established himself in Vienna as an excellent guitarist and guitar composer. This piece comes from his Bardenklänge (Bardic sounds) written in 1847, a series of short pieces written in the style of piano miniatures popular at the time. An angelic, harp-like introduction gives way to a unique and breathtaking arpeggio figuration in the second half. This modern edition in standard notation is easy to read and includes corrections to fingering and articulation compared to the original edition. To help with learning the piece, I have added my own fingerings and suggested articulations as well as performance notes.
$2.99
Black Falcon
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Guitare
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Contemporain
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Frank A
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Black Falcon
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Gyre Music
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SheetMusicPlus
Solo Guitar - SKU: A0.1015930 Composed by Frank A. Wallace. 20th Century,Contemporary. Individual part. 8 pages. Gyre Music #5022343. Published by Gyre ...
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Solo Guitar - SKU: A0.1015930 Composed by Frank A. Wallace. 20th Century,Contemporary. Individual part. 8 pages. Gyre Music #5022343. Published by Gyre Music (A0.1015930). Black Falconby Frank A. Wallaceguitar soloDuration: 9 minutes; 7 pagesSkill level: large stretches and fast scalesWritten: March, 2013, for Edel MuñozInstrumentation: classical guitar soloRecording: on Elemental CD by Frank Wallace for Gyre, 2014; and a single FLAC file also by Frank Wallace on GyreBlack Falcon is a guitar solo written for Cuban guitarist Edel Muñoz, who I first met at the 2011 St. Joseph Guitar Festival. Edel had returned to St. Joseph to perform his competition winner’s concert. We met again at Classical Minds in Houston in June 2012 at which point we got to hear each others’ concerts. Edel is one of the most suave and subtle yet powerful players I have ever heard. I was thrilled that he asked me to write a piece for him.At the time of composition I generally used various techniques for generating musical ideas developed over the previous years. But I tossed those ideas out the door and wrote from pure inspiration. The result is my first piece that uses the octatonic, or diminished scale. It alternates between dramatic chordal outbursts and flowing bass melodies. Black Falcon is in two sections: Larghissimo in 4/2 and Allegro in 12/8. This is a pattern I have used in several solo works and one duo that I call my Raptor Series.All Gyre Publications are ASCAPGyre PublicationsCopyright ©2013 Frank A. WallaceCover photography and design by Nancy KnowlesAll rights reserved.
$10.95
The First Noel
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Guitare
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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The First Noel
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1316202 By The Candlelight Guitarist. By Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,...
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Solo Guitar - Level 3 - SKU: A0.1316202 By The Candlelight Guitarist. By Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 3 pages. Geofonica Artistworks #904939. Published by Geofonica Artistworks (A0.1316202). This arrangement of The First Noel is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. The First Noel can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 3:02 (see timeline). The entire Christmas Suite 1225 is available for pruchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
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