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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One School
Non classifié
3 351
Piano & claviers
Piano seul
287
Piano, Voix
189
Piano Facile
103
Piano, Voix et Guitare
86
Accompagnement Piano
45
Orgue
38
Piano Trio: piano, violon, violoncelle
18
Piano Quatuor: piano, 2 violons, violoncelle
16
1 Piano, 4 mains
15
Piano (partie séparée)
10
Instruments en Do
9
2 Pianos, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Trompette (duo)
4
Orgue, Piano (duo)
2
Clavier
1
Accordéon
1
+ 12 instrumentations
Retracter
Guitares
Guitare
53
Guitare notes et tablatures
45
Basse electrique
22
Guitare (partie séparée)
19
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
12
4 Guitares (Quatuor)
10
Banjo
5
2 Guitares (duo)
5
Mandoline
5
Piano, Guitare (duo)
5
Ensemble de guitares
4
3 Guitares (trio)
4
Mandoline, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
571
Chorale 3 parties
326
Chorale 2 parties
222
Chorale Unison
107
Chorale TTBB
95
Voix duo, Piano
59
Voix Soprano, Piano
55
Chorale SSAA
42
Voix duo
40
Voix Alto, Piano
30
Voix Tenor, Piano
28
Voix Baryton, Piano
26
Chorale SSAB a cappella
9
Voix haute
8
Chorale
3
Voix moyenne, Piano
1
Chorale SSATB
1
Soli, choeur mixte et accompagnement
1
Voix seule
1
Voix basse, Piano
1
+ 15 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
509
Saxophone Tenor et Piano
350
Saxophone Alto et Piano
337
2 Saxophones (duo)
277
Saxophone Soprano et Piano
241
Flûte, Hautbois, Clarinette, Basson
213
Quintette de Saxophone: 5 saxophones
195
Saxophone (partie séparée)
191
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
156
Ensemble de saxophones
137
Quatuor de Clarinettes: 4 clarinettes
130
3 Saxophones (trio)
121
Saxophone Alto
85
Clarinette et Piano
76
Flûte traversière et Piano
74
Ensemble de Clarinettes
74
Hautbois, Piano (duo)
65
Saxophone Baryton, Piano
52
Saxophone Tenor
48
Clarinette
39
2 Flûtes traversières (duo)
32
Saxophone
27
Ensemble de Flûtes
22
Flûte, Clarinette (duo)
21
Quintette de Flûte : 5 flûtes
20
2 Clarinettes (duo)
20
Flûte traversière
19
Hautbois, Basson (duo)
18
Cor anglais, Piano
16
Trio de Flûtes: 3 flûtes
15
Clarinette Basse, Piano
14
Saxophone, Clarinette (duo)
13
Hautbois
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Trombone (duo)
11
Flûte, Violon, Piano
11
3 Clarinettes (trio)
11
Flûte et Guitare
9
Clarinette, Violon (duo)
9
Hautbois (partie séparée)
8
2 Hautbois (duo)
7
Saxophone et Guitare
7
Quatuor de Flûtes : 4 flûtes
7
Hautbois, Clarinette (duo)
7
Hautbois, Guitare (duo)
6
Clarinette, Trompette (duo)
6
Flûte, Saxophone (duo)
5
Clarinette et Alto
5
Flûte, Violon
5
Saxophone Soprano
5
Hautbois, Flûte
5
Saxophone Baryton
4
Flûte, Hautbois (duo)
4
Flûte, Clarinette et Basson
4
Piccolo, Piano
3
Flûte, Alto (duo)
3
Flute (partie séparée)
3
Clarinette (partie séparée)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Trompette (duo)
3
Cor Anglais
3
Hautbois, trombone (duo)
2
Clarinette, Basson (duo)
2
Flûte à bec Soprano
2
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Clarinette (trio)
2
Piccolo
2
Clarinette, Trombone (duo)
2
Clarinette, Guitare (duo)
2
3 Hautbois
1
Flûte à bec Soprano, Piano
1
Flûte à bec Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle (duo)
1
Saxophone et Orgue
1
2 Saxophones, Piano
1
Flûte à bec Alto, Piano
1
Melodica
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Piano (trio)
1
2 Flûte à bec (duo)
1
Flûte, Violoncelle
1
Clarinette Basse
1
Hautbois, violon (duo)
1
Flûte, Clarinette, Violon (trio)
1
+ 81 instrumentations
Retracter
Cuivres
Trombone et Piano
368
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
233
Quatuor de Cuivres : 2 trompettes, trombone, tuba
200
Quatuor de Cuivres: 2 trompettes, Cor, trombone
195
Trombone (partie séparée)
127
Ensemble de Trompettes
87
Trombone
86
Trompette, Piano
79
2 Trombones (duo)
77
Trompette
53
Trompette, Trombone (duo)
49
Ensemble de Trombones
48
Cor et Piano
45
Trompette (partie séparée)
41
Quatuor de Cuivres
36
Quatuor de cuivres: 4 trombones
36
2 Trompettes (duo)
20
Euphonium, Piano (duo)
20
Cor anglais, Piano
16
3 Trombones (trio)
14
Trompette, Saxophone (duo)
10
Quatuor de cuivres: 2 trompettes, 2 trombones
10
Tuba ou Euphonium ou Saxhorn
9
Trio de Cuivres
8
Quatuor de cuivres: 4 cors
7
2 Cors (duo)
6
Trompette, Cor (duo)
6
Tuba et Piano
5
Ensemble de Cors
5
Cor (partie séparée)
5
Cor
4
Tuba
4
Tuba (partie séparée)
4
Quatuor de cuivres: 4 trompettes
3
2 Tubas (duo)
3
Cor Anglais
3
Cor, Violoncelle (duo)
2
3 Trompettes (trio)
2
Cor et Basson (duo)
2
Trombone, Cor (duo)
2
Trombone basse
2
Tuba et Orgue
2
Trombone basse et Piano
2
Trombone, Orgue
2
3 Cors (trio)
1
Trompette, Basson (duo)
1
2 Trombones, Piano
1
Trompette et Guitare
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
Euphonium
1
Cor et Orgue
1
+ 48 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
348
Violon, Violoncelle (duo)
163
Violon
158
Trio à Cordes: violon, alto, violoncelle
141
Violon et Piano
105
Alto, Piano
63
Violoncelle, Piano
62
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
Piano Trio: Violon, Alto, Piano
29
Violon, Alto (duo)
23
Ensemble de Violons
22
2 Violons (duo)
21
Ensemble d'Altos
20
Contrebasse (partie séparée)
17
Alto seul
16
Violoncelle
15
2 Violoncelles (duo)
14
2 Altos (duo)
9
Violon (partie séparée)
8
Violoncelle , Guitare (duo)
7
Violon, Guitare (duo)
7
Harpe
7
4 Violoncelles
7
Trio à cordes: 3 violins
6
Violoncelle, Contrebasse (duo)
6
Contrebasse, Piano (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Contre Basse
5
Trio à Cordes: 3 violoncelles
4
Quatuor à cordes: 4 violons
3
Alto (partie séparée)
3
Violoncelle (partie séparée)
2
Trio à cordes: 3 altos
2
Alto, Guitare (duo)
2
Alto et Basson
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 2 violons, alto
2
2 Contrebasses (duo)
1
Ensemble de Violoncelles
1
Harpe, Voix
1
Harpe, Flûte (duo)
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
909
Ensemble Jazz
242
Orchestre à Cordes
226
Ensemble de cuivres
186
Orchestre
141
Jazz combo
108
Orchestre de chambre
47
Fanfare
40
2 Xylophones
33
Ensemble de Percussions
24
Cloches
24
Xylophone
19
Marimba
18
Ensemble d'École
11
Batterie (partie séparée)
11
Batterie
8
Percussion (partie séparée)
4
Xylophone, Piano
2
Percussion
1
Caisse Claire
1
Instrumentation Flexible
1
Vibraphone
1
3 Marimbas
1
Vibraphone et Marimba
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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Artistes
Formation Musicale
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Achats pour Musiciens
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
One School
Guitare
Partitions à imprimer
53 partitions trouvées
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1
26
51
I'm Not The Only One
#
Guitare
#
DÉBUTANT
#
Pop musique
#
Soul/R&B
#
Sam Smith
#
NYC Guitar School
#
I'm Not The Only One
#
NYC Guitar School
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.992970 By Sam Smith. By James Napier and Sam Smith. Arranged by NYC Guitar School. Pop,R & B. Individual part. 2 pages. ...
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Solo Guitar - Level 1 - SKU: A0.992970 By Sam Smith. By James Napier and Sam Smith. Arranged by NYC Guitar School. Pop,R & B. Individual part. 2 pages. NYC Guitar School #3590125. Published by NYC Guitar School (A0.992970). This awesome 5 chord song can be played with just C, E, Am, F and G. If you take NYC Guitar School's Guitar For Near Beginners class, you'll know everything you need to play Get Lucky. For free tutorials visit www.guitarlessons.nyc, and to take online classes, video chat lessons or classes in person in NYC visit www.nycguitarschool.com.
$4.99
Burre and gavotte. ( two in one ).
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Guitare
#
INTERMÉDIAIRE
#
Valery Dzyabenko
#
Burre and gavotte.
#
Valery Dzyabenko
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.978124 Composed by Valery Dzyabenko. Baroque,Country,Instructional,World. Individual part. 5 pages. Valery Dzyabenko #53...
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Solo Guitar - Level 3 - SKU: A0.978124 Composed by Valery Dzyabenko. Baroque,Country,Instructional,World. Individual part. 5 pages. Valery Dzyabenko #5349577. Published by Valery Dzyabenko (A0.978124). A small but graceful polyphonic piece for guitar in the key of D minor. Well suited for the educational section polyphony in children's music schools. 4-5 grades.
$1.99
4 Estudios en Imitaciones
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Guitare
#
INTERMÉDIAIRE
#
Classique
#
Antonio Lauro
#
4 Estudios en Imitaciones
#
Chanterelle
#
SheetMusicPlus
Guitar - intermediate - Composed by Antonio Lauro (1917-1986). This edition: Sheet music. Downloadable. Chanterelle #Q54760. Published by Chanterell...
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Guitar - intermediate - Composed by Antonio Lauro (1917-1986). This edition: Sheet music. Downloadable. Chanterelle #Q54760. Published by Chanterelle
English - German.
Dedicated to his pupil Batholome Diaz, these studies are exercises in counterpoint, and very useful in school work.
$9.99
Excerpt from the Lyric Suite
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Alban Berg
#
Rod Whittle
#
4 pp
#
Excerpt from the Lyric Suite
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Alban Berg
#
Rod Whittle
#
'Change of scene' from Act III
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Excerpt from Lulu Suite
#
Guitare
#
Contemporain
#
Alban Berg
#
Rod Whittle
#
Excerpt from Lulu Suite
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Publi...
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Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
Standard Music Reading for Beginning Guitar
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Guitare
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DÉBUTANT
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Methodes
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Jay Jordan
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Standard Music Reading for Beg
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Pro Creations Music
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SheetMusicPlus
Acoustic Guitar - Level 1 - SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Music #903760. Publ...
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Acoustic Guitar - Level 1 - SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Music #903760. Published by Pro Creations Music (A0.1315011). Beginning guitar courses at the middle school and high school level can be a popular addition to curricula that so often center around performing groups. Such a course, when offered as a general music course, i.e.,a course that has no prerequisite and no public performance component, can be an attractive way for students to complete an arts requirement without an extra-curricular commitment.  At the same time a class like beginning guitar may serve as the only chance a music educator has to introduce the very idea of music to students as both an art form and a language. In todayâ??s on-line world there are countless avenues for learning guitar, be it YouTube videos, dedicated apps, or TAB sites. While the sharing of user-generated transcriptions of popular songs using tablature may be quick and easy, TAB sites do not employ standard music notation (not to mention being rife with mistakes both practical and theoretical). Standard Music Reading for Beginning Guitar was developed as a sequential, practical method for learning the basics of standard music notation using acoustic guitar as a vehicle. It is not meant to replace other methods e.g., the learning of popular songs or a music theory component, but as a companion so that students can learn about music as a language while, hopefully, continuing to enjoy guitar playing for years to come.
$10.00
Pachelbel's Carol - Easy Guitar Sextet
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Guitare
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DÉBUTANT
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Classique
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Johann Pachelbel + Traditional
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Derek Hasted
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Pachelbel's Carol - Easy Guita
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Derek Hasted
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.797757 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classical. 14 pages. D...
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Guitar - Level 1 - SKU: A0.797757 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classical. 14 pages. Derek Hasted #4847685. Published by Derek Hasted (A0.797757). PACHELBEL'S CAROL - a piece with a twist in the tail - 6 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Pachelbel's Carol - a piece for 6 guitars (or a large ensemble) with a twist in the tail!Before you purchase - please note that I have also arranged this piece in 5 parts. You can find it most easily from my website (below) - select the quintet page.It was quite a few years ago that I conceived and arranged this fun little Christmas piece. Since then I’ve performed it many times in concert, and it’s always particularly well received.The arpeggios and countermelodies are inspired by the repeating sequences in Pachelbel’s Canon, and they end up providing a rich and totally unexpected accompaniment to a verse and chorus of the famous Christmas Carol 'The First Nowell'.This piece is just perfect as a special item in a Christmas concert, because the title conceals the surprise in the piece - each phase brings in another guitar part, making the piece build slowly before the final guitar launches into the well-known carol. The parts are easy and suitable for an ensemble with limited experience or one with limited chances to rehearse. In a mixed ability ensemble, there’s something for everyone; in a school guitar group, the teacher can take the Guitar 6 part if no-one in the group is comfortable in fifth position - all the other parts are first position.I hope you enjoy playing this piece!
$2.99
Pachelbel's Carol - Easy Guitar Quintet
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Guitare
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DÉBUTANT
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Classique
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Johann Pachelbel + Traditional
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Derek Hasted
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Pachelbel's Carol - Easy Guita
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Derek Hasted
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.797758 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classical. 12 pages. D...
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Guitar - Level 1 - SKU: A0.797758 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classical. 12 pages. Derek Hasted #4848031. Published by Derek Hasted (A0.797758). PACHELBEL'S CAROL - a piece with a twist in the tail - 5 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Pachelbel's Carol - a piece for 5 guitars (or a large ensemble) with a twist in the tail!Before you purchase - please note that I have also arranged this piece in 6 parts - the additional part is suitable for a complete beginner. You can find it most easily from my website (below) - select the sextet page.It was quite a few years ago that I conceived and arranged this fun little Christmas piece. Since then I’ve performed it many times in concert with my Guitar Workshop, and it’s always particularly well received.The arpeggios and countermelodies are inspired by the repeating sequences in Pachelbel’s Canon, and they end up providing a rich and totally unexpected accompaniment to a verse and chorus of the famous Christmas Carol 'The First Nowell'.This piece is just perfect as a special item in a Christmas concert, because the title conceals the surprise in the piece - each phase brings in another guitar part, making the piece build slowly before the final guitar launches into the well-known carol. The parts are easy and suitable for an ensemble with limited experience or one with limited chances to rehearse. In a mixed ability ensemble, there’s something for everyone; in a school guitar group, the teacher can take the Guitar 5 part if no-one in the group is comfortable in fifth position - all the other parts are first position.I hope you enjoy playing this piece!
$2.99
March Of The Wooden Soldiers
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Guitare
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DÉBUTANT
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Classique
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(Various artists)
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Derek Hasted
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March Of The Wooden Soldiers
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Derek Hasted
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1149151 By (Various artists). By Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. 19th Century,Classical. 25 pages. Derek ...
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Guitar - Level 1 - SKU: A0.1149151 By (Various artists). By Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. 19th Century,Classical. 25 pages. Derek Hasted #749280. Published by Derek Hasted (A0.1149151). MARCH OF THE WOODEN SOLDIERS - EASY GUITAR QUARTETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes This charming little piece makes a great concert item for a quartet or large ensemble with modest experience - it’s perfect for a school ensemble’s first concert! It’s playable entirely in the first position, and with the exception of an occasional 3rd string G#, works well in the second position. A more experienced quartet might like to take the higher notes further up the neck for a more rounded sound. There are two arrangements here...One is in traditional SATB style - the four lines playing at four different pitches.The second rotates the parts at every phrase boundary so that everyone plays the tune at some point - the line currently holding the tune has a slightly louder dynamic marking. I hope you enjoy these arrangements!
$1.99
Fingerstyle Thoughts
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Guitare
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FACILE
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Timothy Royal
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Fingerstyle Thoughts
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guitaroffice
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1313486 Composed by Timothy Royal. 21st Century,Classical. Individual part. 18 pages. Guitaroffice #902246. Published by...
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Solo Guitar - Level 2 - SKU: A0.1313486 Composed by Timothy Royal. 21st Century,Classical. Individual part. 18 pages. Guitaroffice #902246. Published by guitaroffice (A0.1313486).            Fingerstyle Thoughts by Timothy RoyalThe titles are self explanatory.  I guess you could say these pieces arrive from moments that sing to a page.   That done, the guitar has to capture a performer to unfold the gift.Played on the classical guitar the involvement with tone, sensitivity and touch will bring resonance and meaning to the titles of each piece in performance.Dreamer 2 is dedicated to Ms Samantha Browning teaching at Redmaids’ Junior High School. Sam has always been so generous with her wonderful words of encouragement and support.
$8.99
I Will Follow
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Guitare
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INTERMÉDIAIRE
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Chris Tomlin
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José Daniel Morales A
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I Will Follow
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Jose Daniel Morales
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.972137 By Chris Tomlin. By Chris Tomlin, Jason Ingram, and Reuben Morgan. Arranged by José Daniel Morales A. Christia...
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Solo Guitar - Level 3 - SKU: A0.972137 By Chris Tomlin. By Chris Tomlin, Jason Ingram, and Reuben Morgan. Arranged by José Daniel Morales A. Christian. Individual part. 2 pages. Jose Daniel Morales #2949317. Published by Jose Daniel Morales (A0.972137). Chris Tomlin - I Will Follow sheet music for guitarChris Tomlin - I Will Follow partitura para guitarraThis music makes reading and executing the guitar instrumentalist.It is suitable for schools and students.It works for evangelical Christian religious services.The work lasts 3 minutes 43 seconds.You can contact here: https://www.facebook.com/Danilexdhttps://www.youtube.com/watch?v=T6olWCLHGPwnumber phone: 584246316200Esta partitura es conveniente para el instrumentista de la guitarraEs conveniente para las escuelas y los estudiantes.Funciona para los servicios religiosos cristianos evangélicos.La obra tiene una duración de 3 minutos y 43 segundos.Puede ponerse en contacto aquÃ:https://www.facebook.com/Danilexdhttps://www.youtube.com/watch?v=T6olWCLHGPwNúmero de teléfono: 584246316200.
$4.99
Guitar Tutor eBoox - Level 2 (Debut)
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Guitare
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DÉBUTANT
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Alison Jackson, Jonathan Eno B
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Guitar Tutor eBoox - Level 2
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Jonathan Eno
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.936705 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 21 pages. Jonathan Eno #6077325. Pu...
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Solo Guitar - Level 1 - SKU: A0.936705 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 21 pages. Jonathan Eno #6077325. Published by Jonathan Eno (A0.936705). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument or… even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Don’t Stop Me Now – QueenHold My Hand – Jess GlynneSuper Mario Theme – Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
Guitar Tutor eBoox - Level 4 (Debut)
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Guitare
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FACILE
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Alison Jackson & Jonathan Eno
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Guitar Tutor eBoox - Level 4
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Jonathan Eno
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.936703 Composed by Alison Jackson & Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan Eno #6077329. P...
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Solo Guitar - Level 2 - SKU: A0.936703 Composed by Alison Jackson & Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan Eno #6077329. Published by Jonathan Eno (A0.936703). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument or… even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Don’t Stop Me Now – QueenHold My Hand – Jess GlynneSuper Mario Theme – Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
Guitar Tutor eBoox - Level 3 (Debut)
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Guitare
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FACILE
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Methodes
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Alison Jackson, Jonathan Eno B
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Guitar Tutor eBoox - Level 3
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Jonathan Eno
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.936704 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan Eno #6077327. Pu...
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Solo Guitar - Level 2 - SKU: A0.936704 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan Eno #6077327. Published by Jonathan Eno (A0.936704). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument orâ?¦ even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Donâ??t Stop Me Now â?? QueenHold My Hand â?? Jess GlynneSuper Mario Theme â?? Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
Single String Major Scale Study For Guitar
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Guitare
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Neal Fitzpatrick
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Neal Fitzpatrick
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Single String Major Scale Stud
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Neal Fitzpatrick Editions
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SheetMusicPlus
Solo Guitar - SKU: A0.955380 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Country,Jazz,Rock. Individual part. 6 pages. Neal ...
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Solo Guitar - SKU: A0.955380 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Country,Jazz,Rock. Individual part. 6 pages. Neal Fitzpatrick Editions #5739231. Published by Neal Fitzpatrick Editions (A0.955380). This study focuses on ascending diatonic major scales on each single string of the guitar. Each group begins with quarter notes and proceeds through various divisions of the beat. This exercise can hone your shifting acuity and precision while improving fretboard knowledge. These patterns are excellent workouts for any guitarist and for metal and jazz players in particular. These exercises can be played by both pick and finger style players. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$2.50
Mary Blane for Classical Guitar
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Guitare
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Mary Blane for Classical Guita
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1444395 By Keith Terrett. By Catharina Josepha Pratten (15 November 1824 – 10 October 1895. Arranged by Keith Terrett....
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Solo Guitar - Level 3 - SKU: A0.1444395 By Keith Terrett. By Catharina Josepha Pratten (15 November 1824 – 10 October 1895. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 5 pages. Keith Terrett #1022785. Published by Keith Terrett (A0.1444395). Catharina Josepha Pratten (15 November 1824 – 10 October 1895) was a German guitar virtuoso, composer, and teacher, also known as Madame Sidney Pratten.She was born Catharina Josepha Pelzer in Mülheim on 15 November 1824, the daughter of the German guitarist and music teacher Ferdinand Pelzer. Her family moved to England in 1829. On 24 September 1854, she married the English flautist Robert Sidney Pratten.Catharina began touring in Europe from the age of eight, and by 1844 was well known in England as a composer and guitar teacher. She soon established her school - Madame Sidney Pratten's Guitar School - and published tutorials, including Guitar School: a Book of Methods (1859) and Learning the Guitar: Simplified (1874), which advocated the use of alternative tuning in E major. Her pupils included Queen Victoria’s daughters Louise, Princess of Wales and Beatrice, and the actor, singer, guitarist, and composer Ernest Shand.She composed some 250 works, most of them for solo guitar or voice and guitar. Heike Matthiesen has recorded some of the guitar pieces, including the variations on Carnaval de Venise, the two Fairy Sketches, and the Serenade.Her residence in London was 22 Dorset Street, Portman Square, where she lived after the death of her husband in 1868, and where she died on 10 October 1895. Her sister, Giulia Pelzer (also a teacher), continued to run the guitar school after Catharina’s death. Catharina is buried at Brompton Cemetery, London.She owned many guitars herself and selected others for her pupils, often with her label inside. One - in splendid condition - was advertised for sale in The Times in 1939.
$1.99
Gölcük Marşı
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Guitare
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H
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Celil Refik Kaya
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Gölcük Marşı
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - SKU: ZZ.DZ-4299 Composed by H.R. Arman. Arranged by Celil Refik Kaya. His role as a music teacher within different branches of the Turkish mili...
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Guitar - SKU: ZZ.DZ-4299 Composed by H.R. Arman. Arranged by Celil Refik Kaya. His role as a music teacher within different branches of the Turkish military ensured that his knowledge and expertise were passed down to future generations of musicians.Establishing the first military band and music school in Afghanistan demonstrate. Son rôle de professeur de musique au sein de différentes branches de l'armée turque a permis de transmettre ses connaissances et son expertise aux générations futures de musiciens.La création de la première fanfare militaire et école de musique en Afg. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4299. Published by Les Productions d'OZ - Digital (ZZ.DZ-4299). Le lieutenant-colonel Halit Recep Arman est né à Istanbul en 1902. Il était un chef d'orchestre, compositeur, flûtiste et professeur prolifique. Il était indéniablement une figure marquante de la musique militaire turque, laissant une marque indélébile dans l’histoire de la musique militaire turque. Sa production de marches, d'œuvres orchestrales et d'arrangements couvrant divers genres de musique turque met en valeur son génie et son dévouement à l'art. Les contributions d'Arman s'étendent au-delà de la composition.
$5.95
The Star Spangled Banner For Guitar Solo-Beginner Level
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Guitare
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DÉBUTANT
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Americana
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Patriotique
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Patriotic Traditional
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Neal Fitzpatrick
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The Star Spangled Banner For G
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Neal Fitzpatrick Editions
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.955274 Composed by Patriotic Traditional. Arranged by Neal Fitzpatrick. Folk,Holiday,Patriotic,Traditional. Individual p...
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Solo Guitar - Level 1 - SKU: A0.955274 Composed by Patriotic Traditional. Arranged by Neal Fitzpatrick. Folk,Holiday,Patriotic,Traditional. Individual part. 2 pages. Neal Fitzpatrick Editions #4837589. Published by Neal Fitzpatrick Editions (A0.955274). The Patriotic song The Star Spangled Banner here is arranged for solo guitar. This edition is in standard notation form with accompanying tablature and is in the key of C Major. This arrangement is an ideal piece for anyone new to finger style playing or for players of any level.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comPlease contact me with any questions or issues with your downloads.
$3.99
Aura Lee For Guitar-Beginner
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Guitare
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Fosdick and Poulton
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Neal Fitzpatrick
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Aura Lee For Guitar-Beginner
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Neal Fitzpatrick Editions
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SheetMusicPlus
Solo Guitar - SKU: A0.955272 Composed by Fosdick and Poulton. Arranged by Neal Fitzpatrick. Folk,Standards,Traditional,World. Individual part. 2 pages. ...
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Solo Guitar - SKU: A0.955272 Composed by Fosdick and Poulton. Arranged by Neal Fitzpatrick. Folk,Standards,Traditional,World. Individual part. 2 pages. Neal Fitzpatrick Editions #4834557. Published by Neal Fitzpatrick Editions (A0.955272). The traditional folk song Aura Lee here is arranged for solo guitar. This edition is in standard notation form with accompanying tablature and is in the key of C Major. This arrangement is an ideal piece for anyone new to finger style playing or for players of any level.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$4.99
The Water Is Wide For Guitar-Tablature Edition
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Guitare
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INTERMÉDIAIRE
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Traditional
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Neal Fitzpatrick
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The Water Is Wide For Guitar-T
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Neal Fitzpatrick Editions
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.955271 Composed by Traditional. Arranged by Neal Fitzpatrick. Folk,Standards,Traditional,World. Individual part. 2 pages...
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Solo Guitar - Level 3 - SKU: A0.955271 Composed by Traditional. Arranged by Neal Fitzpatrick. Folk,Standards,Traditional,World. Individual part. 2 pages. Neal Fitzpatrick Editions #4833389. Published by Neal Fitzpatrick Editions (A0.955271). The traditional folk song The Water Is Wide here is arranged for solo guitar. This edition is in standard notation form with accompanying tablature and is in the key of G Major. This arrangement is ideal for anyone looking to transition to intermediate level and more advanced finger style playing or for players of any level.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$4.99
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