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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
One Voice
Non classifié
9 719
Piano & claviers
Piano, Voix et Guitare
8 691
Piano, Voix
8 393
Piano Facile
785
Piano seul
464
Instruments en Do
236
Accompagnement Piano
153
Piano grosses notes
138
Orgue
47
Ligne De Mélodie, Piano
30
1 Piano, 4 mains
10
Accordéon, Voix
5
Orgue, Piano (duo)
4
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
4
Clavecin
3
Orgue, Voix
1
Accordéon
1
Ensemble d'Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
+ 15 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
1 748
Guitare notes et tablatures
772
Ukulele
162
Guitare
41
Paroles et Accords
40
Basse electrique
39
4 Guitares (Quatuor)
4
Banjo
4
2 Guitares (duo)
4
Guitare Tab, Voix, Basse, Batterie
3
Mandoline
3
Guitare (partie séparée)
2
Piano, Guitare (duo)
2
Dulcimer
2
3 Guitares (trio)
1
Ensemble de guitares
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
1 545
Chorale 3 parties
621
Voix Baryton, Piano
575
Chorale TTBB
555
Voix duo, Piano
551
Chorale 2 parties
540
Chorale SSAA
355
Voix duo
327
Voix Soprano, Piano
228
Chorale Unison
203
Voix seule
175
Voix haute
150
Voix Alto, Piano
132
Voix Tenor, Piano
130
Pack Instrumental pour Chorale
106
Voix moyenne, Piano
73
Voix basse, Piano
65
Voix Mezzo-Soprano, Piano
25
Voix, Guitare
24
Voix Tenor
19
Voix Baryton
19
Voix basse
16
Chorale SSAATTBB
12
Voix Soprano
12
Soli, choeur mixte et accompagnement
10
Chorale
10
Chorale SSAB a cappella
9
Chorale SSATBB
7
Chorale SSATTB
4
Chorale SSAB, Piano
4
Chorale SSATB
4
Chorale SATTB
2
Voix Moyenne
1
Chorale SATBB
1
Chorale SSAATB
1
Voix Soprano, Orchestre
1
+ 31 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
182
Saxophone Alto et Piano
102
2 Saxophones (duo)
96
Quintette de Saxophone: 5 saxophones
94
Saxophone
80
Saxophone Tenor et Piano
69
Quatuor de Clarinettes: 4 clarinettes
66
Flûte, Hautbois, Clarinette, Basson
64
Saxophone Soprano et Piano
50
3 Saxophones (trio)
50
Flûte traversière et Piano
50
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
Clarinette et Piano
48
Saxophone (partie séparée)
45
Saxophone Alto
43
Saxophone Baryton, Piano
35
2 Clarinettes (duo)
35
Hautbois, Piano (duo)
34
Ensemble de saxophones
29
Saxophone Tenor
29
Quintette de Clarinettes: 5 clarinettes
29
3 Clarinettes (trio)
27
2 Flûtes traversières, Piano
26
2 Flûtes traversières (duo)
25
Ensemble de Clarinettes
24
Clarinette
22
Quatuor de Flûtes : 4 flûtes
22
Hautbois (partie séparée)
17
Flûte traversière
17
Ensemble de Flûtes
16
Flûte, Clarinette (duo)
14
Trio de Flûtes: 3 flûtes
12
Flûte et Guitare
11
Cor anglais, Piano
11
2 Flûte à bec (duo)
10
Clarinette Basse, Piano
8
Flute (partie séparée)
8
Saxophone, Clarinette (duo)
8
Hautbois, Basson (duo)
8
Instruments en Mib
8
Quintette de Flûte : 5 flûtes
8
Clarinette, Guitare (duo)
7
Quatuor de Flûtes à bec
7
Harmonica
6
Saxophone Soprano
6
2 Hautbois (duo)
6
Cor anglais, Guitare (duo)
6
Clarinette, Basson (duo)
5
Clarinette, Violon (duo)
5
Flûte à Bec
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Saxophone (duo)
4
Flûte à bec Tenor
4
Saxophone et Guitare
3
Ensemble De Flûte à bec
3
Clarinette, Trompette (duo)
3
Flûte, Violon
3
Clarinette (partie séparée)
3
3 Flûtes à bec (trio)
3
Saxophone et Harpe
3
Hautbois, Clarinette (duo)
3
Clarinette, Harpe (duo)
2
Flûte, Violoncelle
2
Flûte à bec Alto, Piano
2
Clarinette et Alto
2
Flûte à bec Soprano
2
Saxophone Baryton
2
Cor Anglais
2
Clarinette, Trombone (duo)
2
Flûte, Trompette (duo)
2
Flûte à bec Soprano, Piano
2
Hautbois, Flûte
2
Flûte, Hautbois (duo)
2
Hautbois
2
Clarinette, Violoncelle (duo)
2
Flûte à bec Alto
2
5 Flûtes à bec
2
Flûte, Hautbois, Basson
2
Piccolo, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violon et Violoncelle
1
Ensemble à vent
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Alto (duo)
1
Flûte, Violon, Piano
1
Flute, harpe et violon
1
Hautbois, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
3 Hautbois
1
Ensemble de Hautbois
1
Ocarina
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec, Guitare (duo)
1
Flûte irlandaise
1
Piccolo
1
+ 92 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
195
Quatuor de Cuivres : 2 trompettes, trombone, tuba
119
Trombone et Piano
111
Trombone
72
Trompette (partie séparée)
42
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
Quatuor de cuivres: 4 trombones
32
Trompette
31
2 Trombones (duo)
29
Trompette, Piano
27
Trombone (partie séparée)
24
Ensemble de Trombones
22
Cor et Piano
22
Trompette, Trombone (duo)
22
Quatuor de Cuivres
18
2 Trompettes (duo)
16
Cor
16
Euphonium, Piano (duo)
15
Tuba et Piano
14
Tuba
13
Cor anglais, Piano
11
Quatuor de cuivres: 4 cors
10
3 Trombones (trio)
9
2 Cors (duo)
9
Bass Clef Instruments
8
Instruments en Sib
8
Trombone, Cor (duo)
6
Cor anglais, Guitare (duo)
6
Ensemble de Cors
6
Trio de Cuivres
6
Trompette, Cor (duo)
5
2 Euphoniums et 2 Tubas
5
Trompette, Saxophone (duo)
4
Trompette, Trombone, Piano
4
3 Tubas (trio)
4
Tuba et Orgue
4
3 Cors (trio)
4
Ensemble de Trompettes
4
Euphonium
2
3 Trompettes (trio)
2
Trombone basse et Piano
2
Trombone, Violon (duo)
2
Cor Anglais
2
Trompette, Violoncelle (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
2
Euphonium, Tuba (duo)
2
4 Tubas
2
Trombone, Tuba (duo)
1
Cor, Tuba (duo)
1
Clarinette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
Trombone, Orgue
1
Trompette, Tuba (duo)
1
3 Euphoniums
1
Trombone, violoncelle (duo)
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
Trombone basse
1
+ 55 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
194
Violon et Piano
77
Harpe
73
Violoncelle, Piano
54
Alto, Piano
52
Violon
48
Trio à Cordes: violon, alto, violoncelle
48
Violon, Violoncelle (duo)
32
Harpe, Voix
31
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
Violoncelle
25
Harpe, Flûte (duo)
20
2 Violons (duo)
20
Alto seul
14
Contrebasse, Piano (duo)
14
Violon, Alto (duo)
13
2 Violoncelles (duo)
12
Contre Basse
11
Trio à Cordes: 2 violons, violoncelle
10
2 Altos (duo)
9
4 Violoncelles
7
Trio à cordes
6
Alto (partie séparée)
6
Violon, Guitare (duo)
6
2 Harpes (duo)
5
Trio à cordes: 3 violins
5
Contrebasse (partie séparée)
5
Quatuor à cordes: 4 violons
4
Violon (partie séparée)
4
Quatuor à cordes : 4 altos
4
Alto, Violoncelle (duo)
4
Harpe, Trombone (duo)
4
Trio à cordes: 3 altos
4
Harpe, Violon (duo)
3
Violoncelle , Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Ensemble d'Altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Ensemble de Violons
2
Alto et Harpe
1
Ensemble de Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orchestre
1
Violon, Basson (duo)
1
Harpe, Violon, Violoncelle
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre
396
Orchestre d'harmonie
349
Ensemble Jazz
268
Orchestre de chambre
94
Orchestre à Cordes
93
Ensemble de cuivres
73
Jazz combo
46
Cloches
31
2 Xylophones
23
Ensemble de Percussions
23
Fanfare
14
Batterie
8
Xylophone
3
Xylophone, Piano
3
Vibraphone
3
Marimba
3
Big band
1
Percussion (partie séparée)
1
Quintette à Vent
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
+ 16 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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One Voice
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Partitions à imprimer
41 partitions trouvées
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26
Asturiana - Siete canciones populares españolas
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.946417 By De Falla, Manuel. By De …
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Solo Guitar - Level 4 - Digital Download SKU: A0.946417 By De Falla, Manuel. By De Falla, Manuel. Arranged by Nick Mordal. 20th Century,Classical,Folk,Latin,Romantic Period. Individual part. 2 pages. Nick Mordal #6294907. Published by Nick Mordal (A0.946417). This arrangement condenses piano and voice onto classical guitar. It features a motoric accompaniment of octave repetition with the thread of a harmonic minor melody. Techniques used in the arrangement include barre, right hand string skipping, long stretches and overall precision to avoid guitar noise. It is sure to improve your skills on the instrument. This is a song from Manuel de Falla's 1922 collection called Siete Canciones Populares Españolas (7 popular Spanish songs). It is a haunting melody from ancient Spanish tradition.Â
$4.00
3.69 €
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Guitare
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De Falla, Manuel
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Nick Mordal
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Asturiana - Siete canciones populares españolas
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Nick Mordal
#
SheetMusicPlus
15 traditionelle Weihnachtslieder für Gitarre allein/ 15 Traditional German Christmas Songs for Gui
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1031881 Composed by div. Arranged …
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Solo Guitar - Level 1 - Digital Download SKU: A0.1031881 Composed by div. Arranged by D.S. Weiss. Christian,Christmas,Sacred,World. Individual part. 17 pages. D.S. Weiß #3662343. Published by D.S. Weiß (A0.1031881). 15 traditional German Christmas Songs for Guitar Solo. 2 voices/ easyInhalst/Content1 Lasst uns froh und munter sein2 In dulci jubilo
$7.00
6.45 €
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Guitare
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div
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D
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15 traditionelle Weihnachtslieder für Gitarre allein/ 15 Traditional German Christmas Songs for Gui
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D.S. Weiß
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SheetMusicPlus
Rondalla Aragonesa (Spanish Dance No. 6) Enrique Granados arr. for two classical guitars
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.775478 Composed by Enrique Granado…
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Solo Guitar - Level 4 - Digital Download SKU: A0.775478 Composed by Enrique Granados (1867-1916). Arranged by John Pinno. 20th Century,Concert. Individual part. 13 pages. John Pinno #5022851. Published by John Pinno (A0.775478). An arrangement by John Pinno for two classical guitars, of Rondella Aragonesa (Spanish Dance #6) by Enrique Granados. The two separate guitar parts each come fully fingered in standard music notation. Note to purchasers of arrangements and/or compositions by John Pinno published on Sheet Music Plus: ~For any comments and/or questions, email to jpinno093@hotmail.com with subject of sheet music plus ~Please also see my other publications on Sheet Music Plus at http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745 ~This includes arrangements and/or compositions for solo classical guitar, classical guitar duos and quartets, Christmas arrangements for solo guitar and guitar quartets, classical ensemble arrangements for voice and guitar, flute and guitar, and other combinations, and also works for recorder ensembles.
$14.00
12.91 €
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Guitare
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Enrique Granados
#
John Pinno
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Rondalla Aragonesa
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John Pinno
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.33 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Gorgeous Melodies for Fingerpicking Guitar
Guitare
Guitar - Intermediate - Digital Download SKU: M0.31129MEB World. Folk. Ebook and on…
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Guitar - Intermediate - Digital Download SKU: M0.31129MEB World. Folk. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #31129MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31129MEB). ISBN 9781513476896. 8.75X11.75 inches.The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar.In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: Che Gelida Manina from Puccinis La Boheme and My Heart at Thy Sweet Voice ôMon Coeur Souvre ? ta Voixö from Samson and Delilah by Camille Saint-Sa?ns. Sandys contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandys gift for chordal subtleties and innovation.Each piece is in either standard tuning EADGBE or Drop D tuning DADGBE .Written in standard notation and tablature with computer generated audio files of each arrangement.
Song List: Once to Every Man and Nation (Thomas J. Williams) Castle Of Dromore Jesu, Joy of Man's Desiring (J S Bach) Hector the Hero (J Scott Skinner) Niel Gow's Lament for the Death of His Second Wife Che Gelida Manina (Giacomo Puccini) Plaisir D'Amour (Jean-Paul-Egide Martini) El Noi De La Mare Beautiful Dreamer (Stephen Foster) My Heart at Thy Sweet Voice (Camille Saint-Saens) Pavane, Op No 50 (Gabriel Faure) The Fairy Queen (Turlough O'Carolan)
Song List
: Once to Every Man and Nation (Thomas J. Williams) Castle Of Dromore Jesu, Joy of Man's Desiring (J S Bach) Hector the Hero (J Scott Skinner) Niel Gow's Lament for the Death of His Second Wife Che Gelida Manina (Giacomo Puccini) Plaisir D'Amour (Jean-Paul-Egide Martini) El Noi De La Mare Beautiful Dreamer (Stephen Foster) My Heart at Thy Sweet Voice (Camille Saint-Saens) Pavane, Op No 50 (Gabriel Faure) The Fairy Queen (Turlough O'Carolan)
$17.99
16.59 €
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Guitare
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Gorgeous Melodies for Fingerpicking Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Lullaby
Guitare
Solo Guitar - Digital Download SKU: A0.926840 Composed by Robert Jeffery. Contempor…
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Solo Guitar - Digital Download SKU: A0.926840 Composed by Robert Jeffery. Contemporary,Standards. Individual part. 1 pages. Robert Jeffery Music #6448231. Published by Robert Jeffery Music (A0.926840). A melody with simple accompaniment, suitable for players who are starting to play music with more than one voice. Equivalent to grade 1 or 2 ABRSM or Trinity
$4.99
4.6 €
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Guitare
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Robert Jeffery
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Lullaby
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Robert Jeffery Music
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SheetMusicPlus
6 Neapolitan Songs for Solo Classic Guitar
Guitare
Composed by Kathryn Scheldt. For Guitar (Classical). Editiones Classicae. Classic. Interme…
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Composed by Kathryn Scheldt. For Guitar (Classical). Editiones Classicae. Classic. Intermediate. E-book. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742195. Instructor, arranger, performer and songwriter Kathryn Scheldt gives you two versions of each song included: 1.) Solos for classic guitar intermediate to more advanced; including "Torna a Surriento" (Come Back to Sorrento). 2.) Chord accompaniments for guitar; melody for voice and/or treble instruments; original Neapolitan lyrics with English translations.ISBN 9781609742195. Instructor, arranger, performer and songwriter Kathryn Scheldt gives you two versions of each song included: 1.) Solos for classic guitar intermediate to more advanced; including "Torna a Surriento" (Come Back to Sorrento). 2.) Chord accompaniments for guitar; melody for voice and/or treble instruments; original Neapolitan lyrics with English translations.
$9.99
9.21 €
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Guitare
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Kathryn Scheldt
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6 Neapolitan Songs for Solo Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
"Hark!", the Herald Angels Sing
Guitare
Solo Guitar - Digital Download SKU: A0.483404 Composed by Felix Bartholdy Mendelsso…
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Solo Guitar - Digital Download SKU: A0.483404 Composed by Felix Bartholdy Mendelssohn. Arranged by Robert McCormack. Christmas,Classical,Holiday,Sacred,Traditional. Individual part. 1 pages. Published by Robert McCormak (A0.483404). The hymn that is this Christmas carol has gone through many iterations before popularly settling on this most commonly sung Mendelssohn melody. The arrangement is well within the intermediate level with the possible exception of the first two measures of the last two lines. There is a stretch here between fingers one and four, frets one and five with the additional challenge of a middle voice. Another carol offered by this arranger is, Once In Royal David's City, which has the same stretch but without the inner voice with which to contend. These two pieces are frequently performed together due to other similarities between them.
$3.99
3.68 €
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Guitare
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Felix Bartholdy Mendelssohn
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Robert McCormack
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"Hark!", the Herald Angels Sing
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Robert McCormak
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
#
for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Where Is Love?
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.797701 Composed by Lionel Bart. Ar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.797701 Composed by Lionel Bart. Arranged by Derek Hasted. Broadway,Contemporary,Musical/Show. Individual part. 4 pages. Derek Hasted #3561145. Published by Derek Hasted (A0.797701). WHERE IS LOVE (from Oliver) - SOLO GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This beautiful piece from the Stage Show Oliver is a perfect fit for Classical Guitar. Many of the shapes will seem instantly familiar, and the arrangement is not tricky to play, meaning the sound is gentle and effortless.My arrangement is in 3 voices. The middle voice, which provides support for the sustained tune, needs to be subdued so the tune stays audible. Some of the rests in the middle voice are absent, so as not to crowd the page.I hope you enjoy playing this piece!
$4.99
4.6 €
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Guitare
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Lionel Bart
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Derek Hasted
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Where Is Love?
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Derek Hasted
#
SheetMusicPlus
Angels We Have Heard on High
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1292094 Composed by Music:Traditio…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1292094 Composed by Music:Traditional / Words by: James Chadwick. Arranged by John Chamley. Christian,Christmas,Classical,Folk,Traditional. Individual part. 3 pages. John Chamley #882686. Published by John Chamley (A0.1292094). This is a festive and fun piece. It will probably take some preparing to play this up to speed if you want to play it fast. The chorus has a nice counterÂmelody in the bass. The main melody also switches octaves as you might hear a choir exchange parts between the different voices. The first verse stays in the main voice, then the 2nd verse moves up an octave, then down to the bass strings. A certain amount of syncopation will keep the fingers busy on the right hand. The left will need to handle a few stretches but nothing outrageous. A 1/2 barre is required at one point along the way.
$2.99
2.76 €
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Guitare
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Music:Traditional / Words by: James Chadwick
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John Chamley
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Angels We Have Heard on High
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John Chamley
#
SheetMusicPlus
Heartbeats
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21st Century,Pop,Singer/Songwriter,Wedding. Individual part. 6 pages. Pablo Alcázar #860970. Published by Pablo Alcázar (A0.1268428). Arrangement for solo guitar of the famous song Heartbeats. This arrange by Pablo Alcázar, professional guitarist arranger and composer, is for intermediate players that want a challenge to play or for professional guitarist that want some new repertoire for wedding gigs or concerts. It includes the full voice melody line aswell as the full guitar line from the original song. This arrangement uses the 3º string on F# and the 6º string on D and the reading doesn't include the real notes you are playing but the translation of a normal tuning reading to make things easier. Also you can check the strings on the tablature in case you need to play in different positions.This is the Lyrics of the song:One night to be confusedOne night to speed up truthWe had a promise, babeFour hands and then awayBoth under influenceWe had divine senseTo know what to sayMind is a razor bladeTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noOne night of magic rushThe start a simple touchOne night to push and screamAnd then reliefTen days of perfect huesThe colors red and blueWe had a promise, babeWe were in loveTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enoughAnd youYou knew the hand of the devilAnd youKept us awake with wolves teethSharing different heartbeatsIn one nightTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enough.
$4.99
4.6 €
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Guitare
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Jose Gonzalez
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Pablo Alcázar
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Heartbeats
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Pablo Alcázar
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SheetMusicPlus
Summertime
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1289606 Composed by Dorothy Heywar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1289606 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blues,Broadway,Film/TV,Jazz,Musical/Show. Individual part. 15 pages. Roger Wallace #880315. Published by Roger Wallace (A0.1289606). Guitar Solo with Piano Accompaniment in A Minor. Blues Ballad. From Porgy and Bess.Solo parts included in this set:Piano & Voice: TenorVoice: TenorBass Clarinet/Tenor Sax/TromboneBaritone SaxBassoon/Trombone/CelloGuitarNOTE: Audio sample clip begins at pickup to Letter A.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$4.99
4.6 €
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Guitare
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Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
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Roger Wallace
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Summertime
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Roger Wallace
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SheetMusicPlus
Resonancia
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.895614 By Nadia Borislova. By Emma…
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Solo Guitar - Level 3 - Digital Download SKU: A0.895614 By Nadia Borislova. By Emmanuel Christian Vázquez Miguel. Arranged by Emmanuel Christian Vazquez Miguel. Classical,Contemporary,New Age,Romantic Period,Spiritual. Individual part. 7 pages. Emmanuel Vázquez #501492. Published by Emmanuel Vázquez (A0.895614). ...a cada quien su voz, me lo decÃa la otra voz... Resonancia, pieza para Guitarra Clásica, desarrollado en 2 movimientos y basados en los poemas de Luis Cortés Bargalló. Es un diálogo interno reflejado en los recursos de la guitarra, mi yo, charlando con mi otro yo. ...to each one his voice, the other voice told me... Resonancia, piece for Classical Guitar, developed in 2 movements and based on the poems of Luis Cortés Bargalló. It is an internal dialogue reflected in the resources of the guitar, my self, chatting with my other self.
$10.00
9.22 €
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Guitare
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Nadia Borislova
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Resonancia
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Emmanuel Vázquez
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SheetMusicPlus
Sarabande and Double - BWV 1002
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.938369 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.938369 Composed by Johann Sebastian Bach. Arranged by Robert Adler. Baroque,Standards. Individual part. 3 pages. Robert Adler #3872483. Published by Robert Adler (A0.938369). An arrangement of J. S. Bach's beautiful Sarabande and Double from Violin Partita No. 1, BWV 1002, for classical guitar, done in the style of Busoni/Godowski, with a few enrichments in the bass and accompanying voices. Difficulty level is for intermediate/advanced level players, video performance of the Sarabande: https://tinyurl.com/yabqq7wb
$2.99
2.76 €
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Guitare
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Johann Sebastian Bach
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Robert Adler
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Sarabande and Double - BWV 1002
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Robert Adler
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SheetMusicPlus
Lua para o Epilogo de Verão (Août)
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. …
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
$5.95
5.49 €
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Guitare
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Louis Trépanier
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Lua para o Epilogo de Verão
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Les Productions d'OZ - Digital
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SheetMusicPlus
Mary Blane for Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444395 By Keith Terrett. By Catha…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444395 By Keith Terrett. By Catharina Josepha Pratten (15 November 1824 – 10 October 1895. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 5 pages. Keith Terrett #1022785. Published by Keith Terrett (A0.1444395). Catharina Josepha Pratten (15 November 1824 – 10 October 1895) was a German guitar virtuoso, composer, and teacher, also known as Madame Sidney Pratten.She was born Catharina Josepha Pelzer in Mülheim on 15 November 1824, the daughter of the German guitarist and music teacher Ferdinand Pelzer. Her family moved to England in 1829. On 24 September 1854, she married the English flautist Robert Sidney Pratten.Catharina began touring in Europe from the age of eight, and by 1844 was well known in England as a composer and guitar teacher. She soon established her school - Madame Sidney Pratten's Guitar School - and published tutorials, including Guitar School: a Book of Methods (1859) and Learning the Guitar: Simplified (1874), which advocated the use of alternative tuning in E major. Her pupils included Queen Victoria’s daughters Louise, Princess of Wales and Beatrice, and the actor, singer, guitarist, and composer Ernest Shand.She composed some 250 works, most of them for solo guitar or voice and guitar. Heike Matthiesen has recorded some of the guitar pieces, including the variations on Carnaval de Venise, the two Fairy Sketches, and the Serenade.Her residence in London was 22 Dorset Street, Portman Square, where she lived after the death of her husband in 1868, and where she died on 10 October 1895. Her sister, Giulia Pelzer (also a teacher), continued to run the guitar school after Catharina’s death. Catharina is buried at Brompton Cemetery, London.She owned many guitars herself and selected others for her pupils, often with her label inside. One - in splendid condition - was advertised for sale in The Times in 1939.
$1.99
1.83 €
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Guitare
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Keith Terrett
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Keith Terrett
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Mary Blane for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Stille Nacht (Holy Night) - Gitarre
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1337194 Composed by Joseph Mohr. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1337194 Composed by Joseph Mohr. Arranged by Albrecht Kuch-Weidenbrück. Children,Christmas. Individual part. 1 pages. Albrecht Kuch-Weidenbrück #922998. Published by Albrecht Kuch-Weidenbrück (A0.1337194). One of the most popular christmas charol.Easy melody, but in combination with the Play Along, which you can purchase as well and maybe other players, you may have fun with it.The notes are available for Recorder, Flute, Oboe, Bassoon, Clarinet, French Horn, Euphonium, Accordion (only right hand), Piano (only right hand), guitar (standard notation), guitar (tabs), Violine, Cello, Glockenspiel, Xylophon and voice. German lyrics are included. Capo is needed (fret 5).
$1.99
1.83 €
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Guitare
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Joseph Mohr
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Albrecht Kuch-Weidenbrück
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Stille Nacht
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Albrecht Kuch-Weidenbrück
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SheetMusicPlus
Blind Joe Death
Guitare
Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.30599EB Composed b…
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Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.30599EB Composed by Andrew Lardner. Adult Contemporary. Contemporary. E-book. Mel Bay Publications - Digital Sheet Music #30599EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30599EB). ISBN 9781619117198. 8.75x11.75 inches.John Fahey transformed the world of acoustic flat-top steel-string guitar by bringing it to the concert stage as a respected, solo instrument. Blind Joe Death: Volume 1 looks at the important people and genres that shaped him as a composer. This volume focuses on Side 1 of the original 1967 Blind Joe Death LP, a collection of mostly traditional music that was adapted for solo guitar. Hints of Fahey's early influences endured throughout his career as a composer, yet early on, and in Blind Joe Death, a unique voice is coming into focus-one that is not afraid to explore the avant-garde with journeys into collage and expressionism. Six extensively edited solos from Blind Joe Death are included in Volume 1: On Doing an Evil Deed Blues, St. Louis Blues, Poor Boy a Long Ways from Home, Uncloudy Day, John Henry and In Christ There Is No East or West. Within these transcriptions, Andrew Lardner has provided admirers of John Fahey's body of work with the essential keys to launch their own journeys into replicating the sounds and style of Fahey's landmark solos from Blind Joe Death.
$17.99
16.59 €
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Guitare
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Andrew Lardner
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Blind Joe Death
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Love Of My Life
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1037917 By Queen. By Freddie Mercu…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1037917 By Queen. By Freddie Mercury. Arranged by Tondi Rangkuti a.k.a Tondi. FR. 20th Century,Classical,Contemporary,Pop,Rock. Individual part. 16 pages. ToRa Swarna Diva #642837. Published by ToRa Swarna Diva (A0.1037917). One of the most complete solo guitar arrangements written by Tondi Rangkuti a.k.a Tondi. FR. By selecting the correct Chord Voicing & Fret position so that it is successful in presenting a solo guitar playing that presents the ambient like a singing voice with the accompaniment of a single instrument. An arrangement of 20th century monumental musical works written and sung by Freddie Mercury & Queen.
$17.90
16.5 €
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Guitare
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Queen
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Tondi Rangkuti a
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Love Of My Life
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ToRa Swarna Diva
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SheetMusicPlus
Prelude, BWV 999
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1186697 By Gerry Saulter. By Johan…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1186697 By Gerry Saulter. By Johann Sebastian Bach. Arranged by Gerry Saulter. Baroque,Classical,Early Music. Individual part. 7 pages. Serenade Music #786346. Published by Serenade Music (A0.1186697). Johann Sebastian Bach likely composed this Prelude sometime between 1717-1723 while he served as Kapellmeister for Prince Leopold of Anhalt-Cöthen. My goal was to create a very playable arrangement that sounds beautiful. I started with developing left hand gestures and fingerings that would be simple and logical. The left hand gestures combine with the right hand arpeggio pattern help to enhance the lyrical quality of the down-stem voice, which is consistently played with the right hand thumb. Additionally, the simplified left hand function assists to give clarity to the moving sequential chord arpeggio. To help memorize the sequential chords, I have identified the implied chord harmony as it changes throughout the Prelude.I hope that this arrangement makes the process of learning this magical and beautiful Prelude a joyful one for every guitar player.
$6.99
6.44 €
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Guitare
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Gerry Saulter
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Gerry Saulter
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Prelude, BWV 999
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Serenade Music
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SheetMusicPlus
Kaddisch
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899151 Composed by Maurice Ravel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.899151 Composed by Maurice Ravel. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #5957565. Published by Maggie Creek Music (A0.899151). Arranged for solo classical guitar 3 pp intermediate difficultyMaurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music shows a fondness for the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Kaddisch (1914) is one of two pieces based on Hebrew songs that Ravel wrote for solo voice and piano.
$5.00
4.61 €
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Guitare
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Maurice Ravel
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Rod Whittle
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Kaddisch
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Maggie Creek Music
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SheetMusicPlus
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