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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Only Time
Non classifié
1 273
Piano & claviers
Piano seul
780
Piano, Voix et Guitare
631
Piano Facile
329
Piano, Voix
190
Instruments en Do
52
Accompagnement Piano
51
Orgue
42
2 Pianos, 4 mains
16
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Trompette (duo)
3
Orgue, Piano (duo)
2
Piano (partie séparée)
2
Accordéon
2
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
+ 14 instrumentations
Retracter
Guitares
Guitare
80
Guitare notes et tablatures
70
Paroles et Accords
31
Ligne De Mélodie, (Paroles) et Accords
17
2 Guitares (duo)
13
Basse electrique
12
Mandoline
8
Ukulele
5
Dulcimer
4
4 Guitares (Quatuor)
4
Banjo
3
Mandoline, Guitare (duo)
2
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Ensemble de Ukulélés
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
221
Chorale 2 parties
146
Chorale 3 parties
79
Voix duo, Piano
39
Chorale Unison
32
Chorale TTBB
30
Chorale SSAA
28
Voix seule
18
Voix Soprano, Piano
11
Voix duo
7
Voix haute
3
Voix Tenor, Piano
3
Voix Baryton, Piano
3
Voix Alto, Piano
3
Voix Tenor
2
Chorale SSAATTBB
1
Voix basse
1
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
Voix Soprano
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
139
Saxophone
124
2 Saxophones (duo)
115
Clarinette et Piano
109
Clarinette
97
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
78
Flûte traversière
77
Hautbois, Piano (duo)
73
Saxophone Alto et Piano
73
Quintette de Saxophone: 5 saxophones
70
Quatuor de Saxophones: 4 saxophones
67
Saxophone Tenor et Piano
56
2 Flûtes traversières (duo)
52
Saxophone Alto
50
Flûte, Hautbois, Clarinette, Basson
49
Ensemble de saxophones
47
Saxophone Soprano et Piano
43
2 Clarinettes (duo)
41
Quatuor de Clarinettes: 4 clarinettes
39
Saxophone Baryton, Piano
33
3 Saxophones (trio)
32
Hautbois (partie séparée)
28
Ensemble de Clarinettes
25
Saxophone Tenor
23
Cor anglais, Piano
23
Saxophone (partie séparée)
22
Saxophone, Clarinette (duo)
22
Quatuor de Flûtes : 4 flûtes
20
Ensemble De Flûte à bec
19
Flûte, Clarinette (duo)
18
Quintette de Flûte : 5 flûtes
17
Clarinette, Violon (duo)
15
Quintette de Clarinettes: 5 clarinettes
15
Clarinette Basse, Piano
15
2 Hautbois (duo)
14
Flûte à Bec
13
Clarinette, Trompette (duo)
13
Flûte et Guitare
13
Trio de Flûtes: 3 flûtes
12
Hautbois
11
Ensemble de Flûtes
11
3 Clarinettes (trio)
11
Flûte, Saxophone (duo)
9
2 Flûte à bec (duo)
9
Flûte, Violon
9
Saxophone Soprano
7
Clarinette et Alto
7
Flûte à bec Alto
7
3 Flûtes à bec (trio)
7
Clarinette, Basson (duo)
7
Flûte, Alto (duo)
6
Hautbois, Clarinette (duo)
6
Hautbois, Flûte
6
Flûte à bec Soprano
6
Flûte, Trompette (duo)
5
5 Flûtes à bec
5
Quatuor de Flûtes à bec
5
Hautbois, Basson (duo)
5
Flûte à bec Alto, Piano
4
Clarinette, Guitare (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Instruments en Mib
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Hautbois, Basson
3
Saxophone et Guitare
2
Flûte à bec Tenor
2
Saxophone Baryton
2
Flûte, Clarinette, Piano (trio)
2
Flûte traversière, Basse continue
2
Ensemble de Hautbois
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette et Basson
2
Piccolo, Piano
1
3 Hautbois
1
4 Hautbois
1
Hautbois, Guitare (duo)
1
Clarinette Basse
1
Saxophone et Orgue
1
Cor anglais, Guitare (duo)
1
Flûte irlandaise
1
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à Bec, Piano
1
2 Flûtes traversières, Piano
1
Cor Anglais
1
+ 82 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Trompette
81
Trombone
62
Trombone et Piano
54
Trompette, Piano
53
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Cor et Piano
42
Cor
25
Tuba et Piano
25
Tuba
24
Cor anglais, Piano
23
2 Trombones (duo)
22
2 Trompettes (duo)
20
Ensemble de Trompettes
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Euphonium, Piano (duo)
18
Ensemble de Trombones
14
Trompette, Trombone (duo)
14
Ensemble de Cors
13
2 Cors (duo)
13
Trompette, Saxophone (duo)
13
Quatuor de Cuivres
12
2 Tubas (duo)
8
Quatuor de cuivres: 4 trompettes
7
Quatuor de cuivres: 4 trombones
6
Quatuor de cuivres: 4 cors
6
4 Tubas
6
Euphonium
4
3 Tubas (trio)
3
Trompette, Cor (duo)
3
3 Trombones (trio)
3
Trompette (partie séparée)
3
Trombone, Cor (duo)
3
Cor (partie séparée)
2
Cor, Violoncelle (duo)
2
Trombone basse et Piano
2
Trombone basse
2
Cor et Basson (duo)
2
3 Cors (trio)
2
2 Euphoniums et 2 Tubas
1
Trombone (partie séparée)
1
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
2 Cors, Piano
1
Tuba et Orgue
1
Instruments en Sib
1
3 Euphoniums
1
Cor Anglais
1
Bass Clef Instruments
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
259
Violon et Piano
147
Alto, Piano
125
Violoncelle, Piano
120
Violon, Violoncelle (duo)
111
Violon
94
Trio à Cordes: violon, alto, violoncelle
78
Violoncelle
76
Harpe
55
2 Violons (duo)
51
Alto seul
48
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
2 Violoncelles (duo)
24
Violon, Alto (duo)
24
2 Altos (duo)
23
Trio à Cordes: 2 violons, violoncelle
15
Contrebasse, Piano (duo)
15
4 Violoncelles
14
Alto, Violoncelle (duo)
13
Contre Basse
13
Alto (partie séparée)
9
Trio à Cordes: 3 violoncelles
9
Quatuor à cordes : 4 altos
9
Trio à cordes: 3 violins
8
Ensemble de Violons
8
Quatuor à cordes: 4 violons
7
Harpe, Flûte (duo)
7
Trio à cordes: 3 altos
6
2 Contrebasses (duo)
5
Ensemble d'Altos
5
Harpe, Violon, Violoncelle
4
2 Harpes (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle , Guitare (duo)
3
Harpe, Violon (duo)
3
2 Violons, Piano
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto et Basson
2
Trio à cordes
2
Violon (partie séparée)
2
Ensemble de Violoncelles
2
Piano Trio: Violon, Alto, Piano
1
4 Harpes
1
Contrebasse (partie séparée)
1
Violoncelle, Basse continue
1
Autoharp
1
Violoncelle, Orchestre
1
Harpe, Voix
1
Violon, Guitare (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
329
Orchestre
146
Orchestre à Cordes
108
Cloches
85
Ensemble Jazz
52
Ensemble de cuivres
42
Orchestre de chambre
37
Batterie
21
Ensemble de Percussions
15
Fanfare
12
Jazz combo
10
Marimba
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Ensemble d'École
3
2 Xylophones
2
Vibraphone
2
Xylophone, Piano
1
Percussion
1
Piano et Orchestre
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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TROMBONE
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Vous avez sélectionné:
Only Time
Guitare
Partitions à imprimer
80 partitions trouvées
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76
'A golden time ...' from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
No Time To Die
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Billie Eilish
#
Colin Tommis
#
No Time To Die
#
Colin Tommis
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.961511 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Colin Tommis. Pop. Individual par...
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Solo Guitar - Level 4 - SKU: A0.961511 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Colin Tommis. Pop. Individual part. 4 pages. Colin Tommis #6114397. Published by Colin Tommis (A0.961511). This intermediate /advanced version of the new James Bond song lasts towards 4 minutes and is unusual in so much that the 3rd string is detuned to F#. This makes it trickier to read but much more fun to play. There are some large stretches and unusual hammer techniques. In the latter, the player creates a note from nothing by hammering a left-hand finger down on a string. I have employed a lot of off-beats, and the idea is to keep it licking along, almost like a piece of dance reggae-style music. This makes it wonderful for the listener and challenging for the player. This is offered in notation only, there is no tab.
$5.99
Once Upon A Time In The West (Including tablature)
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Guitare
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INTERMÉDIAIRE
#
Film/TV
#
Ennio Morricone
#
Once Upon A Time In The West
#
David Jaggs
#
SheetMusicPlus
Guitar Tab, Classical Guitar - Intermediate - Digital Download By Ennio Morricone. Arranged by David Jaggs. Solo Part. 3 pages. Published by David Ja...
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Guitar Tab, Classical Guitar - Intermediate - Digital Download By Ennio Morricone. Arranged by David Jaggs. Solo Part. 3 pages. Published by David Jaggs
Short but very beautiful arrangement of the famous Spaghetti Western theme by Ennio Morricone. Many artificial harmonics are used, so hopefully you have developed this technique!
This is the version with tablature, another version, sheet music only is available.
$4.99
The William Bay Collection - Sacred Guitar Solo Anthology #2
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Guitare
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INTERMÉDIAIRE
#
Musique Sacrée
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The William Bay Collection - S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel...
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Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List
:
Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God?s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man?s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O?er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I?m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I?ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord?s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
$24.99
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Scenes From the Life of Death, Part 1
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death,
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickle Publications #...
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Guitar - SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickle Publications #6103007. Published by Silver Sickle Publications (A0.1070391). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
Scenes From the Life of Death, Part 3
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Guitare
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Apostolos Paraskevas
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Scenes From the Life of Death,
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 264. Silver Sickle Publications #...
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Guitar - SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 264. Silver Sickle Publications #6103011. Published by Silver Sickle Publications (A0.1070392). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
Scenes From the Life of Death, Part 2
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Guitare
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Apostolos Paraskevas
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#
Scenes From the Life of Death,
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 205. Silver Sickle Publications #...
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Guitar - SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 205. Silver Sickle Publications #6103009. Published by Silver Sickle Publications (A0.1070390). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
...empty mind, open heart...
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Guitare
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Contemporain
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David Leisner
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...empty mind, open heart...
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - avancé - SKU: ZY.DO-1521 Composed by David Leisner. Score. 13 pages. Les Editions Doberman-Yppan (digital) #DO 1521. Published by Les Editions...
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Guitar - avancé - SKU: ZY.DO-1521 Composed by David Leisner. Score. 13 pages. Les Editions Doberman-Yppan (digital) #DO 1521. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1521). Dedicated to the luminary Steve Cowan, ?empty mind, open heart? is a four-movement suite that centers around the intervals of a fifth and a tritone. Each movement is inspired by a quote from the Tao Te Ching by Lao Tzu. The opening movement is a meditation. The aleatoric rhythms and pacing of the notes are guided by the breathing of the performer, according to specific instructions in the score. Out of that atmosphere emerges a fluid, serene series of arpeggios in irregular rhythms in the second movement. Each new chord changes only one or two notes at a time in a gradual evolution over time. The third movement is a study in rhythm, sometimes dizzying. And the piece ends with a heartfelt, mostly quiet soliloquy.Dédiée à la sommité Steve Cowan, ? esprit vide, c?ur ouvert? est une suite en quatre mouvements centrée sur les intervalles d'une quinte et d'un triton. Chaque mouvement est inspiré d'une citation du Tao Te Ching de Lao Tseu. Le mouvement d?ouverture est une méditation. Les rythmes aléatoires et le rythme des notes sont guidés par la respiration de l'interprète, selon des instructions spécifiques de la partition. De cette atmosphère émerge une série d?arpèges fluides et sereins aux rythmes irréguliers dans le deuxième mouvement. Chaque nouvel accord ne change qu'une ou deux notes à la fois selon une évolution progressive dans le temps. Le troisième mouvement est une étude du rythme, parfois vertigineuse. Et la pièce se termine par un monologue sincère, plutôt calme.
$7.95
O My Darling Clementine (Duet Guitar Score)
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Guitare
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FACILE
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Contemporain
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American Traditional Song
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Antonius Agung Setiawan
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O My Darling Clementine
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Antonius Agung Setiawan
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.788529 Composed by American Traditional Song. Arranged by Antonius Agung Setiawan. Contemporary. Individual part. 2 page...
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Solo Guitar - Level 2 - SKU: A0.788529 Composed by American Traditional Song. Arranged by Antonius Agung Setiawan. Contemporary. Individual part. 2 pages. Antonius Agung Setiawan #6364991. Published by Antonius Agung Setiawan (A0.788529). O My Darling Clementine by American Traditional SongDuet guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playOh My Darling, Clementine is an American western folk ballad in trochaic meter usually credited to Percy Montrose (1884), although it is sometimes credited to Barker Bradford. The song is believed to have been based on another song called Down by the River Liv'd a Maiden by H. S. Thompson (1863). It is commonly performed in the key of F Major. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
$4.99
Big Drum
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568....
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Solo Guitar - Level 4 - SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
Scenes from the Life of Death
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Apostolos Paraskevas
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#
Scenes from the Life of Death
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.942098 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Individual part. 14 pages. Silver Si...
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Solo Guitar - Level 4 - SKU: A0.942098 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Individual part. 14 pages. Silver Sickle Publications #6212247. Published by Silver Sickle Publications (A0.942098). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life!
$11.99
Els Segons Temps
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Guitare
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INTERMÉDIAIRE
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Darian Stavans
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Els Segons Temps
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Music Studio
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.994725 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Individual part. 32 pages. Music Studio #4327163...
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Solo Guitar - Level 3 - SKU: A0.994725 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Individual part. 32 pages. Music Studio #4327163. Published by Music Studio (A0.994725). Els Segons Temps.Els Segons Temps - Guitar Music / Album Els Segons Temps by Darian Stavans.Els Segons Temps (The Second Times) is a very personal work for its composer. The music looks back to his origin and disarms conflicts as it resolves his emotional corners leading him to transform interior refinement into a delicious score. One would assume that the title of the album bespeaks second opportunities, but in fact that’s not the case. Likewise, the title in Catalan references nothing more that a very good friend of the artist’s. What really matters about this album, however, is its virtue of translating into sound the forcefulness of its author’s intimate life bereft of its complex acts and facts that serve only as a source of inspiration for musical delight. Guitarist Jaime Narváez renders an extraordinary interpretation of this work conveying its very foundation and origin. Listening to and understanding the force of this beautiful manuscript makes this an album one returns to time and again.1.- Próleg / Prólogo2.- En Mig / En Medio3.- Els Segons Temps / Los Segundos Tiempos4.- Llindar / Umbral5.- El Poder I la Gloria / El Poder y La Gloria6.- Epileg / EpÃlogoGuitar Music work.30 pages.Duration: 37:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$19.99
Despacito
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Guitare
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INTERMÉDIAIRE
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Latin/Musique du monde
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Luis Fonsi and Daddy Yankee
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Jaan Varts
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Despacito
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Jaan Varts
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.985306 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Indiv...
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Solo Guitar - Level 3 - SKU: A0.985306 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by Jaan Varts. Latin. Individual part. 16 pages. Jaan Varts #5719577. Published by Jaan Varts (A0.985306). Despacito by Luis Fonsi and Daddy Yankee arranged for 3 guitars (rhythm, melody & bass).This one came out a little trickier than I first expected, so there´s something to learn regardless of your playing level. This song is a good introduction to caribbean feel and groov.If you´re a beginner then the key to playing this arrangement is simplification - skip the small details and focus on the most essential stuff. The more advanced level = more details. I´ll cover it below for every part.Bass (the easiest part)The harmony of the song is Bm-G-A-D, one chord per bar. The bass is playing mostly rhythmic variations on the chord triads. If the main part is too difficult, then focus on just the first notes of the bars. Also take one groov at a time - you can use one groov throughout the song. When you feel confident with the one groov then take another one.If you want to see only the bass part, then click here: https://youtu.be/AfR3KnmemfERhythm (intermediate)The rhythm part features the same four chords - Bm-G-A-D on different positions and with different grooves. If you need to simplify then use open position chords and use one groove at a time.If you want to see only the rhythm part, then click here: https://youtu.be/mxT1ZLqmqzIMelody (advanced)The melody features lots of triplets and syncopations. When you´re a beginner, then just try to imitate the rhythm - you don´t have to play all the notes & rhythms. The same goes to all the legatos, slides and other embellishments.If you want to see only the melody part, then click here: https://youtu.be/A0gBfkV-F7o
$4.99
Riely's Dance
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Riely's Dance
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954944 Composed by Jim Bosse. African,Concert,Contemporary. Individual part. 10 pages. Jim Bosse #4574663. Published by ...
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Solo Guitar - Level 3 - SKU: A0.954944 Composed by Jim Bosse. African,Concert,Contemporary. Individual part. 10 pages. Jim Bosse #4574663. Published by Jim Bosse (A0.954944). This is the first movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Riely's Dance was intended to present only African rhythms with no melody, but a rock n' roll middle somehow snuck in. Performance time is 5 minutes with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Bach to Africa
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. ...
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Solo Guitar - Level 5 - SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
Pluck for guitar
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Guitare
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AVANCÉ
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Contemporain
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published ...
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Solo Guitar - Level 5 - SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
MAIDHAN TWILIGHT - Tondi. FR Original Works.
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Tondi Rangkuti a
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Tondi Rangkuti a
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MAIDHAN TWILIGHT - Tondi. FR O
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ToRa Swarna Diva
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1047787 By Tondi Rangkuti a.k.a Tondi. FR. By Tondi Rangkuti a.k.a Tondi. FR. Arranged by Tondi Rangkuti a.k.a Tondi. FR...
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Solo Guitar - Level 4 - SKU: A0.1047787 By Tondi Rangkuti a.k.a Tondi. FR. By Tondi Rangkuti a.k.a Tondi. FR. Arranged by Tondi Rangkuti a.k.a Tondi. FR. 20th Century,Classical,Jazz,Multicultural,Romantic Period,World. Individual part. 9 pages. ToRa Swarna Diva #652226. Published by ToRa Swarna Diva (A0.1047787). This is a composition written by Tondi Rangkuti a.k.a Tondi. FR which was originally written in full orchestral arrangement format. And this sheet is a derivative form or arrangement into a Guitar Classic format also by Tondi. FR. Melodic and emotional of this composition was so very powerful. Because it is a contemplation of various old photos from the Classic era of Medan City, the city which was previously given the title 'Paris Van Sumatra' because of its beauty at that time. A plantation city and has the most modern facilities in its era. Buildings with art deco architecture and lush and large trees. This composition is a Tribute to this City. The composition starts with the Asymmetrical Time of 9/4 then turn to 4/2 and Key Minor. In Section B then modulate to A Major. Then a very emotional Fragment was in the E Phrygian scale. Where the ability to play Malay and Hijaz-style mood music is needed. Melodies are basically built from simple motifs. But then it was developed to be very wide. A picture of music that tells about the beauty of the romantic classical era. Download this beautiful composition immediately for only $22.
$22.00
Amazing Grace
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Guitare
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DÉBUTANT
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Musique Sacrée
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John Newton
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Iury Cardoso
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Amazing Grace
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Iury Cardoso
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1270159 Composed by John Newton. Arranged by Iury Cardoso. Classical,Praise & Worship,Religious,Spiritual,Traditional. I...
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Solo Guitar - Level 1 - SKU: A0.1270159 Composed by John Newton. Arranged by Iury Cardoso. Classical,Praise & Worship,Religious,Spiritual,Traditional. Individual part. 2 pages. Iury Cardoso #862587. Published by Iury Cardoso (A0.1270159). EASY GUITAR arrangement of the song: Amazing Grace (John Newton) This easy arrangement is for beginner players of guitar This is a version of the classic hymn Amazing Grace. In this arrangement, the simplified chords and melody make it easy to learn. The melody is played in the first part only in the first string and the second time, the same melody is played only in the sixth string.On this site there are also several other versions of this arrangement for different instruments. See more arrangements by Iury Cardoso, thank you so much!  amazing grace sheet musiceasy beginner guitareasy guitareasy fingerstylebeginning classical guitarclassical guitaracoustic guitareasy classical guitarsolo guitarguitar sheet musiceasy arrangementamazing grace guitar sheet musiceasy amazing gracemusic scoreclassic hymn amazing grace.
$2.99
Alfie
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Cher
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John Fries
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Alfie
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individua...
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Solo Guitar - Level 4 - SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. John Fries #863904. Published by John Fries (A0.1271506). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US).
$4.99
The Winner Takes It All
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Guitare
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INTERMÉDIAIRE
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ABBA
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Derek Hasted
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The Winner Takes It All
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1283320 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Derek Hasted. 20th Century,Pop. 28 pages. Derek Hasted #87...
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Guitar - Level 3 - SKU: A0.1283320 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Derek Hasted. 20th Century,Pop. 28 pages. Derek Hasted #874514. Published by Derek Hasted (A0.1283320). THE WINNER TAKES IT ALL - Great concert piece for 4 GUITARS or larger ensemblePrimarily for Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar only.Derek Hasted writes This is a concert crowd-pleaser perfect for intermediate or advanced intermediate guitarists!One reason ABBA songs are so memorable isn’t the strong melody line, it’s all the other clever harmonies and countermelodies that lurk just under the surface to make a crafted masterpiece.My arrangement uses guitar-friendly shapes to capture the whole song and many of the countermelodies that make the original such a great listen.The dynamics on the score tie in with the orchestration, so that the quiet sections are slow-moving and the louder sections are busy, adding yet more notes before the previous ones fade away. I’ve added just a little fingering here and there if there’s really only one place on the neck to play what’s on the page. Elsewhere, please choose the sweet spot that gives you, the player, the best mix of tone, sustain, playability and confidence.I hope you enjoy performing this as much as the audience will enjoy hearing it!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
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