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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Op. 2
Non classifié
2 530
Piano & claviers
Piano seul
3 780
Piano, Voix
2 914
Piano Facile
533
Orgue
457
1 Piano, 4 mains
119
2 Pianos, 4 mains
93
Piano Quintette: piano, 2 violons, alto, violoncelle
51
Piano, Voix et Guitare
41
Piano Quatuor: piano, 2 violons, violoncelle
20
Instruments en Do
20
Piano Trio: piano, violon, violoncelle
18
Accordéon
15
Piano grosses notes
13
Accompagnement Piano
13
2 Orgues (duo)
11
Piano Quatuor: piano, violon, alto, violoncelle
8
2 Accordéons
6
Clavecin
5
Instrument seul et Orgue
4
Orgue et Orchestre
3
Orgue, Trompette (duo)
3
Orgue, Piano (duo)
2
Clavier
2
1 Piano, 6 mains
1
Piano (partie séparée)
1
Orgue, Voix
1
Accordéon, Corde(s)
1
2 Pianos, 8 mains
1
+ 23 instrumentations
Retracter
Guitares
Guitare
276
2 Guitares (duo)
192
Guitare notes et tablatures
163
Ukulele
25
4 Guitares (Quatuor)
9
Ligne De Mélodie, (Paroles) et Accords
6
3 Guitares (trio)
3
Piano, Guitare (duo)
2
Ensemble de guitares
2
Mandoline
2
Guitare, Orchestre
2
Basse electrique
2
+ 7 instrumentations
Retracter
Voix
Chorale SATB
136
Voix seule
70
Chorale 2 parties
39
Chorale 3 parties
34
Chorale TTBB
28
Voix duo, Piano
21
Voix haute
14
Chorale
12
Voix duo
11
Voix moyenne, Piano
11
Chorale SSAA
9
Chorale Unison
9
Voix Soprano, Piano
8
Voix basse, Piano
6
Voix haute, Piano
3
Chorale SSATTB
3
Soli, choeur mixte et accompagnement
3
Chorale SSATB
2
Chorale SSAATB
2
Voix Baryton, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix Alto, Piano
2
Chorale SSAATTBB
2
Voix, Guitare
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
259
2 Flûtes traversières (duo)
250
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
178
2 Saxophones (duo)
174
Clarinette et Piano
170
2 Clarinettes (duo)
144
Quatuor de Clarinettes: 4 clarinettes
131
Hautbois, Piano (duo)
121
Clarinette
110
Saxophone Alto et Piano
104
Flûte traversière
95
2 Flûte à bec (duo)
84
Quatuor de Saxophones: 4 saxophones
82
Quatuor de Flûtes : 4 flûtes
79
Clarinette (partie séparée)
76
Flûte, Hautbois, Clarinette, Basson
76
Saxophone Tenor et Piano
71
3 Flûtes à bec (trio)
63
Saxophone Soprano et Piano
62
2 Hautbois (duo)
54
Saxophone Baryton, Piano
51
Flûte et Guitare
51
3 Saxophones (trio)
47
Saxophone (partie séparée)
46
3 Clarinettes (trio)
45
Hautbois (partie séparée)
42
Saxophone Alto
34
Quintette de Saxophone: 5 saxophones
34
Flute (partie séparée)
34
Cor anglais, Piano
34
Clarinette Basse, Piano
34
Flûte, Clarinette et Basson
22
Trio de Flûtes: 3 flûtes
22
Ensemble de Clarinettes
20
2 Clarinettes, Basson
19
Flûte, Clarinette (duo)
19
Flûte, Hautbois, Clarinette (trio)
16
Quintette de Clarinettes: 5 clarinettes
16
Flûte, Hautbois, Basson
15
Quatuor de Flûtes à bec
15
Ensemble de saxophones
14
Quintette de Flûte : 5 flûtes
13
Flûte à bec Soprano, Piano
12
Clarinette, Basson (duo)
12
Piccolo, Piano
11
Flûte traversière, Basse continue
11
2 Clarinettes, Piano
11
Hautbois, Basson (duo)
11
Saxophone Tenor
11
Flûte à bec Soprano
11
Saxophone Soprano
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Ensemble de Flûtes
10
Clarinette, Violoncelle (duo)
9
2 Flûtes traversières, Piano
9
Hautbois
9
Clarinette, Guitare (duo)
8
Flûte à bec Alto, Piano
8
Ensemble De Flûte à bec
7
Flûte à Bec, Piano
7
Cor Anglais
7
2 Cors Anglais Et Pianoforte
7
5 Flûtes à bec
7
Flûte à bec Alto
7
Flûte à bec Alto, Basse continue
7
Flûte, Violoncelle
7
Flûte, Violon
7
Flûte, Violon, Piano
6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
Clarinette, Violon (duo)
5
Flûte à Bec
5
Flûte, Violon et Violoncelle
5
Clarinette et Alto
5
Hautbois, Clarinette (duo)
5
Ensemble à vent
5
Flûte, Alto (duo)
4
Ocarina
4
Flûte à bec Tenor
4
Hautbois, Violoncelle
3
Flûte, Basson et Piano
3
Harmonica
3
Saxophone
3
Clarinette, Orchestre
2
Saxophone Baryton
2
2 Flûtes à bec, Piano
2
Piccolo
2
Hautbois, Flûte
2
Hautbois et alto (duo)
2
Flûte et Trio à cordes
2
Clarinette, Basson, Piano (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Flûtes, Basse continue
2
3 Hautbois
2
Flûte, Tuba (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte à bec, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Flûte irlandaise
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Harpe
1
Flûte, Violon, Guitare
1
Flûte, Trombone (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano, Basse continue
1
Clarinette, Alto et Piano (trio)
1
Harmonica, Piano
1
Clarinette, Harpe (duo)
1
Hautbois, Violon, Piano
1
Flûte, Violoncelle, Guitare
1
Flûte traversière, Orchestre
1
+ 108 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
256
Quatuor de Cuivres : 2 trompettes, trombone, tuba
127
Trombone et Piano
92
Trompette
86
Cor
82
Cor et Piano
72
Trompette (partie séparée)
71
Trompette, Piano
70
2 Cors (duo)
63
Euphonium, Piano (duo)
55
Trombone (partie séparée)
54
2 Trompettes (duo)
43
Trombone
40
2 Trombones (duo)
38
Quatuor de Cuivres: 2 trompettes, Cor, trombone
38
Cor anglais, Piano
34
Cor (partie séparée)
29
Tuba et Piano
26
Quatuor de Cuivres
25
2 Euphoniums et 2 Tubas
17
Trompette, Trombone (duo)
15
Tuba
14
Quatuor de cuivres: 4 trombones
13
2 Tubas (duo)
11
2 Euphoniums (duo)
10
Trompette, Cor (duo)
10
Trombone, Cor (duo)
9
Trombone basse et Piano
9
Trio de Cuivres
9
Quatuor de cuivres: 4 cors
8
Tuba (partie séparée)
8
Cor Anglais
7
2 Cors Anglais Et Pianoforte
7
Euphonium, Tuba (duo)
6
Trompette, Tuba (duo)
4
3 Tubas (trio)
4
4 Tubas
4
Trombone, Tuba (duo)
4
3 Trombones (trio)
4
Ensemble de Cors
4
3 Cors (trio)
3
Ensemble de Trompettes
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette et Guitare
3
Quatuor de cuivres: 4 trompettes
3
Ensemble de Trombones
3
Cor, Tuba (duo)
3
3 Trompettes (trio)
2
Euphonium
2
Cor anglais et Harpe (duo)
1
Trombone, Violon (duo)
1
Trompette, Trombone, Piano
1
Tuba et Orgue
1
Trombone, Orgue
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 479
Violon et Piano
390
2 Violons (duo)
260
Violon
254
Violoncelle, Piano
247
Violoncelle
185
2 Violoncelles (duo)
180
Alto, Piano
167
2 Altos (duo)
118
Violon (partie séparée)
100
Alto seul
92
Trio à Cordes: 2 violons, violoncelle
82
Violon, Violoncelle (duo)
62
Trio à Cordes: violon, alto, violoncelle
60
Violon, Alto (duo)
57
Alto (partie séparée)
54
Quintette à cordes: 2 violons, alto, violoncelle, basse
47
2 Violons et Basse continue
35
4 Violoncelles
33
2 Violons, Piano
33
Alto, Violoncelle (duo)
28
Trio à cordes: 3 violins
28
Harpe
27
Quintette à cordes: 2 violons, 2 altos, violoncelle
25
Violon, Guitare (duo)
21
2 Harpes (duo)
20
Contre Basse
17
Violoncelle (partie séparée)
17
Trio à Cordes: 2 violons, alto
14
Quatuor à cordes: 4 violons
14
2 Contrebasses (duo)
13
Trio à cordes
13
Contrebasse, Piano (duo)
13
Violoncelle , Guitare (duo)
12
Trio à Cordes: 3 violoncelles
12
Contrebasse (partie séparée)
11
Trio à cordes: 3 altos
10
Piano Trio: Violon, Alto, Piano
9
Quatuor à cordes : 4 altos
9
2 Violoncelles, Piano
7
2 Altos, Piano
7
Violoncelle, Contrebasse (duo)
7
Violon, Basse continue
5
Violon, Basson (duo)
5
Harpe, Flûte (duo)
5
Alto, Guitare (duo)
4
Violoncelle, Basse continue
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Alto et Basson
3
Violoncelle, Orchestre
3
Violon, Orgue
1
3 Contrebasses
1
Flûte, Contrebasse (duo)
1
Harpe, Violon (duo)
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
225
Orchestre d'harmonie
197
Orchestre
160
Orchestre de chambre
102
Ensemble de cuivres
27
Ensemble de Percussions
24
Percussion (partie séparée)
19
Ensemble Jazz
9
Piano et Orchestre
7
Batterie
6
Timbales (partie séparée)
5
Orchestre, Violon
3
Vibraphone
2
Marimba
2
Instrumentation Flexible
1
Xylophone
1
Percussion
1
Fanfare
1
Caisse Claire
1
+ 14 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Op. 2
Guitare
Partitions à imprimer
276 partitions trouvées
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276
Scherzo (from Nachtviolen, Op. 2)
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
Johann Kaspar Mertz
#
Johann Kaspar Mertz
#
Scherzo
#
A. J. Cornell Publications
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1221820 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual part. 1 pages. A. ...
(+)
Solo Guitar - Level 3 - SKU: A0.1221820 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual part. 1 pages. A. J. Cornell Publications #818111. Published by A. J. Cornell Publications (A0.1221820). Mertz’s “Scherzo†(from Nachtviolen, Op. 2) for solo classical guitar.
$1.99
Adagio lamentoso (from Nachtviolen, Op. 2)
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
Johann Kaspar Mertz
#
Johann Kaspar Mertz
#
Adagio lamentoso
#
A. J. Cornell Publications
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1221784 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual part. 1 pages. A. ...
(+)
Solo Guitar - Level 3 - SKU: A0.1221784 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual part. 1 pages. A. J. Cornell Publications #818076. Published by A. J. Cornell Publications (A0.1221784). Mertz’s “Adagio lamentoso†(from Nachtviolen, Op. 2) for solo classical guitar.
$1.99
Guitar Sight-Reading 2
#
Guitare
#
INTERMÉDIAIRE
#
Guitar Sight-Reading 2
#
Schott Music - Digital
#
SheetMusicPlus
Guitar - intermediate - SKU: S9.Q21257 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Musi...
(+)
Guitar - intermediate - SKU: S9.Q21257 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q21257. Published by Schott Music - Digital (S9.Q21257). English • French • German.'Guitar Sight-Reading 2' aims to build on the sight-reading skills learnt in book 1 and provides a wealth of more challenging examples so that the pupil may gain even greater confidence when approaching any new piece of music for the first time. Tunes progress to include keys from 2 flats to 4 sharps using a variety of styles.Construit sur la technique apprise dans le volume 1, le volume 2 propose une abondance d’exemples qui aideront l’élève à se sentir en confiance lorsqu’il abordera pour la première fois une nouvelle pièce. Les mélodies utilisent les tonalités allant de 2 bémols à 4 dièses.
$15.99
ALLEGRO I - (RECORDER SONATE IV - OP.2) - BENEDETTO MARCELLO - FOR GUITAR SOLO
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Guitare
#
AVANCÉ
#
Classique
#
FALLAHIN SCORE EDITIONS
#
Marcelo Fallahin
#
ALLEGRO I -
#
Fallahin Score Editions
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1140978 By FALLAHIN SCORE EDITIONS. By Benedetto Marcello. Arranged by Marcelo Fallahin. Baroque,Classical. Individual p...
(+)
Solo Guitar - Level 5 - SKU: A0.1140978 By FALLAHIN SCORE EDITIONS. By Benedetto Marcello. Arranged by Marcelo Fallahin. Baroque,Classical. Individual part. 3 pages. Fallahin Score Editions #741227. Published by Fallahin Score Editions (A0.1140978). TRANSCRIPTION FOR GUITAR SOLO.
$8.00
SONATA IV - OP.2 - BENEDETTO MARCELLO - FOR GUITAR SOLO
#
Guitare
#
AVANCÉ
#
Classique
#
FALLAHIN SCORE EDITIONS
#
Marcelo Fallahin
#
SONATA IV - OP.2 - BENEDETTO M
#
Fallahin Score Editions
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1216598 By FALLAHIN SCORE EDITIONS. By Benedetto Marcello. Arranged by Marcelo Fallahin. Baroque,Classical. Individual p...
(+)
Solo Guitar - Level 5 - SKU: A0.1216598 By FALLAHIN SCORE EDITIONS. By Benedetto Marcello. Arranged by Marcelo Fallahin. Baroque,Classical. Individual part. 9 pages. Fallahin Score Editions #813149. Published by Fallahin Score Editions (A0.1216598). Transcription for guitar solo.
$32.00
ADAGIO I - (RECORDER SONATE IV - OP.2) - BENEDETTO MARCELLO - FOR GUITAR SOLO
#
Guitare
#
AVANCÉ
#
Classique
#
FALLAHIN SCORE EDITIONS
#
Marcelo Fallahin
#
ADAGIO I -
#
Fallahin Score Editions
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1140498 By FALLAHIN SCORE EDITIONS. By Benedetto Marcello. Arranged by Marcelo Fallahin. Baroque,Classical. Individual p...
(+)
Solo Guitar - Level 5 - SKU: A0.1140498 By FALLAHIN SCORE EDITIONS. By Benedetto Marcello. Arranged by Marcelo Fallahin. Baroque,Classical. Individual part. 3 pages. Fallahin Score Editions #740736. Published by Fallahin Score Editions (A0.1140498). TRANSCRIPTION FOR GUITAR SOLO.
$8.00
ALLEGRO II - (RECORDER SONATE IV - OP.2) - BENEDETTO MARCELLO - FOR GUITAR SOLO
#
Guitare
#
AVANCÉ
#
Classique
#
FALLAHIN SCORE EDITIONS
#
Marcelo Fallahin
#
ALLEGRO II -
#
Fallahin Score Editions
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1216586 By FALLAHIN SCORE EDITIONS. By Benedetto Marcello. Arranged by Marcelo Fallahin. Baroque,Classical. Individual p...
(+)
Solo Guitar - Level 5 - SKU: A0.1216586 By FALLAHIN SCORE EDITIONS. By Benedetto Marcello. Arranged by Marcelo Fallahin. Baroque,Classical. Individual part. 4 pages. Fallahin Score Editions #813137. Published by Fallahin Score Editions (A0.1216586). Transcription for guitar solo.
$12.00
SONATE III - OP.2 - BENEDETTO MARCELLO - FOR GUITAR SOLO
#
Guitare
#
AVANCÉ
#
Classique
#
FALLAHIN SCORE EDITIONS
#
Marcelo Fallahin
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SONATE III - OP.2 - BENEDETTO
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Fallahin Score Editions
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SheetMusicPlus
By FALLAHIN SCORE EDITIONS. By Benedetto Marcello (1686- 1739). Arranged by Marcelo Fallahin. Baroque, Classical. Individual part. 7 pages. Fallahin Sc...
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By FALLAHIN SCORE EDITIONS. By Benedetto Marcello (1686- 1739). Arranged by Marcelo Fallahin. Baroque, Classical. Individual part. 7 pages. Fallahin Score Editions #738084. Published by Fallahin Score Editions
$24.00
Baroque Guitar Anthology 2
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Baroque Guitar Anthology 2
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Schott Music - Digital
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SheetMusicPlus
Guitar - intermediate to advanced - 25 Guitar and Lute Pieces. This edition: Sheet music. Schott Anthology Series. Downloadable. Op. Vol. 2. Schott ...
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Guitar - intermediate to advanced - 25 Guitar and Lute Pieces. This edition: Sheet music. Schott Anthology Series. Downloadable. Op. Vol. 2. Schott Music - Digital #Q54501. Published by Schott Music - Digital
English - French - German.
The second volume of this anthology series contains 25 original works by composers of the 17th and 18th centuries, transcribed for guitar by co-author Stuart Willis. Including pieces by Corbetta, Falkenhagen, Gallot and Weiss, amongst others, it offers a wide stylistic range of works, many of which are rarely available. The collection is suitable for students of c.4-5 years of playing experience, or those of grades 3-4 level (UK and Commonwealth). The book also includes composer biographies and teaching notes on each of the pieces.
Also available:
Baroque Guitar Anthology:
Vol 1 - ED 13357
Vol 3 - ED 13446
Vol 4 - ED 13489
Romantic Guitar Anthology:
Vol 1 - ED 13110
Vol 2 - ED 13111
Vol 3 - ED 13112
Vol 4 - ED 13113
BAROQUE GUITAR ANTHOLOGIES - press reviews
This is a significant contribution to Baroque literature... teacher and student are the lucky beneficiaries of this great collection. Jens, Stuart and Schott are all to be congratulated. - COLIN TOMMIS, EUROPEAN GUITAR TEACHERS ASSOCIATION
$16.99
Nocturne in Eb Major, Op. 9, No. 2 (For 2 Guitars and 2 Basses)
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Guitare
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Danny Crocome
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Nocturne in Eb Major, Op. 9, N
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1284592 Composed by Frederic Chopin. Arranged by Danny Crocome. 19th Century,Chamber,Classical,Romantic Period,Traditional. 5...
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Guitar - Level 3 - SKU: A0.1284592 Composed by Frederic Chopin. Arranged by Danny Crocome. 19th Century,Chamber,Classical,Romantic Period,Traditional. 5 pages. Danny Crocome Music #875767. Published by Danny Crocome Music (A0.1284592). This arrangement of Chopin's timeless Nocturne in Eb Major, Op. 9, No. 2, is for 2 guitars and 2 basses.
$9.99
Moderato No. 2 (from Original-Steyrer-Tänze, Op. 33)
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Kaspar Mertz
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Johann Kaspar Mertz
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Moderato No. 2
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A. J. Cornell Publications
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1221811 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual part. 2 pages. A. ...
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Solo Guitar - Level 3 - SKU: A0.1221811 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual part. 2 pages. A. J. Cornell Publications #818101. Published by A. J. Cornell Publications (A0.1221811). Mertz’s “Moderato No. 2†(from Original-Steyrer-Tänze, Op. 33) for solo classical guitar.
$1.99
Matteo Carcassi : 25 Études mélodiques et progressives, Op. 60 - No. 2 Moderato espressivo
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Guitare
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FACILE
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Methodes Etudes
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Methodes
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Matteo Carcassi
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25 Études mélodiques et prog
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Tomplay
Telechargez la tablature et la partition Guitare 25 Études melodiques et progressives, Op. 60 - No. 2 Moderato espressivo de Carcassi. Tab pour Guitare s...
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Telechargez la tablature et la partition Guitare 25 Études melodiques et progressives, Op. 60 - No. 2 Moderato espressivo de Carcassi. Tab pour Guitare seule -- Classique,Exercices (ameliorez votr
3.99€
Strauss II : Idyllen Walzer, Op. 95, No. 2
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Guitare
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FACILE
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Classique
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Strauss II
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Idyllen Walzer, Op. 95, No. 2
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Tomplay
Telechargez la tablature et la partition Guitare Idyllen Walzer, Op. 95, No. 2 de Strauss II. Tab pour Guitare seule -- Classique...
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Telechargez la tablature et la partition Guitare Idyllen Walzer, Op. 95, No. 2 de Strauss II. Tab pour Guitare seule -- Classique
4.99€
Piano Sonata No. 20 in G major, Op. 49, No. 2 I. Allegro ma non troppo (Ludwig Van Beethoven)
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Guitare
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Chris Richter
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Piano Sonata No. 20 in G major
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Chris Richter
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1453517 Composed by Ludwig van Beethoven. Arranged by Chris Richter. Classical. Individual part. 7 pages. Chris Richter ...
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Solo Guitar - Level 3 - SKU: A0.1453517 Composed by Ludwig van Beethoven. Arranged by Chris Richter. Classical. Individual part. 7 pages. Chris Richter #1032746. Published by Chris Richter (A0.1453517). Ludwig van Beethoven's Piano Sonata No. 20 in G major, Op. 49, No. 2 I. Allegro ma non troppo arranged for solo fingerstyle guitar.
$5.99
Prelude in C# minor Op. 3 Nº 2
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Guitare
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AVANCÉ
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Contemporain
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Sergei Rachmaninoff
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Manuel Guinand
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Prelude in C# minor Op. 3 N&or
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Aumaitre Guinand
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1159692 Composed by Sergei Rachmaninoff. Arranged by Manuel Guinand. 20th Century,Classical. Individual part. 3 pages. A...
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Solo Guitar - Level 5 - SKU: A0.1159692 Composed by Sergei Rachmaninoff. Arranged by Manuel Guinand. 20th Century,Classical. Individual part. 3 pages. Aumaitre Guinand #759949. Published by Aumaitre Guinand (A0.1159692). Arrangement for Classical Guitar of Sergei Rachmaninoff's Prelude in C# minor Op. 3 Nº 2 (original for piano).Key: D minor. 6º in D tuning.
$20.00
Intermezzo No. 2 Op. 118, guitar arrangement
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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Stefan Dulov
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Intermezzo No. 2 Op. 118, guit
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Stefan Dulov
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1161298 By Johannes Brahms. By Johannes Brahms. Arranged by Stefan Dulov. Classical,Romantic Period. Individual part. 6 ...
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Solo Guitar - Level 4 - SKU: A0.1161298 By Johannes Brahms. By Johannes Brahms. Arranged by Stefan Dulov. Classical,Romantic Period. Individual part. 6 pages. Stefan Dulov #761637. Published by Stefan Dulov (A0.1161298). This is an arrangement for classical guitar of the piano Intermezzo No. 2 Op. 118 by Johannes Brahms, German composer of the mid-Romantic period. Its difficulty level is moderate to advanced and it is in standard guitar tuning. Standard guitar notation, tabs and detailed left hand fingering included. Duration of the piece is about 6:40 minutes. I hope you will enjoy learning and playing this beautiful melody!
$5.00
CHOPIN Prelude No.4 In E Minor Largo Op.28 For Classical Guitar
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Guitare
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INTERMÉDIAIRE
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Doojuu Fukumiya
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Doojuu Fukumiya
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CHOPIN Prelude No.4 In E Minor
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International Arrangement Papers
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1105722 By Doojuu Fukumiya. By Frederic Francois Chopin. Arranged by Doojuu Fukumiya. 19th Century,Classical,Historic,Ne...
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Solo Guitar - Level 3 - SKU: A0.1105722 By Doojuu Fukumiya. By Frederic Francois Chopin. Arranged by Doojuu Fukumiya. 19th Century,Classical,Historic,New Age,Traditional. Individual part. 18 pages. International Arrangement Papers #708940. Published by International Arrangement Papers (A0.1105722). CHOPIN Prelude No.4 In E Minor (1838) Largo Op.28 For Classical Guitar, Transcription by Doojuu Fukumiya (Japan), The Guitarist as The Pianist , Contains 3 types of musical score, 1.Staff Notation (1p.), 2.Staff Notation+TAB (3pp.), 3.Staff Notation+FingeringTAB (5pp.). Characteristics of this arrangement. 1. Standard tuning. 2. Same key as the original. 3. An arrangement that respects for the piano expression more.
$20.00
18 Etudes Progressives Pour La Guitare Op.51
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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18 Etudes Progressives Pour La
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1254258 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 77 pages. ...
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Solo Guitar - Level 4 - SKU: A0.1254258 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 77 pages. Socrates Arvanitakis #847831. Published by Socrates Arvanitakis (A0.1254258). PREFACE & Editorial NotesThe 18 studies op.51 by Mauro Giuliani are in general of a moderate difficulty andtheir didactic purposes can be perceived as the solid establishment of anintermediate level of technique and the advancement into a higher level, so some ofthem may be a little more difficult than the rest. At the same time, most of them areentertaining musical pieces with high aesthetic value and can also be studied andplayed for musical enjoyment.Notes1 Metronome marks are editorial suggestions and should not be taken too literally.2 This volume is offered with decorated and undecorated pages (as two books in one)so that the user can chose which version he prefers and construct his printed ordigital book accordingly. Blank pages have been added to be used or omitted for thearrangement of left and right hand pages. Navigating the Thematic Index1 click on the photo of any piece: Go to relevant decorated page2 click the header of any titled page: Return to the index3 click on the title of any displayed piece: Interchange between decorated/undecorated pages.
$15.00
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Waltz in Ab Major, Op. 39 No. 15 (Johannes Brahms)
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Guitare
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Chris Richter
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Waltz in Ab Major, Op. 39 No.
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Chris Richter
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1486604 Composed by Johannes Brahms. Arranged by Chris Richter. Classical,Romantic Period. Individual part. 2 pages. Chr...
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Solo Guitar - Level 3 - SKU: A0.1486604 Composed by Johannes Brahms. Arranged by Chris Richter. Classical,Romantic Period. Individual part. 2 pages. Chris Richter #1063668. Published by Chris Richter (A0.1486604). Johannes Brahms Waltz in Ab Major, Op. 39 No. 15 arranged for solo fingerstyle guitar.
$5.99
Mauro Giuliani: Sonatina in C op.71 no.1
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Guitare
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INTERMÉDIAIRE
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. ...
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Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
"Prelude Op. 28, No. 7" for solo classical fingerstyle guitar
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Guitare
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FACILE
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Classique
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Frederic Chopin
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Keith W
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"Prelude Op. 28, No. 7&qu
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1363287 Composed by Frederic Chopin. Arranged by Keith W. Gehle. 19th Century,Classical,Romantic Period. Individual part...
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Solo Guitar - Level 2 - SKU: A0.1363287 Composed by Frederic Chopin. Arranged by Keith W. Gehle. 19th Century,Classical,Romantic Period. Individual part. 1 pages. Keith Gehle #947795. Published by Keith Gehle (A0.1363287). The very short yet beautiful Prelude Op. 28, No. 7 by Frederic Chopin was recorded as part of Keith’s 2004 album entitled Nocturne, Music of the Romantics which featured new arrangements and editions of 19th century music. There’s also a version available with TAB on this site.
$1.99
Study in C No. 8 Op. 6 - Fernando Sor (Trio)
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Guitare
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Classique
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Fernando Sor
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Christopher Everest
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Study in C No. 8 Op. 6 - Ferna
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Christopher Everest
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SheetMusicPlus
Solo Guitar - SKU: A0.901378 Composed by Fernando Sor. Arranged by Christopher Everest. Classical. Individual part. 2 pages. Christopher Everest #585347...
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Solo Guitar - SKU: A0.901378 Composed by Fernando Sor. Arranged by Christopher Everest. Classical. Individual part. 2 pages. Christopher Everest #5853475. Published by Christopher Everest (A0.901378). This is a teaching/practice supplement to highlight the independent voices of Sor's No. 8 Op. 6 .
$1.99
No. 3 "con afflizione" from Feuilles d'Automne, Op. 29
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Guitare
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INTERMÉDIAIRE
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Classique
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Vladimer Rebikov
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Eric J Roth
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No. 3 "con afflizione&quo
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1127005 Composed by Vladimer Rebikov (1866-1920). Arranged by Eric J Roth. 19th Century,20th Century,Classical,Romantic ...
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Solo Guitar - Level 3 - SKU: A0.1127005 Composed by Vladimer Rebikov (1866-1920). Arranged by Eric J Roth. 19th Century,20th Century,Classical,Romantic Period. Individual part. 2 pages. Eric J Roth #727643. Published by Eric J Roth (A0.1127005). Arrangement for solo classical guitar of Op. 29, No. 3 composed by Russian late Romantic/early Impressionist composer, Vladimir Rebikov. This delightful piano miniature is the third in a set of six from Feuilles d'Automne (Autumn Leaves). Although untitled, the composer marks the character as con afflizione, (with affliciton). The original key of the piano piece is F sharp minor, transposed here to A minor for ease on the guitar.
$2.99
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