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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Op.1 Sonata
Non classifié
249
Piano & claviers
Piano seul
183
Piano Facile
24
1 Piano, 4 mains
15
Orgue
4
Piano, Voix
3
Piano, Voix et Guitare
1
Instruments en Do
1
2 Pianos, 4 mains
1
Clavecin
1
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
8
Guitare notes et tablatures
3
2 Guitares (duo)
2
Voix
Chorale SATB
1
Vents
Flûte traversière et Piano
29
3 Flûtes à bec (trio)
27
2 Saxophones (duo)
21
2 Flûtes traversières (duo)
19
Clarinette et Piano
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
2 Flûte à bec (duo)
13
Flûte traversière, Basse continue
13
Flûte traversière
12
Flûte à bec Alto, Basse continue
12
Flûte, Hautbois, Clarinette, Basson
12
2 Clarinettes (duo)
11
2 Hautbois (duo)
7
3 Clarinettes (trio)
7
Quatuor de Clarinettes: 4 clarinettes
6
Quatuor de Saxophones: 4 saxophones
5
Flûte, Alto (duo)
5
Quintette de Saxophone: 5 saxophones
5
Flûte, Clarinette et Basson
5
Saxophone Tenor et Piano
5
Saxophone Alto et Piano
5
Hautbois, Piano (duo)
5
Hautbois, Basson (duo)
5
3 Saxophones (trio)
5
Flûte, Violoncelle
5
Clarinette et Alto
5
Flûte, Hautbois, Basson
4
2 Clarinettes, Basson
4
Flûte, Hautbois, Clarinette (trio)
4
Clarinette (partie séparée)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Quatuor de Flûtes : 4 flûtes
3
Saxophone Baryton, Piano
3
Trio de Flûtes: 3 flûtes
3
Ensemble de Clarinettes
3
Flûte à Bec, Piano
3
Quatuor de Flûtes à bec
3
Harmonica
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone
2
Clarinette
2
Cor anglais, Guitare (duo)
2
Saxophone Soprano et Piano
2
Flûte, Clarinette (duo)
2
Flûte et Guitare
2
2 Cors Anglais Et Pianoforte
2
Ensemble à vent
1
Flûte à bec Soprano
1
Flûte, Hautbois, Piano (trio)
1
Flûte irlandaise
1
Saxophone (partie séparée)
1
Clarinette, Basson (duo)
1
Clarinette, Guitare (duo)
1
5 Flûtes à bec
1
Flûte, Violon et Violoncelle
1
Hautbois (partie séparée)
1
Quintette de Flûte : 5 flûtes
1
Flute (partie séparée)
1
Cor anglais, Piano
1
Flûte à bec Alto, Piano
1
Ensemble de Flûtes
1
Flûte à Bec
1
Flûte à bec Soprano, Piano
1
Clarinette Basse, Piano
1
Clarinette, Violoncelle (duo)
1
+ 60 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trombone et Piano
10
2 Cors (duo)
6
Trompette (partie séparée)
4
Euphonium, Piano (duo)
4
2 Euphoniums (duo)
3
Quatuor de Cuivres
3
2 Tubas (duo)
3
2 Trombones (duo)
3
Cor et Piano
3
2 Trompettes (duo)
3
Trompette, Piano
2
4 Tubas
2
Cor anglais, Guitare (duo)
2
2 Cors Anglais Et Pianoforte
2
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
Trombone (partie séparée)
1
Ensemble de Cors
1
Cor anglais, Piano
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
Trompette
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trombone
1
Euphonium, Tuba (duo)
1
+ 22 instrumentations
Retracter
Cordes
Violon et Piano
44
Violon
41
Trio à Cordes: 2 violons, violoncelle
38
Violoncelle, Piano
35
Quatuor à cordes: 2 violons, alto, violoncelle
31
2 Violons (duo)
18
2 Violoncelles (duo)
17
Violoncelle
16
Alto, Piano
15
Violoncelle, Contrebasse (duo)
14
Violon, Alto (duo)
11
2 Violons et Basse continue
10
Violon, Basse continue
10
2 Altos (duo)
9
Violon, Violoncelle (duo)
9
2 Violons, Piano
6
Harpe
5
Trio à Cordes: violon, alto, violoncelle
5
Flûte, Contrebasse (duo)
5
Violon, Guitare (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse, Piano (duo)
4
Alto seul
4
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Violoncelle, Basse continue
3
Violon (partie séparée)
3
4 Violoncelles
3
2 Contrebasses (duo)
3
Alto, Guitare (duo)
2
Violoncelle (partie séparée)
2
Contrebasse (partie séparée)
2
Trio à cordes: 3 altos
2
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
1
Alto (partie séparée)
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Contre Basse
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
23
Orchestre de chambre
9
Orchestre
4
Orchestre d'harmonie
4
Percussion (partie séparée)
2
Ensemble Jazz
1
+ 1 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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Vous avez sélectionné:
Op.1 Sonata
Guitare
Partitions à imprimer
8 partitions trouvées
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1
Guitar Sonata No. 5 in G major (open G tuning)
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jerem...
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Solo Guitar - Level 5 - SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
Guitar Sonata in F minor (Guitar Sonata No. 1)
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata in F minor
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985320 Composed by Jeremiah Lawson. Contemporary. Individual part. 8 pages. Jeremiah Lawson #5370923. Published by Jerem...
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Solo Guitar - Level 5 - SKU: A0.985320 Composed by Jeremiah Lawson. Contemporary. Individual part. 8 pages. Jeremiah Lawson #5370923. Published by Jeremiah Lawson (A0.985320). This is a single-movement, 8 page solo guitar sonata in F minor that I composed in 2000. My main inspirations were the late piano sonatas of Beethoven (especially Op. 111) and the late string quartets of Shostakovich (particularly No. 13). This is a very demanding work to play. Prescribed tempo should be no LESS than 152 bpm. The work is a traditional sonata form and includes large stretches as well as chords and melodies in harmonics played over continuously moving bass lines using conventional tones on the lower strings. .
$5.00
Mauro Giuliani: Sonatina in C op.71 no.1
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Guitare
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INTERMÉDIAIRE
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. ...
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Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Prelude Op.9 No.1
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Guitare
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Contemporain
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A
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Rod Whittle
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Prelude Op.9 No.1
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899138 Composed by A. Scriabin. Arranged by Rod Whittle. 20th Century. Individual part. 1 pages. Maggie Creek Music #4349093. Publ...
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Solo Guitar - SKU: A0.899138 Composed by A. Scriabin. Arranged by Rod Whittle. 20th Century. Individual part. 1 pages. Maggie Creek Music #4349093. Published by Maggie Creek Music (A0.899138). for solo classical guitar (tremolo) 3 pp (4 min.)Alexander Scriabin 1872-1915 Some relevant facts about Scriabin are: He was Russian – he was born and died in Moscow. He was a child prodigy of the piano, and a great admirer of Chopin. His piano and orchestral compositions are finely crafted, the latter uniting aesthetics with religion. Both are naturally laced with the Russian temperament, and show an embrace of the harmonic revolution of his time. The prelude (Op.9 No.1) is an early piece exhibiting Scriabin's melodic flair. It's form is a kind of condensed sonata – ABA with a coda. The 'B' section of roving, moderately distant, harmonies, and the 'coda' with its binding bass line are equal to the theme, as they should be. I am very fond of the tremolo style, and here it highlights the marvelous counterpoint of the piece.
$5.00
2 Sonatas
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Guitare
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AVANCÉ
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Nicolo Paganini
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2 Sonatas
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Schott Music - Digital
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SheetMusicPlus
Guitar - advanced - SKU: S9.Q5005 Composed by Nicolo Paganini. This edition: Sheet music. Edition Manuel Barrueco - guitar - transcription. Guitar Archi...
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Guitar - advanced - SKU: S9.Q5005 Composed by Nicolo Paganini. This edition: Sheet music. Edition Manuel Barrueco - guitar - transcription. Guitar Archive. Downloadable. Op. 3/1 und 6. Schott Music - Digital #Q5005. Published by Schott Music - Digital (S9.Q5005). The first edition of Paganini’s 6 Sonatas, Opus 3 was published in 1820 by Ricordi in Milan. The original composition, written in 1805, has survived in the form of autograph violin and guitar parts. Manuel Barrueco has edited the two sonatas (in A major and in E minor) and supplied the fingering.
$10.99
Nicolo Paganini: Sonata in A major, Op. 3 No. 1 - guitar solo
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Guitare
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AVANCÉ
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Classique
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Nicolo Paganini
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Virtualsheetmusic
Instantly printable sheet music by Nicolo Paganini for guitar solo of HIGH skill level. Contents: 2 Sonatas / classical
Instantly printable sheet music by Nicolo Paganini for guitar solo of HIGH skill level. Contents: 2 Sonatas / classical
$4.99
Ludwig Van Beethoven - Moonlight Sonata - 2. Allegretto (Menuet) - (from Piano Sonata Op. 27) - (Digital Download)
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Guitare
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Ludwig Van Beethoven - Moonlig
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Musicnotes
Ludwig Van Beethoven - Moonlight Sonata - 2. Allegretto (Menuet) - (from Piano Sonata Op. 27) Digital Sheetmusic - instantly downloadable sheet music plus an in...
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Ludwig Van Beethoven - Moonlight Sonata - 2. Allegretto (Menuet) - (from Piano Sonata Op. 27) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Solo Instrumental~~Romantic~~Classical
$2.99
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Op.1 Sonata 
