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AUTRES INST…
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GUITARE PED…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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MANDOLINE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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Non classifié
587
PIANO & CLAVIERS
Piano seul
307
Piano Facile
64
1 Piano, 4 mains
43
Piano, Voix et Guitare
26
Orgue
14
Piano, Voix
10
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Piano (duo)
4
Piano Trio: piano, violon, violoncelle
4
Clavecin
1
Piano grosses notes
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare
10
Basse electrique
9
4 Guitares (Quatuor)
9
Piano, Guitare (duo)
7
Guitare notes et tablatures
7
Ukulele
4
3 Guitares (trio)
3
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Paroles et Accords
1
Partitions De Groupes
1
Guitare Tab, Voix, Basse, Batterie
1
Instrumentations suivantes
Retracter
VOIX
Voix seule
6
Chorale Unison
5
Chorale SATB
5
Chorale
3
Voix duo, Piano
1
Voix duo
1
Chorale TTBB
1
Chorale 3 parties
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Flûte traversière et Piano
40
Quatuor de Clarinettes: 4 clarinettes
38
Clarinette et Piano
37
Hautbois, Piano (duo)
36
Saxophone Tenor et Piano
34
Quatuor de Saxophones: 4 saxophones
34
Saxophone Soprano et Piano
32
Flûte, Hautbois, Clarinette, Basson
28
Ensemble de Flûtes
26
2 Flûtes traversières (duo)
26
Clarinette
25
Saxophone Alto et Piano
23
3 Saxophones (trio)
20
Flûte traversière
18
Quintette de Saxophone: 5 saxophones
15
2 Clarinettes (duo)
15
Quatuor de Flûtes : 4 flûtes
14
Flûte, Violon et Violoncelle
14
Saxophone Tenor
13
Ensemble de Clarinettes
13
Saxophone Alto
12
Saxophone Baryton, Piano
12
2 Saxophones (duo)
12
3 Clarinettes (trio)
11
Cor anglais, Piano
9
Clarinette Basse, Piano
9
Ensemble de saxophones
9
Flûte, Clarinette et Basson
7
Flûte, trombone et piano
6
Clarinette, Violoncelle, Piano (trio)
6
Flûte, Clarinette, Piano (trio)
6
Trio de Flûtes: 3 flûtes
5
Quatuor de Flûtes à bec
5
Flûte, Violon, Violoncelle et Piano
5
Flûte, Alto et Piano
4
Flûte, Hautbois, Piano (trio)
4
2 Clarinettes, Piano
4
Flûte, Clarinette (duo)
4
Clarinette, Violon (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Basson (duo)
3
Flûte, Hautbois, Basson
3
Harmonica
3
Quintette de Flûte : 5 flûtes
3
Clarinette, trompette et piano
2
2 Flûtes traversières, Piano
2
Flûte, Basson et Piano
2
2 Hautbois (duo)
2
Clarinette, Basson (duo)
2
Flûte, Violon
2
2 Flûte à bec (duo)
1
Flûte, Violon, Piano
1
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois (duo)
1
Flute, harpe et violon
1
Hautbois, Harpe
1
Ensemble De Flûte à bec
1
Flûte, Alto (duo)
1
Flûte, Trombone (duo)
1
Flûte, Violoncelle
1
Flûte traversière, Orgue (duo)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Harpe (duo)
1
Flûte à bec Soprano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à Bec
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Trombone et Piano
31
Trompette, Piano
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
Trompette
23
Quatuor de cuivres: 4 trombones
16
Cor et Piano
14
Euphonium, Piano (duo)
13
2 Trompettes (duo)
12
Quatuor de Cuivres
10
Trombone
9
Cor anglais, Piano
9
Trio de Cuivres
7
Quatuor de cuivres: 4 cors
7
Ensemble de Trombones
6
4 Tubas
5
Trompette (partie séparée)
5
Trompette, Trombone (duo)
5
2 Euphoniums et 2 Tubas
5
Quatuor de cuivres: 4 trompettes
5
Ensemble de Trompettes
4
Cor
4
Tuba
3
Trombone (partie séparée)
2
Cor (partie séparée)
2
Ensemble de Tubas
2
2 Cors (duo)
2
2 Trombones (duo)
2
3 Trombones (trio)
1
Trompette, Violoncelle et Piano
1
3 Trompettes (trio)
1
2 Tubas (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Orgue
1
Trompette, violon (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
152
Alto, Piano
36
Violon et Piano
34
Violoncelle, Piano
33
Trio à Cordes: violon, alto, violoncelle
24
2 Violons (duo)
21
Violon
18
Violoncelle
16
4 Violoncelles
16
Violon, Alto (duo)
14
Quatuor à cordes: 4 violons
13
Violon, Violoncelle (duo)
12
Alto seul
10
2 Violoncelles (duo)
10
Trio à Cordes: 3 violoncelles
7
Trio à cordes: 3 violins
6
Quatuor à cordes : 4 altos
5
Trio à Cordes: 2 violons, violoncelle
5
Harpe, Flûte (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Ensemble de Violons
2
4 Contrebasses
2
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Contrebasse, Piano (duo)
1
2 Contrebasses (duo)
1
2 Violoncelles, Piano
1
Trio à cordes
1
Trio à cordes: 3 altos
1
Violoncelle, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Contrebasse (partie séparée)
1
2 Altos (duo)
1
3 Contrebasses
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
645
Orchestre
352
Orchestre à Cordes
228
Orchestre de chambre
62
Ensemble de cuivres
53
Percussion
9
Ensemble Jazz
8
Cloches
6
Quintette à Vent
5
Fanfare
4
Ensemble de Percussions
4
Batterie
4
Percussion (partie séparée)
3
Caisse Claire
1
Vibraphone (partie séparée)
1
Timbales (partie séparée)
1
Xylophone
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Overture: Score
Guitare
Partitions à imprimer
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1
Mauro Giuliani: Grand Overture, Op.61 for guitar solo
Guitare
Instantly downloadable sheet music by Mauro Giuliani for guitar solo of MEDIUM/HIGH skill …
(+)
Instantly downloadable sheet music by Mauro Giuliani for guitar solo of MEDIUM/HIGH skill level. Contents: opus 61, op. 61, grand ouverture, gran ouverture, gran overture / classical
$3.99
3.58 €
#
Guitare
#
Mauro Giuliani
#
Virtualsheetmusic
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.27 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture/prologue
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1388284 By ABBA. By Benny Andersso…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1388284 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Julius Marx. Broadway,Film/TV,Musical/Show,Pop,Rock,Singer/Songwriter. Individual part. 100 pages. Julius Marx #971882. Published by Julius Marx (A0.1388284). The full Guitar 1 score of the Broadway Musical Mamma Mia.
$4.99
4.47 €
#
Guitare
#
ABBA
#
Julius Marx
#
Overture/prologue
#
Julius Marx
#
SheetMusicPlus
Overture/prologue
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1388285 By ABBA. By Benny Andersso…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1388285 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Julius Marx. Broadway,Film/TV,Musical/Show,Pop,Rock,Singer/Songwriter. Individual part. 98 pages. Julius Marx #971883. Published by Julius Marx (A0.1388285). The full Guitar 2 score of the Broadway Musical Mamma Mia.
$4.99
4.47 €
#
Guitare
#
ABBA
#
Julius Marx
#
Overture/prologue
#
Julius Marx
#
SheetMusicPlus
Pyotr Ilyich Tchaikovsky: Overture - guitar solo
Guitare
Instantly printable sheet music by Pyotr Ilyich Tchaikovsky for guitar solo of MEDIUM skil…
(+)
Instantly printable sheet music by Pyotr Ilyich Tchaikovsky for guitar solo of MEDIUM skill level. / classical
$8.97
8.04 €
#
Guitare
#
Pyotr Ilyich Tchaikovsky
#
Virtualsheetmusic
Peter Tchaikovsky: Overture for guitar solo
Guitare
Instantly printable sheet music by Pyotr Ilyich Tchaikovsky for guitar solo of MEDIUM skil…
(+)
Instantly printable sheet music by Pyotr Ilyich Tchaikovsky for guitar solo of MEDIUM skill level. / christmas,classical,advent,carol,festival
$6.97
6.25 €
#
Guitare
#
Peter Tchaikovsky
#
Virtualsheetmusic
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.27 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.27 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.27 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
In An English Garden
Guitare
Guitar - Advanced - Digital Download SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. …
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Guitar - Advanced - Digital Download SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1529. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1529). Homage to the English guitarist-composer John Duarte, In an English Garden, is a short Neo-Baroque triptych based on a charming harmonic fragment from the second movement of the composer?s well-known work English Suite. The blueprint for the Prelude is in the French Overture style and Sarabande with the accompanying Double is modelled after Bach?s Partita no.1 in B minor. The quote Sitting in an English garden, waiting for the sun, is from one of my favorite songs by John Lennon, I Am The Walrus.Hommage au guitariste-compositeur anglais John Duarte, In an English Garden est un court triptyque néo-baroque basé sur un charmant fragment harmonique du deuxième mouvement de l??uvre bien connue du compositeur English Suite. Le plan du Prélude est dans le style de l?Ouverture française et la Sarabande accompagnée du Double est calquée sur la Partita n°1 en si mineur de Bach. La citation « Assis dans un jardin anglais, attendant le soleil » est tirée d?une de mes chansons préférées de John Lennon, I Am The Walrus.
$5.95
5.33 €
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Guitare
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Dusan Bogdanovic
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In An English Garden
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Les Editions Doberman-Yppan
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SheetMusicPlus
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