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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SYNTHETISEUR
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TUBA
UKULELE
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VIOLONCELLE
XYLOPHONE
Passacaglia in B Minor
Non classifié
1
Piano & claviers
Piano seul
4
1 Piano, 4 mains
1
Orgue
1
Piano Facile
1
Guitares
Guitare
2
Voix
Vents
Flûte, Hautbois, Clarinette, Basson
1
Ensemble de saxophones
1
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
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1
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COR ANGLAIS
CORNEMUSE
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EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
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Crtitères actifs :
Passacaglia in B Minor
Guitare
Partitions à imprimer
2 partitions trouvées
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Passacaglia
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eric J Roth
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Passacaglia
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by ...
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Solo Guitar - Level 4 - SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by Eric J Roth (A0.914738). (7 pages. 3 pages of music)This Passacaglia is the first of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming, but the Passacaglia is offered here as a single, standalone work. I have performed the Passacaglia in my own concert programs both on its own and as part of the larger sonata. I believe that it works equally well both ways. The Passacaglia form originated in 17th-century Spain. It started as a series of strummed chords that served as an interlude between dances. The term itself translates as street song. Over time, it evolved to become a series of variations set over an ostinato or ground bass, usually in triple meter. It is often indistinguishable from a Chaconne. In character, the Passacaglia is often serious, or even grave. The Passacaglia offered here adheres to this tradition in most ways, except that it is in 5/4 instead of triple meter. The ostinato phrase is five measures long and set in quarter notes. Variations usually occur in pairs and are distinguished by texture. Beginning simply, the variations build in complexity throughout the piece. The main theme, introduced in the second pair of variations, recurs later in a fuller texture. One final statement of the ostinato in bare octaves ends the piece. The tonality stems from an E harmonic minor scale, although an added B flat serves to blur any sense of strict tonality.Please note that there are some minor differences between the score and the YouTube video of a live performance from 2018.
$2.99
Gigue
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eric J Roth
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Gigue
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by ...
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Solo Guitar - Level 4 - SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by Eric J Roth (A0.914743). This Gigue is the finale of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming. In the interim, I am offering three movements – the Passacaglia, Sarabande and Gigue – as single standalone works. I have performed them in my own concert programs both as part of the larger sonata and on their own. I believe that they work equally well both ways. The Gigue form is a lively dance in triple meter that stems from the Irish jig. It probably originated in England and Ireland in the 16th century. In the Baroque period and beyond, composers have often used gigues as the final movement of dance suites. The Gigue offered here is a galloping romp in 6/8 time with eighth notes running throughout most of the piece. It recalls similar gigues by the lutenist Sylvius Leopold Weiss (1687-1750) and the Tarantelle by Johann Kaspar Mertz (1806-1856). (The Tarantella is a similar lively dance form in triple time). Like the Passacaglia, the Gigue uses an E harmonic minor scale with an added (structural) B flat that helps to blur the sense of strict tonality. The second section includes hints of G and B tonal areas before returning to E minor to end the piece.
$2.99
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Passacaglia in B Minor