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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Passages
Non classifié
443
Piano & claviers
Piano seul
449
Piano Facile
53
Orgue
29
Piano, Voix
29
1 Piano, 4 mains
21
Instruments en Do
21
Piano, Voix et Guitare
11
Piano Trio: piano, violon, violoncelle
8
Accompagnement Piano
7
2 Pianos, 4 mains
4
Orgue, Trompette (duo)
3
Ensemble d'Accordéons
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
45
Guitare notes et tablatures
17
2 Guitares (duo)
7
Banjo
3
Ligne De Mélodie, (Paroles) et Accords
3
Basse electrique
3
Paroles et Accords
1
Ukulele
1
Partitions De Groupes
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
220
Chorale 3 parties
32
Chorale 2 parties
29
Chorale SSAA
21
Chorale TTBB
19
Chorale Unison
13
Voix Soprano, Piano
10
Chorale SSAATTBB
10
Voix haute
3
Voix Alto, Piano
2
Chorale SSAB, Piano
2
Voix duo, Piano
2
Voix moyenne, Piano
1
Chorale SAATB A Cappella
1
Voix Baryton, Piano
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
45
Flûte traversière et Piano
37
Clarinette
37
Flûte traversière
36
Saxophone Alto
34
Quatuor de Clarinettes: 4 clarinettes
33
Quatuor de Saxophones: 4 saxophones
27
Saxophone Tenor
26
2 Flûtes traversières (duo)
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
2 Clarinettes (duo)
24
Clarinette et Piano
24
Saxophone, Clarinette (duo)
19
Saxophone Alto et Piano
17
Hautbois, Piano (duo)
17
Hautbois (partie séparée)
16
Clarinette, Violon (duo)
15
Flûte, Hautbois, Clarinette, Basson
15
Quatuor de Flûtes : 4 flûtes
13
Ensemble de Clarinettes
12
Clarinette, Trompette (duo)
11
Saxophone Soprano et Piano
10
Hautbois, Clarinette (duo)
10
2 Hautbois (duo)
10
Flûte, Alto (duo)
8
Clarinette (partie séparée)
8
Hautbois, Basson (duo)
8
Saxophone Tenor et Piano
8
Flûte, Violon
8
3 Clarinettes (trio)
8
Hautbois, Flûte
7
Clarinette et Alto
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Saxophone (duo)
6
Quintette de Saxophone: 5 saxophones
6
Flûte, Clarinette (duo)
5
Saxophone (partie séparée)
5
Clarinette, Basson (duo)
4
Quintette de Flûte : 5 flûtes
4
Flûte, Trompette (duo)
4
Trio de Flûtes: 3 flûtes
4
Ensemble de Flûtes
4
Ensemble de saxophones
4
3 Saxophones (trio)
3
Flûte, Clarinette et Basson
3
Flute (partie séparée)
3
Flûte et Guitare
3
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Basson
2
Hautbois, Violoncelle
2
Clarinette, Violoncelle (duo)
2
2 Cors Anglais Et Pianoforte
2
Flûte, Violoncelle
2
Saxophone Baryton, Piano
2
Ensemble à vent
1
Hautbois, violon (duo)
1
Flûte et Trio à cordes
1
Piccolo
1
Flûte à bec Soprano
1
2 Clarinettes, Basson
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flute, harpe et violon
1
Clarinette Basse, Piano
1
Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone
1
Flûte, Hautbois (duo)
1
Flûte, Violon, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et Guitare
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Quatuor de Flûtes à bec
1
Saxophone Soprano
1
Ensemble De Flûte à bec
1
Flûte, Harpe et Violoncelle
1
Hautbois et alto (duo)
1
2 Saxophones, Piano
1
+ 74 instrumentations
Retracter
Cuivres
Trombone
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Trompette
29
Trompette, Saxophone (duo)
14
Cor
14
Trompette, Piano
14
Trompette (partie séparée)
14
2 Trompettes (duo)
13
Trombone et Piano
13
2 Trombones (duo)
11
Tuba
11
Cor et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Tuba et Piano
8
Trompette, Trombone (duo)
7
Trombone (partie séparée)
6
Cor (partie séparée)
6
Euphonium, Piano (duo)
4
Ensemble de Trombones
3
2 Cors (duo)
3
Quatuor de cuivres: 4 trombones
3
Quatuor de Cuivres
3
Euphonium
2
Quatuor de cuivres: 4 cors
2
2 Euphoniums (duo)
2
2 Cors Anglais Et Pianoforte
2
Trombone basse
2
Ensemble de Trompettes
2
2 Tubas (duo)
2
Tuba (partie séparée)
2
Tuba ou Euphonium ou Saxhorn
1
Euphonium, Tuba (duo)
1
3 Trombones (trio)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Cors
1
3 Trompettes (trio)
1
Cor, Violoncelle (duo)
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
97
Violon et Piano
62
Violon
51
Violoncelle, Piano
31
Violoncelle
24
Trio à Cordes: violon, alto, violoncelle
23
Harpe
20
Violon, Violoncelle (duo)
19
2 Violons (duo)
17
Alto, Piano
16
Violon (partie séparée)
14
Alto seul
13
2 Violoncelles (duo)
11
Violon, Alto (duo)
10
Contrebasse, Piano (duo)
8
2 Altos (duo)
7
Alto (partie séparée)
7
Contre Basse
6
Contrebasse (partie séparée)
4
2 Contrebasses (duo)
3
Violon, Guitare (duo)
3
4 Violoncelles
3
Violon, Basson (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Alto et Basson
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
319
Orchestre à Cordes
109
Orchestre
49
Cloches
29
Ensemble de cuivres
22
Ensemble de Percussions
19
Ensemble Jazz
18
Orchestre de chambre
14
Percussion (partie séparée)
6
Fanfare
3
Marimba
3
Batterie
3
Xylophone, Piano
2
Vibraphone
2
Timbales
1
+ 10 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
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AUTRES INST…
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BANJO
BASSE
BASSON
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CITHARE
CLAIRON
CLARINETTE
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COR ANGLAIS
CORNEMUSE
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DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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ENFANTS : EVEIL - IN…
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JAZZ MANOUCHE - SWIN…
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
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26
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.33 €
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Guitare
#
Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Jesus, Joy of Man's Desiring
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
4.6 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
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Guitare
#
Richard Strauss
#
Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Menuet (from the Anna Magdalena notebooks)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444679 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444679 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024543. Published by Rodrigo Faleiros (A0.1444679). Embark on a more intricate musical journey with this intermediate-level arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, crafted for solo classical guitar. This edition introduces a richer bass line that weaves through the melody, providing depth and a more complex harmonic structure. The sheet music is thoughtfully annotated with fingerings to guide intermediate players through the nuanced interpretation of this Baroque masterpiece.Key Features: Intermediate Level: Challenges and engages players with a more elaborate arrangement that demands greater skill and musical understanding. Melody with Rich Bass Accompaniment: A sophisticated bass line enhances the foundational harmony, complementing the melody and adding a new dimension to the piece. Fingerings Included: Offers clear fingerings to assist in the execution of more complex passages, ensuring a smooth learning curve. This “Menuet” arrangement is a splendid opportunity for intermediate guitarists to delve into the subtleties of classical guitar, bringing out the full character and emotion of Bach’s composition.Continue to develop your skills and enrich your musical expression by clicking here for more intermediate-level arrangements.
$3.99
3.68 €
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Guitare
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Johann Sebastian Bach
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Rodrigo Faleiros
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Menuet
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Rodrigo Faleiros
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SheetMusicPlus
Presence-A Study For Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.955448 Composed by Neal Fitzpatric…
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Solo Guitar - Level 3 - Digital Download SKU: A0.955448 Composed by Neal Fitzpatrick. Contemporary,Instructional. Individual part. 3 pages. Neal Fitzpatrick Editions #6497651. Published by Neal Fitzpatrick Editions (A0.955448). This study for guitar focuses on right hand finger assignment and tone production while at the same time reinforcing proper left hand positioning through the chromatic nature of the passages. The pieces also presents to the performer increased fretboard knowledge, increased mid-fretboard knowledge, time signature changes and overall note reading enhancements.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comhttps://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag
$2.99
2.76 €
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Guitare
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Neal Fitzpatrick
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Presence-A Study For Guitar
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Neal Fitzpatrick Editions
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SheetMusicPlus
Building Right Hand Technique
Guitare
Guitar (flatpicking) - Intermediate-Advanced - Digital Download SKU: M0.93780EB Com…
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Guitar (flatpicking) - Intermediate-Advanced - Digital Download SKU: M0.93780EB Composed by William Bay. All styles. E-book. Mel Bay Publications - Digital Sheet Music #93780EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93780EB). ISBN 9781609749477. 8.75x11.75 inches.This book provides a master source for building agility, flexibility and speed while playing with a flatpick, as well as a repertoire source for the plectrum-style guitarist. The studies are designed to build reading ability and clarity of sound in a variety of styles, as well as agility in cross-picking and the playing of rapid linear passages. Includes over 100 original and jazz etudes, fiddle tunes, and a great number of classical guitar pieces transcribed for plectrum guitar. Written in standard notation and tablature.
$19.99
18.43 €
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Guitare
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William Bay
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Building Right Hand Technique
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Hot Solos for Flatpick Guitarists
Guitare
Guitar (flatpicking) - Intermediate-Advanced - Digital Download SKU: M0.99862BCDEB …
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Guitar (flatpicking) - Intermediate-Advanced - Digital Download SKU: M0.99862BCDEB 11 Solos by National Flatpicking Champion Mark Cosgrove. Composed by Mark Cosgrove. Solos. Bluegrass and Country. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99862BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.99862BCDEB). ISBN 9781610658140. 8.75x11.75 inches.This collection of eleven flatpicking solos by National Flatpicking Guitar Champion Mark Cosgrove includes three which were winners at the National Flatpicking Championship in Winfield, Kansas. These songs are challenging and enjoyable for the intermediate to advanced guitarist. More importantly for the potential flatpicking championship contender, these tunes contain some of the required ingredients for a national competition: crosspicking, open-string or floating passages, and sections which require a certain amount of stamina when played at speed. However, a good time can be had by all by just taking them apart and playing around with them slowly and easily. The solos are written in standard notation and tablature with guitar accompaniment chords provided. Most but not all of the tunes found in this book were previously published in the book Good Medicine. This book has been revised and updated and the former book Good Medicine is out of print. Includes access to online audio.
$17.99
16.59 €
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Guitare
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Mark Cosgrove
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Hot Solos for Flatpick Guitarists
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Obscuritas
Guitare
Guitar - advanced - Digital Download SKU: S9.Q47357 Dream Tableau for Guitar…
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Guitar - advanced - Digital Download SKU: S9.Q47357 Dream Tableau for Guitar. Composed by Enjott Schneider. This edition: Sheet music. Guitar Archive. Downloadable. Duration 7 minutes. Schott Music - Digital #Q47357. Published by Schott Music - Digital (S9.Q47357). Obscuritas – Traumbild für Gitarre is dedicated to the topic of dream. Most of what can be heard are soft passages orbiting around a harmonic figurative model and suggestively evoking strangely beautiful pictures.
$11.99
11.05 €
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Guitare
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Enjott Schneider
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Obscuritas
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Schott Music - Digital
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SheetMusicPlus
Gioco. Sonata for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.53 €
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Guitare
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Eric Satie - Gymnopedie 1 arr. for guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.790882 Composed by Erik Satie. Arr…
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Solo Guitar - Level 3 - Digital Download SKU: A0.790882 Composed by Erik Satie. Arranged by Georg Mertens. 20th Century,Concert,Romantic Period,Standards. Individual part. 4 pages. Georg Mertens #3691539. Published by Georg Mertens (A0.790882). Eric Satie's famous Gymnopedie is written in a slow and transparent manner. This is ideal to be transcribed for guitar, being not too difficult as no fast passages or heavy chords need to be managed.The subtleness comes out very well on the guitar.The original composition is in D major. I chose as the key E major to allow open strings to sound longer out and also making it easier for the left hand.
$4.99
4.6 €
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Guitare
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Erik Satie
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Georg Mertens
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Eric Satie - Gymnopedie 1 arr. for guitar
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Georg Mertens
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SheetMusicPlus
Grand Vals Franciso Tarrega for easy intermediate guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.954709 Composed by Francisco Tarre…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954709 Composed by Francisco Tarrega. Arranged by Dennis Greensmith. Romantic Period. Individual part. 8 pages. Dennis Greensmith #3664221. Published by Dennis Greensmith (A0.954709). Grand Vals by Francisco Tarrega. Guitar.Arrangement for easy intermediate guitar by Dennis Greensmith. This arrangement is for early intermediate level though keeping the complete full structure, melody and harmony content by transposing the song to G major and the other key changes within the piece (rather that there original A major). This allows more use of open bass notes though the arrangement still requires where appropriate the use of Barres.The original song is often listed as intermediate level thought it is a well known as a Trinity College Grade 8 piece which clearly falls in to an advance category. This arrangement is around the Grade 4 to 5 and much more suited to those players not yet at advanced level.The piece is presented in standard notation for those who like just read music and separately standard notation and TAB for those who like to have TAB as well.A full tutorial video of the arrangement can be found at the Guitarfingers Youtube channel which goes through there whole piece and offer many helpful tips in playing the song and options to help you through the more tricky passages.
$6.00
5.53 €
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Guitare
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Francisco Tarrega
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Dennis Greensmith
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Grand Vals Franciso Tarrega for easy intermediate guitar
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Dennis Greensmith
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SheetMusicPlus
Partita II (BWV1004) in d minor transcribed for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastia…
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Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.  Â
$8.00
7.38 €
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Guitare
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Johann Sebastian Bach
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Daniel Clark
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Partita II
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Daniel Clark
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SheetMusicPlus
One Last Wish
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1317820 By Soundtrack. By James Horner.…
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Guitar - Level 3 - Digital Download SKU: A0.1317820 By Soundtrack. By James Horner. Arranged by Derek Hasted. 20th Century,Comedy,Film/TV. 15 pages. Derek Hasted #906510. Published by Derek Hasted (A0.1317820). ONE LAST WISH (from Casper) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar - also suits Acoustic GuitarDerek Hasted writes A haunting melody (pardon the pun!) is interspersed with lush & uplifting phrases and exotic chromatic passages. It’s an unusual and delightful piece that makes a refreshing and unexpected concert item.Guitar 3 is tuned to 6=D.I’ve fingered some of the more complex chord shapes, mainly as an aide-memoire, because the key signature and the accidentals combine to make some of the chords hard to read - for example there are F major and F# minor arpeggios looking (at first sight) identical on the page. Some of the more complex chromatic movement is actually gloriously straightforward because of the way I’ve arranged the music to use shapes that slide down the neck. Here and there I’ve chosen enharmonic equivalents to make the music easier on the eye.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.6 €
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Guitare
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Soundtrack
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Derek Hasted
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One Last Wish
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Derek Hasted
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SheetMusicPlus
Summer Sunset
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.973001 Composed by Steve Martin, R…
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Solo Guitar - Level 4 - Digital Download SKU: A0.973001 Composed by Steve Martin, Rainy Night Music. 20th Century,Contemporary,Standards. Individual part. 2 pages. Steve Martin, Rainy Night Music #6436875. Published by Steve Martin, Rainy Night Music (A0.973001). This piece is evocative of those really chilled summer nights when the sun is going down, and you're reflecting on the day. It's composed specifically for classical guitar with a standard EADGBE tuning. The piece is approximately Grade 5 to 6 in standard (ABRSM), with plenty of barré and half-barré passages providing the technical challenge. As a gentle piece, it would work particularly well paired with Holly's Lullaby, another of my classical guitar compositions. Thank you for your interest in my music, and I hope you enjoy playing it - especially on those balmy summer evenings! .
$3.99
3.68 €
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Guitare
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Steve Martin, Rainy Night Music
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Summer Sunset
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Steve Martin, Rainy Night Music
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SheetMusicPlus
Etude #10
Guitare
Solo Guitar - Digital Download SKU: A0.987934 Composed by Paul Erickson. 20th Centu…
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Solo Guitar - Digital Download SKU: A0.987934 Composed by Paul Erickson. 20th Century,Contemporary. Individual part. 1 pages. Paul Erickson #519243. Published by Paul Erickson (A0.987934). This study in A major features independent thumb and finger work, arpeggio and scale passages. 1 Page.
$3.99
3.68 €
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Guitare
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Paul Erickson
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Etude #10
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Paul Erickson
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SheetMusicPlus
Preludio
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert Pieces from 6 Centuries for Guitar (easy). This edition: Sheet music. Guitar - classical music - original pieces. Guitarissimo. 130 leichte Vortragsstücke aus 6 Jahrhunderten für Gitarre. Downloadable. Schott Music - Digital #Q46314. Published by Schott Music - Digital (S9.Q46314). Preludio contains 130 easy attractive performance pieces from six centuries, thus offering the most important pieces for beginners' guitar lessons in one comprehensive volume. The repertoire is ideal for first performances at music schools, as pieces for competitions and examinations or just as a 'treasure trove' for teachers, pupils, students, and guitar lovers. The selected pieces can be played in the second to fourth year of guitar lessons. They are divided chronologically into five chapters and arranged progressively according to their level of difficulty. Each chapter refers to another epoch: Renaissance – Baroque – Classical period – Romanticism and early 20th century – modern, pop and world music. The result is a tune book which can already be used during or immediately after studying any guitar method. Most pieces can be played in the 1st and 2nd positions, without requiring any barré fingering or ties and slurs. The somewhat more difficult pieces that require small and large barré fingering as well as position playing are placed at the end of each chapter. The majority of the pieces are original works, and the editors have refrained from making any radical simplifications. Only a few difficult passages have alternatively been made easier to play such that the level of difficulty within a piece does not vary too much.
$21.99
20.27 €
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Guitare
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Preludio
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Schott Music - Digital
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SheetMusicPlus
Dialethia
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1028190 Composed by Jeremy Hart. 2…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1028190 Composed by Jeremy Hart. 20th Century,Contemporary. Individual part. 8 pages. Jeremy Graham Hart #6590411. Published by Jeremy Graham Hart (A0.1028190). Dialethia is, at its core, an internal dialogue on style, musical language and authenticity. Through its many, abrupt and questioning diversions it portrays a process of self-interrogation which can become quite confrontational at times. Despite this the music always returns to the simple diatonic melody that forms the principle character of this work, regardless of the metamorphoses of its harmonization. This is of course with the exception of the closing passages, in which the work retains a melodic construction of limited intervallic usage taken from the previous diversion. Though, whether this retention represents an answer or a lingering question is not made clear.
$4.99
4.6 €
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Guitare
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Jeremy Hart
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Dialethia
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Jeremy Graham Hart
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SheetMusicPlus
Sammie's Choice
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1163367 Composed by Doug Smith. Bl…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1163367 Composed by Doug Smith. Blues,Children,Classical,Folk,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #763718. Published by Doug Smith Guitar Studio (A0.1163367). Sammie's Choice is set in the first position. It uses Pima free stroke arpeggios and a melody with the thumb free stroke.Pizzicato is introduced for bass passages. There is bending the string blues style, slurs, and ends with two natural harmonicson the bass strings.
$1.99
1.83 €
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Guitare
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Doug Smith
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Sammie's Choice
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Doug Smith Guitar Studio
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SheetMusicPlus
The Crystal Palace
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.976152 By Adam Frank. By Adam Fran…
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Solo Guitar - Level 4 - Digital Download SKU: A0.976152 By Adam Frank. By Adam Frank. 20th Century,Classical,Contemporary,New Age. Individual part. 7 pages. Adam Frank #581515. Published by Adam Frank (A0.976152). The Crystal Palace is a solo guitar piece written in an altered tuning. Passages highlighting different effects, such as harmonics ringing out over open strings, droning bass notes, and rasgueados adds to the already prevailing mystical quality of this developmental piece.
$4.99
4.6 €
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Guitare
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Adam Frank
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The Crystal Palace
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Adam Frank
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SheetMusicPlus
Slow Burn
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1168889 Composed by Doug Smith. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1168889 Composed by Doug Smith. 20th Century,Classical,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #769227. Published by Doug Smith Guitar Studio (A0.1168889). Slow Burn is classic jazz swing music. Swing all eighth notes. There are harmonized melodic lines, chord glissandos and slurs with left hand fingers. The range of notes used includes passages up to the 12th fret on several strings. Dynamics and staccato articulations help provide style.
$1.99
1.83 €
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Guitare
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Doug Smith
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Slow Burn
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Doug Smith Guitar Studio
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SheetMusicPlus
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