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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Passing by
Non classifié
214
Piano & claviers
Piano seul
255
Piano, Voix et Guitare
83
Piano, Voix
37
Piano Facile
21
Accompagnement Piano
14
Orgue
13
Instruments en Do
6
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
1
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
18
Ligne De Mélodie, (Paroles) et Accords
14
Guitare
13
Paroles et Accords
5
Basse electrique
4
Ukulele
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
86
Chorale 3 parties
21
Chorale TTBB
10
Chorale 2 parties
7
Chorale Unison
4
Voix duo
3
Chorale SSAA
3
Voix Alto, Piano
2
Voix duo, Piano
2
Voix moyenne, Piano
1
Voix Soprano, Piano
1
Voix Tenor
1
Voix seule
1
+ 8 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte traversière
14
Saxophone Alto et Piano
10
Clarinette et Piano
10
Flûte, Hautbois, Clarinette, Basson
10
Flûte traversière et Piano
9
Quatuor de Saxophones: 4 saxophones
8
Quatuor de Clarinettes: 4 clarinettes
8
Hautbois, Piano (duo)
8
Ensemble de Flûtes
5
Saxophone Tenor et Piano
5
Saxophone Baryton, Piano
5
Ensemble de saxophones
4
Clarinette Basse, Piano
4
Quatuor de Flûtes : 4 flûtes
3
Saxophone Soprano et Piano
2
Clarinette Basse
2
Flûte et Guitare
2
3 Clarinettes (trio)
2
2 Saxophones (duo)
2
Flûte, Hautbois, Clarinette (trio)
1
2 Flûte à bec (duo)
1
Quatuor de Flûtes à bec
1
Ensemble de Clarinettes
1
Clarinette
1
Saxophone Tenor
1
Flûte, Clarinette et Basson
1
2 Flûtes traversières (duo)
1
Cor anglais, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Guitare (duo)
1
Saxophone Alto
1
+ 27 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Cor et Piano
8
Trompette, Piano
7
Trompette
6
Trombone et Piano
5
Tuba et Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Trombones (duo)
2
Tuba
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres
2
2 Trompettes (duo)
1
Trombone, Orgue
1
Ensemble de Trompettes
1
Trombone
1
Quatuor de cuivres: 4 trombones
1
Trombone et orchestre
1
2 Cors (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 cors
1
Cor anglais, Piano
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
48
Trio à Cordes: violon, alto, violoncelle
17
Violon et Piano
12
Alto, Piano
11
Harpe
6
Violoncelle, Piano
6
2 Violons (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contrebasse, Piano (duo)
3
Violon
3
Violoncelle
2
2 Violoncelles (duo)
1
Alto seul
1
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
Violon, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
Violon, Alto (duo)
1
Violoncelle (partie séparée)
1
Violon (partie séparée)
1
Harpe, Voix
1
Piano Trio: Violon, Alto, Piano
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
56
Orchestre à Cordes
19
Orchestre
15
Ensemble Jazz
9
Cloches
6
Ensemble de cuivres
5
Orchestre de chambre
3
Jazz combo
2
Piano et Orchestre
1
Marimba
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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VIBRAPHONE
VIELLE A RO…
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Partitions Gratuites
2
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
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DIFFICULTÉ
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Partitions Numériques
13
ACCUEIL
|
NOUVEAUTÉS
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PIANO
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Partitions Piano
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INSTRUMENTAL
|
Cordes
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Violoncelle
Contrebasse
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ORCHESTRE
|
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CHORALE / VOIX
|
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SATB
TTBB
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2 parties
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Voix seule
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|
20eme siecle
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Country
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Noël
Patriotique
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Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
54
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
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Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
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Méthodes
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|
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
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MANDOLINE
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PERCUSSION
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Crtitères actifs :
Passing by
Guitare
Partitions à imprimer
13 partitions trouvées
<
1
Day by Day and With Each Passing Moment
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Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional
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Chris Richter
#
Day by Day and With Each Passi
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Chris Richter
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1462548 Composed by Traditional. Arranged by Chris Richter. Christian,Religious,Spiritual. Individual part. 3 pages. Chr...
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Solo Guitar - Level 3 - SKU: A0.1462548 Composed by Traditional. Arranged by Chris Richter. Christian,Religious,Spiritual. Individual part. 3 pages. Chris Richter #1041307. Published by Chris Richter (A0.1462548). A solo fingerstyle guitar arrangement of the hymn Day by Day and With Each Passing Moment.
$5.99
PASSING (DE PASO CAÑAZO)
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Guitare
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INTERMÉDIAIRE
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Claudio Amadeo Viggiano
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PASSING
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claudio viggiano
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1182192 Composed by Claudio Amadeo Viggiano. Folk,Latin,Multicultural,World. Individual part. 6 pages. Claudio viggiano ...
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Solo Guitar - Level 3 - SKU: A0.1182192 Composed by Claudio Amadeo Viggiano. Folk,Latin,Multicultural,World. Individual part. 6 pages. Claudio viggiano #781950. Published by claudio viggiano (A0.1182192). An original work for classic guitar, with the rhythm of chacarera (argentine folklore).
$4.00
Jazz Guitar Comping
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Guitare
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FACILE
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Jazz
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Andrew Green
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Jazz Guitar Comping
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Raising Your Chord Awareness. Composed by Andrew Green. 0. E-book and online audio. Mel Bay Publications - Digital Sheet Music #0970057644MEB. Publish...
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Raising Your Chord Awareness. Composed by Andrew Green. 0. E-book and online audio. Mel Bay Publications - Digital Sheet Music #0970057644MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117280.
For most of the recorded history of jazz, the piano has been the main, and usually the only, comping instrument. This text will help guitarists get a handle on the most important job they have when playing in a small group: comping. This book can be used as a progressive study of comping or simply a source of ideas. Although rhythms and voice leading are found throughout the book, they are isolated for study in particular sections. The book and accompanying audio cover voice leading, multi-use voicings, voicing variations, passing chords, harmonized scales, intervallic comping, rhythm and studies (blues, standard, modern and modal). Includes access to online audio.
$19.99
Sam Beam: Passing Afternoon for guitar
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Guitare
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FACILE
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Rock
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Sam Beam
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Virtualsheetmusic
Instantly printable sheet music by Iron & Wine for guitar solo (chords) of EASY skill level. / folk,pop,rock,children
Instantly printable sheet music by Iron & Wine for guitar solo (chords) of EASY skill level. / folk,pop,rock,children
$5.97
Tico Tico (tico Tico No Fuba)
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Guitare
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INTERMÉDIAIRE
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Film Walt Disney
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The Andrews Sisters
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Music for all Occasions
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions...
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Solo Guitar - Level 3 - SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions. Classical,Latin,Multicultural,World. Individual part. 3 pages. Keith Terrett #5869485. Published by Keith Terrett (A0.747009). Arranged for solo Guitar, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$7.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Melodies for Acoustic Guitar II
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Guitare
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INTERMÉDIAIRE
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Scott Linton
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Melodies for Acoustic Guitar I
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Pitch Perfect Music Services
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1282610 Composed by Scott Linton. 21st Century,Contemporary. Individual part. 14 pages. Pitch Perfect Music Services #87...
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Solo Guitar - Level 3 - SKU: A0.1282610 Composed by Scott Linton. 21st Century,Contemporary. Individual part. 14 pages. Pitch Perfect Music Services #873866. Published by Pitch Perfect Music Services (A0.1282610). Melodies for Acoustic Guitar II is an intermediate ability level contemporary suite for acoustic guitar, composed by Scott Linton, and transcribed and typeset by Pitch Perfect. It is 14 pages long (including covers and text), and includes the pieces Natural Progression, Passing Thro', and Fermin Romero.©2023 Scott Linton. All rights reserved.
$14.99
Niya
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Guitare
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INTERMÉDIAIRE
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Nicolas Mustillo
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Nicolas Mustillo
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Niya
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Nico Mustillo
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.529955 By Nicolas Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. 20th Century,Contemporary,Multicultural,S...
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Solo Guitar - Level 3 - SKU: A0.529955 By Nicolas Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. 20th Century,Contemporary,Multicultural,Sacred,Traditional,World. Individual part. 3 pages. Nico Mustillo #140087. Published by Nico Mustillo (A0.529955). La obra en ritmo de Vidala, uno de los mas profundos del Folklore argentino, es un homenaje a Niya, una perra que me acompaño muchos años de mi vida, el paisaje sonoro representa el transcurrir de su vida, los años y el amor compartido. Vidala's work in rhythm, one of the deepest in Argentine Folklore, is a tribute to Niya, a dog who accompanied me for many years of my life, the soundscape represents the passing of her life, the years and shared love.
$10.00
Someone To Light Up My Life
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Guitare
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INTERMÉDIAIRE
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Antonio Carlos Jobim, Carlos E
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Rod Whittle
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Someone To Light Up My Life
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1489839 Composed by Antonio Carlos Jobim, Carlos Eduardo Lyra Barbosa, Gene Lees, and Vinicius De Moraes. Arranged by Ro...
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Solo Guitar - Level 3 - SKU: A0.1489839 Composed by Antonio Carlos Jobim, Carlos Eduardo Lyra Barbosa, Gene Lees, and Vinicius De Moraes. Arranged by Rod Whittle. 20th Century,Jazz,Latin. Individual part. 3 pages. Maggie Creek Music #1066711. Published by Maggie Creek Music (A0.1489839). This arrangement is faithful to the feel and progression of the guitar arrangement in 'The Brazilian Masters' (TRO Hollis Music Inc. 1958) except that it returns to the main theme (stated right at the start) before ending with its beautiful coda. To me it seems almost inevitable that the theme be restated at the end. The marvelous Jobin chords and passing modulations are all there and the reaarranged structure give the piece a feeling of completion.
$6.00
Lua para o Epilogo de Verão (Août)
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Guitare
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AVANCÉ
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Contemporain
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Louis Trépanier
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Lua para o Epilogo de Verão
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions ...
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Guitar - Advanced - SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
$5.95
"November Memories" for solo classical fingerstyle guitar
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Guitare
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INTERMÉDIAIRE
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New Age
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Keith Gehle
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"November Memories"
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1358837 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 3 pages. Keith Gehle #943286. Published by Keith Ge...
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Solo Guitar - Level 3 - SKU: A0.1358837 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 3 pages. Keith Gehle #943286. Published by Keith Gehle (A0.1358837). “November Memories†was recorded as part of Keith’s 2016 album entitled Space and Time and recalls autumn afternoons with his brother Ken shortly before his passing. While the album version features an introduction and additional instruments, the piece works very well as a guitar solo. This PDF includes detailed fingerings in standard notation. There’s also a version available with TAB on this site.
$2.49
De camino al cielo, the way to heaven
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Alfred Feenstra
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De camino al cielo, the way to
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.978008 Composed by Alfred Feenstra. 20th Century,Concert,Contemporary,World. Individual part. 3 pages. Alfred Feenstra #...
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Solo Guitar - Level 4 - SKU: A0.978008 Composed by Alfred Feenstra. 20th Century,Concert,Contemporary,World. Individual part. 3 pages. Alfred Feenstra #4983457. Published by Alfred Feenstra (A0.978008). A melancholic piece for the classical guitar, composed after passing away his father in law.
$4.00
Passing Afternoon
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Guitare
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Folk Rock
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Iron & Wine
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Wine. Folk
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Passing Afternoon
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Iron & Wine. Folk; Pop; Rock. Easy Guitar. 2 pages. Published by Hal Leonard - Digital Sheet Music...
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By Iron & Wine. Folk; Pop; Rock. Easy Guitar. 2 pages. Published by Hal Leonard - Digital Sheet Music
$2.99
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