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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Past century
Non classifié
172
Piano & claviers
Piano seul
212
Piano, Voix
89
Orgue
31
Piano Facile
30
2 Pianos, 4 mains
8
Piano, Voix et Guitare
7
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
Accompagnement Piano
1
+ 9 instrumentations
Retracter
Guitares
Guitare
18
Basse electrique
6
Guitare notes et tablatures
5
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
67
Chorale TTBB
18
Chorale 3 parties
11
Chorale SSAA
6
Voix Soprano, Piano
4
Chorale 2 parties
4
Chorale Unison
2
Voix Baryton, Piano
2
Voix duo, Piano
1
Voix seule
1
Voix Tenor
1
Voix moyenne, Piano
1
+ 7 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Flûte traversière et Piano
25
Quatuor de Saxophones: 4 saxophones
22
Saxophone Alto et Piano
13
Hautbois, Piano (duo)
12
Clarinette et Piano
9
2 Flûtes traversières (duo)
5
Trio de Flûtes: 3 flûtes
5
2 Saxophones (duo)
5
Saxophone Tenor et Piano
5
Flûte, Hautbois, Clarinette, Basson
4
3 Clarinettes (trio)
4
Cor anglais, Piano
4
Quatuor de Flûtes : 4 flûtes
4
Quintette de Clarinettes: 5 clarinettes
3
Flûte traversière
3
3 Saxophones (trio)
3
Clarinette, Guitare (duo)
3
Flûte et Guitare
3
Flûte, Alto et Piano
2
2 Clarinettes (duo)
2
Saxophone Tenor
2
Quatuor de Flûtes à bec
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Alto
2
Flûte, Clarinette, Piano (trio)
2
Ensemble de Clarinettes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone Baryton, Piano
2
Hautbois (partie séparée)
2
Clarinette
2
Flûte à Bec
2
Flûte, Clarinette (duo)
2
2 Hautbois (duo)
1
Saxophone, Tuba (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, alto et harpe
1
Saxophone Soprano et Piano
1
Ensemble de Flûtes
1
Saxophone (partie séparée)
1
Clarinette Basse, Piano
1
Saxophone
1
Hautbois, Clarinette et Piano (Trio)
1
Flute (partie séparée)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Clarinette et Basson
1
Clarinette, Alto et Piano (trio)
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble de saxophones
1
3 Flûtes à bec (trio)
1
+ 46 instrumentations
Retracter
Cuivres
Quatuor de Cuivres
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette, Piano
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone et Piano
6
Cor et Piano
5
Trompette
5
Tuba et Piano
5
Cor
4
Cor anglais, Piano
4
2 Trombones (duo)
2
Ensemble de Trombones
2
2 Cors (duo)
2
Trompette (partie séparée)
2
Euphonium, Piano (duo)
2
Trombone
2
Quatuor de cuivres: 4 trombones
1
Trio de Cuivres
1
Trombone et orchestre
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon et Piano
26
Violon
12
Alto, Piano
8
Harpe
6
Violoncelle, Piano
5
Violoncelle
5
Violon, Violoncelle (duo)
3
Violoncelle , Guitare (duo)
3
2 Violoncelles (duo)
3
Alto, Guitare (duo)
2
Contrebasse, Piano (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 2 violons, violoncelle
2
Contre Basse
2
2 Altos (duo)
1
Alto (partie séparée)
1
Alto seul
1
2 Violons (duo)
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
33
Orchestre
17
Orchestre de chambre
14
Orchestre à Cordes
8
Ensemble de cuivres
4
Ensemble Jazz
2
Cloches
1
Ensemble de Percussions
1
Vibraphone
1
+ 4 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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COR ANGLAIS
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CORNET
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DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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MARIMBA
ORCHESTRE
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PAS DE PART…
PERCU. ORCH…
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PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Past century
Guitare
Partitions à imprimer
18 partitions trouvées
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1
Time in the Past
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Guitare
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INTERMÉDIAIRE
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Marco William Duranti
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Time in the Past
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Marco William Duranti
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1243384 By Marco William Duranti. By Marco William Duranti. 21st Century,Classical,Contemporary. Full Performance. Duration 1...
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Guitar - Level 3 - SKU: A0.1243384 By Marco William Duranti. By Marco William Duranti. 21st Century,Classical,Contemporary. Full Performance. Duration 151. Marco William Duranti #838345. Published by Marco William Duranti (A0.1243384). Time in the Past This is one of my early works that was originally written back in 1987. It is a well balanced piece with a very strong melody that pleases the ear. It gives the listener a pleasant feeling, something that could have been composed in the Classical period and this explains the title.
$1.99
Time in the Past
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Guitare
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INTERMÉDIAIRE
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Marco William Duranti
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Time in the Past
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Marco William Duranti
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1243377 By Marco William Duranti. By Marco William Duranti. 21st Century,Classical,Contemporary. Individual part. 2 page...
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Solo Guitar - Level 3 - SKU: A0.1243377 By Marco William Duranti. By Marco William Duranti. 21st Century,Classical,Contemporary. Individual part. 2 pages. Marco William Duranti #838338. Published by Marco William Duranti (A0.1243377). Time in the Past This is one of my early works that was originally written back in 1987. It is a well balanced piece with a very strong melody that pleases the ear. It gives the listener a pleasant feeling, something that could have been composed in the Classical period and this explains the title.
$3.49
NOT ALL PAST TIMES (NO TODO TIEMPO PASADO)
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Guitare
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INTERMÉDIAIRE
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Claudio Amadeo Viggiano
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NOT ALL PAST TIMES
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claudio viggiano
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1317441 Composed by Claudio Amadeo Viggiano. 21st Century,Folk,Latin,Multicultural,World. Individual part. 3 pages. Clau...
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Solo Guitar - Level 3 - SKU: A0.1317441 Composed by Claudio Amadeo Viggiano. 21st Century,Folk,Latin,Multicultural,World. Individual part. 3 pages. Claudio viggiano #906105. Published by claudio viggiano (A0.1317441). An original work for classic guitar. If you lije it please check:This Boy (ringo's Theme) by The Beatles - Guitar Tablature - Digital Sheet Music | Sheet Music PlusMy email contact: clavi10@hotmail.com.
$3.00
David W. Solomons: Pastime with Good Company
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Guitare
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INTERMÉDIAIRE
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David W
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David W. Solomons: Pastime wit
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.533475 Composed by David W. Solomons, Henry the Eigth. 20th Century,Concert,Renaissance,Standards. Individual part. 3 pa...
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Solo Guitar - Level 3 - SKU: A0.533475 Composed by David W. Solomons, Henry the Eigth. 20th Century,Concert,Renaissance,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2998739. Published by Musik Fabrik Music Publishing (A0.533475). A composition for solo guitar which uses the song Pastime With Good Company by Henry VIII of England as a principle theme.
$7.75
'Change of scene' from Act III of Wozzeck
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Excerpt from Lulu Suite
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Guitare
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Contemporain
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Alban Berg
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Rod Whittle
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Publi...
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Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
#
Alban Berg
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Rod Whittle
#
4 pp
#
Excerpt from the Lyric Suite
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Lullaby from distant memories for guitar solo
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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András Csáki
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Lullaby from distant memories
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David Warin Solomons
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1270858 By András Csáki. By David Warin Solomons. 20th Century,Contemporary. Individual part. 3 pages. David Warin...
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Solo Guitar - Level 4 - SKU: A0.1270858 By András Csáki. By David Warin Solomons. 20th Century,Contemporary. Individual part. 3 pages. David Warin Solomons #863237. Published by David Warin Solomons (A0.1270858). A nostalgic lullaby in which the composer enjoys finding memories from the distant past which he had temporarily misplaced.Performed by András Csáki.
$9.00
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
Interrupted Dance (He Who Sings is Not Always Happy)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rocco Di Pietro
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Interrupted Dance
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Rocco Di Pietro
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pie...
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Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
Hymn And Dance For The Forgotten
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Guitare
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AVANCÉ
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Doug Smith
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Hymn And Dance For The Forgott
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Gui...
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Solo Guitar - Level 5 - SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783510. Published by Doug Smith Guitar Studio (A0.1183820). Hymn & Dance for the Forgotten is a tribute giving thanks to all of the generations that came before us. The Hymn is reflective and supportive in tone, using four part harmonies like a chorale that gently moves to form a sense of wholeness. After a dramatic pause, this transitions abruptly to the rhythmic shifting impulses of a modern reality flowing over the top of many of the same harmonies of the past.
$3.99
Crow Wing Fantasy
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Guitare
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AVANCÉ
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Doug Smith
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Crow Wing Fantasy
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1199165 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 8 pages. Doug Smith Guitar St...
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Solo Guitar - Level 5 - SKU: A0.1199165 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 8 pages. Doug Smith Guitar Studio #798233. Published by Doug Smith Guitar Studio (A0.1199165). Crow Wing Fantasie was composed on a canoe ride coursing down the Crow Wing river in northern Minnesota. We encounter the waves, turn many bends, hit a few rapids and over time somewhat gently meander into camp. Then sitting by the campfire we reflect on the days events and memories past over a glimmering campfire. Getting up in the morning we start out again searching for adventure.
$3.99
Smally Haven
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Guitare
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AVANCÉ
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Doug Smith
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Smally Haven
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1218331 Composed by Doug Smith. 20th Century,Classical,Contemporary,Folk. Individual part. 6 pages. Doug Smith Guitar St...
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Solo Guitar - Level 5 - SKU: A0.1218331 Composed by Doug Smith. 20th Century,Classical,Contemporary,Folk. Individual part. 6 pages. Doug Smith Guitar Studio #814801. Published by Doug Smith Guitar Studio (A0.1218331). Smally Haven is the fifth guitar solo in the St. Croix River Sketches. Driving north through the Chisago Lakes area we arrive at Wild River State Park and the tiny town of Sunrise. Paddling down river past the entrance of the Sunrise River we locate a fishing hole where the small mouth bass are hitting. Smally Haven gives an impression of the fun and excitement of pulling in small mouth bass while floating down the river in a canoe.
$1.99
Portrait Of Tracy
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Guitare
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AVANCÉ
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Jaco Pastorius
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Grégoire Pearce
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Portrait Of Tracy
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Grégoire Pearce
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1404303 By Jaco Pastorius. By Jaco Pastorius. Arranged by Grégoire Pearce. 20th Century,Jazz. Individual part. 3 page...
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Solo Guitar - Level 5 - SKU: A0.1404303 By Jaco Pastorius. By Jaco Pastorius. Arranged by Grégoire Pearce. 20th Century,Jazz. Individual part. 3 pages. Grégoire Pearce #987401. Published by Grégoire Pearce (A0.1404303). This is an arrangement for solo guitar of the very beautiful, mesmerizing, and technically challenging 'Portrait of Tracy' by Jaco Pastorius. The orginal work, composed for the fretless electric bass, is comprised mostly of natural and artificial harmonics. I have done my best to honor as many of Jaco's original voicings but as fretted picthes for this arrangement played on a six string guitar. I hope you enjoy playing it as much as I do!
$7.00
Songs from the County of Nice (Chansons du Comté de Nice)
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Guitare
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INTERMÉDIAIRE
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No
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Louis Sauter
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Songs from the County of Nice
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Louis Sauter
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.982804 Composed by No.4: Cinto Tarelli (1873-1941), all others: Anonymous, and no.7: Menica Rondelly (1854-1935). Arrang...
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Solo Guitar - Level 3 - SKU: A0.982804 Composed by No.4: Cinto Tarelli (1873-1941), all others: Anonymous, and no.7: Menica Rondelly (1854-1935). Arranged by Louis Sauter. 20th Century,Folk,World. Individual part. 13 pages. Louis Sauter #3024351. Published by Louis Sauter (A0.982804). Seven traditional songs from the County of Nice in France, harmonized and arranged for guitar. A playlist of live recordings is available at https://www.youtube.com/playlist?list=PLs2no8EBWmf2p8xu4daTGAIrNMogYo_AHContains:1. Adiéu Paure Carneval2. Calant de Villafranca3. La Fillo Amé la Maire4. Fla ! Fla !5. Pastre, Pastressa6. Lou Pichin Ome7. Nissa la Bella
$12.99
A Todo Full - Pasillo Colombiano
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Guitare
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INTERMÉDIAIRE
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Jesús Maya Santacruz
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Javier MartÃnez Maya
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A Todo Full - Pasillo Colombia
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.742332 Composed by Jesús Maya Santacruz. Arranged by Javier MartÃnez Maya. 20th Century,Folk. Individual part. 4 p...
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Solo Guitar - Level 3 - SKU: A0.742332 Composed by Jesús Maya Santacruz. Arranged by Javier MartÃnez Maya. 20th Century,Folk. Individual part. 4 pages. Arte Nova Music Lab #14353. Published by Arte Nova Music Lab (A0.742332). Pasillo colombiano escrito por Jesús Maya Santacruz (1905 - 1985), nacido en Pasto, Nariño, y considerado el músico más brillante de su tiempo.
$10.00
Aranda
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Guitare
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INTERMÉDIAIRE
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Jesus Maya Santacruz
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Javier Martinez Maya
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Aranda
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.742339 Composed by Jesus Maya Santacruz. Arranged by Javier Martinez Maya. 20th Century,Folk,Standards,World. Individual...
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Solo Guitar - Level 3 - SKU: A0.742339 Composed by Jesus Maya Santacruz. Arranged by Javier Martinez Maya. 20th Century,Folk,Standards,World. Individual part. 5 pages. Arte Nova Music Lab #15749. Published by Arte Nova Music Lab (A0.742339). Este es un gran ejemplo de la gran musicalidad del compositor colombiano Jesús Maya Santacruz, nacido en Pasto. (1904-1985).
$10.00
Carlos Barbosa-Lima Arpeggio Studies for Guitar
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Guitare
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FACILE
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Classique
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Carlos Barbosa-Lima
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Carlos Barbosa-Lima Arpeggio S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Carlos Barbosa-Lima (1944-). For Guitar (Classical). Classic. 36 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Carlos Barbosa-Lima (1944-). For Guitar (Classical). Classic. 36 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740399. This innovative and comprehensive arpeggio studies book takes the guitarist past the studies of Sor, Coste, Aguado, Giuliani, and Carcassi. These studies explore the entire fingerboard within the harmonic evolution of the 20th century with the key of E as the basic guide. The book deals with harmonies from triads through thirteenths in new, exciting ways--information which is extremely practical and invaluable for contemporary guitar performance!
$12.99
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