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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
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ASIE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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200
PIANO & CLAVIERS
Piano seul
64
Piano Facile
7
Piano, Voix et Guitare
6
Piano, Voix
4
Orgue
2
Instruments en Do
1
Clavecin
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1 Piano, 4 mains
1
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Basse electrique
55
Guitare
25
Guitare notes et tablatures
14
2 Guitares (duo)
3
Ensemble de guitares
2
Dulcimer
1
Ligne De Mélodie, (Paroles) et Accords
1
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VOIX
Pack Instrumental pour Chorale
9
Chorale TTBB
8
Chorale SATB
7
Chorale 2 parties
5
Chorale SSAA
5
Chorale 3 parties
3
Chorale Unison
2
Voix duo
1
Voix basse, Piano
1
Voix duo, Piano
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Flûte, Hautbois, Clarinette, Basson
17
Quatuor de Clarinettes: 4 clarinettes
8
Hautbois, Basson (duo)
7
2 Clarinettes (duo)
4
Flûte traversière et Piano
4
Clarinette Basse, Piano
4
Quatuor de Saxophones: 4 saxophones
3
Saxophone Alto et Piano
3
Clarinette, Basson (duo)
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte à Bec, Piano
2
Saxophone (partie séparée)
2
2 Flûte à bec (duo)
2
Ensemble de Flûtes
2
Quintette de Saxophone: 5 saxophones
2
Saxophone Tenor et Piano
2
Ensemble de Clarinettes
2
Clarinette
1
Ensemble de saxophones
1
3 Clarinettes (trio)
1
Flûte à Bec
1
Flûte, Violon
1
Clarinette et Piano
1
Flûte, Harpe et Violoncelle
1
Quatuor de Flûtes à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto
1
Flûte traversière
1
Flûte, Clarinette et Basson
1
Hautbois, Piano (duo)
1
Saxophone Soprano et Piano
1
Flûte et Guitare
1
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CUIVRES
Bass Clef Instruments
11
Trombone
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone basse et Piano
2
Trombone basse
1
Trompette, Piano
1
Trombone et Piano
1
Tuba
1
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CORDES
Harpe
5
Contre Basse
5
Quatuor à cordes: 2 violons, alto, violoncelle
5
Contrebasse (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Contrebasses (duo)
2
2 Harpes (duo)
1
Violon et Piano
1
Contrebasse, Piano (duo)
1
Violon, Basson (duo)
1
Piano Trio: Violon, Alto, Piano
1
2 Violons (duo)
1
Ensemble de Violoncelles
1
Flûte, Contrebasse (duo)
1
Violoncelle
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
28
Orchestre
19
Jazz combo
15
Orchestre d'harmonie
14
Cloches
5
Orchestre à Cordes
4
Ensemble d'École
2
Ensemble de cuivres
2
Fanfare
1
Orchestre de chambre
1
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AUTRES
Vous avez sélectionné:
Peg Bass
Guitare
Partitions à imprimer
25 partitions trouvées
<
1
Bassman Blues
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1166841 Composed by Doug Smith. 20…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1166841 Composed by Doug Smith. 20th Century,Blues,Classical,Folk. Individual part. 6 pages. Doug Smith Guitar Studio #767217. Published by Doug Smith Guitar Studio (A0.1166841). Bassman Blues is the first in a series of intermediate to advanced pieces. Bassman Blues follows a typical blues chord progression using notes and arpeggios in the first position. There are slurs with the left hand fingers, two tempos and a key change within and climactic strums at the end.
$1.99
1.82 €
#
Guitare
#
Doug Smith
#
Bassman Blues
#
Doug Smith Guitar Studio
#
SheetMusicPlus
It's About Time, guitar.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.947501 Composed by George Arvola, …
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Solo Guitar - Level 4 - Digital Download SKU: A0.947501 Composed by George Arvola, Virginia Mathews. Blues,Instructional,Pop,Standards,Wedding. Individual part. 8 pages. George Arvola and Virginia Mathews #504833. Published by George Arvola and Virginia Mathews (A0.947501). New release,2015, filling the need for INSPIRING arpeggio studies. Piano accompaniment and bass parts included. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggio studies from our book, Delicious Licorice. Arrangements for other instruments are available. It's About Time is a slow, sophisticated arpeggio study in the style of a pop blues ballad. This beautiful melody would be suitable for a wedding prelude or a recital.
$5.99
5.47 €
#
Guitare
#
George Arvola, Virginia Mathews
#
It's About Time, guitar.
#
George Arvola and Virginia Mathews
#
SheetMusicPlus
Tune That Thang. Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.947516 Composed by George Arvola, …
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Solo Guitar - Level 4 - Digital Download SKU: A0.947516 Composed by George Arvola, Virginia Mathews. Concert,Holiday,Instructional,Jazz,Standards. Individual part. 9 pages. George Arvola and Virginia Mathews #512573. Published by George Arvola and Virginia Mathews (A0.947516). New release,late 2015, this arpeggio study is 2:36 in length. With piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of titles of INSPIRING arpeggio studies from our book, Delicious Licorice for multi-instruments. Tired of all of the standard Latin favourites? Here is an arpeggio exercise which can be used as a fun substitute for some of the old tired melodies. This tune has a sophisticated chord progression and an off the beaten path melody to suit.
$5.99
5.47 €
#
Guitare
#
George Arvola, Virginia Mathews
#
Tune That Thang. Guitar
#
George Arvola and Virginia Mathews
#
SheetMusicPlus
In the Outhouse Blues, guitar.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.947497 Composed by George Arvola, …
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Solo Guitar - Level 4 - Digital Download SKU: A0.947497 Composed by George Arvola, Virginia Mathews. Blues,Concert,Holiday,Instructional,Standards. Individual part. 7 pages. George Arvola and Virginia Mathews #496617. Published by George Arvola and Virginia Mathews (A0.947497). Includes piano accompaniment and bass parts. arpeggioartistry.com shows all 12 inspiring arpeggio studies and full recordings from our book, Delicious Licorice. A 2015 new release, 2:30 in length, In the Outhouse Blues is a fun, relaxed 12 bar blues which explores the outer fringes of the standard chords. Each verse is slightly farther removed from the basic 7th chords. Roll up the newspaper and take careful aim at the flies!
$5.99
5.47 €
#
Guitare
#
George Arvola, Virginia Mathews
#
In the Outhouse Blues, guitar.
#
George Arvola and Virginia Mathews
#
SheetMusicPlus
The Old Balladeer
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1249738 Composed by Doug Smith. 20…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1249738 Composed by Doug Smith. 20th Century,21st Century,Classical,Folk. Individual part. 5 pages. Doug Smith Guitar Studio #844129. Published by Doug Smith Guitar Studio (A0.1249738). An Old Balladeer expresses the mystery, beauty and joy of memories told about the times that came before us. The music uses a low D tuning.The piece uses arpeggios on the bass strings played with the thumb. Over the top of the arpeggios is woven a beautiful harmonized melody that is played with a soft touch. Half way through, a dance like groove in the bass adds motion and the music gently winds its way to an ending with a soft strum of a full D Chord across all six strings.
$1.99
1.82 €
#
Guitare
#
Doug Smith
#
The Old Balladeer
#
Doug Smith Guitar Studio
#
SheetMusicPlus
Rainy Night
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1160266 Composed by Doug Smith. Ch…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1160266 Composed by Doug Smith. Children,Classical,Folk,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #760557. Published by Doug Smith Guitar Studio (A0.1160266). Rainy Night is a reading development piece for learning the first position. The texture of the music includes three note Pim arpegios, and melodies that are played over the top of an open bass string and while holding down a bass note.
$1.99
1.82 €
#
Guitare
#
Doug Smith
#
Rainy Night
#
Doug Smith Guitar Studio
#
SheetMusicPlus
Ramble
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1160866 Composed by Doug Smith. Ch…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1160866 Composed by Doug Smith. Children,Folk,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #761178. Published by Doug Smith Guitar Studio (A0.1160866). Ramble is guitar solo set in the first position in the key of A minor. There is a simple three part texture with a melody, bass and arpeggio. The piece can be used for instructing students in the technique of how to bring out the melody by playing with rest strokes, while playing the arpeggio softly at the same time.
$1.99
1.82 €
#
Guitare
#
Doug Smith
#
Ramble
#
Doug Smith Guitar Studio
#
SheetMusicPlus
Spanish Nocturne
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1253431 Composed by Doug Smith. 20…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1253431 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Latin. Individual part. 6 pages. Doug Smith Guitar Studio #847092. Published by Doug Smith Guitar Studio (A0.1253431). Spanish Nocturne is a guitar solo that brings out the special character of the A or 5th string. The melody sets the mood as it begins in the bass and then gently moves to the trebles and develops into an extended arpeggio section before returning in ornamental fashion to highlight the bass strings.
$2.99
2.73 €
#
Guitare
#
Doug Smith
#
Spanish Nocturne
#
Doug Smith Guitar Studio
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.39 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.39 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.39 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.39 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Sammie's Choice
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1163367 Composed by Doug Smith. Bl…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1163367 Composed by Doug Smith. Blues,Children,Classical,Folk,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #763718. Published by Doug Smith Guitar Studio (A0.1163367). Sammie's Choice is set in the first position. It uses Pima free stroke arpeggios and a melody with the thumb free stroke.Pizzicato is introduced for bass passages. There is bending the string blues style, slurs, and ends with two natural harmonicson the bass strings.
$1.99
1.82 €
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Guitare
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Doug Smith
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Sammie's Choice
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Doug Smith Guitar Studio
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SheetMusicPlus
December
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1304698 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1304698 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #894142. Published by Doug Smith Guitar Studio (A0.1304698). December is a guitar solo that is composed for performance on the seventh fret of the guitar. The piece begins with a melody in the bass range and a chordal accampniment that modulates to a challenging arpeggio section in the key of E minor that winds it way to a finale.
$2.99
2.73 €
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Guitare
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Doug Smith
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December
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Doug Smith Guitar Studio
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SheetMusicPlus
You Can Teach Yourself Jazz Guitar
Guitare
Guitar (flatpicking) - Beginning - Digital Download SKU: M0.95162BCDEB Composed by …
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Guitar (flatpicking) - Beginning - Digital Download SKU: M0.95162BCDEB Composed by John Griggs. You Can Teach Yourself. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #95162BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.95162BCDEB). ISBN 9781610655026. 8.75x11.75 inches.This book is designed to prepare the aspiring jazz guitarist to arrange and improvise in a jazz style. Playing by ear is stressed from the very first exercise. You will learn 12-bar blues, 8-bar blues, and standards, as well as how to create fill-ins, improvise, develop ideas, play comping chords, develop a walking bass line, and more. Scales, chords, and arpeggios for the development of technical skills, ear training and fingerboard knowledge cover the niter fingerboard, and in all keys. You will learn how to develop a tune in a logical manner form the basic tune to a full-blown performance arrangement. In notation and tablature.The companion online recording contains all of the solos in the book (but not the etudes). The tracks are split with solo on the right channel and accompaniment on the left, and the count is given so that you can play along. The pieces are designed to develop technique as well as musicianship.
$14.99
13.68 €
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Guitare
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John Griggs
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You Can Teach Yourself Jazz Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Two Sides of Laurie
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1171575 Composed by Doug Smith. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1171575 Composed by Doug Smith. 20th Century,Classical,Contemporary,Instructional,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #771882. Published by Doug Smith Guitar Studio (A0.1171575). Two Sides of Laurie is played in the 1st through 9th positions. The melodies are in the treble and the bass strings that are played out as a reply or counterpoint to each other. The mood created is one of melancholy. Guitar techniques include arpeggios, slurs with left hand fingers over four notes, playing chords lightly, and plentiful dynamics.
$2.99
2.73 €
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Guitare
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Doug Smith
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Two Sides of Laurie
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Doug Smith Guitar Studio
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SheetMusicPlus
ELEMENTAL STUDIES FOR CLASSICAL GUITAR
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1315472 By GONZALO CORNEJO. By GON…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1315472 By GONZALO CORNEJO. By GONZALO CORNEJO. 19th Century,Children,Classical,Folk,Traditional. Individual part. 21 pages. GONZALO CORNEJO #904205. Published by GONZALO CORNEJO (A0.1315472). 13 Little studies for solo guitar, ideal for developing sight reading at an elemental stage. In first position and always using the bass accompaniment in open strings.Includes a  couple of more challenging pieces, whith easy arpeggios, and 8 popular tunes.
$10.00
9.13 €
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Guitare
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GONZALO CORNEJO
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ELEMENTAL STUDIES FOR CLASSICAL GUITAR
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GONZALO CORNEJO
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SheetMusicPlus
Jingle Bells
Guitare
Guitar - Level 1 - Digital Download SKU: A0.1309110 Composed by J. S. Pierpont. Arr…
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Guitar - Level 1 - Digital Download SKU: A0.1309110 Composed by J. S. Pierpont. Arranged by Jim Evans. 19th Century,Christmas,Holiday,Instructional,Traditional. 8 pages. Beginning.band #898308. Published by beginning.band (A0.1309110). Jingle Bells arranged for three-part guitar chior. Part 1 is melody, part 3 is a bass line, and part 2 is an a an harmonic accompaniment with arpeggios. Parts 1 and 3 should be accessible to very young players, and part 2 could be performed by more advanced players or an instructor.
$5.00
4.56 €
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Guitare
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J
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Jim Evans
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Jingle Bells
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beginning.band
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SheetMusicPlus
Capriccio
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1309741 Composed by Stewart Maclen…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1309741 Composed by Stewart Maclennan. 19th Century,Classical,Latin,Multicultural,World. Individual part. 1 pages. Stewart Maclennan #898907. Published by Stewart Maclennan (A0.1309741). Lively composition with fast runs, alternate bass, and arpeggios. Perfect for an encore to a professional concert or as a party piece for a good amateur guitarist.
$3.99
3.64 €
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Guitare
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Stewart Maclennan
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Capriccio
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Stewart Maclennan
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SheetMusicPlus
Imitation Rag
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1166201 Composed by Doug Smith. Cl…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1166201 Composed by Doug Smith. Classical,Folk,Instructional,Ragtime. Individual part. 6 pages. Doug Smith Guitar Studio #766580. Published by Doug Smith Guitar Studio (A0.1166201). Imitation Ragn is an energetic little piece in the first position that begins in the key of C major, then transitions to E minor and A major before returning to C major. There are slurs, strums, bass runs. Pimi arpeggios and at one point a five fret stretch.
$1.99
1.82 €
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Guitare
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Doug Smith
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Imitation Rag
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Doug Smith Guitar Studio
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SheetMusicPlus
Traveling
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1162823 Composed by Doug Smith. Cl…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1162823 Composed by Doug Smith. Classical,Country,Folk,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #763186. Published by Doug Smith Guitar Studio (A0.1162823). Traveling is set in C Major with a melody in the bass voice that is plucked with the thumb. The piece is begins with Pim three note arpeggios in a folf style and then moves into a middle section that uses two note textures played with the index and middle fingers together. There are tempo changes, slurs, dynamics and the solo ends with an harmonic on the 7th fret.
$1.99
1.82 €
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Guitare
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Doug Smith
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Traveling
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Doug Smith Guitar Studio
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SheetMusicPlus
Guitar Finger Independence Method
Guitare
Guitar - Intermediate - Digital Download SKU: M0.30969MEB Folk. Ebook and online au…
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Guitar - Intermediate - Digital Download SKU: M0.30969MEB Folk. Ebook and online audio. 137 pages. Mel Bay Publications - Digital Sheet Music #30969MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30969MEB). ISBN 9781513472911. 8.75X11.75 inches.As a guitarist, have you ever dreamed of playing contrapuntal bass lines and melodies? Or maybe you would like to sound more like a pianist, able to perform fluently with independent right and left hands.Playing multiple lines simultaneously can be one of the most physically and mentally demanding challenges posed by the guitar. Using the concept of planted notesùa fretting-hand finger that remains in place while the other fingers play scale-like passages or arpeggiosù this book will methodically guide you towards right and left-hand finger independence.Written in standard notation and tablature, this no-nonsense revolutionary method is the first of its kind. Together with 95 online audio recordings, it will help you build finger independence in both hands, approaching that of a pianist. Includes access to online audio.
$24.99
22.81 €
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Guitare
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Guitar Finger Independence Method
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Unusual Studies
Guitare
Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method…
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Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method, Etudes and Exercises, Repertoire, Classroom. Solo Part. 45 pages. Published by Oleg Boyko
There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure. There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure.
$15.00
13.69 €
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Guitare
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Oleg Boyko
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Unusual Studies
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Oleg Boyko
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SheetMusicPlus
Romance Variations
Guitare
By Rico Dwight Stover. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Pub…
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By Rico Dwight Stover. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619114036. The Romance Anonimo ("Anonymous Romance") is one of the most popular pieces in the classical guitar repertoire. Also known as Spanish Romance, Romance de Amor, Jeux interdits and Estudio de Rubira, this 19th century work has continually delighted lovers of the instrument around the world and has become a standard part of guitar pedagogy.In this Mel Bay publication guitarist/composer Rico Stover offers his original composition Romance Variations in a 25 page score of the work with accompanying audio. Different "flavors" of guitar styles are heard in these variations which are inspired by guitarists/composers whom Rico admires: Mateo Carcassi, Joe Pass, Heitor Villalobos, Luiz Bonfa, Chet Atkins and Atahualpa Yupanqui.After a short introduction, the Romance theme is heard, after which the variations commence. Each variation follows the minor/major pattern:Variation 1: Arpegiado - classical arpeggiosVariation 2: Bordoneo - bass line texturesVariation 3: Villalobosiana - in the style of the masterVariation 4: Bossanova - Brazilian syncopationsVariation 5: Chet's Pick - country style fingerpickingVariation 6: Aire de Danza - Latin American dance rhythmsThe essay "Romance Anonimo: Who Composed It?" explores the different theories regarding the question of authorship, including an analysis of seven different editions of the Romance that date from 1900 to 1958.ISBN 9781619114036. The Romance Anonimo ("Anonymous Romance") is one of the most popular pieces in the classical guitar repertoire. Also known as Spanish Romance, Romance de Amor, Jeux interdits and Estudio de Rubira, this 19th century work has continually delighted lovers of the instrument around the world and has become a standard part of guitar pedagogy.In this Mel Bay publication guitarist/composer Rico Stover offers his original composition Romance Variations in a 25 page score of the work with accompanying audio. Different "flavors" of guitar styles are heard in these variations which are inspired by guitarists/composers whom Rico admires: Mateo Carcassi, Joe Pass, Heitor Villalobos, Luiz Bonfa, Chet Atkins and Atahualpa Yupanqui.After a short introduction, the Romance theme is heard, after which the variations commence. Each variation follows the minor/major pattern:Variation 1: Arpegiado - classical arpeggiosVariation 2: Bordoneo - bass line texturesVariation 3: Villalobosiana - in the style of the masterVariation 4: Bossanova - Brazilian syncopationsVariation 5: Chet's Pick - country style fingerpickingVariation 6: Aire de Danza - Latin American dance rhythmsThe essay "Romance Anonimo: Who Composed It?" explores the different theories regarding the question of authorship, including an analysis of seven different editions of the Romance that date from 1900 to 1958.
$14.99
13.68 €
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Guitare
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Rico Dwight Stover
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Romance Variations
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Comme un voyage
Guitare
Guitar solo - easy - Digital Download 10 Easy Pieces. Composed by Laurent Meneret. Th…
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Guitar solo - easy - Digital Download 10 Easy Pieces. Composed by Laurent Meneret. This edition: Sheet music. Downloadable. Schott Music - Digital #Q21031. Published by Schott Music - Digital
'Comme un voyage' is a series of ten solo pieces inspired by Oriental music, tango as well as by Baroque, Celtic and Romantic music. It is particularly suitable for pupils as it makes increasing technical and musical demands while taking them on a journey through various kinds of musical styles: From 'L'oasis', an Orientally inspired piece with drone bass, via 'Cordoba', a tango with complementary themes, and 'Melodie celtique', a piece with a Breton touch, to the romantic and longing 'Romance' or 'Etude romantique', a piece of arpeggios. Great complementary material for music teaching.'Comme un voyage' is a series of ten solo pieces inspired by Oriental music, tango as well as by Baroque, Celtic and Romantic music. It is particularly suitable for pupils as it makes increasing technical and musical demands while taking them on a journey through various kinds of musical styles: From 'L'oasis', an Orientally inspired piece with drone bass, via 'Cordoba', a tango with complementary themes, and 'Melodie celtique', a piece with a Breton touch, to the romantic and longing 'Romance' or 'Etude romantique', a piece of arpeggios. Great complementary material for music teaching.
$12.99
11.86 €
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Guitare
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Laurent Meneret
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Comme un voyage
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Schott Music - Digital
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SheetMusicPlus
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