English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
19
Partitions
Numériques
84
Librairie
Musicale
169
Matériel
de Musique
1 583
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1366
PIANO & CLAVIERS
Piano seul
56
Accompagnement Piano
48
Orgue
26
Piano, Voix et Guitare
24
Piano, Voix
20
Piano Quatuor: piano, violon, alto, violoncelle
19
2 Pianos, 4 mains
14
Piano Facile
13
Piano Trio: piano, violon, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
6
1 Piano, 4 mains
4
Orgue, Piano (duo)
2
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon
1
Instruments en Do
1
Clavier
1
Instrumentations suivantes
Retracter
GUITARES
Ukulele
107
Guitare
84
Guitare notes et tablatures
71
Basse electrique
16
2 Guitares (duo)
8
Mandoline
4
Dulcimer
4
2 Dulcimers (duo)
3
Ensemble de guitares
2
Banjo
2
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
32
Chorale Unison
12
Chorale TTBB
6
Voix duo
4
Chorale 3 parties
3
Chorale 2 parties
2
Chorale SSATTB
1
Voix Soprano, Piano
1
Instrumentations suivantes
Retracter
VENTS
Clarinette (partie séparée)
67
Hautbois (partie séparée)
54
Clarinette
41
Saxophone (partie séparée)
40
Flûte traversière et Piano
37
Saxophone Alto
32
Flûte traversière
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Quatuor de Saxophones: 4 saxophones
17
Quintette de Saxophone: 5 saxophones
15
Clarinette et Piano
14
Ensemble de saxophones
13
Saxophone Alto et Piano
13
2 Saxophones (duo)
12
Hautbois, Piano (duo)
11
Flute (partie séparée)
11
Flûte, Hautbois, Clarinette, Basson
10
Saxophone Tenor et Piano
10
3 Saxophones (trio)
10
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone Baryton, Piano
8
Flûte et Guitare
8
Saxophone Soprano et Piano
7
Cor anglais, Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Flûte, Violon et Violoncelle
6
3 Clarinettes (trio)
6
Ensemble de Clarinettes
6
Flûte, Hautbois, Clarinette (trio)
5
2 Clarinettes (duo)
5
2 Flûte à bec (duo)
4
Quintette de Flûte : 5 flûtes
4
2 Flûtes traversières (duo)
4
Flûte et Trio à cordes
4
Flûte, Clarinette (duo)
4
Clarinette Basse, Piano
3
Ensemble de Flûtes
3
Flûte à bec Soprano
3
Flûte, Hautbois, Basson
3
Quatuor de Flûtes : 4 flûtes
2
2 Clarinettes, Basson
2
Flute, harpe et violon
2
Clarinette, Basson (duo)
2
Quatuor de Flûtes à bec
2
3 Flûtes à bec (trio)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte à bec Alto, Piano
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone Tenor
1
Flûte, Violoncelle
1
Flûte à bec Soprano, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Piccolo, Piano
1
Saxophone et Guitare
1
Clarinette, Orgue
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Hautbois, Violoncelle et Piano
1
Clarinette, Guitare (duo)
1
Ensemble à vent
1
Hautbois, Harpe
1
4 Hautbois
1
Clarinette Basse
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble de Hautbois
1
Saxophone, Clarinette (duo)
1
Flûte, Clarinette et Basson
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette (partie séparée)
44
Trombone (partie séparée)
40
Trompette
34
Cor (partie séparée)
32
Trombone
26
Tuba (partie séparée)
25
Cor
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trombone et Piano
12
Cor et Piano
9
Cor anglais, Piano
7
Euphonium, Piano (duo)
7
Trompette, Piano
7
Ensemble de Cors
2
Tuba
2
Trompette, Trombone (duo)
2
Ensemble de Trombones
2
Euphonium
2
2 Trompettes (duo)
2
Ensemble de Trompettes
2
Trombone, Cor (duo)
1
3 Cors (trio)
1
Tuba et Orgue
1
3 Trombones (trio)
1
2 Cors (duo)
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
Trompette, Harpe
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Tubas (trio)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
2 Trombones (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
513
Harpe
494
Trio à Cordes: violon, alto, violoncelle
158
Violon
158
Violon, Violoncelle (duo)
144
Violon (partie séparée)
93
Violoncelle (partie séparée)
78
Trio à Cordes: 2 violons, violoncelle
76
2 Harpes (duo)
72
2 Violons (duo)
68
Violon et Piano
56
Violon, Alto (duo)
45
Quintette à cordes: 2 violons, alto, violoncelle, basse
44
Alto (partie séparée)
43
Violoncelle
42
Alto seul
41
Contrebasse (partie séparée)
32
Alto, Piano
26
2 Violoncelles (duo)
25
Violoncelle, Piano
20
Alto, Violoncelle (duo)
14
2 Altos (duo)
12
Quatuor à cordes: 4 violons
11
Trio à cordes: 3 violins
9
Harpe, Violon (duo)
8
4 Violoncelles
7
Violon, Guitare (duo)
6
Contre Basse
6
Trio à cordes: 3 altos
6
Violoncelle, Contrebasse (duo)
5
Contrebasse, Piano (duo)
4
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, alto
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Voix
3
Harpe, Flûte (duo)
2
4 Contrebasses
2
Violoncelle, Orchestre
2
2 Contrebasses (duo)
2
Ensemble de Violoncelles
2
Quatuor à cordes : 4 altos
2
Piano Trio: Violon, Alto, Piano
2
Ensemble de Violons
1
Violon, Orgue
1
Ensemble d'Altos
1
3 Harpes
1
Harpe et Piano
1
Alto, Guitare (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
426
Orchestre
328
Orchestre de chambre
115
Ensemble Jazz
94
Orchestre d'harmonie
70
Percussion (partie séparée)
36
Ensemble d'École
9
Ensemble de cuivres
4
Ensemble de Percussions
3
Cloches
3
Xylophone
2
Vibraphone
1
Jazz combo
1
Batterie
1
Timbales (partie séparée)
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Play Strings!
Guitare
Partitions à imprimer
84 partitions trouvées
<
1
26
51
76
Melody Guitar Book 2: Strings 4-6
Guitare
Guitar - Level 1 - Digital Download SKU: A0.977918 Composed by Tom Godfrey. Instruc…
(+)
Guitar - Level 1 - Digital Download SKU: A0.977918 Composed by Tom Godfrey. Instructional. Educational Method. 92 pages. Tom Godfrey #4822759. Published by Tom Godfrey (A0.977918). The Godfrey Guitar System series includes four Melody Guitar books that focus on melody playing and music reading and three Rhythm Guitar books that focus on chords and accompaniment patterns. Melody Guitar Book 2 picks up where Melody Guitar Book 1, leaves off. You will learn notes on strings 4-6, as well as the minor pentatonic, blues, and chromatic scales as you progress through 160 melodies and exercises. Along the way, you will be introduced to sharps and flats, articulations, musical roadmaps, tempo markings, and much more. Melody Guitar Book 2 also includes several duets that you can play with a friend or a teacher. The Melody Guitar and Rhythm Guitar books together will help you build a solid foundation for any style of music. Visit www.godfreyguitarlessons.com for free supplementary downloads and online lesson information.
$11.00
10.13 €
#
Guitare
#
Tom Godfrey
#
Melody Guitar Book 2: Strings 4-6
#
Tom Godfrey
#
SheetMusicPlus
In the Bleak Midwinter - with strings trio play along
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1148573 Composed by Gustav Holst. …
(+)
Solo Guitar - Level 1 - Digital Download SKU: A0.1148573 Composed by Gustav Holst. Arranged by Samuel Sequeira. 19th Century,Christmas,Classical,Traditional. Individual part. 4 pages. Samuel Sequeira #748735. Published by Samuel Sequeira (A0.1148573). In the Bleak MidWinter - Gustav Holst - ScorePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.More arrangements on the link: Sam'S arrangementsIn the Bleak Midwinter - with strings trio play along. Instrument part score avaiable on this sale. Strings trio play along avaiable on the youtube linkContact the Arranger:Youtube: @SamuelseqInstagram: @SamuelseqEmail: samyseq@gmail.com
$1.99
1.83 €
#
Guitare
#
Gustav Holst
#
Samuel Sequeira
#
In the Bleak Midwinter - with strings trio play along
#
Samuel Sequeira
#
SheetMusicPlus
Quartet for Open Strings
Guitare
Guitar - Level 1 - Digital Download SKU: A0.1291010 Composed by Daniel Whitting. Ch…
(+)
Guitar - Level 1 - Digital Download SKU: A0.1291010 Composed by Daniel Whitting. Chamber,Classical,Instructional. 6 pages. Daniel Whitting #881699. Published by Daniel Whitting (A0.1291010). Piece for 4 guitars using only open strings. I wrote this to encourage ensemble playing as early as possible in a pupil's learning.Score and 4 parts.
$9.99
9.2 €
#
Guitare
#
Daniel Whitting
#
Quartet for Open Strings
#
Daniel Whitting
#
SheetMusicPlus
Introduction to Position Playing
Guitare
Easy Pieces with Open Bass Strings. This edition: Sheet music. Downloadable. Schott …
(+)
Easy Pieces with Open Bass Strings. This edition: Sheet music. Downloadable. Schott Music - Digital #Q3005. Published by Schott Music - Digital
$15.99
14.73 €
#
Guitare
#
Introduction to Position Playing
#
Schott Music - Digital
#
SheetMusicPlus
Vivaldi : Concerto en ré majeur pour luth (guitare) et cordes, RV 93 - II. Largo
Guitare
Téléchargez la tablature et la partition Guitare Concerto en ré majeu…
(+)
Téléchargez la tablature et la partition Guitare Concerto en ré majeur pour luth (guitare) et cordes, RV 93 - II. Largo de Vivaldi. Tab pour Quatuor -- Classique
5.99 €
#
Guitare
#
Vivaldi
#
Concerto en ré majeur pour lu
#
Tomplay
Vivaldi : Concerto en ré majeur pour luth (guitare) et cordes, RV 93 - I. Allegro giusto
Guitare
Téléchargez la tablature et la partition Guitare Concerto en ré majeu…
(+)
Téléchargez la tablature et la partition Guitare Concerto en ré majeur pour luth (guitare) et cordes, RV 93 - I. Allegro giusto de Vivaldi. Tab pour Quatuor -- Classique
5.99 €
#
Guitare
#
Vivaldi
#
Concerto en ré majeur pour lu
#
Tomplay
Vivaldi : Concerto en ré majeur pour luth (guitare) et cordes, RV 93 - III. Allegro
Guitare
Téléchargez la tablature et la partition Guitare Concerto en ré majeu…
(+)
Téléchargez la tablature et la partition Guitare Concerto en ré majeur pour luth (guitare) et cordes, RV 93 - III. Allegro de Vivaldi. Tab pour Quatuor -- Classique
5.99 €
#
Guitare
#
Vivaldi
#
Concerto en ré majeur pour lu
#
Tomplay
Bourrée in E MInor
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebasti…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Individual part. 3 pages. Richard Hirsch #925741. Published by Richard Hirsch (A0.1340077). I offer the famous Bourrée from Bach’s First Suite for Lute in E minor notated for solo acoustic guitar. The notation is accompanied by tablature and extensive left and right hand fingering as an aid to the student. The fingering aims to be as economical and as ergonomic as possible. If played according to the tablature and left hand fingering, the left hand flows smoothly from one position to another over the fretboard. This is especially important in the second part of the piece where Bach takes us on a tour of the harmonic space related to the key of E minor. The piece is a good introduction to the full potential of the fretboard as there are many alternative left hand fingerings, among which I have chosen those I feel fit together and enable flow best. Notice especially how the little finger plays an important role in guiding the left hand from one position to another. The fingering for the right hand is also good for the practice of alternating the index and middle fingers in the melody while the thumb plays the bases.This piece has become part of the standard repertoire for classical guitar, but is also a piece that sounds equally good on a steel string acoustic guitar. The steel strings make the piece sound like it is being played on a harpsichord. I first heard the piece as a boy of 15 back in 1960 in a recording by Chet Atkins playing on a steel string electric guitar!The piece has been transcribed from the original score for Lute and notated for guitar by many guitarists over the years. I hope my version contributes to its continued popularity, making the piece even more accessible and relevant to intermediate students of acoustic guitar.I have chosen a tempo of 130bpm for the notation which I think gives the piece a lively but not overly stressed quickness appropriate for a courtly dance.
$4.99
4.6 €
#
Guitare
#
Johann Sebastian Bach
#
Richard Hirsch
#
Bourrée in E MInor
#
Richard Hirsch
#
SheetMusicPlus
Franzi's Song (Easy Guitar Song)
Guitare
Solo Guitar - Digital Download SKU: A0.1033077 Composed by Paul Fey. Contemporary. …
(+)
Solo Guitar - Digital Download SKU: A0.1033077 Composed by Paul Fey. Contemporary. Individual part. 1 pages. Paul Fey #6052697. Published by Paul Fey (A0.1033077). I wrote this little song for my girlfriend. She always wanted to play the guitar but didn't find any easy pieces she could play. So I tried my best to produce a playable song. This small piece is mostly played on the natural strings without any impossible fingerings.
$1.99
1.83 €
#
Guitare
#
Paul Fey
#
Franzi's Song
#
Paul Fey
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.45 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Heartbeats
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21st Century,Pop,Singer/Songwriter,Wedding. Individual part. 6 pages. Pablo Alcázar #860970. Published by Pablo Alcázar (A0.1268428). Arrangement for solo guitar of the famous song Heartbeats. This arrange by Pablo Alcázar, professional guitarist arranger and composer, is for intermediate players that want a challenge to play or for professional guitarist that want some new repertoire for wedding gigs or concerts. It includes the full voice melody line aswell as the full guitar line from the original song. This arrangement uses the 3º string on F# and the 6º string on D and the reading doesn't include the real notes you are playing but the translation of a normal tuning reading to make things easier. Also you can check the strings on the tablature in case you need to play in different positions.This is the Lyrics of the song:One night to be confusedOne night to speed up truthWe had a promise, babeFour hands and then awayBoth under influenceWe had divine senseTo know what to sayMind is a razor bladeTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noOne night of magic rushThe start a simple touchOne night to push and screamAnd then reliefTen days of perfect huesThe colors red and blueWe had a promise, babeWe were in loveTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enoughAnd youYou knew the hand of the devilAnd youKept us awake with wolves teethSharing different heartbeatsIn one nightTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enough.
$4.99
4.6 €
#
Guitare
#
Jose Gonzalez
#
Pablo Alcázar
#
Heartbeats
#
Pablo Alcázar
#
SheetMusicPlus
Rush
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.987607 Composed by Tulio Cremisini…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.987607 Composed by Tulio Cremisini. Contemporary,Standards. Individual part. 4 pages. Tulio Cremisini (TC Note by Note/ASCAP) #6717. Published by Tulio Cremisini (TC Note by Note/ASCAP) (A0.987607). Altered tuning: 2nd in C, 6th in D. 9/8 rhythm at 125bpm This piece has an interesting use of harmonics and open air strings in its intro. Then the melody line is carried by the mid basses (5th, 4th and 3rd strings), while low 6th string plays the actual bass line. Upper strings play continuous eight note ostinato movement while also defining harmony.
$8.99
8.28 €
#
Guitare
#
Tulio Cremisini
#
Rush
#
Tulio Cremisini
#
SheetMusicPlus
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â
$5.00
4.61 €
#
Guitare
#
Aaron Larget-Caplan
#
Aaron Larget-Caplan
#
Prelude No. 1 in C Major by J.S. Bach for Guitar
#
Aaron Larget-Caplan
#
SheetMusicPlus
Air (J.S. Bach) - Guitar Solo Complete - Tondi. FR Version
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1038259 By Johann Sebastian Bach. …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1038259 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Tondi Rangkuti a.k.a Tondi. FR. Classical,Contemporary,Multicultural,Praise & Worship,Standards,World. Individual part. 4 pages. ToRa Swarna Diva #643194. Published by ToRa Swarna Diva (A0.1038259). 'Air' is a very famous musical composition that is hundreds of years old and was written by Maestro Johan Sebastian Bach. The music written for Strings Orchestra and provides a beautiful, cool and serene atmosphere. Unfortunately, there has not been an arrangement for a guitar solo that is complete and perfectly represents the ambient as Bach has described through this composition. Tondi Rangkuti a.k.a Tondi. FR has written an Air arrangement to play for a guitar solo with a complete set of all two 'movements' from Air. With the proper selection of voicing and harmonizing as from a String Orchestra. Now you can play this composition with a guitar solo and will succeed in producing the same ambient as played by a Strings Orchestra. Only for just $12 you can download this arrangement to put it on a dazzling guitar solo show.
$11.00
10.13 €
#
Guitare
#
Johann Sebastian Bach
#
Tondi Rangkuti a
#
Air
#
ToRa Swarna Diva
#
SheetMusicPlus
Sad Dreams #1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032373 Composed by Kojiro Yuan. M…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1032373 Composed by Kojiro Yuan. Multicultural,New Age,World. Individual part. 2 pages. Kojiro Y #4783101. Published by Kojiro Y (A0.1032373). Sad Dreams #1 is one of my Solo Guitar Compositions. It depicts the sad dreams created by the human mind. Every phrase and section expresses different sad dreams of the human mind. This piece is suitable for Classical Guitar players at the Intermediate Level. It contains arpeggios, scales, 2 part harmony, 3rds, 10ths and more. This sheet music of it contains tempo markings, dynamics, ritardando, etc. The fingerings for this piece can be adjusted to suit the needs and abilities of the individual Guitar Player. The recommendation is to use open strings when possible to give the Left-Hand space to relax between the notes and to keep the shifts of the scales to a minimum. The recommendation also is to use Right-Hand Fingerings that are natural and fit the space between the strings.
$12.00
11.05 €
#
Guitare
#
Kojiro Yuan
#
Sad Dreams #1
#
Kojiro Y
#
SheetMusicPlus
Pluck for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Green…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
14.74 €
#
Guitare
#
Robert M
#
Pluck for guitar
#
Robert M. Greenberg
#
SheetMusicPlus
I'll Be Over You
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1044424 By Toto. By Randy Goodrum …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1044424 By Toto. By Randy Goodrum and Steve Lukather. Arranged by Tondi Rangkuti a.k.a Tondi. FR. 20th Century,Contemporary,Pop,Rock,Standards. Individual part. 7 pages. ToRa Swarna Diva #649159. Published by ToRa Swarna Diva (A0.1044424). Tondi Rangkuti a.k.a Tondi. FR has arranged a very legendary Pop Rock song belonging to the Toto Band. This arrangement was written for solo guitar playing at an intermediate level. With an atmosphere that is very close to the actual original musical arrangement. Play in a percussive style, with your right thumb muting the strings at each note rest. Download only by paying an amount of $ 9. So that you can play this legendary song with a single guitar playing that amazes the audience.
$11.90
10.96 €
#
Guitare
#
Toto
#
Tondi Rangkuti a
#
I'll Be Over You
#
ToRa Swarna Diva
#
SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
(+)
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.32 €
#
Guitare
#
Konstantin Bliokh
#
Sonata No. 6 "Kharkiv", Op. 48
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Fledgling Blackbird
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1142470 By Dan Jones. By Dan Jones…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1142470 By Dan Jones. By Dan Jones www.danjonesguitarist.com. Classical,Country,Folk,Instructional. Individual part. 4 pages. DanJonesGuitarist #742837. Published by DanJonesGuitarist (A0.1142470). Fledgling Blackbird by Dan Jones www.danjonesguitarist.com As a guitarist and teacher with nearly 30 years of experience, one piece which many guitarists of all styles are keen to play is Paul McCartney's beautiful acoustic ballad, 'Blackbird'. The key to mastering this particular song is to learn the right hand (or left hand in McCartney's case!) picking pattern. It is based on a repeated thumb movement which alternates rapidly, on the beat, between two bass notes on different strings. Once this is mastered, the player can tackle the considerable fretting-hand challenges of the song. I wanted to compose a piece which could hold its own musically in a performance, but also give the learner the chance to master the country-inspired 'Blackbird' picking pattern, with fewer challenges for the fretting hand. I hope that 'Fledgling Blackbird' achieves these aims. For a wealth of compositions, arrangements, writings, teaching materials and much more, please visit www.danjonesguitarist.com Dan Jones, December 2022.
$3.50
3.22 €
#
Guitare
#
Dan Jones
#
Fledgling Blackbird
#
DanJonesGuitarist
#
SheetMusicPlus
6 Pieces
Guitare
Guitar - intermediate to advanced - Digital Download SKU: S9.Q11492 Composed by Sil…
(+)
Guitar - intermediate to advanced - Digital Download SKU: S9.Q11492 Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q11492. Published by Schott Music - Digital (S9.Q11492). Silvius Leopold Weiss (1686–1750) is considered to be the most important lutenist of the Baroque era. His works fascinate with elegance and grandeur on the lute. This effect is achieved by making the best possible use of the temperament of the Baroque lute with which third intervals – in contrast to fourths on the guitar – are predominant. The pieces are composed in such a way that the lutenist can often strike open strings and seldom has to manage difficult fingerings or stretch the left hand. When arranging these works for the guitar, the composer's main aim was to maintain the resulting ease of playing on the guitar and the ornaments typical of Weiss (especially the acciaccaturas) as best as possible. The approach to the lute's temperament therefore is cautious, without the player having to adjust significantly.
$16.99
15.65 €
#
Guitare
#
Silvius Leopold Weiss
#
6 Pieces
#
Schott Music - Digital
#
SheetMusicPlus
Suite
Guitare
Guitar - intermediate to advanced - Digital Download SKU: S9.Q11490 London Manus…
(+)
Guitar - intermediate to advanced - Digital Download SKU: S9.Q11490 London Manuscript No. 26. Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q11490. Published by Schott Music - Digital (S9.Q11490). Silvius Leopold Weiss (1686–1750) is considered to be the most important lutenist of the Baroque era. His works fascinate with elegance and grandeur on the lute. This effect is achieved by making the best possible use of the temperament of the Baroque lute with which third intervals – in contrast to fourths on the guitar – are predominant. The pieces are composed in such a way that the lutenist can often strike open strings and seldom has to manage difficult fingerings or stretch the left hand. When arranging these works for the guitar, the composer's main aim was to maintain the resulting ease of playing on the guitar and the ornaments typical of Weiss (especially the acciaccaturas) as best as possible. The approach to the lute's temperament therefore is cautious, without the player having to adjust significantly.
$15.99
14.73 €
#
Guitare
#
Silvius Leopold Weiss
#
Suite
#
Schott Music - Digital
#
SheetMusicPlus
Suite "L'Infidèle"
Guitare
Guitar - intermediate to advanced - Digital Download SKU: S9.Q11491 London Manus…
(+)
Guitar - intermediate to advanced - Digital Download SKU: S9.Q11491 London Manuscript No. 23. Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q11491. Published by Schott Music - Digital (S9.Q11491). Silvius Leopold Weiss (1686–1750) is considered to be the most important lutenist of the Baroque era. His works fascinate with elegance and grandeur on the lute. This effect is achieved by making the best possible use of the temperament of the Baroque lute with which third intervals – in contrast to fourths on the guitar – are predominant. The pieces are composed in such a way that the lutenist can often strike open strings and seldom has to manage difficult fingerings or stretch the left hand. When arranging these works for the guitar, the composer's main aim was to maintain the resulting ease of playing on the guitar and the ornaments typical of Weiss (especially the acciaccaturas) as best as possible. The approach to the lute's temperament therefore is cautious, without the player having to adjust significantly.
$15.99
14.73 €
#
Guitare
#
Silvius Leopold Weiss
#
Suite "L'Infidèle"
#
Schott Music - Digital
#
SheetMusicPlus
<
1
26
51
76
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
