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TRI ET FILTRES
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
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Non classifié
2508
PIANO & CLAVIERS
Piano seul
1096
Piano Facile
473
Instruments en Do
117
Piano, Voix
93
Piano, Voix et Guitare
92
Orgue
72
1 Piano, 4 mains
31
Piano Trio: piano, violon, violoncelle
26
Accompagnement Piano
19
Piano Quatuor: piano, violon, alto, violoncelle
12
2 Pianos, 4 mains
7
Clavecin
5
Piano grosses notes
4
Orgue, Piano (duo)
3
Accordéon
2
Piano (partie séparée)
2
Clavier
2
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Guitare
89
Guitare notes et tablatures
75
Ukulele
30
Ligne De Mélodie, (Paroles) et Accords
26
Basse electrique
18
2 Guitares (duo)
9
Guitare (partie séparée)
4
Dulcimer
4
2 Ukuleles
3
4 Guitares (Quatuor)
3
3 Guitares (trio)
1
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VOIX
Chorale SATB
128
Chorale 3 parties
46
Voix Alto, Piano
29
Chorale 2 parties
29
Voix Tenor
25
Voix Soprano
23
Chorale Unison
17
Chorale TTBB
13
Chorale SSAA
9
Voix Soprano, Piano
3
Voix Tenor, Piano
2
Voix haute
2
Chorale SSATB
2
Voix duo, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
249
2 Saxophones (duo)
215
Hautbois, Piano (duo)
185
Clarinette et Piano
170
Clarinette
157
Flûte traversière
141
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
114
Saxophone Alto et Piano
113
Saxophone Alto
107
2 Flûtes traversières (duo)
106
Saxophone (partie séparée)
104
Flûte, Hautbois, Clarinette, Basson
96
2 Clarinettes (duo)
91
Quatuor de Saxophones: 4 saxophones
89
Saxophone, Clarinette (duo)
87
Clarinette, Violon (duo)
68
Hautbois (partie séparée)
64
Saxophone Soprano et Piano
63
Hautbois, Basson (duo)
60
Saxophone Tenor et Piano
57
Quintette de Saxophone: 5 saxophones
51
Flûte, Clarinette (duo)
48
2 Hautbois (duo)
46
Clarinette, Trompette (duo)
45
Saxophone Baryton, Piano
45
Hautbois
44
Quatuor de Clarinettes: 4 clarinettes
44
Quatuor de Flûtes : 4 flûtes
42
Clarinette et Alto
41
Flûte, Violon
40
Hautbois, Clarinette (duo)
39
Flûte, Alto (duo)
32
Hautbois, Flûte
32
Quintette de Clarinettes: 5 clarinettes
31
Flûte à bec Soprano
28
Saxophone
28
Hautbois, Violoncelle
28
Flûte, Violoncelle
28
Clarinette, Violoncelle (duo)
27
3 Saxophones (trio)
27
Flûte, Saxophone (duo)
27
3 Clarinettes (trio)
26
2 Flûte à bec (duo)
26
Clarinette, Basson (duo)
25
Cor Anglais
25
Saxophone Tenor
24
Cor anglais, Piano
24
Ensemble de Clarinettes
23
Trio de Flûtes: 3 flûtes
22
Saxophone Baryton
21
Flûte, Trompette (duo)
21
Saxophone Soprano
20
Flûte à Bec
16
Flûte à bec Alto
15
Flûte, Clarinette et Basson
12
Quintette de Flûte : 5 flûtes
12
Ensemble de saxophones
12
Clarinette Basse, Piano
11
Hautbois et alto (duo)
11
Harmonica
10
Flûte à bec Tenor
10
Flute, harpe et violon
9
Flûte, Hautbois, Basson
9
Flûte, Hautbois, Clarinette (trio)
8
Clarinette Basse
8
Ensemble de Flûtes
8
Hautbois, violon (duo)
7
Flûte, Basson et Piano
7
Flûte, Violon, Piano
6
Clarinette (partie séparée)
6
Clarinette, Violoncelle, Piano (trio)
5
5 Flûtes à bec
5
Quatuor de Flûtes à bec
5
Flûte, Clarinette, Piano (trio)
5
Flûte, Violoncelle, Piano (trio)
5
Clarinette, Basson, Piano (trio)
4
Clarinette, Contrebasse (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Hautbois (duo)
4
Hautbois, Violon, Piano
4
Flûte, Alto et Piano
4
Flûte et Guitare
3
Saxophone et Orgue
3
Flûte, Violon et Violoncelle
3
Clarinette, Alto et Piano (trio)
3
Flûte à bec Soprano, Piano
3
Flute (partie séparée)
2
3 Flûtes à bec (trio)
2
Hautbois, trombone (duo)
2
Flûte, Harpe et Violoncelle
2
Hautbois, Violoncelle et Piano
2
Hautbois, Basson et Piano
2
Flûte traversière, Orgue (duo)
2
Ensemble De Flûte à bec
2
Piccolo, Piano
2
Flûte, Trombone (duo)
2
Flûte traversière, Basse continue
1
2 Saxophones, Piano
1
Clarinette, Tuba
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Orgue
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Hautbois, Piano (trio)
1
Flûte à Bec, Piano
1
Flûte, Tuba (duo)
1
Flûte et Trio à cordes
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
140
Trompette, Piano
131
Trompette
124
Trombone et Piano
123
Cor et Piano
113
Trombone
101
Cor
87
Tuba
66
Trompette, Saxophone (duo)
63
Tuba et Piano
55
2 Trombones (duo)
47
2 Trompettes (duo)
43
Trompette, Trombone (duo)
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Ensemble de Trompettes
30
Cor Anglais
25
Cor anglais, Piano
24
Euphonium, Piano (duo)
19
Quatuor de Cuivres
17
Quatuor de cuivres: 4 trombones
17
Trompette (partie séparée)
15
2 Cors (duo)
15
Trombone (partie séparée)
12
Cor, Violoncelle (duo)
12
2 Tubas (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
3 Trombones (trio)
9
Euphonium
9
Trompette, Violoncelle (duo)
7
Ensemble de Trombones
5
4 Tubas
5
Ensemble de Cors
5
Quatuor de cuivres: 4 cors
4
Trompette, Cor (duo)
4
Cor (partie séparée)
4
Trombone, Tuba (duo)
3
Tuba et Orgue
3
Trombone basse et Piano
3
Tuba (partie séparée)
3
Trompette, Basson (duo)
3
Trombone, Violon (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Trombone, Piano
2
Quatuor de cuivres: 4 trompettes
2
Cor et Basson (duo)
2
Euphonium, Tuba (duo)
1
Trombone et orchestre
1
3 Cors (trio)
1
Trombone, Cor (duo)
1
Trombone basse
1
Bass Clef Instruments
1
Trompette et Guitare
1
Clarinette, Cor (duo)
1
Trombone, Orgue
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
Cor, Tuba (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
311
Violon et Piano
253
Alto, Piano
178
Violoncelle, Piano
170
Violon
159
Harpe
142
Alto seul
100
Violoncelle (partie séparée)
88
Trio à Cordes: violon, alto, violoncelle
79
Violon, Violoncelle (duo)
79
2 Violons (duo)
73
Violoncelle
62
Contre Basse
60
Contrebasse, Piano (duo)
58
Violon, Alto (duo)
51
2 Violoncelles (duo)
47
2 Altos (duo)
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Violon, Basson (duo)
25
Alto (partie séparée)
24
Alto, Violoncelle (duo)
24
Violon (partie séparée)
18
Alto et Basson
16
Trio à Cordes: 2 violons, violoncelle
16
Harpe, Voix
12
Piano Trio: Violon, Alto, Piano
12
Violoncelle, Contrebasse (duo)
8
Contrebasse (partie séparée)
7
Harpe, Violon, Violoncelle
7
Harpe, Flûte (duo)
6
4 Violoncelles
5
Violon, Clarinette, Piano (trio)
4
2 Contrebasses (duo)
4
Flûte, Contrebasse (duo)
4
Trio à cordes: 3 violins
3
Violon, Guitare (duo)
3
Violoncelle , Guitare (duo)
3
Quatuor à cordes : 4 altos
2
2 Harpes (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Violon, Violoncelle, Clarinette
2
Violon, Tuba (duo)
2
Alto, Orgue
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
Autoharp
1
Violoncelle, Basse continue
1
Violoncelle, Orgue
1
Violon, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
431
Orchestre à Cordes
166
Ensemble de cuivres
97
Orchestre
64
Marimba
43
Orchestre de chambre
40
Ensemble Jazz
30
Cloches
21
Xylophone
16
Xylophone, Piano
14
Ensemble de Percussions
12
Vibraphone
9
Batterie
7
Jazz combo
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Percussion (partie séparée)
3
Fanfare
3
Percussion
2
Batterie (partie séparée)
2
Piano et Orchestre
1
2 Marimbas
1
Ensemble d'École
1
2 Xylophones
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
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Kitten Play
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1249559 Composed by Doug Smith. 20…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1249559 Composed by Doug Smith. 20th Century,Classical,Contemporary,Folk. Individual part. 6 pages. Doug Smith Guitar Studio #843989. Published by Doug Smith Guitar Studio (A0.1249559). Kitten Play is the first of nine guitar solos that are meant to express a feeling or emotion that is reminiscent of the subject in the title of the piece. In Kitten Play we have the erratic play, and pouncing round about like kittens chasing. Experience their bouncy moves, halting shifts and sense of having fun.
$2.99
2.76 €
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Guitare
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Doug Smith
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Kitten Play
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Doug Smith Guitar Studio
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SheetMusicPlus
Shallow
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1372204 By Lady Gaga. By Andrew Wy…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1372204 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Barry McCormick. Film/TV,Pop,Wedding. Individual part. 7 pages. B. McCormick #956465. Published by B. McCormick (A0.1372204). Shallow is a hit song by Lady Gaga and Bradley Cooper from the 2018 musical drama film A Star is Born. The song won several awards, including an Oscar, a Golden Globe, and four Grammys. It is a powerful duet that showcases the vocal talents and emotional connection of the two singers. Lady Gaga is one of the most influential and versatile artists of our time, with a range of genres and styles in her repertoire.This guitar fingerstyle sheet music arrangement of Shallow captures the essence and beauty of the original song, while adding some unique touches and embellishments. It is a higher intermediate level guitar piece that requires some technical skills and expressive playing. The arrangement closely follows the structure of the original song. The performance markings indicate the dynamics, tempo, articulation, and other aspects of how to play the piece. The piece also comes with a performance note that provides more details and tips on how to interpret the arrangement.This sheet music is perfect for guitarists who want to impress their audience with a stunning rendition of this popular song. It can be used as a solo piece or as part of a set list for various occasions. Whether you are a fan of Lady Gaga, A Star is Born, or just love beautiful music, this guitar fingerstyle sheet music arrangement of Shallow will make you feel the emotions and depth of this masterpiece.
$5.99
5.53 €
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Guitare
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Lady Gaga
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Barry McCormick
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Shallow
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B. McCormick
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SheetMusicPlus
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
Guitare
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Im…
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Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editions
Ernesto García de León's 20 Studies, Op. 50 is an ingenious collection thataddresses fundamental questions about how to develop and maintain guitar technique. It is designed toserve guitar teachers and students as well as performers and concert audiences. Since it explores notjust the technique of our instrument, but its musicaland expressive aspects as well, it makes daily technical work enjoyable, not tedious—even for someone only beginning to study the guitar.<br> <br> For guitar teachers and students, 20 Studies canserve as a basic curriculum or it can complementother methods or other sets of studies. For performers, it provides a complete overview and tune-up ofthe guitar technique in one graded set of daily studies that can be played in less than half an hour. Thiswarm-up then provides the player delicious concertrepertoire—as the complete set, or in smaller groups,or in combinations with other music by ErnestoGarcía de León.<br> <br> These musical exercises are also useful to rectify,reform or rehabilitate the guitar technique.<br> <br> The materials out of which the twenty studies aredeveloped are first idiomatic patterns of the guitarand then the variety of musical styles so appealing toand characteristic of Ernesto García de León. For example, classic examples of the music of theCaribbean coastal basin in general and thecomposer's native state Veracruz in particular appearunvarnished in #12 (a rumba veracruzana) and #20(a son). The other studies blend elements of Mexicanmusic in general—songs of the revolution, nativedances, boleros, children's songs, and so forth—withelements of European classical music, Beatles, NewAge music, jazz and other musical styles, in a wayintended to appeal to the player and to the listener.<br> <br> As the summary on pages 34 and 35 illustrates,the first sixteen studies explore basic formulas for theright hand. At the same time, they also address thefull range of left hand techniques—including balanceand positioning, independence of the fingers, longitudinal and transversal movements, shifts by substitution, by displacement, by jump, and by positions,barring, stretches and contractions, damping, pivoting, crossed movements, and movements with fixedfingers. The last four studies concern the slur.<br> <br> Though each of the basic right- and left-hand formulas explored in the twenty studies is relativelysimple in itself, each is a building block of a solidtechnique. Mastery of the complete set of twentystudies—less than half an hour of music—integratesall the formulas and develops the technique to a levelat which an enormous range of the guitar repertoirebecomes available.
$16.95
15.64 €
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Guitare
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Ernesto Garcia de Leon
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Ernesto García de León - 20 Estudios
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Michael Lorimer Editions
#
SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.65 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Prelude in E-flat major for Paul Galbraith
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1032923 Composed by Peter Oberg. 2…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1032923 Composed by Peter Oberg. 20th Century,Contemporary,Jazz. Individual part. 1 pages. Editions Oberg #5798819. Published by Editions Oberg (A0.1032923). A miniature Prelude written with jazz voicings, played with the guitar capo at the 3rd. fret. Impressionistic, played freely, with echoes of Ravel and Satie.
$2.99
2.76 €
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Guitare
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Peter Oberg
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Prelude in E-flat major for Paul Galbraith
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Editions Oberg
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SheetMusicPlus
ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
Guitare
Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac…
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Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Flavio Sala. Impressionistic, Post-Romantic, Repertoire. Score. 7 pages. Published by Flavio Sala
Isaac Albéniz (1860– 1909) è, senza dubbio, il vero fondatore della musica spagnola moderna.<br> <br> Bambino prodigioe instancabile viaggiatore, la sua opera è impregnata dei colori e dei saporidella Spagna, paese che ha amato profondamente per tutta la vita. L’influenzadel Flamenco è accertata: Albéniz era un habitué delle taverne dove si cantavae suonava questo genere. ASTURIAS, ispirato dalla Granaína (stile flamenco di Granada) è uno di quei brani che ha superato i confinidella musica prettamente classica, raggiungendo un pubblico planetario.<br> <br> Questatrascrizione, pur conservando alcune idee geniali di Andrés Segovia (latonalità di Mi minore, le terzine a partire dalla terza frase, gli armonicinella sezione centrale), presenta una scrittura chitarristica più precisa, curatanei minimi particolari e una maggiore coerenza con l’originale. Diteggiature esoluzioni nuove per la mano sinistra danno vita a una partitura fresca, riccadi sonorità inedite.<br> <br> Bojano, 16 Settembre 2020.<br> <br> Flavio Sala.<br> <br> * * *<br> <br> Isaac Albéniz (1860 - 1909) is, without doubt, the truefounder of modern Spanish music.<br> <br> Child prodigy and tireless traveler, his works are full of colorsand flavors of Spain, a country he has deeply loved all his life. The influenceof Flamenco is proven: Albéniz was a regular in taverns where this genre wassung and played. ASTURIAS, inspired by the Granaína(flamenco style of Granada) is one of those pieces that went beyond theboundaries of purely classical music, reaching a global audience.<br> <br> This transcription, while retaining some brilliant ideas ofAndrés Segovia (the key of E minor, the triplets starting from the third phrase,the harmonics in the central section), presents a more precise guitar writing,with attention to the smallest details and greater coherence with the original.New fingerings and solutions for the left hand give life to a fresh score, fullof new sounds.<br> <br> Bojano, September 16,2020.<br> <br> Flavio Sala.
$10.00
9.23 €
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Guitare
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Isaac Albeniz (1860-1909)
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Flavio Sala
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ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
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Flavio Sala
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SheetMusicPlus
Asturias (Leyenda) - Classical Guitar Ver.
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1124819 Composed by Isaac Albeniz.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1124819 Composed by Isaac Albeniz. Arranged by Padet Netpakdee. 19th Century,Classical,Traditional. Individual part. 8 pages. Padet NEtpakdee #725590. Published by Padet NEtpakdee (A0.1124819). Asturias (Leyenda) - Classical Guitar Ver. If you're looking for a newer & fresh interpretation on this iconic repertoire, you are in the right place. This Asturias version is arranged based on the original piano version without changing the typical guitar version's key, Em. Therefore, if you have already learnt the regular version of the piece, you wouldn't have to do much more of the extra work in order to play this version. The overall concept of this specific version is to capture the impressionism aspect of the piece rather than the guitaristic stand point. This, when played properly, gives you a serenity and impressionistic atmospheric aspect of Albeniz music in general.
$4.99
4.61 €
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Guitare
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Isaac Albeniz
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Padet Netpakdee
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Asturias
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Padet NEtpakdee
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SheetMusicPlus
Say Something
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1418401 By A Great Big World. By C…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1418401 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by B. McCormick. Pop,Singer/Songwriter. Individual part. 8 pages. B. McCormick #999968. Published by B. McCormick (A0.1418401). Experience the profound emotion of “Say Something†by A Great Big World with this meticulously crafted fingerstyle guitar arrangement. This digital sheet music captures the essence of the song’s poignant message and translates it into a language that only a guitar can speak. Song and Band Highlight: “Say Something†is a powerful ballad that soared to popularity for its touching lyrics and haunting melody. Released in 2013, the song became a global hit, peaking at number four on the Billboard Hot 100 chart and selling over six million copies in the United States alone1. It also topped the charts in Australia, Belgium, and Canada, resonating with audiences worldwide. The song’s success was further cemented when A Great Big World and Christina Aguilera won a Grammy Award for Best Pop Duo/Group Performance1. A Great Big World, consisting of Ian Axel and Chad King, has touched hearts with their emotional and sincere music, and “Say Something†stands as a testament to their songwriting prowess. Sheet Music Details: This arrangement is more than a simple transcription; it is an artistic interpretation that invites guitarists to explore the depth of the song’s emotional landscape. The performance notes emphasize the importance of expressive playing, guiding musicians through the nuances of dynamics and phrasing to truly convey the song’s narrative. The arrangement is structured to follow the original composition, with thoughtful adjustments made to enhance playability and musicality for solo guitar performance.Connect with me: As you embark on this musical journey, we invite you to share your experience and connect with a community of fellow musicians. Find us on social media using the handle @ResourcefulArrangements and join the conversation. Your feedback and performances are what inspire us to continue creating resources that enrich the guitar community.
$4.99
4.61 €
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Guitare
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A Great Big World
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B
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Say Something
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B. McCormick
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SheetMusicPlus
What Child Is This?
Guitare
Solo Guitar - Digital Download SKU: A0.1355192 Composed by Traditional and William …
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Solo Guitar - Digital Download SKU: A0.1355192 Composed by Traditional and William Chatterton Dix. Arranged by Bronson Ferdinand Wright. Christian,Christmas,Jazz,Praise & Worship,Standards. Individual part. 3 pages. Bronson Ferdinand #939910. Published by Bronson Ferdinand (A0.1355192). Beautiful arrangement of the this classic Christmas carol.This arrangement includes an intro and detailed articulations for expressive playing.Hip chord voicings and reharmonizations make this arrangement stand out. Would be great in a solo or a jazz small ensemble setting.
$4.99
4.61 €
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Guitare
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Traditional and William Chatterton Dix
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Bronson Ferdinand Wright
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What Child Is This?
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Bronson Ferdinand
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.46 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.46 €
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Guitare
#
Richard Strauss
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Rod Whittle
#
for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.46 €
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Guitare
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Richard Strauss
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Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.46 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Timeless Solos for Guitar
Guitare
Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB
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Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William Bay. Style. Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22041EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22041EB). ISBN 9781619111653. 8.75x11.75 inches.Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet free-form in structure. The companion recording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended cadenza. However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a chant. However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.
$9.99
9.22 €
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Guitare
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William Bay
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Timeless Solos for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
If I Fell
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1045112 By The Beatles. By John Le…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1045112 By The Beatles. By John Lennon and Paul McCartney. Arranged by NATHAN L HATICO. Classical,Contemporary,Jazz,Pop,Rock. Individual part. 4 pages. Nathan L. Hatico #649677. Published by Nathan L. Hatico (A0.1045112). This arrangement was inspired by Earl Klugh's recording of the song on his Naked Guitar CD. The melody line switches back and forth between the upper and lower registers and some sections have been reharmonized. This arrangement will work played in strict time, but I prefer to play it freely and expressively. It isn't too difficult and should be accessible to the intermediate level player.
$4.99
4.61 €
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Guitare
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The Beatles
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NATHAN L HATICO
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If I Fell
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Nathan L. Hatico
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SheetMusicPlus
Florazinha
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1346359 Composed by Jesse Voogt. 2…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1346359 Composed by Jesse Voogt. 20th Century,21st Century,Classical,Contemporary. Individual part. 3 pages. Jesse Voogt #931175. Published by Jesse Voogt (A0.1346359). A Brazilian Dance for Classical Guitar. Inspired by the legendary AgustÃn Barrios as well as Sting’s Saint Agnes and the Burning Train from the Soul Cages, this original piece of music is a lively and expressive dance that showcases the beauty and versatility of the classical guitar. You will enjoy playing this piece, which combines rhythmic vitality, harmonic richness, and melodic elegance. This piece is suitable for intermediate to advanced players who want to challenge themselves and impress their audiences.
$2.99
2.76 €
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Guitare
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Jesse Voogt
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Florazinha
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Jesse Voogt
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SheetMusicPlus
Study for M
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.940528 Composed by Nick Clow. Cont…
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Solo Guitar - Level 2 - Digital Download SKU: A0.940528 Composed by Nick Clow. Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow #3379963. Published by Nick Clow (A0.940528). This is an intermediate level solo guitar study that might be a worthwhile addition to a student's or intermediate guitarist's study materials or repertoire. It's not too hard - maybe Trinity Grade 3/4. You will be able to find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings are not only crude, but imply there is only one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this to the interpretation of the player.Notwithstanding the above, the fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99
2.76 €
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Guitare
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Nick Clow
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Study for M
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Nick Clow
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SheetMusicPlus
Hey Man Take Me With You
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.940535 Composed by Nick Clow. Conc…
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Solo Guitar - Level 4 - Digital Download SKU: A0.940535 Composed by Nick Clow. Concert,Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow #3383785. Published by Nick Clow (A0.940535). This is an advanced intermediate piece for solo guitar. It's around Trinity Grade 7. You can find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings not only seem crude to me, but also imply there is just one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this up to the interpretation of the player.Notwithstanding the above, my fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99
2.76 €
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Guitare
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Nick Clow
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Hey Man Take Me With You
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Nick Clow
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SheetMusicPlus
The Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.940536 Composed by Nick Clow. Cont…
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Solo Guitar - Level 4 - Digital Download SKU: A0.940536 Composed by Nick Clow. Contemporary,Instructional,Standards. Individual part. 2 pages. Nick Clow #3383783. Published by Nick Clow (A0.940536). This is an advanced intermediate solo guitar piece - around Trinity Grade 6. You can find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings not only seem crude to me, but also imply there is only one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this to the interpretation of the player.Notwithstanding the above, my fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99
2.76 €
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Guitare
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Nick Clow
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The Guitar
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Nick Clow
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SheetMusicPlus
Love Hurts
Guitare
Guitar - Level 1 - Digital Download SKU: A0.797695 By Ernesto Nazareth. By Boudleau…
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Guitar - Level 1 - Digital Download SKU: A0.797695 By Ernesto Nazareth. By Boudleaux Bryant. Arranged by Derek Hasted. 20th Century,Classical. 15 pages. Derek Hasted #3550449. Published by Derek Hasted (A0.797695). LOVE HURTS - GUITAR QUARTET/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This gloriously punchy piece has been performed by The Everly Brothers, Jim Capaldi, Roy Orbison and many more!I originally arranged this for my Guitar Workshop and it’s proved a real crowd pleaser at concerts, being easy, upbeat and well-known. The parts lock together securely and even an inexperienced ensemble can play this without a conductor. Yes, this really has been tried and tested in concert many times!A more experienced ensemble will enjoy playing this in a full-length concert - it offers a rewarding sound for little effort and takes away some of the pressure that comes from playing a varied concert!I hope you enjoy performing this piece!
$4.99
4.61 €
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Guitare
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Ernesto Nazareth
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Derek Hasted
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Love Hurts
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Derek Hasted
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SheetMusicPlus
Sad Dreams #1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032373 Composed by Kojiro Yuan. M…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032373 Composed by Kojiro Yuan. Multicultural,New Age,World. Individual part. 2 pages. Kojiro Y #4783101. Published by Kojiro Y (A0.1032373). Sad Dreams #1 is one of my Solo Guitar Compositions. It depicts the sad dreams created by the human mind. Every phrase and section expresses different sad dreams of the human mind. This piece is suitable for Classical Guitar players at the Intermediate Level. It contains arpeggios, scales, 2 part harmony, 3rds, 10ths and more. This sheet music of it contains tempo markings, dynamics, ritardando, etc. The fingerings for this piece can be adjusted to suit the needs and abilities of the individual Guitar Player. The recommendation is to use open strings when possible to give the Left-Hand space to relax between the notes and to keep the shifts of the scales to a minimum. The recommendation also is to use Right-Hand Fingerings that are natural and fit the space between the strings.
$12.00
11.08 €
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Guitare
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Kojiro Yuan
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Sad Dreams #1
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Kojiro Y
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SheetMusicPlus
Simple Gifts
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1296479 By Cheryl Terhune Cronk. B…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1296479 By Cheryl Terhune Cronk. By Elder Joseph Brackett. Arranged by Cheryl Terhune Cronk. Christmas,Classical,Folk,Traditional. Individual part. 4 pages. Foxglove Music Press #886663. Published by Foxglove Music Press (A0.1296479). Solo guitar arrangement for the intermediate level player – a popular Shaker Song originally written by Elder Joseph Brackett in 1848. This appealing melody has been performed in many different styles and instrumentation including a section of the well known ballet Appalachian Spring by Aaron Copland.A nice closer for your CD...
$2.99
2.76 €
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Guitare
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Cheryl Terhune Cronk
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Cheryl Terhune Cronk
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Simple Gifts
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Foxglove Music Press
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SheetMusicPlus
How Can I Keep From Singing
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1296493 By Cheryl Terhune Cronk. B…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1296493 By Cheryl Terhune Cronk. By Traditional. Arranged by Cheryl Terhune Cronk. Christmas,Classical,Folk,Praise & Worship,Traditional. Individual part. 7 pages. Foxglove Music Press #886678. Published by Foxglove Music Press (A0.1296493). Solo guitar arrangement with the intermediate player in mind. This lovely Shaker Hymn has been covered by artists from Eva Cassidy to Bruce Springsteen and is a nice companion piece to Simple Gifts.This arrangement includes Tablature.
$3.99
3.68 €
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Guitare
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Cheryl Terhune Cronk
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Cheryl Terhune Cronk
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How Can I Keep From Singing
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Foxglove Music Press
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SheetMusicPlus
I Saw Three Ships Guitar (Sheet Music) - A Major
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.509307 By Traditional English Caro…
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Solo Guitar - Level 1 - Digital Download SKU: A0.509307 By Traditional English Carol. By Traditional English Carol. Arranged by R. Salvario. Children,Christmas,Holiday,Sacred,Traditional. Individual part. 2 pages. Brambilla-Morris Press #120362. Published by Brambilla-Morris Press (A0.509307). Composed by Traditional English Carol. Arranged by R. Salvario. Children, Christmas, Holiday, Sacred, Traditional. I Saw Three Ships. Easy to play. A Major.
$1.99
1.84 €
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Guitare
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Traditional English Carol
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Traditional English Carol
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R
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I Saw Three Ships Guitar
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Brambilla-Morris Press
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SheetMusicPlus
I Saw Three Ships Guitar (Sheet Music) - C Major
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.509305 By Traditional English Caro…
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Solo Guitar - Level 1 - Digital Download SKU: A0.509305 By Traditional English Carol. By Traditional English Carol. Arranged by R. Salvario. Children,Christmas,Holiday,Sacred,Traditional. Individual part. 2 pages. Brambilla-Morris Press #120360. Published by Brambilla-Morris Press (A0.509305). Composed by Traditional English Carol. Arranged by R. Salvario. Children, Christmas, Holiday, Sacred, Traditional. I Saw Three Ships. Easy to play. C Major.
$1.99
1.84 €
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Guitare
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Traditional English Carol
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Traditional English Carol
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R
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I Saw Three Ships Guitar
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Brambilla-Morris Press
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SheetMusicPlus
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