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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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PIANO
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TROMBONE
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TUBA
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XYLOPHONE
Radio Man
Non classifié
166
Piano & claviers
Piano seul
202
Piano, Voix
102
Accordéon
41
Piano Facile
14
Instruments en Do
11
Piano, Voix et Guitare
9
2 Pianos, 4 mains
5
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
10
Guitare
6
Guitare notes et tablatures
4
Basse electrique
3
Dulcimer
1
Mandoline
1
2 Guitares (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
23
Voix Alto, Piano
9
Chorale 3 parties
7
Chorale TTBB
5
Chorale 2 parties
3
Voix duo
2
Voix Soprano
1
Voix Soprano, Piano
1
Voix duo, Piano
1
Voix moyenne, Piano
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
44
Flûte traversière et Piano
28
Hautbois, Piano (duo)
27
Saxophone Tenor et Piano
14
Clarinette et Piano
14
Saxophone Alto et Piano
12
Saxophone Soprano et Piano
9
Saxophone Baryton, Piano
9
Clarinette, Violoncelle, Piano (trio)
4
Ensemble de Flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Alto et Piano
3
Flûte traversière
3
Quatuor de Saxophones: 4 saxophones
3
Ensemble de saxophones
2
Flûte, Violoncelle, Piano (trio)
2
3 Clarinettes (trio)
2
2 Clarinettes (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Cor anglais, Piano
2
Ensemble de Clarinettes
2
Trio de Flûtes: 3 flûtes
2
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûtes traversières (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte et Guitare
1
Hautbois, Basson (duo)
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
Flûte à bec Tenor
1
2 Clarinettes, Piano
1
Clarinette Basse, Piano
1
Piccolo, Piano
1
Flûte, Clarinette (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Violoncelle
1
2 Flûtes traversières, Piano
1
Saxophone Alto
1
+ 35 instrumentations
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Cuivres
Cor et Piano
10
Trombone et Piano
9
Trompette, Piano
9
Tuba et Piano
8
Trompette, Saxophone (duo)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
2 Trompettes (duo)
3
Quatuor de Cuivres
3
Trompette
2
Cor anglais, Piano
2
3 Trombones (trio)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trombones
1
Trompette (partie séparée)
1
2 Euphoniums et 2 Tubas
1
+ 11 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon et Piano
36
Alto, Piano
22
Violon
14
Violoncelle, Piano
13
Violon, Violoncelle (duo)
13
Trio à Cordes: violon, alto, violoncelle
13
Contrebasse, Piano (duo)
8
2 Violoncelles (duo)
8
Trio à Cordes: 2 violons, violoncelle
7
Alto seul
5
Violon, Alto (duo)
5
Violoncelle
4
Alto (partie séparée)
3
Violon, Guitare (duo)
2
4 Violoncelles
2
Contrebasse (partie séparée)
1
Violoncelle , Guitare (duo)
1
2 Violons (duo)
1
2 Altos (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
37
Orchestre d'harmonie
18
Orchestre
12
Ensemble de cuivres
8
Orchestre de chambre
6
Orchestre à Cordes
5
Batterie
2
Jazz combo
1
Ensemble de Percussions
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Radio Man
Guitare
Partitions à imprimer
6 partitions trouvées
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1
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Recuerdos de la Alhanbra for Classical Guitar
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Guitare
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Recuerdos de la Alhanbra for C
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instr...
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Solo Guitar - Level 3 - SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
Killing Me Softly With His Song
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Roberta Flack
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Paul Smith
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Killing Me Softly With His Son
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Conservatory Radio USA
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1354614 By Roberta Flack. By Charles Fox and Norman Gimbel. Arranged by Paul Smith. 20th Century,Classical,Hip-Hop,Singe...
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Solo Guitar - Level 4 - SKU: A0.1354614 By Roberta Flack. By Charles Fox and Norman Gimbel. Arranged by Paul Smith. 20th Century,Classical,Hip-Hop,Singer/Songwriter,Standards. Individual part. 2 pages. Conservatory Radio USA #939308. Published by Conservatory Radio USA (A0.1354614). Arranged for the Solo GuitarHighlights modern elevated fretboard techniqueVideo by Rec.Today
$9.99
Vals Venezolano No.2 'Andreina' for Spanish Classical Guitar
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Guitare
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Vals Venezolano No.2 'Andreina
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1442768 By Keith Terrett. By Antonio Lauro Edited Keith Terrett. Arranged by Keith Terrett. Classical,Contemporary,Instr...
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Solo Guitar - Level 3 - SKU: A0.1442768 By Keith Terrett. By Antonio Lauro Edited Keith Terrett. Arranged by Keith Terrett. Classical,Contemporary,Instructional,Latin,Multicultural,World. Individual part. 4 pages. Keith Terrett #1022744. Published by Keith Terrett (A0.1442768). Vals Venezolano No. 2 or 'Andreina' as it is also known belongs to a set of waltzes composed by the Venezuelan classical guitarist & composer extraordinaire Antonio Lauro. This particular piece belongs to a collection of his waltzes known rather unimaginatively as 'Quattro Vals Venezolanos' or 'Four Venezuelan Waltzes' probably named by the original publisher.Antonio Lauro (August 3, 1917 – April 18, 1986) was a Venezuelan musician, considered to be one of the foremost South American composers for the guitar in the 20th century.The works of Antonio Lauro have long been very popular with guitarists worldwide, yet there have been few recordings devoted exclusively to him. However, several recordings by Adam Holzman, John Williams (guitarist) and David Russell have been issued. John Williams is quoted as having referred to Antonio Lauro as being the Strauss of the guitar. Another recording worth mentioning, A Tribute to Antonio Lauro by Thomas Cronin (guitarist), recorded initially for Irish National Radio on the RTE label, gained great appeal with Venezuelans worldwide.Additionally, Lauro's masterpieces have been the core of studies, workshops and Masters in universities all around the World.
$1.99
"Blues For Tony" -Background Track for Guitar-Video
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Guitare
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INTERMÉDIAIRE
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Fishel Pustilnik
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Fishel Pustilnik
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"Blues For Tony" -Ba
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F & N Enterprise
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.635124 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Blues,Film/TV,Jazz,Pop. Individual part. 2 pages. F &...
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Solo Guitar - Level 3 - SKU: A0.635124 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Blues,Film/TV,Jazz,Pop. Individual part. 2 pages. F & N Enterprise #4792285. Published by F & N Enterprise (A0.635124). Background Track of Blues For Tony from my Music Book Jazz & Pop Sax Paradise (with attached CD) for Guitar.Video for Alto Sax: https://www.youtube.com/watch?v=1E8FChuDpFQ&feature=youtu.beThe version includes a highly professional background music. Plus Version of Blues For Tony at SMP: SO. 295691 What a great album. I’ve already started playing tracks on air. There are SO MANY really good tracks. Well done! All the best, Harold Ellison The Jazz Cafe TripleU-FM Nowra, New South Wales, Australia Sax Paradise is great and hot and smooth and as I build this radio program this sound is the smooth jazz sounds I want to portray. Great sound! Emerson Allen Giant 90.9 WBDG Indiana USAAdditional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
Classical Guitar Tunes - Parlor Gems
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Guitare
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INTERMÉDIAIRE
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Classique
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Classical Guitar Tunes - Parlo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate- Advanced - 19th Century Music. Ebook and online audio. 52 pages. Mel Bay Publications - Digital Sheet Music #30944MEB. Publish...
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Guitar - Intermediate- Advanced - 19th Century Music. Ebook and online audio. 52 pages. Mel Bay Publications - Digital Sheet Music #30944MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459905. 8.75 x 11.75 inches.
In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the books online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving Kathleen MavoureenRomanza by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndts Nola, one of the eras most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.
$14.99
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Radio Man