Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rama
Non classifié
1 241
Piano & claviers
Piano seul
771
Piano, Voix
241
Piano, Voix et Guitare
125
Piano Facile
102
Orgue
41
Accompagnement Piano
26
1 Piano, 4 mains
24
Instruments en Do
23
Piano Trio: piano, violon, violoncelle
22
2 Pianos, 4 mains
12
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
3
Piano (partie séparée)
2
Clavecin
2
Clavier
1
Ensemble d'Accordéons
1
Piano grosses notes
1
2 Accordéons
1
Accordéon
1
+ 16 instrumentations
Retracter
Guitares
Guitare
46
Guitare notes et tablatures
39
Ligne De Mélodie, (Paroles) et Accords
13
Piano, Guitare (duo)
6
2 Guitares (duo)
5
Dulcimer
3
4 Guitares (Quatuor)
3
Paroles et Accords
3
Guitare (partie séparée)
2
Ukulele
2
Mandoline, Piano (duo)
2
Ensemble de guitares
1
3 Guitares (trio)
1
Basse electrique
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
596
Chorale 3 parties
135
Chorale 2 parties
131
Chorale TTBB
122
Chorale SSAA
74
Chorale Unison
70
Voix duo, Piano
38
Voix duo
28
Voix haute
22
Voix Soprano, Piano
22
Voix moyenne, Piano
12
Voix Tenor, Piano
9
Voix basse, Piano
8
Voix seule
8
Voix Alto, Piano
7
Voix Baryton, Piano
4
Voix Soprano
3
Chorale SSATB
2
Voix Mezzo-Soprano, Piano
2
Chorale SSAB a cappella
2
Voix Soprano, Orchestre
1
Voix basse
1
Voix Baryton
1
Chorale SSAATTBB
1
Voix Tenor
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
62
Saxophone Alto et Piano
59
Clarinette et Piano
54
Hautbois, Piano (duo)
53
Quatuor de Saxophones: 4 saxophones
42
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
40
Saxophone Tenor et Piano
38
Quatuor de Clarinettes: 4 clarinettes
34
2 Saxophones (duo)
34
Flûte traversière
28
Saxophone Soprano et Piano
26
2 Flûtes traversières (duo)
24
Clarinette
22
Clarinette (partie séparée)
21
2 Clarinettes (duo)
20
Hautbois (partie séparée)
18
Flûte, Hautbois, Clarinette, Basson
17
Quintette de Clarinettes: 5 clarinettes
16
Saxophone Alto
14
Quatuor de Flûtes : 4 flûtes
12
Quintette de Saxophone: 5 saxophones
12
3 Saxophones (trio)
12
Saxophone Tenor
12
Saxophone Baryton, Piano
12
Ensemble de Clarinettes
12
Saxophone (partie séparée)
11
Flute (partie séparée)
9
Saxophone
9
3 Clarinettes (trio)
9
Flûte, Clarinette (duo)
9
Flûte à Bec
7
Cor anglais, Piano
7
Clarinette, Violoncelle, Piano (trio)
7
Ensemble de Flûtes
7
Clarinette Basse, Piano
6
Quintette de Flûte : 5 flûtes
6
Flûte, Violoncelle, Piano (trio)
5
Flûte et Guitare
5
2 Flûtes traversières, Piano
4
Ensemble de saxophones
4
Clarinette, Violon (duo)
4
Clarinette, Basson (duo)
4
2 Hautbois (duo)
4
Trio de Flûtes: 3 flûtes
4
Clarinette, Violoncelle (duo)
4
Flûte, Violoncelle
3
Hautbois
3
Flûte, Alto et Piano
3
2 Clarinettes, Piano
3
Clarinette, Guitare (duo)
3
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Soprano
3
2 Flûte à bec (duo)
2
Flûte, trombone et piano
2
Quatuor de Flûtes à bec
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Violon
2
Flûte, Violon et Violoncelle
2
Saxophone, Clarinette (duo)
2
Flûte, Alto (duo)
2
Clarinette et Alto
2
Flûte, Saxophone (duo)
2
2 Cors Anglais Et Pianoforte
2
3 Flûtes à bec (trio)
2
Flûte, Violon, Piano
2
Hautbois, Clarinette (duo)
2
Ensemble De Flûte à bec
1
Hautbois et alto (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, violon (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Basson
1
Piccolo
1
Hautbois, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Orgue
1
Saxophone et Orgue
1
Flûte à Bec, Piano
1
Flûte à bec Alto
1
Clarinette, Trombone (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte, Basson et Piano
1
Flûte et Trio à cordes
1
Flûte, Clarinette et Basson
1
Cor anglais, Guitare (duo)
1
Flûte, Violon, Violoncelle et Piano
1
+ 83 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Trombone et Piano
53
Trompette, Piano
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Cor et Piano
26
Trompette
26
Trombone (partie séparée)
19
Ensemble de Trombones
17
Trompette (partie séparée)
16
Cor (partie séparée)
15
2 Trompettes (duo)
12
Trombone
12
Cor
11
Tuba et Piano
11
Tuba (partie séparée)
10
Ensemble de Trompettes
9
Cor anglais, Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
2 Trombones (duo)
7
Quatuor de Cuivres
6
Quatuor de cuivres: 4 trombones
5
2 Cors (duo)
5
Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 cors
4
Ensemble de Cors
3
Trompette, Trombone (duo)
3
Euphonium, Tuba (duo)
2
Euphonium
2
2 Tubas (duo)
2
Tuba
2
2 Euphoniums (duo)
2
2 Cors Anglais Et Pianoforte
2
Trombone et orchestre
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Tuba (duo)
1
3 Cors (trio)
1
Trombone basse
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
4 Tubas
1
Trompette, Violoncelle et Piano
1
2 Euphoniums et 2 Tubas
1
Trio de Cuivres
1
Cor anglais, Guitare (duo)
1
3 Trompettes (trio)
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
160
Violon et Piano
91
Violoncelle, Piano
63
Alto, Piano
51
Violon
46
Violon (partie séparée)
42
Harpe
33
Violoncelle
22
2 Violons (duo)
19
Alto (partie séparée)
19
Violon, Violoncelle (duo)
16
Contrebasse (partie séparée)
15
Trio à Cordes: violon, alto, violoncelle
15
Alto seul
12
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse, Piano (duo)
12
2 Violoncelles (duo)
12
Violoncelle (partie séparée)
11
2 Altos (duo)
7
Alto, Violoncelle (duo)
6
Trio à Cordes: 3 violoncelles
5
Violon, Guitare (duo)
5
Violon, Alto (duo)
4
Trio à cordes: 3 violins
4
Quatuor à cordes: 4 violons
3
Violoncelle , Guitare (duo)
3
4 Violoncelles
3
Piano Trio: Violon, Alto, Piano
3
Contre Basse
3
Trio à cordes: 3 altos
3
Quatuor à cordes : 4 altos
2
Trio à Cordes: 2 violons, alto
2
Alto, Guitare (duo)
2
2 Contrebasses (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
2 Violons, Piano
1
Violoncelle, Basse continue
1
Alto et Basson
1
Violon, Basson (duo)
1
4 Harpes
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 521
Orchestre
212
Orchestre à Cordes
173
Ensemble de cuivres
70
Cloches
61
Orchestre de chambre
51
Ensemble Jazz
38
Batterie
21
Jazz combo
16
Ensemble de Percussions
15
Fanfare
13
Percussion (partie séparée)
12
Vibraphone
4
Marimba
3
Orchestre, Violon
2
2 Caisses Claires (duo)
1
Xylophone
1
Batterie (partie séparée)
1
2 Xylophones
1
Marimba, Piano (duo)
1
Percussion
1
+ 16 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
37
Partitions Numériques
46
Librairie Musicale
92
Matériel de Musique
267
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Rama
Guitare
Partitions à imprimer
46 partitions trouvées
<
1
26
Leguizamón : Balderrama (Zamba) (Main Guitar)
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
Leguizamón
#
Balderrama
#
Tomplay
Telechargez la tablature et la partition Guitare Balderrama (Zamba) (Main Guitar) de Leguizamón. Tab pour Trio -- Classique...
(+)
Telechargez la tablature et la partition Guitare Balderrama (Zamba) (Main Guitar) de Leguizamón. Tab pour Trio -- Classique
5.99€
Leguizamón : Balderrama (Zamba) (guitare d'accompagnement)
#
Guitare
#
FACILE
#
Classique
#
Leguizamón
#
Balderrama
#
Tomplay
Telechargez la tablature et la partition Guitare Balderrama (Zamba) (guitare d'accompagnement) de Leguizamón. Tab pour Trio -- Classique...
(+)
Telechargez la tablature et la partition Guitare Balderrama (Zamba) (guitare d'accompagnement) de Leguizamón. Tab pour Trio -- Classique
5.99€
The Vampire: A Dramatic Theme
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Sol Paul Levy
#
Eric J Roth
#
The Vampire: A Dramatic Theme
#
Eric J Roth
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 ...
(+)
Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
Guitarama
#
Guitare
#
Guitarama
#
Schott Music - Digital
#
SheetMusicPlus
Guitar - SKU: S9.Q5608 21 Classical Pieces. This edition: Sheet music. Downloadable. Schott Music - Digital #Q5608. Published by Schott Music - D...
(+)
Guitar - SKU: S9.Q5608 21 Classical Pieces. This edition: Sheet music. Downloadable. Schott Music - Digital #Q5608. Published by Schott Music - Digital (S9.Q5608).
$13.99
Lever du jour à Paramana
#
Guitare
#
AVANCÉ
#
Fabrice Pierrat
#
Lever du jour à Paraman
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-2894 Composed by Fabrice Pierrat. Score. 4 pages. Les Productions d'OZ - Digital #DZ 2894. Published by Les Productions d...
(+)
Guitar - Advanced - SKU: ZZ.DZ-2894 Composed by Fabrice Pierrat. Score. 4 pages. Les Productions d'OZ - Digital #DZ 2894. Published by Les Productions d'OZ - Digital (ZZ.DZ-2894). ISBN 9782897378110.
$3.95
Ramada Hôtel
#
Guitare
#
INTERMÉDIAIRE
#
Contemporain
#
Michel Dalle Ave
#
Ramada Hôtel
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Composed by Michel Dalle Ave (1956-). Score. 5 pages. Les Productions d'OZ - Digital #DZ 4119. Published by Les Productions d'OZ - Digital...
(+)
Composed by Michel Dalle Ave (1956-). Score. 5 pages. Les Productions d'OZ - Digital #DZ 4119. Published by Les Productions d'OZ - Digital
$3.95
[Cameron-Wolfe] Heretic
#
Guitare
#
Richard Cameron-Wolfe
#
[Cameron-Wolfe] Heretic
#
American Composers Alliance Inc.
#
SheetMusicPlus
Solo Guitar - SKU: A0.952203 Composed by Richard Cameron-Wolfe. 20th Century,Contemporary,Opera. Individual part. 19 pages. American Composers Alliance ...
(+)
Solo Guitar - SKU: A0.952203 Composed by Richard Cameron-Wolfe. 20th Century,Contemporary,Opera. Individual part. 19 pages. American Composers Alliance Inc. #4569677. Published by American Composers Alliance Inc. (A0.952203). A micro-opera for solo guitar embedded in an intense psycho-drama of disillusionment and alienation. All texts are by the composer, except for brief quote from Arthur Machen’s 1907 novel, The Hill of Dreams. The guitarist is frequently called-upon to speak (rhythmically or freely) and there is a brief passage of singing. This micro-opera is intended to be staged, and it is strongly recommended that the guitarist collaborate with an adventurous drama coach.
$17.95
Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
#
Guitare
#
AVANCÉ
#
Classique
#
Bryan Johanson and Jesse McCan
#
Guitar Repertoire, vol. 1 - da
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Publis...
(+)
Guitar - Advanced - SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Published by Les Productions d'OZ - Digital (ZZ.DZ-4262). In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitar’s plucked-string relatives, the authors’ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitar’s most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.- William KanengiserDans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les œuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces œuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des œuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.- William Kanengiser.
$42.95
Fly Me To The Moon (in Other Words)
#
Guitare
#
INTERMÉDIAIRE
#
Latin/Musique du monde
#
Jazz
#
Tony Bennett
#
MARCIO ROBERTO AMARAL
#
Fly Me To The Moon
#
Marcio Amaral
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1226026 By Tony Bennett. By Bart Howard. Arranged by MARCIO ROBERTO AMARAL. Folk,Jazz,Latin,Standards. Individual part. ...
(+)
Solo Guitar - Level 3 - SKU: A0.1226026 By Tony Bennett. By Bart Howard. Arranged by MARCIO ROBERTO AMARAL. Folk,Jazz,Latin,Standards. Individual part. 4 pages. Marcio Amaral #822052. Published by Marcio Amaral (A0.1226026). Arranjo do estilo fingerstyle.IntermediárioArquivo pdf com 4 páginas. Contém partitura, cifras, tablatura e diagramas do braço do violão.
$6.99
Pelangi
#
Guitare
#
AVANCÉ
#
Contemporain
#
Hivi!
#
Antonius Agung Setiawan
#
Pelangi
#
Antonius Agung Setiawan
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.788422 By Hivi! By Anindyo Baskoro, Arya Aditya Ramadhya, and Ilmam Ibrahim Isa. Arranged by Antonius Agung Setiawan. Co...
(+)
Solo Guitar - Level 5 - SKU: A0.788422 By Hivi! By Anindyo Baskoro, Arya Aditya Ramadhya, and Ilmam Ibrahim Isa. Arranged by Antonius Agung Setiawan. Contemporary. Individual part. 6 pages. Antonius Agung Setiawan #6071243. Published by Antonius Agung Setiawan (A0.788422). Pelangi by HIVI! Solo guitar arrangement by Antonius Agung Setiawan Fingerstyle guitar arrangement, Easy to play instagram @ https://www.instagram.com/pakagung/ youtube @ https://www.youtube.com/channel/UC8INfTcYhpBnMZrekYtC_jg #guitaronlybypakagung
$5.99
Corak Comping Gitar Rentak Joget
#
Guitare
#
Pop musique
#
Matlankidz
#
Corak Comping Gitar Rentak Jog
#
MaTLaNKIdZ
#
SheetMusicPlus
Solo Guitar - SKU: A0.1029499 Composed by Matlankidz. Pop. Individual part. 2 pages. MaTLaNKIdZ #5865983. Published by MaTLaNKIdZ (A0.1029499).
(+)
Solo Guitar - SKU: A0.1029499 Composed by Matlankidz. Pop. Individual part. 2 pages. MaTLaNKIdZ #5865983. Published by MaTLaNKIdZ (A0.1029499). Corak Comping Gitar Rentak Irama Malaysia : Joget.
$1.99
Pelangi
#
Guitare
#
AVANCÉ
#
Contemporain
#
Hivi!
#
Antonius Agung Setiawan
#
Pelangi
#
Antonius Agung Setiawan
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.788416 By Hivi! By Anindyo Baskoro, Arya Aditya Ramadhya, and Ilmam Ibrahim Isa. Arranged by Antonius Agung Setiawan. Co...
(+)
Solo Guitar - Level 5 - SKU: A0.788416 By Hivi! By Anindyo Baskoro, Arya Aditya Ramadhya, and Ilmam Ibrahim Isa. Arranged by Antonius Agung Setiawan. Contemporary. Individual part. 7 pages. Antonius Agung Setiawan #5985565. Published by Antonius Agung Setiawan (A0.788416). Pelangi by HIVI! Duet guitar arrangement by Antonius Agung Setiawan Fingerstyle guitar arrangement, Easy to play instagram @ https://www.instagram.com/pakagung/ youtube @ https://www.youtube.com/channel/UC8INfTcYhpBnMZrekYtC_jg #guitaronlybypakagung
$5.99
Suite Imaginaria
#
Guitare
#
Contemporain
#
Sergio Roberto de Oliveira
#
Suite Imaginaria
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
Solo Guitar - SKU: A0.962310 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Individual part. 14 pages. Sergio Roberto ...
(+)
Solo Guitar - SKU: A0.962310 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Individual part. 14 pages. Sergio Roberto de Oliveira #3037195. Published by Sergio Roberto de Oliveira (A0.962310). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$17.02
Maurice Ravel - Prelude (1913), transcr. for guitar
#
Guitare
#
AVANCÉ
#
Contemporain
#
Maurice Ravel
#
Aleksander Wilgos
#
Maurice Ravel - Prelude
#
Aleksander Wilgos
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.905198 Composed by Maurice Ravel. Arranged by Aleksander Wilgos. 20th Century. Individual part. 1 pages. Aleksander Wilg...
(+)
Solo Guitar - Level 5 - SKU: A0.905198 Composed by Maurice Ravel. Arranged by Aleksander Wilgos. 20th Century. Individual part. 1 pages. Aleksander Wilgos #3604553. Published by Aleksander Wilgos (A0.905198). Ravel has composed this marvelous miniature for the piano sight reading competition at Paris Conservatory in 1913.This is my own transcription for guitar. You can listen to my recording here: https://www.youtube.com/watch?v=HNEPyDrAmaQCheck my other transcriptions: https://www.youtube.com/user/aleksanderwilgos
$5.50
Umas coisas do coracao
#
Guitare
#
Sergio Roberto de Oliveira
#
Umas coisas do coracao
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
Solo Guitar - SKU: A0.962347 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Individual part. 9 pages. Sergio Roberto de Olivei...
(+)
Solo Guitar - SKU: A0.962347 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Individual part. 9 pages. Sergio Roberto de Oliveira #4794239. Published by Sergio Roberto de Oliveira (A0.962347). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$4.85
Shallow
#
Guitare
#
INTERMÉDIAIRE
#
Lady Gaga
#
Barry McCormick
#
Shallow
#
B. McCormick
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1372204 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Barry McCorm...
(+)
Solo Guitar - Level 3 - SKU: A0.1372204 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Barry McCormick. Film/TV,Pop,Wedding. Individual part. 7 pages. B. McCormick #956465. Published by B. McCormick (A0.1372204). Shallow is a hit song by Lady Gaga and Bradley Cooper from the 2018 musical drama film A Star is Born. The song won several awards, including an Oscar, a Golden Globe, and four Grammys. It is a powerful duet that showcases the vocal talents and emotional connection of the two singers. Lady Gaga is one of the most influential and versatile artists of our time, with a range of genres and styles in her repertoire.This guitar fingerstyle sheet music arrangement of Shallow captures the essence and beauty of the original song, while adding some unique touches and embellishments. It is a higher intermediate level guitar piece that requires some technical skills and expressive playing. The arrangement closely follows the structure of the original song. The performance markings indicate the dynamics, tempo, articulation, and other aspects of how to play the piece. The piece also comes with a performance note that provides more details and tips on how to interpret the arrangement.This sheet music is perfect for guitarists who want to impress their audience with a stunning rendition of this popular song. It can be used as a solo piece or as part of a set list for various occasions. Whether you are a fan of Lady Gaga, A Star is Born, or just love beautiful music, this guitar fingerstyle sheet music arrangement of Shallow will make you feel the emotions and depth of this masterpiece.
$5.99
Sonata No. 2
#
Guitare
#
AVANCÉ
#
Olli Mustonen
#
Sonata No. 2
#
Schott Music - Digital
#
SheetMusicPlus
Guitar - advanced - SKU: S9.Q50413 For guitar. Composed by Olli Mustonen. This edition: single sheet. Guitar Archive. Für Gitarre. Downloadabl...
(+)
Guitar - advanced - SKU: S9.Q50413 For guitar. Composed by Olli Mustonen. This edition: single sheet. Guitar Archive. Für Gitarre. Downloadable, Separate edition. Duration 10 minutes. Schott Music - Digital #Q50413. Published by Schott Music - Digital (S9.Q50413). Unlike its predecessor Jehkin Iivana, which draws its inspiration from the world of Finnish myths and the ancient tradition of poet singers, the sources of the Sonata N° 2 are more abstract. The first movement starts with dissonant intervals, full of drama and conflict while the second has a dream-like atmosphere as if the guitar has been left alone in the forest. After a nightmarish episode, more hopeful music suddenly starts to appear. In the last movement the guitar returns to fight its tormentors from the first movement with renewed energy and takes its way heroically through all obstacles to a triumphant end. Olli Mustonen.
$7.99
Chorus and Aria from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
Somewhere In Time
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Allen Comyns
#
John Fries
#
Somewhere In Time
#
John Fries
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271471 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,Film/TV,Irish,Jaz...
(+)
Solo Guitar - Level 4 - SKU: A0.1271471 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,Film/TV,Irish,Jazz,Standards. Individual part. 2 pages. John Fries #863872. Published by John Fries (A0.1271471). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$4.99
'A golden time ...' from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
In My Life
#
Guitare
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
André Nusa
#
In My Life
#
Andre_Nusa
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1200259 By The Beatles. By John Lennon and Paul McCartney. Arranged by André Nusa. 20th Century,Pop,Rock. Individual ...
(+)
Solo Guitar - Level 3 - SKU: A0.1200259 By The Beatles. By John Lennon and Paul McCartney. Arranged by André Nusa. 20th Century,Pop,Rock. Individual part. 3 pages. Andre_Nusa #799062. Published by Andre_Nusa (A0.1200259). This arrangement is designed for a skilled guitarist with advanced technical abilities and a deep understanding of musical expression. The arrangement features a fingerstyle technique that captures the intricacies of the song's melody and rhythm. The performer may choose to incorporate variations in tempo, dynamics, and phrasing to build tension and drama, creating a powerful and emotional performance. It is a testament to the performer's technical and musical abilities, and a valuable addition to any advanced guitarist's repertoire.
$5.99
Excerpt from the Last Part of Ariadne Auf Naxos
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
For your endless love
#
Guitare
#
FACILE
#
Filippo Bombonato
#
For your endless love
#
Filippo Bombonato
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1029014 Composed by Filippo Bombonato. Baroque,Classical,Instructional,Romantic Period. Individual part. 1 pages. Filipp...
(+)
Solo Guitar - Level 2 - SKU: A0.1029014 Composed by Filippo Bombonato. Baroque,Classical,Instructional,Romantic Period. Individual part. 1 pages. Filippo Bombonato #4605069. Published by Filippo Bombonato (A0.1029014). A heartfelt, romantic and solemn 3/4 composition in Do for classical guitar suitable for ceremonies, for touching movie and drama scenes. .
$2.00
Overture from Ariadne auf Naxos
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
(+)
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Rama
