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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Reach
Non classifié
772
Piano & claviers
Piano seul
619
Piano, Voix et Guitare
313
Piano, Voix
234
Piano Facile
219
Instruments en Do
104
Orgue
37
Piano grosses notes
11
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon
3
Piano (partie séparée)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
2 Pianos, 4 mains
1
Clavecin
1
Ligne De Mélodie, Piano
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
149
Ligne De Mélodie, (Paroles) et Accords
90
Paroles et Accords
61
Guitare
49
Basse electrique
18
Ukulele
12
Piano, Guitare (duo)
11
Dulcimer
9
2 Guitares (duo)
7
Guitare (partie séparée)
5
Mandoline
2
Ensemble de guitares
2
Banjo
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Basse électrique (partie séparée)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
332
Chorale 3 parties
107
Chorale TTBB
46
Chorale 2 parties
43
Chorale SSAA
35
Chorale Unison
28
Voix Alto, Piano
11
Pack Instrumental pour Chorale
11
Voix duo
9
Voix haute
9
Voix Soprano, Piano
9
Voix duo, Piano
9
Voix seule
7
Chorale
6
Male Voice
5
Voix Baryton, Piano
4
Voix Tenor, Piano
3
Voix Tenor
3
Voix basse, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Voix Soprano, Orchestre
1
+ 18 instrumentations
Retracter
Vents
Saxophone Alto
80
Saxophone Tenor
74
Flûte traversière
68
Flûte traversière et Piano
63
Quatuor de Saxophones: 4 saxophones
58
Saxophone (partie séparée)
57
Clarinette
54
Clarinette et Piano
54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
2 Saxophones (duo)
45
Hautbois, Piano (duo)
42
Saxophone Alto et Piano
40
Quatuor de Clarinettes: 4 clarinettes
38
Saxophone Tenor et Piano
38
2 Flûtes traversières (duo)
31
Flûte, Hautbois, Clarinette, Basson
29
Saxophone Baryton, Piano
27
Saxophone Soprano et Piano
27
Saxophone, Clarinette (duo)
20
Quatuor de Flûtes : 4 flûtes
19
Hautbois (partie séparée)
18
Cor anglais, Piano
18
2 Clarinettes (duo)
18
Saxophone Soprano
17
Quintette de Saxophone: 5 saxophones
15
Clarinette, Violon (duo)
14
Clarinette, Trompette (duo)
14
Clarinette Basse, Piano
14
Ensemble de Clarinettes
11
Flûte et Guitare
11
Flûte, Clarinette (duo)
9
Ensemble de saxophones
9
Quintette de Clarinettes: 5 clarinettes
8
2 Hautbois (duo)
8
Clarinette et Alto
8
Hautbois, Basson (duo)
8
Flûte, Violon
8
Flûte, Trompette (duo)
7
Hautbois, Flûte
7
Flûte, Alto (duo)
7
3 Saxophones (trio)
7
Flûte, Saxophone (duo)
6
Hautbois, Clarinette (duo)
6
Trio de Flûtes: 3 flûtes
5
3 Clarinettes (trio)
4
Quintette de Flûte : 5 flûtes
4
Flute (partie séparée)
4
Flûte, Hautbois, Clarinette (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Ensemble de Flûtes
3
Clarinette (partie séparée)
3
Flûte à Bec
2
Quatuor de Flûtes à bec
2
5 Flûtes à bec
2
Flûte, Clarinette et Basson
2
Clarinette, Guitare (duo)
2
Flûte à bec Alto
2
Piccolo, Piano
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Soprano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Basson (duo)
1
Saxophone et Orgue
1
Saxophone et Guitare
1
Cor Anglais
1
3 Flûtes à bec (trio)
1
Hautbois, Violon, Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Violon (trio)
1
Cor anglais, Guitare (duo)
1
Saxophone
1
Ensemble à vent
1
Flûte, Violon et Violoncelle
1
2 Flûte à bec (duo)
1
+ 69 instrumentations
Retracter
Cuivres
Trompette
74
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
72
Trompette, Piano
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Trombone et Piano
35
Trombone
34
Cor et Piano
27
Euphonium, Piano (duo)
25
Cor anglais, Piano
18
2 Trombones (duo)
16
Trompette (partie séparée)
15
Trompette, Saxophone (duo)
15
Tuba et Piano
14
Trombone (partie séparée)
13
Cor
12
2 Trompettes (duo)
10
Quatuor de Cuivres
7
Trompette, Trombone (duo)
6
Tuba
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trombones
3
3 Cors (trio)
2
Ensemble de Trombones
2
3 Trombones (trio)
2
Cor (partie séparée)
2
3 Tubas (trio)
2
Euphonium
2
Ensemble de Cors
2
Euphonium, Tuba (duo)
2
Trio de Cuivres
2
4 Tubas
2
Trombone, Cor (duo)
1
2 Tubas (duo)
1
2 Cors (duo)
1
Trompette, Cor (duo)
1
Ensemble de Trompettes
1
Ensemble de Tubas
1
Cor Anglais
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais, Guitare (duo)
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
161
Violon
107
Violon et Piano
68
Violoncelle
52
Violoncelle, Piano
52
Alto, Piano
39
Violon, Violoncelle (duo)
28
Alto seul
21
Trio à Cordes: violon, alto, violoncelle
20
Harpe
17
2 Violons (duo)
17
Trio à Cordes: 2 violons, violoncelle
14
2 Violoncelles (duo)
13
Contrebasse, Piano (duo)
11
Contre Basse
10
2 Altos (duo)
9
Violon, Alto (duo)
8
Violon, Guitare (duo)
7
Contrebasse (partie séparée)
6
Alto (partie séparée)
5
4 Violoncelles
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 3 violoncelles
3
Alto, Guitare (duo)
2
Alto, Violoncelle (duo)
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, alto
1
Violoncelle (partie séparée)
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
315
Orchestre
87
Orchestre à Cordes
55
Fanfare
50
Ensemble de cuivres
49
Ensemble Jazz
46
Cloches
28
Orchestre de chambre
18
Jazz combo
13
Batterie
9
Ensemble de Percussions
7
Percussion (partie séparée)
6
Batterie (partie séparée)
5
Xylophone, Piano
3
Marimba
2
Piano et Orchestre
1
Vibraphone
1
+ 12 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Virtualsheetmusic
Pertinence
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Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
débutant
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intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Reach
Guitare
Partitions à imprimer
49 partitions trouvées
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1
26
Reach Out And Touch (Somebody's Hand)
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Guitare
#
Diana Ross
#
Reach Out And Touch
#
Hal Leonard - Digital
#
SheetMusicPlus
Easy Guitar (no TAB) - SKU: HX.1244653 By Diana Ross. This edition: scorch. Pop,R & B,Rock,Standards. Score. 2 pages. Hal Leonard - Digital #683880. Pub...
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Easy Guitar (no TAB) - SKU: HX.1244653 By Diana Ross. This edition: scorch. Pop,R & B,Rock,Standards. Score. 2 pages. Hal Leonard - Digital #683880. Published by Hal Leonard - Digital (HX.1244653).
$2.99
Reach Out I'll Be There
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Guitare
#
Pop musique
#
Soul/R&B
#
The Four Tops
#
Reach Out I'll Be There
#
Hal Leonard - Digital
#
SheetMusicPlus
Easy Guitar (no TAB) - SKU: HX.1262549 By The Four Tops. This edition: scorch. Pop,R & B. Score. 2 pages. Hal Leonard - Digital #683888. Published by Ha...
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Easy Guitar (no TAB) - SKU: HX.1262549 By The Four Tops. This edition: scorch. Pop,R & B. Score. 2 pages. Hal Leonard - Digital #683888. Published by Hal Leonard - Digital (HX.1262549).
$2.99
People Preaching
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Guitare
#
Musique Sacrée
#
Mark Greer
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People Preaching
#
The CHOSEN Company, LLC
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SheetMusicPlus
Solo Guitar - SKU: A0.980824 Composed by Mark Greer. Christian,Praise and Worship,Sacred. Individual part. 2 pages. The CHOSEN Company, LLC #5204031. Pu...
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Solo Guitar - SKU: A0.980824 Composed by Mark Greer. Christian,Praise and Worship,Sacred. Individual part. 2 pages. The CHOSEN Company, LLC #5204031. Published by The CHOSEN Company, LLC (A0.980824). Song about how so many people have so many messages, but the good news of God is the best.
$3.99
Adelita by Francisco Tárrega
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Guitare
#
FACILE
#
Francisco Tarrega
#
Zellev
#
Adelita by Francisco Tá
#
Zellev Music
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.910911 Composed by Francisco Tarrega. Arranged by Zellev. Classical,Jewish,Musical/Show,Standards. Individual part. 1 pa...
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Solo Guitar - Level 2 - SKU: A0.910911 Composed by Francisco Tarrega. Arranged by Zellev. Classical,Jewish,Musical/Show,Standards. Individual part. 1 pages. Zellev Music #6253151. Published by Zellev Music (A0.910911). Adelita is a charming mazurka written by Francisco Tárrega that has been recorded by many famous guitarists.the intended beats per minute of a particular tempo indicator was ambiguous at best. Tárrega could well have intended the tempo to be faster than what we today conceive of as Lento. Therefore, you may choose to play the piece faster than the 60 bpm I've listed, opting for a faster 80–90 in the Andante range.Adelita is deceptively simple. If you are a novice guitarist, you may feel it is within your reach based on hearing the first half of the song. Even if you've mastered barres, upon reaching measures 11 and 12, you may reach an impasse. Playing the slurs fluidly requires a well-developed little finger. Therefore, I recommend not trying to learn the piece until you've developed both comfort with barres and sufficient strength and flexibility in the little finger to play clear hammer-ons and pull-offs.
$2.00
Gioco. Sonata for guitar
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Guitare
#
AVANCÉ
#
Contemporain
#
Victor Rebullida
#
tpo
#
Gioco. Sonata for guitar
#
Victor Rebullida
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
Can't Help Falling In Love
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Guitare
#
INTERMÉDIAIRE
#
Elvis Presley
#
Seamus McDaniel
#
Can't Help Falling In Love
#
Seamus McDaniel
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1496357 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Seamus McDaniel. 20th Cen...
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Solo Guitar - Level 3 - SKU: A0.1496357 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Seamus McDaniel. 20th Century,Pop. Individual part. 4 pages. Seamus McDaniel #1072929. Published by Seamus McDaniel (A0.1496357). This is my arrangement/transcription of Can't Help Falling in Love by Elvis! I've included the chord names and really aimed for note-by-note accuracy with the melody in this one. There is standard notation as well as tabature in the PDF.If you have any questions or suggestions regarding my tabs, feel free to reach out to me at my website!
$5.99
The Walls of Jericho
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Traditional
#
Richard Hirsch
#
The Walls of Jericho
#
Richard Hirsch
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1402631 Composed by Traditional. Arranged by Richard Hirsch. Blues,Jazz,Multicultural,Ragtime,Spiritual,World. Individua...
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Solo Guitar - Level 4 - SKU: A0.1402631 Composed by Traditional. Arranged by Richard Hirsch. Blues,Jazz,Multicultural,Ragtime,Spiritual,World. Individual part. 8 pages. Richard Hirsch #985855. Published by Richard Hirsch (A0.1402631). I offer an arrangement for solo acoustic guitar of the Spiritual “The Battle of Jericho†in a rendition that takes inspiration from Mississippi Delta Ragtime Blues and Django Reinhardt. The thumb pounds out a steady beat of alternating bases to a swing rhythm with the melody played by alternating middle and index fingers running over the top. There are lots of pull-offs and vibrato-bends in the melody line together with half-tone chord shifts, mutes, and holds (fermatas) that make for a lively and exciting musical rendering of the Old Testament story. However, as opposed to the message of the Old Testament story, I like to think of my arrangement as a message of hope that through music the walls of ignorance separating peoples will “come tumbling downâ€.The arrangement is within reach of advanced intermediate students of nylon or steel string acoustic guitar.
$4.99
Cigarette Daydreams
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Guitare
#
FACILE
#
Brad Shultz, Daniel Tichenor,
#
Seamus McDaniel
#
Cigarette Daydreams
#
Seamus McDaniel
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1319666 Composed by Brad Shultz, Daniel Tichenor, Jared Champion, Lincoln Parish, and Matt Shultz. Arranged by Seamus Mc...
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Solo Guitar - Level 2 - SKU: A0.1319666 Composed by Brad Shultz, Daniel Tichenor, Jared Champion, Lincoln Parish, and Matt Shultz. Arranged by Seamus McDaniel. 21st Century,Rock. Individual part. 3 pages. Seamus McDaniel #908219. Published by Seamus McDaniel (A0.1319666). This is my arrangement/transcription of Cigarette Daydreams by Cage The Elephant! I've put in chord names and really aimed for note-by-note accuracy in this one. This PDF includes the necessary chord shapes and strum patterns.If you have any questions or suggestions regarding my tabs, feel free to reach out to me at my website!
$4.99
Over The Rainbow
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
#
Film/TV
#
Judy Garland
#
Richard Hirsch
#
and 3&
#
Over The Rainbow
#
Richard Hirsch
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicu...
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Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
Bach Cello Suite No 1 - solo guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Joh
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Georg Mertens
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Bach Cello Suite No 1 - solo g
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Georg Mertens
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual...
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Solo Guitar - Level 4 - SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual part. 13 pages. Georg Mertens #909357. Published by Georg Mertens (A0.1320915). Having grown up as a cellist, who played the Suite since I am 11 years of age, I sometimes imagined or even hummed suitable bass notes, which you can't reach on the cello. Also, I imagined certain harmonies, completed in imagination when playing the Suite for years. - With many arrangements by guitarists, who didn't play the Suite on cello, I can hear, they are not going the right way! - Bach himself arranged cello Suite No 5 for lute - as lute Suite No 3 - giving us an example of how he himself went about when adding accompaniment notes - and he certainly did!Good examples are Gavotte 2 and the Gigue from Cello Suite No 5 - or lute Suite No 3. Bach also arranged the violin Partita No 3 in E major for lute - as lute Suite No 4, another example of how he himself went about. - In the arrangement here, I tried also to transfer the slurs on the cello sometimes to the guitar - e.g. in the Gigue - when I found it brings better the intended articulation better out.I hope you thoroughly enjoy the arrangement!Â
$9.99
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
Yesterday
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Richard Hirsch
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Yesterday
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1095456 By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century,Instructional,Pop,Re...
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Solo Guitar - Level 4 - SKU: A0.1095456 By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Hirsch. 20th Century,Instructional,Pop,Renaissance,Standards. Individual part. 5 pages. Richard Hirsch #699472. Published by Richard Hirsch (A0.1095456). An arrangement of the Beatles classic for solo acoustic guitar. The arrangement tries to capture the sense of remorse and loss expressed in the song using arpeggio-like minor chords with many open strings and the same note played on different strings. The arrangement is inspired by a similarity I find in the melody to older pieces by John Dowland and the folk melody Greensleeves. I strive to give the piece an old-fashioned, almost Renaissance, character in accord with its basic modal nature. Some parts of the arrangement may be interpreted as a sort of Fantasia based on the original melody. A nice piece for an encore to a program of early music for the guitar! As the notation is accompanied by tablature, I refrain from giving left-hand fingering and leave the right-hand fingering to the taste and discretion of the performer. The piece is within reach of intermediate to advanced guitarists. The piece also works well as an introduction to locating notes in the higher, seventh, ninth, and tenth positions and could therefore serve as instruction for less advanced guitarists, especially since the piece is played at a slow to moderate tempo.
$6.99
Easy Over
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Guitare
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AVANCÉ
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Doug Smith
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Easy Over
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1183817 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar St...
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Solo Guitar - Level 5 - SKU: A0.1183817 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783503. Published by Doug Smith Guitar Studio (A0.1183817). Easy Over offers a taste of smooth jazz and beautiful “sweet guitar†stylings with three contrasting mood swings. A laid back harmonic and rhythmic beginning moves into a slower melodic section. Then a layered improvisation builds to reach a grand climactic run before retuning to the earlier opening mood.
$3.99
PRELUDE 7
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Guitare
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INTERMÉDIAIRE
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Gilbert Piger
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PRELUDE 7
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GJP Productions
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1018745 Composed by Gilbert Piger. Contemporary,World. Individual part. 1 pages. GJP Productions #1986471. Published by ...
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Solo Guitar - Level 3 - SKU: A0.1018745 Composed by Gilbert Piger. Contemporary,World. Individual part. 1 pages. GJP Productions #1986471. Published by GJP Productions (A0.1018745). Written in the style of Tarrega. And if you don't know who he is then this is out of your reach.
$6.45
What A Wonderful World
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Guitare
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INTERMÉDIAIRE
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural...
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Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
I Surrender All
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Guitare
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INTERMÉDIAIRE
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J
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Janderson Gomes
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I Surrender All
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JANDERSON GOMES DA SILVA
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1130430 Composed by J.W. Van DeVenter and W. S.Weeden. Arranged by Janderson Gomes. Christian,Classical,Religious,Tradit...
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Solo Guitar - Level 3 - SKU: A0.1130430 Composed by J.W. Van DeVenter and W. S.Weeden. Arranged by Janderson Gomes. Christian,Classical,Religious,Traditional. Individual part. 6 pages. JANDERSON GOMES DA SILVA #730798. Published by JANDERSON GOMES DA SILVA (A0.1130430). This is a tablature version of the homonymous title material: “I Surrender Allâ€; traditional Christian hymn arranged for solo guitar with classical music elements and dissonant chords. The objective of this variant is to reach music lovers who do not have the theoretical knowledge of musical reading (score). The arrangement was created freely according to the arranger's sensibility and instrumental experience. Although created by a professional, in this version the work can be appropriated by amateurs who basically contemplate reading tablature.
$1.99
Songs of the Heart
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Guitare
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Classique
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Giovanni De Chiaro
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Songs of the Heart
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermeidate - SKU: M0.30897MEB Music for Voice and Guitar. Composed by Giovanni De Chiaro. Classical. Ebook and online audio. 145 pages...
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Guitar - Intermeidate - SKU: M0.30897MEB Music for Voice and Guitar. Composed by Giovanni De Chiaro. Classical. Ebook and online audio. 145 pages. Mel Bay Publications - Digital Sheet Music #30897MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30897MEB). ISBN 9781513472812. 8.75X11.75 inches.This unique anthology enhances the voice and classic guitar repertoire with newly revised transcriptions of many of the most popular works of Schubert, Mozart, and Giuliani. It also includes four folksongs arranged by noteworthy mid-nineteenth-century English composer/guitarists.The 22 selections in this book lie well within the technical reach of vocalists and guitarists alike and will make an engaging addition to concert and recital programs. As the human voice brings an added lyrical dimension to any musical performance, audiences will love this music.Includes an outstanding online audio recording by the author and soprano, Kate Rawls.
$24.99
Home: 7 Pieces For The Guitar
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Guitare
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FACILE
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Jackie Faraoui
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Jackie Faraoui
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Home: 7 Pieces For The Guitar
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Reachsound
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1032495 Composed by Jackie Faraoui. Arranged by Jackie Faraoui. 20th Century,Instructional. Individual part. 16 pages. R...
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Solo Guitar - Level 2 - SKU: A0.1032495 Composed by Jackie Faraoui. Arranged by Jackie Faraoui. 20th Century,Instructional. Individual part. 16 pages. Reachsound #4848937. Published by Reachsound (A0.1032495). 7 original guitar pieces accompanied with a descriptive text for each piece. The goal of this book is to learn to play with emotion while feeling every bit of the music. The descriptions are there to help you understand the feel of the piece and assist you in learning to visually see the music you're playing within your mind.
$12.99
International Blue
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Guitare
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AVANCÉ
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Manic Street Preachers
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Colin Tommis
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International Blue
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Colin Tommis
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1358671 By Manic Street Preachers. By James Dean Bradfield, Nicholas Allen Jones, and Sean Anthony Moore. Arranged by Co...
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Solo Guitar - Level 5 - SKU: A0.1358671 By Manic Street Preachers. By James Dean Bradfield, Nicholas Allen Jones, and Sean Anthony Moore. Arranged by Colin Tommis. 21st Century,Contemporary,Rock. Individual part. 4 pages. Colin Tommis #943133. Published by Colin Tommis (A0.1358671).
$6.99
Jolene
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Guitare
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INTERMÉDIAIRE
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Country
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Dolly Parton
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Lynne Morley
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Jolene
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Lynne Morley
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SheetMusicPlus
Solo Guitar - Intermediate - SKU: A0.505587 By Dolly Parton. By Dolly Parton. Arranged by Lynne Morley. Country. Individual part. 2 pages. Published by ...
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Solo Guitar - Intermediate - SKU: A0.505587 By Dolly Parton. By Dolly Parton. Arranged by Lynne Morley. Country. Individual part. 2 pages. Published by Lynne Morley (A0.505587). Arrangement for solo classical guitar.For players of intermediate standard, this is arranged in a simple melody and bass style in a minor. Mostly first position, with occasional reaches to fret 5 and 5th position at the end.
$4.99
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Excerpt from Lulu Suite
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Guitare
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Contemporain
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Alban Berg
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Rod Whittle
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Publi...
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Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
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