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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Round One
Sheetmusicplus
Non classifié
2 258
Piano & claviers
Piano seul
545
Piano, Voix
202
Piano Facile
119
Piano, Voix et Guitare
119
Instruments en Do
54
Orgue
48
Piano (partie séparée)
44
1 Piano, 4 mains
37
Accompagnement Piano
36
2 Pianos, 4 mains
32
Piano Trio: piano, violon, violoncelle
20
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
2
1 Piano, 6 mains
2
Accordéon
2
Clavecin
1
Piano grosses notes
1
+ 13 instrumentations
Retracter
Guitares
Guitare (partie séparée)
85
Guitare
78
Guitare notes et tablatures
44
Ligne De Mélodie, (Paroles) et Accords
14
Ukulele
13
2 Guitares (duo)
12
Basse electrique
9
4 Guitares (Quatuor)
6
Dulcimer
3
Ensemble de guitares
2
Mandoline
2
2 Dulcimers (duo)
2
Piano, Guitare (duo)
1
Banjo
1
3 Guitares (trio)
1
Paroles et Accords
1
Mandoline, Guitare (duo)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
335
Chorale 3 parties
118
Chorale 2 parties
67
Chorale TTBB
54
Chorale SSAA
44
Chorale Unison
40
Pack Instrumental pour Chorale
20
Voix duo, Piano
17
Voix Alto, Piano
8
Voix Baryton, Piano
8
Voix Soprano, Piano
7
Voix Tenor, Piano
6
Voix duo
5
Chorale SSATB
3
Chorale SSATTB
3
Voix haute
2
Chorale SSAATTBB
2
Chorale
2
Voix basse, Piano
2
Voix moyenne, Piano
1
Chorale SATBB
1
Voix Mezzo-Soprano, Piano
1
+ 17 instrumentations
Retracter
Vents
2 Saxophones (duo)
660
Saxophone (partie séparée)
526
Saxophone, Clarinette (duo)
340
2 Clarinettes (duo)
228
Quatuor de Saxophones: 4 saxophones
228
Clarinette, Violon (duo)
223
Clarinette, Trompette (duo)
195
2 Flûtes traversières (duo)
173
Saxophone Alto et Piano
144
Flûte, Clarinette (duo)
136
Hautbois, Clarinette (duo)
118
Hautbois, Basson (duo)
115
Clarinette et Alto
115
Saxophone Tenor et Piano
113
Flûte, Saxophone (duo)
112
Flûte, Violon
110
Flûte traversière et Piano
104
Clarinette et Piano
100
Hautbois, Flûte
99
Flûte, Trompette (duo)
94
Flûte, Alto (duo)
93
Hautbois, Piano (duo)
90
Quintette de Saxophone: 5 saxophones
85
Saxophone Soprano et Piano
83
2 Hautbois (duo)
79
Clarinette
77
Saxophone Alto
76
Flûte traversière
74
Saxophone Tenor
69
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
65
Ensemble de saxophones
62
Flûte, Hautbois, Clarinette, Basson
51
2 Flûte à bec (duo)
43
3 Saxophones (trio)
43
Quatuor de Clarinettes: 4 clarinettes
41
Flute (partie séparée)
33
Ensemble de Clarinettes
30
Quatuor de Flûtes : 4 flûtes
27
Flûte à bec Soprano
25
Hautbois (partie séparée)
24
Saxophone Baryton, Piano
23
Ensemble de Flûtes
21
Trio de Flûtes: 3 flûtes
18
3 Clarinettes (trio)
18
Hautbois
17
Clarinette (partie séparée)
16
Cor Anglais
15
Saxophone Soprano
13
Clarinette, Trombone (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Harmonica
9
Cor anglais, Piano
8
Clarinette, Violoncelle (duo)
7
Quintette de Flûte : 5 flûtes
6
Hautbois, Violoncelle
5
Quatuor de Flûtes à bec
5
Flûte, Hautbois (duo)
5
Clarinette Basse, Piano
4
3 Flûtes à bec (trio)
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Trombone (duo)
4
Hautbois, violon (duo)
4
Flûte et Guitare
3
Flute, harpe et violon
3
Flûte, Violoncelle
3
Flûte, Violon, Piano
2
Clarinette, Basson (duo)
2
Ensemble De Flûte à bec
2
Clarinette Basse
2
2 Clarinettes, Piano
2
Flûte, Clarinette, Piano (trio)
2
2 Saxophones, Piano
2
Flûte à Bec
2
Saxophone Baryton
2
Ocarina
2
Flûte à bec Alto
2
Flûte à bec Tenor
2
Saxophone, Violon (duo)
1
2 Flûtes, Basse continue
1
Flûte, Basson et Piano
1
Instruments en Mib
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Hautbois, Basson
1
Clarinette, Guitare (duo)
1
Saxophone et Orgue
1
Hautbois, Guitare (duo)
1
Ensemble de Hautbois
1
Flûte à bec Soprano, Piano
1
Flûte à bec Alto, Basse continue
1
2 Flûtes traversières, Piano
1
Ensemble à vent
1
Saxophone et Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
Flûte et Trio à cordes
1
Flûte à bec, Guitare (duo)
1
Saxophone, Basson (duo)
1
Cornemuse
1
Hautbois, trombone (duo)
1
Saxophone et violoncelle
1
Flûte à bec Alto, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
+ 97 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
442
Trompette, Saxophone (duo)
238
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
225
Trompette (partie séparée)
154
2 Trombones (duo)
138
Trompette, Trombone (duo)
136
Trombone et Piano
126
Quatuor de Cuivres : 2 trompettes, trombone, tuba
90
2 Trompettes (duo)
85
Trombone
84
Cor et Piano
57
Quatuor de Cuivres
52
Trompette
51
Tuba
45
Trompette, Piano
44
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Cor (partie séparée)
30
Tuba (partie séparée)
29
Cor
27
Ensemble de Trombones
21
Quatuor de cuivres: 4 trombones
20
Tuba et Piano
19
Cor Anglais
15
Euphonium, Piano (duo)
15
Ensemble de Trompettes
12
Quatuor de cuivres: 4 cors
11
2 Euphoniums (duo)
10
3 Trombones (trio)
9
Euphonium
8
Cor anglais, Piano
8
Trompette, Cor (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Ensemble de Cors
4
3 Trompettes (trio)
4
2 Euphoniums et 2 Tubas
3
Trombone basse et Piano
3
Trombone basse
3
3 Euphoniums
2
Trombone, Orgue
2
2 Cors (duo)
2
Trombone, Cor (duo)
2
2 Tubas (duo)
2
Instruments en Sib
1
Trombone, Violon (duo)
1
Trompette, Violoncelle (duo)
1
Trombone, Tuba (duo)
1
Trombone, Alto (duo)
1
Trompette, Euphonium (duo)
1
Trio de Cuivres
1
Tuba ou Euphonium ou Saxhorn
1
Bass Clef Instruments
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
215
Violon, Violoncelle (duo)
134
Violon et Piano
131
Violon, Alto (duo)
128
2 Violons (duo)
97
Violoncelle, Piano
94
Alto, Piano
87
2 Altos (duo)
84
Violon
78
2 Violoncelles (duo)
78
Violoncelle
68
Contrebasse (partie séparée)
51
Trio à Cordes: violon, alto, violoncelle
33
Contrebasse, Piano (duo)
25
Alto seul
25
Contre Basse
25
Harpe
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Trio à cordes: 3 violins
13
Trio à Cordes: 2 violons, violoncelle
12
Alto (partie séparée)
9
Piano Trio: Violon, Alto, Piano
9
Harpe, Flûte (duo)
8
Alto et Harpe
7
Alto, Violoncelle (duo)
7
Violon (partie séparée)
7
Harpe, Violon (duo)
7
4 Violoncelles
7
Harpe, Violoncelle (duo)
5
Ensemble d'Altos
4
Ensemble de Violons
4
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, alto
3
Quatuor à cordes : 4 altos
2
Violoncelle , Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes: 4 violons
2
Violoncelle, Orgue
2
Trio à cordes: 3 altos
2
Violoncelle (partie séparée)
1
Ensemble de Violoncelles
1
Alto et orchestre
1
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
Violon, Guitare (duo)
1
Violon, Basson (duo)
1
Harpe, Voix
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
650
Ensemble Jazz
275
Orchestre
141
Orchestre à Cordes
101
Ensemble de cuivres
100
Fanfare
49
Batterie (partie séparée)
42
Jazz combo
36
Orchestre de chambre
30
Ensemble de Percussions
24
Cloches
21
Big band
8
Batterie
6
Marimba
4
Percussion (partie séparée)
4
Orchestre, Violon
1
Vibraphone
1
2 Xylophones
1
3 Percussions
1
Xylophone, Piano
1
Xylophone
1
+ 16 instrumentations
Retracter
Autres
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
Round One
SheetMusicPlus
Partitions à imprimer
78 partitions trouvées
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1
26
51
76
Merry-Go-Round Of Life
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Kumiko
#
Will McNicol
#
Merry-Go-Round Of Life
#
Will McNicol
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1476486 By Kumiko. By Joe Hisaishi. Arranged by Will McNicol. Film/TV. Individual part. 9 pages. Will McNicol #1054009. ...
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Solo Guitar - Level 4 - SKU: A0.1476486 By Kumiko. By Joe Hisaishi. Arranged by Will McNicol. Film/TV. Individual part. 9 pages. Will McNicol #1054009. Published by Will McNicol (A0.1476486). This full arrangement for fingerstyle guitar is in Open Gm tuning and utilisises a capo placement for the final section. The open tuning allows the beatiful harmonies to really sing and sustain, lending it a very differnt feel to arrangements in standard tuning. It's a deeply satsifying one to play and I hope you enjoy working on it!
$7.50
Colascione
#
Guitare
#
INTERMÉDIAIRE
#
Classique
#
GIOVANNI GIROLAMO KAPSBERGER
#
Colascione
#
Joabe Guilherme Oliveira
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1263243 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Alexandre Ribeiro and Joabe Guilherme Oliveira. Baroque,Ea...
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Solo Guitar - Level 3 - SKU: A0.1263243 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Alexandre Ribeiro and Joabe Guilherme Oliveira. Baroque,Early Music,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #856202. Published by Joabe Guilherme Oliveira (A0.1263243). It is with great pleasure that we present the piece entitled Colascione. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Colascione showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Colascione is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Colascione provides.
$1.99
DUEL del MESONES
#
Guitare
#
INTERMÉDIAIRE
#
Gilbert Piger
#
DUEL del MESONES
#
GJP Productions
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1018769 Composed by Gilbert Piger. Contemporary,Latin,World. Individual part. 3 pages. GJP Productions #2162641. Publish...
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Solo Guitar - Level 3 - SKU: A0.1018769 Composed by Gilbert Piger. Contemporary,Latin,World. Individual part. 3 pages. GJP Productions #2162641. Published by GJP Productions (A0.1018769). A very snappy duet for 2 guitars written while in Spain somewhere around 1967. Mesones are old inn type places where one [use to] put your horse in the back stalls and in front you would have food and drink. When it got late you would join your horse and sleep on the hay. These have been converted into drinking and singing places and when I was there would play guitar with friends and have a good time.
$7.45
Don't Get Around Much Anymore
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Bob Russell and Duke Ellington
#
John Fries
#
Don't Get Around Much Anymore
#
John Fries
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271539 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Stan...
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Solo Guitar - Level 4 - SKU: A0.1271539 Composed by Bob Russell and Duke Ellington. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Individual part. 2 pages. John Fries #863938. Published by John Fries (A0.1271539). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Don't Get Around Much Anymore is a jazz standard written by composer Duke Ellington. The song was originally entitled Never No Lament and was first recorded by Duke Ellington and his orchestra on May 4, 1940. Don't Get Around Much Anymore quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of Don't Get Around Much Anymore, one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart.
$4.99
Don't Get Around Much Anymore
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Bob Russell and Duke Ellington
#
Christopher J
#
Don't Get Around Much Anymore
#
Christopher J. Malin
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Indiv...
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Solo Guitar - Level 4 - SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #915991. Published by Christopher J. Malin (A0.1327985). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington's finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I realise there are 90 versions of this piece. But for the solo jazz guitarist this is the coolest out there! Hand written and tried and true. Sweep the Fmaj.7th and your guitar will get the right feeling of the clarinet line!
$7.00
Coming Back Around
#
Guitare
#
FACILE
#
John Powell
#
Davide Bizzarri
#
Coming Back Around
#
Davide Bizzarri
#
SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1103599 Composed by John Powell. Arranged by Davide Bizzarri. Celtic,Film/TV,Irish,March. Individual part. 1 pages. Davi...
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Solo Guitar - Level 2 - SKU: A0.1103599 Composed by John Powell. Arranged by Davide Bizzarri. Celtic,Film/TV,Irish,March. Individual part. 1 pages. Davide Bizzarri #706870. Published by Davide Bizzarri (A0.1103599). This isn't a stand-alone part, it's a part of a set based on the string quartet arrangement. This arrangement of Coming Back Around aims to restore the epic atmosphere of the original piece, with a reduced staff like the string quartet. You can also use this part together with other detached instrumental parts of the same piece (with the compatible arrangement), for example the percussion, harp, flute or bass parts, which you can find in another collection of the same arranger, in this site. Also the orchestral score is available.
$4.99
Larry Williams Compositions- The Guitar Book
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Larry Williams
#
Larry Williams Compositions- T
#
Larry Andrew Williams
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
What A Wonderful World
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Guitare
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INTERMÉDIAIRE
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural...
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Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
Easy Way to Guitar C
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Guitare
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DÉBUTANT
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Methodes
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Easy Way to Guitar C
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Beginning - SKU: M0.93196MEB Folk. Ebook and online audio. 49 pages. Mel Bay Publications - Digital Sheet Music #93196MEB. Published by Mel Bay...
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Guitar - Beginning - SKU: M0.93196MEB Folk. Ebook and online audio. 49 pages. Mel Bay Publications - Digital Sheet Music #93196MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.93196MEB). ISBN 9781610654180. 8.75X11.75 inches.Easy Way to Guitar C is a popular, easy to understand childrenÂ’s course designed to give the student a thorough grounding in note reading and solo performance. Chord playing is introduced gradually, utilizing simplified chords. Creative graphics, color, and short pieces in big-note format make this an appealing series for the young guitar student. A few easy duets are included in each book for performance with a teacher or a friend. Standard notation only. Includes access to online audio.
Song List
: A Rhythm Review A Rondo For Two Guitars M. Gebauer, Opus 10 Around Her Hair She Wore A Purple Ribbon Auld Lang Syne Aura Lee Balkan Moon Black is the Color of My True Love's Hair Blue Guitar Bublitchki Careless Love Carry Me Back To Old Virginny Bland Darling Nellie Gray Duet In D Minor Mazas Grandfather's Clock Greensleeves Gypsy Guitars Joshua Lament In E Minor Little Annie Rooney Londonderry Air March Slav Tschaikowsky Melody If F Rebenstein-Bay Mustang My Bonnie Oh! Susanna Polly Wolly Doodle Seeing Nellie Home Shenandoah Ski Jump Sombrero Thanksgiving The Girl I Left Behind Me The Guitar Festival Mazas The March Of The Robots The Melancholy Maid The Steeplechase The Streets Of Laredo The Swiss Yodeler Waltz in B minor When The Saints Go Marching In
$14.99
"Barnsley's Garden" for solo classical fingerstyle guitar
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Guitare
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INTERMÉDIAIRE
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Keith Gehle
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"Barnsley's Garden"
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1478018 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 4 pages. Keith Gehle #1055382. Published ...
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Solo Guitar - Level 3 - SKU: A0.1478018 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 4 pages. Keith Gehle #1055382. Published by Keith Gehle (A0.1478018). British born Godfrey Barnsley was determined to construct his home on an acorn shaped hill in northwest Georgia despite being warned by his Cherokee neighbors that the land he chose to build on was sacred and that he would be cursed. He built the Italianate style house anyway and sadly many tragedies followed. One was the death of his close friend Col. Richard G. Earle who was killed by a Union sniper in May of 1864 as he rode in to warn the family of the approach of Sherman’s army. Col. Earle was laid to rest in the garden just steps from the back door. Years later the home was abandoned after the roof was torn off by a tornado… it quickly fell into ruins. Today, the lush English style garden and surroundings (but not the house) have been restored to their previous splendor and the site is frequently used for elegant weddings and social events. This musical impression of Godfrey Barnsley’s enchanted garden was released as a single on streaming platforms in July of 2024. The PDF includes detailed fingerings and interpretation in standard notation with tablature. There’s also a version with TAB available on this site. The accompanying English horn and cello parts are available by request at no charge by contacting the composer directly through his website: www.keithgehle.com
$1.99
Mad World
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Guitare
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FACILE
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Michael Andrews Feat
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Dan Jones www
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Mad World
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DanJonesGuitarist
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1321656 By Michael Andrews Feat. Gary Jules. By Roland Orzabal. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Fi...
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Guitar - Level 2 - SKU: A0.1321656 By Michael Andrews Feat. Gary Jules. By Roland Orzabal. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Film/TV,Pop. 24 pages. DanJonesGuitarist #910133. Published by DanJonesGuitarist (A0.1321656). Mad WorldTears for Fears - as Performed by Gary JulesMad World is a song taken from the 1983 album of the British band Tears for Fears. It enjoyed a second round of success when it was covered by Gary Jules in 2001 and became and unexpected Christmas number one single in 2003 in the UK.The arrangement presented here is inspired by the beautiful, minimalist version performed by Gary Jules. It is suitable for early-intermediate players.This download contains:A score in notes and TABAll parts in notes and TABAll parts in notes onlyA score with notes only.For a huge range of original arrangements and compositions for guitar, please visit:www.danjonesguitarist.comA film of this arrangement will be visible here before the end of 2023.I hope you enjoy playing Mad World as much as I have.Dan Jones, France 2023.
$6.95
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Excerpt from Lulu Suite
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Guitare
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Contemporain
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Alban Berg
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Rod Whittle
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Publi...
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Solo Guitar - SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
Suite in G
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Guitare
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INTERMÉDIAIRE
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Classique
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GIOVANNI GIROLAMO KAPSBERGER
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Suite in G
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Joabe Guilherme Oliveira
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1263227 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme e Alexandre Ribeiro. Baroque,Early Music,R...
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Solo Guitar - Level 3 - SKU: A0.1263227 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme e Alexandre Ribeiro. Baroque,Early Music,Renaissance. Individual part. 9 pages. Joabe Guilherme Oliveira #856195. Published by Joabe Guilherme Oliveira (A0.1263227). It is with great pleasure that we publish this collection of pieces entitled Suite in G. This compilation, transcribed and fingered by Joabe Guilherme and Alexandre Ribeiro, brings together selected pieces from the renowned Kapsberger's Libro quarto d'intavolatura di chitarrone. Each piece has been carefully chosen to offer a unique and delightful musical experience. We would like to dedicate this collection to a talented and admirable musician, Henrique Carvalho. Henrique is an exquisite interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skills have captivated audiences around the world. It is an honor to pay tribute to him with this Suite, which will undoubtedly inspire him to continue enchanting everyone with his art. Our collection features five distinct pieces, each one showcasing the mastery and expressiveness of Kapsberger's genius. A special feature of this collection is the attention given to the technical resources and characteristics of the theorbo. An example of this is the use of campanelas, which are rarely employed in modern guitar playing but are a fundamental element in this transcription. In summary, Suite in G is a collection that presents a carefully chosen selection of pieces from the Libro quarto d'intavolatura di chitarrone. Compiled with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar, this collection is the result of our dedication to conveying the authenticity and beauty of the original works. We hope you enjoy this musical journey with us and are enchanted by the rich sound and technical prowess that the Suite in G provides.
$10.00
March Of The Wooden Soldiers
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Guitare
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DÉBUTANT
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Classique
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(Various artists)
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Derek Hasted
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March Of The Wooden Soldiers
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Derek Hasted
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1149151 By (Various artists). By Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. 19th Century,Classical. 25 pages. Derek ...
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Guitar - Level 1 - SKU: A0.1149151 By (Various artists). By Peter Ilyich Tchaikovsky. Arranged by Derek Hasted. 19th Century,Classical. 25 pages. Derek Hasted #749280. Published by Derek Hasted (A0.1149151). MARCH OF THE WOODEN SOLDIERS - EASY GUITAR QUARTETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes This charming little piece makes a great concert item for a quartet or large ensemble with modest experience - it’s perfect for a school ensemble’s first concert! It’s playable entirely in the first position, and with the exception of an occasional 3rd string G#, works well in the second position. A more experienced quartet might like to take the higher notes further up the neck for a more rounded sound. There are two arrangements here...One is in traditional SATB style - the four lines playing at four different pitches.The second rotates the parts at every phrase boundary so that everyone plays the tune at some point - the line currently holding the tune has a slightly louder dynamic marking. I hope you enjoy these arrangements!
$1.99
Toy for Timothy
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Toy for Timothy
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954946 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574667. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954946 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574667. Published by Jim Bosse (A0.954946). This is the third movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required, to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Toy for Timothy was written in a Native American style, highlighting this aspect of Timothy's genetic heritage. Performance time is 3 minutes and 42 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Lullaby for Mirabai
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Lullaby for Mirabai
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954948 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 6 pages. Jim Bosse #4574677. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954948 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 6 pages. Jim Bosse #4574677. Published by Jim Bosse (A0.954948). This is the fifth movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Lullaby for Mirabai was written in a Scottish style, highlighting her genetic heritage. Performance time is 3 minutes and 30 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Air for Chiara
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Air for Chiara
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954947 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 7 pages. Jim Bosse #4574675. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954947 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 7 pages. Jim Bosse #4574675. Published by Jim Bosse (A0.954947). This is the fourth movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Air for Chiara was written in a Scottish style, highlighting her genetic heritage. Performance time is 2 minutes and 36 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Riely's Dance
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Riely's Dance
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954944 Composed by Jim Bosse. African,Concert,Contemporary. Individual part. 10 pages. Jim Bosse #4574663. Published by ...
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Solo Guitar - Level 3 - SKU: A0.954944 Composed by Jim Bosse. African,Concert,Contemporary. Individual part. 10 pages. Jim Bosse #4574663. Published by Jim Bosse (A0.954944). This is the first movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Riely's Dance was intended to present only African rhythms with no melody, but a rock n' roll middle somehow snuck in. Performance time is 5 minutes with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Analysia's Margarita
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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piece
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Analysia's Margarita
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954945 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574665. Published by Jim...
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Solo Guitar - Level 3 - SKU: A0.954945 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574665. Published by Jim Bosse (A0.954945). This is the second movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar solo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Analysia's Margarita was inspired by a street merchant melody that I heard in the Andes. I used this melody to give this piece a Peruvean flavor. Performance time is 3 minutes and 34 seconds with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Soren's Jig
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Soren's Jig
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954949 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 11 pages. Jim Bosse #4574679. Published by Ji...
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Solo Guitar - Level 3 - SKU: A0.954949 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 11 pages. Jim Bosse #4574679. Published by Jim Bosse (A0.954949). This is the final movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Soren's Jig was written in a Scottish style, highlighting his genetic heritage. As the finale for this suite, each other gandkid's theme is revisited. Performance time is 4 minutes and 09 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
Suite Grandkids
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Guitare
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INTERMÉDIAIRE
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Jim Bosse
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Suite Grandkids
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Jim Bosse
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954913 Composed by Jim Bosse. Concert,Contemporary. Individual part. 36 pages. Jim Bosse #4412049. Published by Jim Boss...
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Solo Guitar - Level 3 - SKU: A0.954913 Composed by Jim Bosse. Concert,Contemporary. Individual part. 36 pages. Jim Bosse #4412049. Published by Jim Bosse (A0.954913). Suite Grandkids contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar solo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Individual titles are: Riely's Dance, Ananlysia's Margarita, Toy for Timothy, Air for Chiara, Lullaby for Mirabai, and Soren's Jig. Performance demand level is mostly intermediate with a few advanced sections. Multi-tasking required as percussion is played with feet. Jim's web site is www.facebook.com/jimbosseguitar
$4.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Major Scales For Guitar In The First Position
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Guitare
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DÉBUTANT
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Neal Fitzpatrick
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Neal Fitzpatrick
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Major Scales For Guitar In The
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Neal Fitzpatrick Editions
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1404005 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Classical,Country,Folk,Instructional,Jazz. Individua...
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Solo Guitar - Level 1 - SKU: A0.1404005 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Classical,Country,Folk,Instructional,Jazz. Individual part. 15 pages. Neal Fitzpatrick Editions #987174. Published by Neal Fitzpatrick Editions (A0.1404005). This set contains all major scales in the first position. Guitar method books often ignore flat keys as the guitar is a sharp friendly instrument. They are included here in this cycle. All scales have fingerings and string numbers. Ideal for a comprehensive start for beginners and to round out the knowledge of more seasoned players.
$2.99
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