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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
STRAUSS
Non classifié
860
Piano & claviers
Piano, Voix
1 588
Piano seul
549
Piano Facile
320
Accordéon
31
Orgue
29
1 Piano, 4 mains
28
Piano, Voix et Guitare
17
Piano Trio: piano, violon, violoncelle
16
Piano Quatuor: piano, violon, alto, violoncelle
11
Accompagnement Piano
8
Piano Quatuor: piano, 2 violons, violoncelle
7
Instruments en Do
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
2 Pianos, 4 mains
2
1 Piano, 6 mains
2
Instrument seul et Orgue
2
Clavier
1
Ensemble d'Accordéons
1
2 Pianos, 8 mains
1
Piano grosses notes
1
+ 15 instrumentations
Retracter
Guitares
Guitare
41
Guitare notes et tablatures
23
Ligne De Mélodie, (Paroles) et Accords
17
2 Guitares (duo)
14
Ukulele
7
Basse electrique
5
Mandoline
4
Ensemble de guitares
3
Guitare, Violon, Violoncelle (trio)
2
Paroles et Accords
2
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
70
Chorale TTBB
66
Voix haute
57
Voix basse, Piano
56
Voix Soprano, Piano
25
Voix seule
14
Chorale 3 parties
14
Chorale SSAA
8
Chorale 2 parties
6
Voix Tenor, Piano
4
Voix duo, Piano
3
Chorale
2
Voix moyenne, Piano
2
Voix duo
1
Chorale Unison
1
Voix Alto, Piano
1
Voix Baryton, Piano
1
Pack Instrumental pour Chorale
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
95
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
95
Quatuor de Saxophones: 4 saxophones
77
Quatuor de Clarinettes: 4 clarinettes
55
Clarinette et Piano
50
2 Saxophones (duo)
46
Clarinette
46
Hautbois, Piano (duo)
45
Flûte traversière
43
Flûte, Hautbois, Clarinette, Basson
41
Saxophone Alto et Piano
40
Quintette de Saxophone: 5 saxophones
33
Quatuor de Flûtes : 4 flûtes
31
Ensemble de saxophones
30
Ensemble de Clarinettes
29
Quintette de Clarinettes: 5 clarinettes
27
Saxophone Soprano et Piano
26
Quintette de Flûte : 5 flûtes
26
Hautbois (partie séparée)
26
Saxophone Alto
24
2 Flûtes traversières (duo)
24
Flûte et Guitare
21
Saxophone Tenor et Piano
21
Saxophone (partie séparée)
21
2 Clarinettes (duo)
19
Clarinette (partie séparée)
19
Ensemble de Flûtes
15
2 Flûte à bec (duo)
15
Saxophone Tenor
13
Flûte, Clarinette (duo)
12
3 Saxophones (trio)
11
2 Hautbois (duo)
9
Flute (partie séparée)
9
Saxophone
8
Hautbois
8
3 Clarinettes (trio)
7
Clarinette, Basson (duo)
5
Flûte, Violon, Piano
5
Saxophone Baryton, Piano
5
Hautbois, Basson (duo)
5
Quatuor de Flûtes à bec
5
Clarinette, Guitare (duo)
5
Flûte, Clarinette et Basson
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Basson et Piano
4
3 Flûtes à bec (trio)
4
Flûte, Violoncelle
4
Trio de Flûtes: 3 flûtes
4
Hautbois, trombone (duo)
3
Hautbois, Violoncelle
3
Harmonica
3
Flûte, Hautbois, Basson
3
Saxophone, Basson (duo)
3
Saxophone et violoncelle
3
Clarinette Basse, Piano
3
Flûte à bec Tenor
3
Clarinette, Violoncelle (duo)
3
Cor anglais, Piano
3
Flûte, Trombone (duo)
3
Flûte à bec Alto
3
Flûte à bec Soprano
3
Clarinette, Trombone (duo)
2
Saxophone et Guitare
2
Flûte, Hautbois (duo)
2
3 Hautbois
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon et Violoncelle
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à Bec, Piano
1
Flûte traversière, Orchestre
1
Clarinette, Basson, Piano (trio)
1
Flûte à Bec
1
Piccolo, Piano
1
Hautbois et Orchestre
1
Ensemble à vent
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cor anglais, Guitare (duo)
1
Clarinette, Violon (duo)
1
2 Clarinettes, Basson
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Instruments en Mib
1
Hautbois, Clarinette (duo)
1
Cor Anglais
1
2 Saxophones, Piano
1
Flûte à bec Soprano, Piano
1
Flûte et Trio à cordes
1
+ 82 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Trombone et Piano
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette
37
Cor
36
Trombone
30
Trompette, Piano
27
Ensemble de Trombones
23
Cor et Piano
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trombone (partie séparée)
15
2 Trompettes (duo)
14
2 Trombones (duo)
14
Quatuor de Cuivres
13
Tuba et Piano
13
Quatuor de cuivres: 4 trombones
13
Trompette (partie séparée)
12
Trompette, Trombone (duo)
10
Tuba
9
Tuba (partie séparée)
9
2 Cors (duo)
9
Cor (partie séparée)
7
2 Euphoniums et 2 Tubas
6
4 Tubas
6
Ensemble de Cors
6
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 cors
5
Trombone, Cor (duo)
4
Trombone, Violon (duo)
3
Bass Clef Instruments
3
Trompette, Basson (duo)
3
Cor et Basson (duo)
3
Trombone, Alto (duo)
3
Cor, Violoncelle (duo)
3
Trompette, Saxophone (duo)
3
Trompette, Violoncelle (duo)
3
Cor anglais, Piano
3
Euphonium, Piano (duo)
2
2 Euphoniums (duo)
2
Ensemble de Tubas
1
2 Tubas (duo)
1
Trio de Cuivres
1
Euphonium
1
Trombone basse et Piano
1
Trompette, Tuba (duo)
1
Tuba et Orgue
1
Cor anglais, Guitare (duo)
1
Cor, Tuba (duo)
1
Cor, Orchestre
1
Instruments en Sib
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Trompettes
1
Cor Anglais
1
3 Trombones (trio)
1
+ 50 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
160
Violon et Piano
128
Violoncelle, Piano
81
Violon
70
Violon (partie séparée)
48
Violoncelle
44
Alto, Piano
43
Alto seul
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
2 Violons (duo)
24
2 Harpes (duo)
21
Contre Basse
19
2 Violoncelles (duo)
19
Violon, Violoncelle (duo)
18
Violon, Alto (duo)
16
Alto (partie séparée)
16
Trio à Cordes: violon, alto, violoncelle
12
2 Altos (duo)
11
Violoncelle (partie séparée)
10
Violon, Guitare (duo)
9
Harpe
9
Contrebasse, Piano (duo)
9
4 Violoncelles
7
Contrebasse (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
7
Alto, Violoncelle (duo)
6
Alto et Basson
6
Violoncelle , Guitare (duo)
6
Alto, Guitare (duo)
6
Trio à cordes
5
Quatuor à cordes : 4 altos
5
Trio à cordes: 3 violins
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Violon (duo)
4
Trio à Cordes: 3 violoncelles
4
Quatuor à cordes: 4 violons
4
2 Contrebasses (duo)
3
Violon, Basson (duo)
3
Trio à cordes: 3 altos
3
3 Contrebasses
2
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
2 Violoncelles, Piano
1
Violoncelle, Contrebasse (duo)
1
4 Contrebasses
1
2 Altos, Piano
1
Violoncelle, Orchestre
1
2 Violons, Piano
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
166
Orchestre
125
Orchestre à Cordes
111
Orchestre de chambre
19
Ensemble de cuivres
14
Percussion
11
Percussion (partie séparée)
7
Timbales (partie séparée)
5
Fanfare
5
Cloches
5
Ensemble de Percussions
5
Instrumentation Flexible
3
Ensemble Jazz
3
Quintette à Vent
1
Piano et Orchestre
1
Vibraphone (partie séparée)
1
Batterie
1
Timbales
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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Achats pour Musiciens
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Partitions Gratuites
27
Partitions Numériques
41
Librairie Musicale
29
Matériel de Musique
13
Partitions numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix + au -
Nouveautes
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difficulté (tous)
débutant
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Vous avez sélectionné:
STRAUSS
Guitare
Partitions à imprimer
41 partitions trouvées
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1
26
The Blue Danube (Johann Strauss II)
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Strauss Jr
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Chris Richter
#
The Blue Danube
#
Chris Richter
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1437271 By Johann Strauss Jr. By Johann Strauss Jr. Arranged by Chris Richter. Classical,Romantic Period. Individual par...
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Solo Guitar - Level 3 - SKU: A0.1437271 By Johann Strauss Jr. By Johann Strauss Jr. Arranged by Chris Richter. Classical,Romantic Period. Individual part. 18 pages. Chris Richter #1017344. Published by Chris Richter (A0.1437271). An arrangement of By the Beautiful Blue Danube (An der schönen blauen Donau, Op. 314), by Johann Strauss II for solo fingerstyle guitar.
$5.99
Richard Strauss : Also Sprach Zarathustra
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Guitare
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INTERMÉDIAIRE
#
Richard Strauss
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Daisuke Minamizawa
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Richard Strauss : Also Sprach
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Big South Valley Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1455728 Composed by Richard Strauss. Arranged by Daisuke Minamizawa. Classical,Film/TV. Individual part. 7 pages. Big So...
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Solo Guitar - Level 3 - SKU: A0.1455728 Composed by Richard Strauss. Arranged by Daisuke Minamizawa. Classical,Film/TV. Individual part. 7 pages. Big South Valley Music #1034825. Published by Big South Valley Music (A0.1455728). Fingerpicking arrangement for solo acoustic guitar. This score is an arrangement of the introductory piece, Sunrise (Sonnenaufgang).------ [tuning] Normal tuning------ [capotasto] 3rd fret.
$4.99
Strauss II : Idyllen Walzer, Op. 95, No. 2
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Guitare
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FACILE
#
Classique
#
Strauss II
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Idyllen Walzer, Op. 95, No. 2
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Tomplay
Telechargez la tablature et la partition Guitare Idyllen Walzer, Op. 95, No. 2 de Strauss II. Tab pour Guitare seule -- Classique...
(+)
Telechargez la tablature et la partition Guitare Idyllen Walzer, Op. 95, No. 2 de Strauss II. Tab pour Guitare seule -- Classique
4.99€
Strauss II : Liebes-Lieder Walzer, Op. 114, No. 5
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Guitare
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FACILE
#
Classique
#
Strauss II
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Liebes
#
Tomplay
Telechargez la tablature et la partition Guitare Liebes-Lieder Walzer, Op. 114, No. 5 de Strauss II. Tab pour Guitare seule -- Classique...
(+)
Telechargez la tablature et la partition Guitare Liebes-Lieder Walzer, Op. 114, No. 5 de Strauss II. Tab pour Guitare seule -- Classique
5.99€
Strauss II : 5 Paragraphe aus dem Walzer Codex, Op. 105, No. 3
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Guitare
#
FACILE
#
Classique
#
Strauss II
#
5 Paragraphe aus dem Walzer Co
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Tomplay
Telechargez la tablature et la partition Guitare 5 Paragraphe aus dem Walzer Codex, Op. 105, No. 3 de Strauss II. Tab pour Guitare seule -- Classique...
(+)
Telechargez la tablature et la partition Guitare 5 Paragraphe aus dem Walzer Codex, Op. 105, No. 3 de Strauss II. Tab pour Guitare seule -- Classique
4.99€
Strauss II : Frauenkäferln Walzer, Op. 99, No. 1
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Guitare
#
FACILE
#
Classique
#
Strauss II
#
Frauenkäferln Walzer, Op. 99,
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Tomplay
Telechargez la tablature et la partition Guitare Frauenkäferln Walzer, Op. 99, No. 1 de Strauss II. Tab pour Guitare seule -- Classique...
(+)
Telechargez la tablature et la partition Guitare Frauenkäferln Walzer, Op. 99, No. 1 de Strauss II. Tab pour Guitare seule -- Classique
4.99€
Strauss II : Idyllen Walzer, Op. 95, No. 1
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Guitare
#
FACILE
#
Classique
#
Strauss II
#
Idyllen Walzer, Op. 95, No. 1
#
Tomplay
Telechargez la tablature et la partition Guitare Idyllen Walzer, Op. 95, No. 1 de Strauss II. Tab pour Guitare seule -- Classique...
(+)
Telechargez la tablature et la partition Guitare Idyllen Walzer, Op. 95, No. 1 de Strauss II. Tab pour Guitare seule -- Classique
5.99€
Johann Strauss, Jr.: Pizzicato Polka instantly for guitar solo
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Guitare
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INTERMÉDIAIRE
#
Classique
#
Johann Strauss, Jr.
#
Virtualsheetmusic
Instantly downloadable sheet music by Johann Strauss, Jr. for guitar solo of MEDIUM skill level. Contents: waltz, walzer, valzer, waltzes, vienna, wien, new year / classical...
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Instantly downloadable sheet music by Johann Strauss, Jr. for guitar solo of MEDIUM skill level. Contents: waltz, walzer, valzer, waltzes, vienna, wien, new year / classical
$4.99
Johann Strauss: Annen-Polka, Op. 117 - guitar solo
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Guitare
#
FACILE
#
Classique
#
Johann Strauss
#
Virtualsheetmusic
Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill level. Contents: Romantic Miniatures, 45 Pieces for Guitar / classical...
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Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill level. Contents: Romantic Miniatures, 45 Pieces for Guitar / classical
$4.99
Johann Strauss: Valse favorite No. 5 - guitar solo
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Guitare
#
FACILE
#
Classique
#
Johann Strauss
#
Virtualsheetmusic
Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill level. Contents: Romantic Miniatures, 45 Pieces for Guitar / classical...
(+)
Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill level. Contents: Romantic Miniatures, 45 Pieces for Guitar / classical
$4.99
Johann Strauss: The Blue Danube - guitar solo
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Guitare
#
FACILE
#
Classique
#
Johann Strauss
#
Virtualsheetmusic
Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill level. Contents: Asturias, 55 Classical Masterpieces from 5 Centuries / classical...
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Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill level. Contents: Asturias, 55 Classical Masterpieces from 5 Centuries / classical
$4.99
Johann Strauss: Radetzky March, from: J. K. Mertz, Kukuk, Musikalische Rundschau (No. 81) - guitar solo
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Guitare
#
FACILE
#
Classique
#
Johann Strauss
#
Virtualsheetmusic
Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill level. Contents: Asturias, 55 Classical Masterpieces from 5 Centuries / classical...
(+)
Instantly printable sheet music by Johann Strauss for guitar solo of EASY/MEDIUM skill level. Contents: Asturias, 55 Classical Masterpieces from 5 Centuries / classical
$4.99
Johann Strauss, Jr.: Emperor Waltz - guitar solo
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Guitare
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INTERMÉDIAIRE
#
Classique
#
Johann Strauss, Jr.
#
Virtualsheetmusic
Instantly printable sheet music by Johann Strauss, Jr. for guitar solo of MEDIUM skill level. / classical
Instantly printable sheet music by Johann Strauss, Jr. for guitar solo of MEDIUM skill level. / classical
$6.97
Chorus and Aria from Ariadne auf Naxos
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
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Classique
#
Richard Strauss
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Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Romantic Guitar Anthology
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Romantic Guitar Anthology
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Schott Music - Digital
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SheetMusicPlus
Guitar - intermediate to advanced - SKU: S9.Q555469 18 Original Works & Transcriptions. Schott Anthology Series. Downloadable. Op. 3. Schott Musi...
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Guitar - intermediate to advanced - SKU: S9.Q555469 18 Original Works & Transcriptions. Schott Anthology Series. Downloadable. Op. 3. Schott Music - Digital #Q555469. Published by Schott Music - Digital (S9.Q555469). English • French • German.Romantic Guitar Anthology Vol.3 is a graded repertoire book suitable for students of c.5-7 years of playing experience. Well-established teaching pieces by leading 19th Century composer-guitarists Carcassi and Giuliani are presented alongside more rarely available works by José Ferrer and Johann Kaspar Mertz. Also included are carefully selected transcriptions of works by Schumann and Johann Strauss. Composer biographies and extensive teaching notes on each piece are included. Each piece has been recorded, performed by the series Editor, Jens Franke. The audio files can be downloaded with a voucher code (in the book). Also available: Baroque Guitar Anthology: Vol 1 – ED 13357 Vol 2 – ED 13437 Vol 3 – ED 13446 Vol 4 – ED 13489 Romantic Guitar Anthology: Vol 1 – ED 13110D Vol 2 – ED 13111D Vol 4 – ED 13113DCe volume est destinée à des élèves ayant environ cinq à sept ans de pratique de l'instrument. Des pièces appartenant de longue date au répertoire pédagogique, commes celles de Carcassi et Giuliani, y côtoient des oeuvres plus rares de José Ferrer et Johann Kaspar Mertz, de même que quelques transcriptions d'oeuvres de Schumann et Johann Strauss.
$16.99
Johann Strauss - Annen-Polka - opus 117 - (Digital Download)
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Guitare
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Johann Strauss - Annen-Polka -
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Musicnotes
Johann Strauss - Annen-Polka - opus 117 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scor...
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Johann Strauss - Annen-Polka - opus 117 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 2 pages --
$4.99
Johann Strauss - Valse favorite No. 5 - (Digital Download)
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Guitare
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Johann Strauss - Valse favorit
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Musicnotes
Johann Strauss - Valse favorite No. 5 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scorin...
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Johann Strauss - Valse favorite No. 5 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages --
$2.99
Radetzky March [Main Theme] by Johann Strauss - Guitar Solo
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Guitare
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Johann Strauss
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Radetzky March [Main Theme]
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Musicnotes
Johann Strauss - Radetzky March [Main Theme] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instrume...
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Johann Strauss - Radetzky March [Main Theme] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Classical~~Romantic~~March~~19th-Century
$4.50
Radetzky March [excerpt] by Johann Strauss - Guitar Solo
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Guitare
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Classique
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Johann Strauss
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Radetzky March [excerpt]
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Musicnotes
Johann Strauss - Radetzky March [excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments...
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Johann Strauss - Radetzky March [excerpt] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Romantic~~Classical
$2.49
Vals Venezolano No.2 'Andreina' for Spanish Classical Guitar
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Guitare
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Vals Venezolano No.2 'Andreina
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1442768 By Keith Terrett. By Antonio Lauro Edited Keith Terrett. Arranged by Keith Terrett. Classical,Contemporary,Instr...
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Solo Guitar - Level 3 - SKU: A0.1442768 By Keith Terrett. By Antonio Lauro Edited Keith Terrett. Arranged by Keith Terrett. Classical,Contemporary,Instructional,Latin,Multicultural,World. Individual part. 4 pages. Keith Terrett #1022744. Published by Keith Terrett (A0.1442768). Vals Venezolano No. 2 or 'Andreina' as it is also known belongs to a set of waltzes composed by the Venezuelan classical guitarist & composer extraordinaire Antonio Lauro. This particular piece belongs to a collection of his waltzes known rather unimaginatively as 'Quattro Vals Venezolanos' or 'Four Venezuelan Waltzes' probably named by the original publisher.Antonio Lauro (August 3, 1917 – April 18, 1986) was a Venezuelan musician, considered to be one of the foremost South American composers for the guitar in the 20th century.The works of Antonio Lauro have long been very popular with guitarists worldwide, yet there have been few recordings devoted exclusively to him. However, several recordings by Adam Holzman, John Williams (guitarist) and David Russell have been issued. John Williams is quoted as having referred to Antonio Lauro as being the Strauss of the guitar. Another recording worth mentioning, A Tribute to Antonio Lauro by Thomas Cronin (guitarist), recorded initially for Irish National Radio on the RTE label, gained great appeal with Venezuelans worldwide.Additionally, Lauro's masterpieces have been the core of studies, workshops and Masters in universities all around the World.
$1.99
Vienna Blood
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Guitare
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FACILE
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Classique
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Johann Strauss Jr
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Martin Hegel
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Vienna Blood
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Schott Music - Digital
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SheetMusicPlus
Guitar - easy - SKU: S9.Q44820 From: Waltz for Orchestra op. 354. Composed by Johann Strauss Jr. Arranged by Martin Hegel. This edition: Sheet mu...
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Guitar - easy - SKU: S9.Q44820 From: Waltz for Orchestra op. 354. Composed by Johann Strauss Jr. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44820. Published by Schott Music - Digital (S9.Q44820). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
Radetzky March
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Guitare
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FACILE
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Johann Strauss Sr
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Martin Hegel
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Radetzky March
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Schott Music - Digital
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SheetMusicPlus
Guitar - easy - SKU: S9.Q44822 From: Radetzky March op. 228. Composed by Johann Strauss Sr. Arranged by Martin Hegel. This edition: Sheet music. ...
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Guitar - easy - SKU: S9.Q44822 From: Radetzky March op. 228. Composed by Johann Strauss Sr. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44822. Published by Schott Music - Digital (S9.Q44822). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
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