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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Scherzo
Sheetmusicplus
Non classifié
250
Piano & claviers
Piano seul
193
Orgue
33
Piano Facile
13
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
3
Accordéon
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano, Voix et Guitare
1
Piano (partie séparée)
1
+ 5 instrumentations
Retracter
Guitares
Guitare
17
Guitare notes et tablatures
2
Ensemble de guitares
2
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
4
Chorale SSAATTBB
1
Chorale SSAA
1
Voix haute
1
Chorale 3 parties
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Flûte traversière et Piano
29
2 Flûtes traversières (duo)
28
Clarinette
24
Quatuor de Saxophones: 4 saxophones
21
2 Clarinettes (duo)
16
2 Saxophones (duo)
15
Hautbois (partie séparée)
15
Saxophone Alto et Piano
12
Saxophone Tenor et Piano
10
2 Hautbois (duo)
10
Saxophone Soprano et Piano
9
Clarinette et Piano
9
Quatuor de Clarinettes: 4 clarinettes
8
Clarinette Basse, Piano
8
Hautbois, Piano (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone Baryton, Piano
6
Piccolo, Piano
6
Ensemble de Clarinettes
6
3 Clarinettes (trio)
6
Flûte, Hautbois, Clarinette, Basson
4
Ensemble de Flûtes
4
Flûte traversière
4
Ensemble de saxophones
4
Saxophone (partie séparée)
4
Clarinette (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Clarinette, Piano (trio)
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette (duo)
2
Flute (partie séparée)
2
Flûte, Clarinette et Basson
2
Saxophone, Clarinette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Quatuor de Flûtes à bec
1
Flûte à Bec, Piano
1
Flûte, Hautbois (duo)
1
2 Saxophones, Piano
1
Saxophone Alto
1
Flûte et Guitare
1
Quintette de Saxophone: 5 saxophones
1
Flûte à bec Tenor
1
Ensemble à vent
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Piano
1
Flûte, Basson et Piano
1
Flûte, Violon et Violoncelle
1
Saxophone et Orgue
1
Hautbois, Guitare (duo)
1
Flûte, Tuba (duo)
1
3 Saxophones (trio)
1
Flûte à Bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano, Piano
1
+ 50 instrumentations
Retracter
Cuivres
Trombone et Piano
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Tuba et Piano
14
Euphonium, Piano (duo)
13
Cor et Piano
11
Trombone basse et Piano
9
Trompette
8
2 Cors (duo)
6
Trompette (partie séparée)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de cuivres: 4 trombones
4
2 Euphoniums et 2 Tubas
4
Trompette, Piano
4
2 Trombones (duo)
4
Trombone (partie séparée)
3
Quatuor de cuivres: 4 cors
3
Trombone
3
2 Trompettes (duo)
2
Cor (partie séparée)
2
4 Tubas
2
2 Euphoniums (duo)
2
Cor
2
Ensemble de Trombones
2
Ensemble de Cors
2
Euphonium
1
Euphonium, Tuba (duo)
1
3 Trombones (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Trompettes
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Piano
1
Trompette, Tuba (duo)
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
79
Violon et Piano
29
Violon (partie séparée)
24
Alto, Piano
22
2 Violons (duo)
19
Violoncelle, Piano
17
Trio à Cordes: violon, alto, violoncelle
17
Violon
10
2 Violoncelles (duo)
7
Violoncelle
7
Contre Basse
4
Violon, Alto (duo)
4
Contrebasse, Piano (duo)
4
Alto seul
4
2 Altos (duo)
3
Contrebasse (partie séparée)
3
Harpe
3
Violoncelle (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Violoncelle (duo)
2
Ensemble d'Altos
2
Alto (partie séparée)
2
Trio à cordes
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orchestre
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
67
Orchestre
64
Orchestre à Cordes
59
Orchestre de chambre
14
Ensemble de cuivres
11
Timbales
6
Percussion (partie séparée)
4
Ensemble de Percussions
2
Caisse Claire
2
Cloches
2
2 Xylophones
1
Orchestre, Violon
1
Xylophone, Piano
1
Quintette à Vent
1
Ensemble Jazz
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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VIBRAPHONE
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Vous avez sélectionné:
Scherzo
SheetMusicPlus
Partitions à imprimer
17 partitions trouvées
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1
Scherzo - Sonatina (for solo guitar)
#
Guitare
#
AVANCÉ
#
New Age
#
Contemporain
#
Oleg Boyko
#
Scherzo - Sonatina
#
Oleg Boyko
#
SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1185779 By Oleg Boyko. By Oleg Boyko. Classical,Contemporary,New Age. Individual part. 14 pages. Oleg Boyko #785437. Pub...
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Solo Guitar - Level 5 - SKU: A0.1185779 By Oleg Boyko. By Oleg Boyko. Classical,Contemporary,New Age. Individual part. 14 pages. Oleg Boyko #785437. Published by Oleg Boyko (A0.1185779). Scherzo - Sonatinafor solo guitarI. VivoII. AdagioIII. Allegro moltowww.boyko.cn.ua.
$14.00
Scherzo (from Nachtviolen, Op. 2)
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Guitare
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INTERMÉDIAIRE
#
Classique
#
Johann Kaspar Mertz
#
Johann Kaspar Mertz
#
Scherzo
#
A. J. Cornell Publications
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1221820 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual part. 1 pages. A. ...
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Solo Guitar - Level 3 - SKU: A0.1221820 Composed by Johann Kaspar Mertz. Arranged by Johann Kaspar Mertz. Romantic Period. Individual part. 1 pages. A. J. Cornell Publications #818111. Published by A. J. Cornell Publications (A0.1221820). Mertz’s “Scherzo†(from Nachtviolen, Op. 2) for solo classical guitar.
$1.99
Lamento - Scherzo
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Denis Gougeon
#
Lamento - Scherzo
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
By Denis Gougeon (1951-). For solo guitar. Level 4. 6 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By Denis Gougeon (1951-). For solo guitar. Level 4. 6 pages. Published by Les Editions Doberman-Yppan (digital)
$6.95
Scherzo EG 104
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Guitare
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
Roberto GarcÃa
#
Scherzo EG 104
#
apt4guitar
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.789260 Composed by Edvard Grieg. Arranged by Roberto GarcÃa. Instructional,Romantic Period,Standards. Individual part...
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Solo Guitar - Level 3 - SKU: A0.789260 Composed by Edvard Grieg. Arranged by Roberto GarcÃa. Instructional,Romantic Period,Standards. Individual part. 3 pages. Apt4guitar #1939465. Published by apt4guitar (A0.789260).
$2.50
25 Sketches - Jazz Scherzo
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Guitare
#
INTERMÉDIAIRE
#
Mark Houghton
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25 Sketches - Jazz Scherzo
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Intermediate - SKU: ZZ.DZ-2047 Composed by Mark Houghton. Score. 4 pages. Les Productions d'OZ - Digital #DZ 2047. Published by Les Productions...
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Guitar - Intermediate - SKU: ZZ.DZ-2047 Composed by Mark Houghton. Score. 4 pages. Les Productions d'OZ - Digital #DZ 2047. Published by Les Productions d'OZ - Digital (ZZ.DZ-2047). ISBN 9782896559466.
$3.95
Scherzo-Valse
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Guitare
#
INTERMÉDIAIRE
#
Sebastien Vachez
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Scherzo-Valse
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Les Editions Doberman-Yppan
#
SheetMusicPlus
By Sebastien Vachez. For solo guitar. Level 3. 6 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By Sebastien Vachez. For solo guitar. Level 3. 6 pages. Published by Les Editions Doberman-Yppan (digital)
$7.95
Scherzo Tango
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Guitare
#
INTERMÉDIAIRE
#
Tango
#
Sebastien Vachez
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Scherzo Tango
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Les Editions Doberman-Yppan
#
SheetMusicPlus
By Sebastien Vachez. For guitar and string orchestra. Level 3.5. 12 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By Sebastien Vachez. For guitar and string orchestra. Level 3.5. 12 pages. Published by Les Editions Doberman-Yppan (digital)
$9.95
Scherzo Tango
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Guitare
#
INTERMÉDIAIRE
#
Tango
#
Sebastien Vachez
#
Scherzo Tango
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
By Sebastien Vachez. For solo guitar. Level 3.5. 4 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By Sebastien Vachez. For solo guitar. Level 3.5. 4 pages. Published by Les Editions Doberman-Yppan (digital)
$7.95
Scherzo for guitar (score)
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Ginette Bellavance
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Scherzo for guitar
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
By Ginette Bellavance. For guitar solo. Level 4. Score. 44 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By Ginette Bellavance. For guitar solo. Level 4. Score. 44 pages. Published by Les Editions Doberman-Yppan (digital)
$27.95
Sonata No. 2
#
Guitare
#
AVANCÉ
#
Celil Refik Kaya
#
Sonata No. 2
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4300 Composed by Celil Refik Kaya. Score. 30 pages. Les Productions d'OZ - Digital #DZ 4300. Published by Les Productions...
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Guitar - Advanced - SKU: ZZ.DZ-4300 Composed by Celil Refik Kaya. Score. 30 pages. Les Productions d'OZ - Digital #DZ 4300. Published by Les Productions d'OZ - Digital (ZZ.DZ-4300). Sonata No. 2, commissioned by Bokyung Byun and composed in 2024, represents the most extensive solo guitar sonata I have created to date, comprising four movements. This sonata is characterized by its flashy, mysterious, dark, and highly virtuosic nature, making it an ideal piece for both competitions and concert performances. While the Scherzo and Finale can be performed independently, or the first, third, and fourth movements can be paired for time-constrained concerts, it is advisable to perform all movements together due to their interconnectedness.«La Sonate n°2, commandée par Bokyung Byun et composée en 2024, représente la plus vaste sonate pour guitare solo que j'ai créée à ce jour, comprenant quatre mouvements. Cette sonate se caractérise par sa nature flashy, mystérieuse, sombre et hautement virtuose, ce qui la rend c'est une pièce idéale pour les concours et les concerts. Bien que le Scherzo et le Finale puissent être interprétés indépendamment, ou que les premier, troisième et quatrième mouvements puissent être associés pour des concerts limités dans le temps, il est conseillé d'exécuter tous les mouvements ensemble en raison de leur caractère. interconnectivité. ».
$11.95
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
#
Classique
#
Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Mauro Giuliani: Sonatina in C op.71 no.1
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Guitare
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INTERMÉDIAIRE
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Classique
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C
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Socrates Arvanitakis
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. ...
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Solo Guitar - Level 3 - SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
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Guitare
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AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 7 in D minor
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jere...
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Solo Guitar - Level 5 - SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jeremiah Lawson (A0.985329). This guitar sonata is a four-movement work in open D tuning throughout. The performance time is between 17 to 18 minutes. I worked on this sonata from 2016 through 2019 as an homage to Blind Willie Johnson. The movements are as follows.I. Andante (a fugue in triple counterpoint)II. ScherzoIII. Largo trionfante (a ragtime sonata whose recapitulation leads seamlessly into)IV. Variations on Restoration from William Walker's Southern HarmonyThe work is written in cumulative setting after the model of Charles Ives but in a Haydnesque homage to not just Blind Willie Johnson but also with musical tributes to Stevie Wonder, Bach (the triple counterpoint), Louis Armstrong and Lil Harden. The fourth movement is a bravura set of variations on the shape note hymn Restoration that is the foundation of the entire sonata, using bottleneck technique throughout as an homage to Blind Willie Johnson.Owing to the use of bottleneck technique and the open D tuning throughout this is a pretty tough sonata to play but it's fun to play and I've filmed myself playing through it to demonstrate its practicality in performance.
$9.95
Guitar Sonata No. 4 in E minor
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jeremiah Lawson
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Guitar Sonata No. 4 in E minor
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.985330 Composed by Jeremiah Lawson. Contemporary. Individual part. 11 pages. Jeremiah Lawson #6357829. Published by Jere...
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Solo Guitar - Level 4 - SKU: A0.985330 Composed by Jeremiah Lawson. Contemporary. Individual part. 11 pages. Jeremiah Lawson #6357829. Published by Jeremiah Lawson (A0.985330). This is a four-movement sonata. The opening sonata form and the finale are based on the inversion and prime forms of a single gesture which saturates the sonata overall in a variety of obvious and disguised forms. The tone and style is mainly Haydn by way of Beethoven's Op. 111 piano sonata with interrupting allusions to Nikita Koshkin and Portishead sneaking in at different points of the sonata. The four movements are as follows:I. Adagio-Andante agitatoII. ScherzoIII. AndanteIV. Largoa complete performance can be viewed herehttps://youtu.be/iQBCHkA6fyk
$9.95
Scherzo - Allegro grazioso
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Niels Vilhelm Gade
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John Trie
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Scherzo - Allegro grazioso
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john Trie
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SheetMusicPlus
By Niels Vilhelm Gade (1817-1890). Arranged by John Trie. For Guitar. Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Publ...
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By Niels Vilhelm Gade (1817-1890). Arranged by John Trie. For Guitar. Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Published by john Trie
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