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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
School's Out
Non classifié
1 125
Piano & claviers
Piano seul
195
Piano, Voix et Guitare
158
Piano, Voix
83
Piano Facile
70
Accompagnement Piano
54
Orgue
15
Instruments en Do
9
Piano (partie séparée)
7
1 Piano, 4 mains
4
Piano grosses notes
4
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
+ 10 instrumentations
Retracter
Guitares
Guitare
25
Guitare notes et tablatures
15
Guitare (partie séparée)
13
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
5
Paroles et Accords
4
3 Guitares (trio)
4
Piano, Guitare (duo)
4
Ukulele
3
4 Guitares (Quatuor)
3
2 Guitares (duo)
3
Banjo
1
Mandoline
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
218
Chorale 3 parties
91
Chorale 2 parties
88
Chorale Unison
62
Chorale TTBB
30
Chorale SSAA
21
Voix Soprano, Piano
12
Voix haute
9
Chorale SSAB a cappella
3
Voix Alto, Piano
2
Voix seule
1
Voix basse
1
Voix Tenor, Piano
1
Voix duo, Piano
1
Voix Baryton, Piano
1
+ 10 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
103
Quintette de Saxophone: 5 saxophones
80
Saxophone (partie séparée)
57
Flûte traversière et Piano
47
Clarinette et Piano
44
Saxophone Alto et Piano
41
Hautbois, Piano (duo)
36
2 Saxophones (duo)
29
Ensemble de Clarinettes
26
Flûte, Hautbois, Clarinette, Basson
25
2 Flûtes traversières (duo)
23
Quatuor de Saxophones: 4 saxophones
22
Clarinette
22
Ensemble de saxophones
16
2 Clarinettes (duo)
16
Quatuor de Clarinettes: 4 clarinettes
13
Quintette de Flûte : 5 flûtes
13
Saxophone Tenor et Piano
13
Flûte, Trombone (duo)
10
Saxophone, Clarinette (duo)
10
Flûte traversière
10
Saxophone Alto
10
Hautbois (partie séparée)
8
Clarinette, Violon (duo)
7
Flûte à bec Soprano
7
Saxophone Soprano et Piano
7
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Baryton, Piano
6
Flûte, Clarinette (duo)
6
Ensemble de Flûtes
5
Hautbois, Clarinette (duo)
5
Clarinette, Trompette (duo)
5
Cor anglais, Piano
5
Trio de Flûtes: 3 flûtes
5
Flûte, Violon
4
3 Clarinettes (trio)
4
Clarinette et Alto
4
Clarinette Basse, Piano
4
Flûte, Saxophone (duo)
4
Quatuor de Flûtes : 4 flûtes
4
2 Hautbois (duo)
4
Hautbois, Flûte
3
Hautbois, Basson (duo)
3
Flute (partie séparée)
3
Flûte, Trompette (duo)
3
Clarinette (partie séparée)
3
Flûte à bec Alto, Piano
2
Flûte, Alto (duo)
2
3 Saxophones (trio)
2
Saxophone Tenor
2
Flûte à Bec
1
Cor anglais et Harpe (duo)
1
Flûte à bec Tenor
1
Saxophone
1
Saxophone et Guitare
1
Flûte à bec Alto
1
Hautbois, violon (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois (duo)
1
Ensemble De Flûte à bec
1
Clarinette, Basson (duo)
1
4 Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Piccolo, Piano
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Piano (trio)
1
+ 61 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Cor et Piano
44
Trombone (partie séparée)
40
Trompette, Piano
38
Trompette (partie séparée)
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trombone et Piano
23
Ensemble de Trombones
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Ensemble de Trompettes
13
Cor
11
Trompette
11
Euphonium, Piano (duo)
7
Trompette, Saxophone (duo)
7
Quatuor de cuivres: 4 trombones
6
Cor (partie séparée)
5
2 Trompettes (duo)
5
Cor anglais, Piano
5
2 Trombones (duo)
5
Tuba et Piano
5
Trompette, Trombone (duo)
5
Quatuor de cuivres: 4 trompettes
4
Trompette, violon (duo)
3
Quatuor de Cuivres
3
3 Trombones (trio)
3
Tuba (partie séparée)
3
Trombone
2
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
4 Euphoniums
1
2 Tubas (duo)
1
Euphonium, Tuba (duo)
1
Tuba
1
Trombone basse et Piano
1
4 Tubas
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
76
Violon et Piano
67
Alto, Piano
38
Violoncelle
37
Violon, Violoncelle (duo)
36
Violon
30
Violoncelle, Piano
29
Trio à Cordes: violon, alto, violoncelle
21
Ensemble de Violons
14
Ensemble d'Altos
12
Contrebasse (partie séparée)
11
2 Violons (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Violon, Alto (duo)
9
Harpe
5
2 Violoncelles (duo)
5
Alto seul
3
4 Violoncelles
3
Violoncelle (partie séparée)
3
Violon, Guitare (duo)
3
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon (partie séparée)
3
Violoncelle, Contrebasse (duo)
3
2 Altos (duo)
3
Contre Basse
2
Harpe, Flûte (duo)
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 violins
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
186
Orchestre à Cordes
68
Ensemble Jazz
51
Ensemble de cuivres
43
Orchestre
39
Orchestre de chambre
20
Cloches
17
Fanfare
9
Ensemble de Percussions
9
Batterie (partie séparée)
7
Jazz combo
6
Ensemble d'École
3
Marimba
2
Percussion
1
Vibraphone
1
Batterie
1
3 Marimbas
1
Xylophone
1
+ 13 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
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BASSE
BASSON
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
SOUL - R&B - HIP HOP…
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THANKSGIVING
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Vous avez sélectionné:
School's Out
Guitare
Partitions à imprimer
25 partitions trouvées
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1
All About That Bass
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.992968 By Meghan Trainor. By Kevin…
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Solo Guitar - Level 1 - Digital Download SKU: A0.992968 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by NYC Guitar School. Pop. Individual part. 2 pages. NYC Guitar School #3590123. Published by NYC Guitar School (A0.992968). This awesome 3 chord song can be played with just G, Am, and D. If you take week 5 of NYC Guitar School's Guitar For Absolute Beginners class, you'll know everything you need to play All About That Bass. For free tutorials visit www.guitarlessons.nyc, and to take online classes, video chat lessons or classes in person in NYC visit www.nycguitarschool.com. .
$4.99
4.6 €
#
Guitare
#
Meghan Trainor
#
NYC Guitar School
#
All About That Bass
#
NYC Guitar School
#
SheetMusicPlus
McKnight's Crossing - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939076 Composed by Gene Swanson. H…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939076 Composed by Gene Swanson. Holiday. Individual part. 1 pages. Gene Swanson #3038397. Published by Gene Swanson (A0.939076). McKnight's Crossing is the fourth tune from Play Along! - Student Inspired St. Patrick's Day Tunes for Guitar Vol. #1 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.83 €
#
Guitare
#
Gene Swanson
#
McKnight's Crossing - Play Along!
#
Gene Swanson
#
SheetMusicPlus
Firework
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.992963 By Katy Perry. By Esther De…
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Solo Guitar - Level 1 - Digital Download SKU: A0.992963 By Katy Perry. By Esther Dean, Katy Perry, Mikkel Eriksen, Sandy Wilhelm, and Tor Erik Hermansen. Arranged by NYC Guitar School. Pop. Individual part. 4 pages. NYC Guitar School #3590117. Published by NYC Guitar School (A0.992963). This awesome 4 chord song can be played with just G, Am, Em and C. If you take week 5 of NYC Guitar School's Guitar For Absolute Beginners class, you'll know everything you need to play Firework. Check out our video tutorial of Firework! https://www.youtube.com/watch?v=dGxx3ZjUCZ8&feature=youtu.beFor free tutorials visit www.guitarlessons.nyc, and to take online classes, video chat lessons or classes in person in NYC visit www.nycguitarschool.com.
$4.99
4.6 €
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Guitare
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Katy Perry
#
NYC Guitar School
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Firework
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NYC Guitar School
#
SheetMusicPlus
À vos guitares, prêts, jouez! Vol. 4
Guitare
This fourth booklet is dedicated to ensemble playing through five trios and three quartets…
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This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprétation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur
Song List: 1. Songe d'une nuit de printemps 2. Nostalgie 3. Tres guitarras 4. Jeu froid (étude rock) 5. Le dernier souffle 6. Manhattan 7. Baile de la passion 8. Corsaires 9. Cerisier Japonais
Song List
:
1. Songe d'une nuit de printemps
2. Nostalgie
3. Tres guitarras
4. Jeu froid (étude rock)
5. Le dernier souffle
6. Manhattan
7. Baile de la passion
8. Corsaires
9. Cerisier Japonais
$9.95
9.17 €
#
Guitare
#
À vos guitares, prêts, jouez! Vol. 4
#
SheetMusicPlus
Neal Smith: School's Out for guitar
Guitare
Instantly downloadable sheet music by Neal Smith for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Neal Smith for guitar of MEDIUM skill level.
$2.99
2.76 €
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Guitare
#
Neal Smith
#
Virtualsheetmusic
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.64 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Standard Music Reading for Beginning Guitar
Guitare
Acoustic Guitar - Level 1 - Digital Download SKU: A0.1315011 By Jay Jordan. By Jay …
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Acoustic Guitar - Level 1 - Digital Download SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Music #903760. Published by Pro Creations Music (A0.1315011). Beginning guitar courses at the middle school and high school level can be a popular addition to curricula that so often center around performing groups. Such a course, when offered as a general music course, i.e.,a course that has no prerequisite and no public performance component, can be an attractive way for students to complete an arts requirement without an extra-curricular commitment.  At the same time a class like beginning guitar may serve as the only chance a music educator has to introduce the very idea of music to students as both an art form and a language. In todayâ??s on-line world there are countless avenues for learning guitar, be it YouTube videos, dedicated apps, or TAB sites. While the sharing of user-generated transcriptions of popular songs using tablature may be quick and easy, TAB sites do not employ standard music notation (not to mention being rife with mistakes both practical and theoretical). Standard Music Reading for Beginning Guitar was developed as a sequential, practical method for learning the basics of standard music notation using acoustic guitar as a vehicle. It is not meant to replace other methods e.g., the learning of popular songs or a music theory component, but as a companion so that students can learn about music as a language while, hopefully, continuing to enjoy guitar playing for years to come.
$10.00
9.22 €
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Guitare
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Jay Jordan
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Standard Music Reading for Beginning Guitar
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Pro Creations Music
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SheetMusicPlus
Gioco. Sonata for guitar
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.53 €
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Guitare
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Variations on God Rest Ye Merry, Gentlemen
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1310190 By Traditional. By Anonymous. A…
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Guitar - Level 3 - Digital Download SKU: A0.1310190 By Traditional. By Anonymous. Arranged by Derek Hasted. Christmas,Comedy,Traditional. 17 pages. Derek Hasted #899328. Published by Derek Hasted (A0.1310190). Variations on GOD REST YE MERRY, GENTLEMEN - 3+ GuitarsFor 3 or more Classical or Acoustic Guitars - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Running for almost four minutes, these four variations on “God Rest Ye Merry, Gentlemen†present this well-known Christmas carol in 4 styles, with nods to well-known composers and themes, mixing hints of Bach (amongst others) with Tango and Pop, all underpinning the familiar Carol.The variations can be played singly, but as presented they run seamlessly from one to another to make a continuous performance piece ideal for school and adult Christmas concerts.I hope you enjoy playing this quirky Christmas arrangement!For another quirky Christmas piece, look out for my “Pachelbel’s Carol†- find it using the link below.This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$3.99
3.68 €
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Guitare
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Traditional
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Derek Hasted
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Variations on God Rest Ye Merry, Gentlemen
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Derek Hasted
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SheetMusicPlus
Leprechaun Lucky Jig - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939078 Composed by Gene Swanson. H…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939078 Composed by Gene Swanson. Holiday. Individual part. 1 pages. Gene Swanson #3038401. Published by Gene Swanson (A0.939078). Leprechaun Lucky Jig is the sixth tune from Play Along! - Student Inspired St. Patrick's Day Tunes for Guitar Vol. #1 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band and melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.83 €
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Guitare
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Gene Swanson
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Leprechaun Lucky Jig - Play Along!
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Gene Swanson
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SheetMusicPlus
Chocolate Pucks - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939067 Composed by Gene Swanson. H…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939067 Composed by Gene Swanson. Holiday,Love. Individual part. 1 pages. Gene Swanson #3013985. Published by Gene Swanson (A0.939067). Chocolate Pucks is the first tune from Play Along! - Student Inspired Valentine's Day Tunes for Guitar Vol. #1 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.83 €
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Guitare
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Gene Swanson
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Chocolate Pucks - Play Along!
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Gene Swanson
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SheetMusicPlus
Four Leaf Clover Reel - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939077 Composed by Gene Swanson. H…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939077 Composed by Gene Swanson. Holiday. Individual part. 1 pages. Gene Swanson #3038399. Published by Gene Swanson (A0.939077). Four Leaf Clover Reel is the fifth tune from Play Along! - Student Inspired St. Patrick's Day Tunes for Guitar Vol. #1 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.83 €
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Guitare
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Gene Swanson
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Four Leaf Clover Reel - Play Along!
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Gene Swanson
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SheetMusicPlus
Fighting Irish Reel - Play Along!
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.939072 Composed by Gene Swanson. H…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939072 Composed by Gene Swanson. Holiday. Individual part. 1 pages. Gene Swanson #3038389. Published by Gene Swanson (A0.939072). Fighting Irish Reel is the first tune from Play Along! - Student Inspired St. Patrick's Day Tunes for Guitar Vol. #1 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band and melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.83 €
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Guitare
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Gene Swanson
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Fighting Irish Reel - Play Along!
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Gene Swanson
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.61 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.61 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.61 €
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Guitare
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Alban Berg
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Rod Whittle
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Walking In The Air
Guitare
Guitar - Level 2 - Digital Download SKU: A0.797705 Composed by Howard Blake. Arrang…
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Guitar - Level 2 - Digital Download SKU: A0.797705 Composed by Howard Blake. Arranged by Derek Hasted. 20th Century,Film/TV. 17 pages. Derek Hasted #3676693. Published by Derek Hasted (A0.797705). WALKING IN THE AIR (The Snowman) - 4 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming piece from the film The Snowman is a family favorite for all ages! This is a very straightforward and accessible arrangement that would suit a mixed-ability ensemble with limited experience. It makes it ideal for a school concert but also as a well-known piece in a Christmas charity concert.All the arpeggios are based on well-known guitar shapes and the piece locks tightly together, whether played on four guitars or in a large ensemble.It's written without repeats or page turns so it's robust in performance. It's been a firm favorite in concerts that I've put on!I hope you enjoy playing this piece!
$4.99
4.6 €
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Guitare
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Howard Blake
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Derek Hasted
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Walking In The Air
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Derek Hasted
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SheetMusicPlus
Spanish Dance for Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444330 Composed by Henry Worrall.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444330 Composed by Henry Worrall. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Historic,Instructional. Individual part. 6 pages. Keith Terrett #1024245. Published by Keith Terrett (A0.1444330). The story of “Spanish Fandango” begins in 1825, when Henry Worrall was born in Liverpool, England. Worrall immigrated to New York as a child, and his biography is a classic American tale of energy and self-invention. After his family moved to Cincinnati, Ohio, around 1835, young Worrall left his occupation as a newsboy to work for a decorative glass cutter.At the same time, Worrall set about teaching himself to play guitar—and, eventually, painting, engraving, and design. In the 1850s, he published a popular tutorial, Worrall’s Guitar School, and his original compositions, with evocative titles like “Mexican Airs,” “Saint Louis Rondo,” and “Sebastopol—A Descriptive Fantaisie for the Guitar,” became part of America’s popular music canon.
$1.99
1.83 €
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Guitare
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Henry Worrall
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Keith Terrett
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Spanish Dance for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Long Blue Highway
Guitare
Solo Guitar - Digital Download SKU: A0.1025001 Composed by Robert Dingus-DeVille. C…
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Solo Guitar - Digital Download SKU: A0.1025001 Composed by Robert Dingus-DeVille. Country,Pop,Rock. Individual part. 2 pages. Robert Dingus-DeVille #4326019. Published by Robert Dingus-DeVille (A0.1025001). This is a an old-school, Hank Sr., type of country song. It's all about being so hurt and angry that one loses any capability of thinking rationally. Includes both lead sheet and melody score.
$2.99
2.76 €
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Guitare
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Robert Dingus-DeVille
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Long Blue Highway
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Robert Dingus-DeVille
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SheetMusicPlus
Fingerboard Mastery, Book One
Guitare
(Scales and Arpeggios (USC)). Composed by Frank Potenza. For Guitar (All). USC. All Styles…
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(Scales and Arpeggios (USC)). Composed by Frank Potenza. For Guitar (All). USC. All Styles. Beginning. E-book. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610659413. This in-depth scale and arpeggio text is core curriculum at the University of Southern California's Studio Guitar Department, which is part of the prestigious Flora L. Thornton School of Music, located in Los Angeles, California. Using a comprehensive approach that includes three different organizational systems, it covers the technical foundation that is necessary for playing any style of music. The CAGED system (five positions), the Finger Stretch system (all twelve keys in one position) and the Three-Note Per String system (seven patterns) are examined. Although each of these three systems is examined, the CAGED system serves as the basis for much of the material covered in this book.Instead of traditional musical notation, the book uses fingerboard diagrams to focus on the visual aspect of the patterns. The goal is to present an approach to understanding and mastering the fingerboard by outlining the best and most practical elements of these different systems. Book One presents patterns for the major scale and its relative modes, the major pentatonic scale, the minor pentatonic scale, and the blues scale. Along with these scale forms, patterns for arpeggios that are for the most part diatonic to (in the key of) the major scale are presented. These include major, minor, diminished and augmented triads, and also major 7, dominant 7, minor 7 , and diminished 7 chords.ISBN 9781610659413. This in-depth scale and arpeggio text is core curriculum at the University of Southern California's Studio Guitar Department, which is part of the prestigious Flora L. Thornton School of Music, located in Los Angeles, California. Using a comprehensive approach that includes three different organizational systems, it covers the technical foundation that is necessary for playing any style of music. The CAGED system (five positions), the Finger Stretch system (all twelve keys in one position) and the Three-Note Per String system (seven patterns) are examined. Although each of these three systems is examined, the CAGED system serves as the basis for much of the material covered in this book.Instead of traditional musical notation, the book uses fingerboard diagrams to focus on the visual aspect of the patterns. The goal is to present an approach to understanding and mastering the fingerboard by outlining the best and most practical elements of these different systems. Book One presents patterns for the major scale and its relative modes, the major pentatonic scale, the minor pentatonic scale, and the blues scale. Along with these scale forms, patterns for arpeggios that are for the most part diatonic to (in the key of) the major scale are presented. These include major, minor, diminished and augmented triads, and also major 7, dominant 7, minor 7 , and diminished 7 chords.
$12.99
11.98 €
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Guitare
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Frank Potenza
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Fingerboard Mastery, Book One
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Chords Galore
Guitare
A Systematic Approach to Voicing Chords on Guitar. Composed by Jack Petersen. All S…
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A Systematic Approach to Voicing Chords on Guitar. Composed by Jack Petersen. All Styles. E-book. 56 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.99924EB). - e-book - All Styles - Mel Bay Publications - Digital Sheet Music
ISBN 9781609744366. Having developed two of the most prolific and respected guitar programs in the world (Berklee School of Music in the 1960s and University of North Texas in the 1980s), Jack Petersen is arguably the most influential academic jazz guitar teacher of our time. Mick Goodrick and John Abercrombie, to drop a couple big jazz guitar names, and countless other great players all went through the "School of Jack Petersen." This book presents Jack's revolutionary systematic chord voicing techniques for guitar. This easy to use system is a must for anyone serious about learning and understanding chords on guitar. Concepts of root position chords, inversions and a number of other voicing tricks are covered with standard notation, tab, and chord diagrams.ISBN 9781609744366. Having developed two of the most prolific and respected guitar programs in the world (Berklee School of Music in the 1960s and University of North Texas in the 1980s), Jack Petersen is arguably the most influential academic jazz guitar teacher of our time. Mick Goodrick and John Abercrombie, to drop a couple big jazz guitar names, and countless other great players all went through the "School of Jack Petersen." This book presents Jack's revolutionary systematic chord voicing techniques for guitar. This easy to use system is a must for anyone serious about learning and understanding chords on guitar. Concepts of root position chords, inversions and a number of other voicing tricks are covered with standard notation, tab, and chord diagrams.
$14.99
13.82 €
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Guitare
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Jack Petersen
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Chords Galore
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Complete Laurindo Almeida Anthology of Guitar Solos
Guitare
Composed by Laurindo Almeida. Edited by Ron Purcell. For Guitar (Classical). Classic. Inte…
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Composed by Laurindo Almeida. Edited by Ron Purcell. For Guitar (Classical). Classic. Intermediate-Advanced. E-book. 176 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781609744083. Laurindo Almeida (1917-1995) belongs to an elite group of Brazilian/American guitarists, who by composing important works for the guitar reinstated the instrument in his native country as worthy of serious musical study. Stylistically, his compositions synthesize his classical background, Afro-Brazilian rhythms, traditional Brazilian music, and American jazz. This collection presents Almeida's solos preserving the original left and right hand fingerings. The fingering is unique and tells us something about his skills as a professional guitarist. It also reflects the Brazilian school of guitar technique in the 1930's. Written in standard notation only.ISBN 9781609744083. Laurindo Almeida (1917-1995) belongs to an elite group of Brazilian/American guitarists, who by composing important works for the guitar reinstated the instrument in his native country as worthy of serious musical study. Stylistically, his compositions synthesize his classical background, Afro-Brazilian rhythms, traditional Brazilian music, and American jazz. This collection presents Almeida's solos preserving the original left and right hand fingerings. The fingering is unique and tells us something about his skills as a professional guitarist. It also reflects the Brazilian school of guitar technique in the 1930's. Written in standard notation only.
$29.99
27.65 €
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Guitare
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Laurindo Almeida
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The Complete Laurindo Almeida Anthology of Guitar Solos
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
Unusual Studies
Guitare
Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method…
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Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method, Etudes and Exercises, Repertoire, Classroom. Solo Part. 45 pages. Published by Oleg Boyko
There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure. There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure.
$15.00
13.83 €
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Guitare
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Oleg Boyko
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Unusual Studies
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Oleg Boyko
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SheetMusicPlus
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