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--INSTRUMENTS--
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Short Piece Baroque
Non classifié
51
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48
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4
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2
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1
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1
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1
+ 1 instrumentations
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10
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5
Guitare notes et tablatures
2
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2
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1
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1
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21
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16
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12
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12
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9
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7
2 Clarinettes (duo)
4
2 Hautbois (duo)
4
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4
Clarinette (partie séparée)
3
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3
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3
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2
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2
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2
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2
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2
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2
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1
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1
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1
Flûte traversière
1
Saxophone (partie séparée)
1
Hautbois, violon (duo)
1
Flûte, Trompette (duo)
1
Clarinette, Violon (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Flûte : 5 flûtes
1
Ensemble de saxophones
1
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1
5 Flûtes à bec
1
Hautbois, Basson (duo)
1
Quatuor de Flûtes à bec
1
+ 28 instrumentations
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12
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6
2 Cors (duo)
5
2 Trompettes (duo)
4
2 Trombones (duo)
4
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4
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3
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2
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2
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2
Trombone et Piano
1
Cor (partie séparée)
1
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1
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1
3 Euphoniums
1
Cor et Piano
1
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1
Trombone (partie séparée)
1
Trompette
1
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23
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13
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12
Violon, Alto (duo)
11
2 Violoncelles (duo)
6
2 Violons (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
2 Altos (duo)
4
Harpe
2
Violon et Piano
2
2 Contrebasses (duo)
2
Violoncelle, Piano
2
Contrebasse, Piano (duo)
2
Alto, Piano
2
Alto (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle , Guitare (duo)
1
+ 12 instrumentations
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Orchestre à Cordes
8
Ensemble de cuivres
3
Orchestre
3
Cloches
2
Orchestre d'harmonie
1
Orchestre de chambre
1
+ 1 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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FLUTE TRAVERSI…
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Vous avez sélectionné:
Short Piece Baroque
CLASSIQUE - BAROQUE - ROMANTIQUE
Guitare
Partitions à imprimer
5 partitions trouvées
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La Caroline by CPE Bach
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Guitare
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INTERMÉDIAIRE
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Classique
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Carl Philipp Emanuel Bach
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Eric J Roth
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La Caroline by CPE Bach
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.914748 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 2...
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Solo Guitar - Level 3 - SKU: A0.914748 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 2 pages. Eric J Roth #6017047. Published by Eric J Roth (A0.914748). La Caroline, H. 98 (Wq. 117/36) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and most ornaments, except for trills, have been written out rather than notated with a symbol. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the tempo as Allegro ma con tenerezza (fast but with tenderness) and most keyboardists take it a moderate to quick tempo. On the guitar, which has a different resonance, the piece can also be convincing played at somewhat slower tempos, but certainly nothing slower than a true andante.
$2.99
La Philippine by CPE Bach
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Guitare
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Classique
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Carl Philipp Emanuel Bach
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Eric J Roth
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La Philippine by CPE Bach
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Eric J Roth
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SheetMusicPlus
Solo Guitar - SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Er...
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Solo Guitar - SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Eric J Roth #6017141. Published by Eric J Roth (A0.914749). La Philippine, H. 96 (Wq. 117/34) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and ornaments kept simple. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher, and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the style as Arioso (between an aria and recitative). In terms of tempo, various keyboardists interpret it very differently. Some play it quick and light while others opt for a slower, more lyrical approach. Guitarists should feel free to experiment with what sounds best on their instrument.
$2.99
Bach to Africa
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Guitare
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. ...
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Solo Guitar - Level 5 - SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
Prelude in A Minor
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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Julia Bakowski
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Prelude in A Minor
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Julia Bakowski
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.621476 Composed by Johann Pachelbel. Arranged by Julia Bakowski. Baroque,Classical,Sacred,Traditional,Wedding. Individua...
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Solo Guitar - Level 3 - SKU: A0.621476 Composed by Johann Pachelbel. Arranged by Julia Bakowski. Baroque,Classical,Sacred,Traditional,Wedding. Individual part. 1 pages. Julia Bakowski #230617. Published by Julia Bakowski (A0.621476). Organ solo arranged for classical guitar. This short intermediate piece would be useful as an interlude during a funeral or church service, or perhaps during the signing of the register at a wedding. Full left hand fingering suggestions are provided.
$2.50
"Jesu, Joy of Man's Desiring" for solo classical fingerstyle guitar
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Guitare
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FACILE
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Classique
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Johann Sebastian Bach
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Keith W
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"Jesu, Joy of Man's Desir
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1413902 Composed by Johann Sebastian Bach. Arranged by Keith W. Gehle. Baroque,Classical,Religious,Sacred,Wedding. Indiv...
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Solo Guitar - Level 2 - SKU: A0.1413902 Composed by Johann Sebastian Bach. Arranged by Keith W. Gehle. Baroque,Classical,Religious,Sacred,Wedding. Individual part. 2 pages. Keith Gehle #995682. Published by Keith Gehle (A0.1413902). This shortened version of J.S. Bach’s most familiar melody is perfect for weddings where a player just needs the opening theme and chorus as a processional or recessional. This rendition includes detailed fingerings in standard notation. There's also a version with TAB available on this site. Jesu, Joy of Man's Desiring is an essential piece for guitarists playing for weddings, church services and gigs.
$1.99
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