English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Simply Red
Non classifié
446
Piano & claviers
Piano, Voix
214
Piano seul
153
Piano, Voix et Guitare
63
Piano Facile
58
Accompagnement Piano
21
Orgue
17
Instruments en Do
10
1 Piano, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
1
Piano grosses notes
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
44
Ukulele
32
Guitare
18
Basse electrique
11
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
6
Guitare (partie séparée)
2
Piano, Guitare (duo)
2
Dulcimer
1
3 Guitares (trio)
1
2 Guitares (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
115
Chorale 3 parties
45
Chorale 2 parties
21
Chorale TTBB
13
Chorale SSAA
9
Chorale Unison
8
Voix seule
4
Voix Soprano, Piano
4
Voix haute
3
Voix Baryton, Piano
1
Voix duo
1
Voix Tenor, Piano
1
+ 7 instrumentations
Retracter
Vents
2 Saxophones (duo)
129
Saxophone, Clarinette (duo)
65
2 Clarinettes (duo)
57
2 Flûtes traversières (duo)
54
Flûte traversière et Piano
53
Clarinette, Violon (duo)
48
Hautbois, Piano (duo)
47
Clarinette et Piano
42
Quatuor de Saxophones: 4 saxophones
41
Clarinette, Trompette (duo)
35
Saxophone Alto et Piano
29
2 Hautbois (duo)
29
Clarinette
27
Clarinette et Alto
27
Flûte, Clarinette (duo)
25
Hautbois, Basson (duo)
25
Saxophone Tenor et Piano
23
Saxophone Soprano et Piano
22
Hautbois, Clarinette (duo)
21
Flûte traversière
21
Hautbois (partie séparée)
20
Flûte, Saxophone (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Cor anglais, Piano
18
Saxophone Baryton, Piano
18
Flûte, Alto (duo)
18
Hautbois, Flûte
17
Flûte, Violon
17
Quintette de Saxophone: 5 saxophones
16
Hautbois
15
Flûte, Trompette (duo)
15
Flûte, Hautbois, Clarinette, Basson
15
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone (partie séparée)
10
Quatuor de Flûtes : 4 flûtes
10
Saxophone Alto
10
Clarinette Basse, Piano
9
Ensemble de Clarinettes
8
Saxophone Tenor
8
Ensemble de Flûtes
7
Flûte à bec Soprano, Piano
6
3 Saxophones (trio)
6
Quintette de Clarinettes: 5 clarinettes
5
Quintette de Flûte : 5 flûtes
5
3 Clarinettes (trio)
4
Trio de Flûtes: 3 flûtes
4
Ensemble de saxophones
4
Quatuor de Flûtes à bec
3
Flute (partie séparée)
3
Flûte à bec Soprano
3
Flûte, Alto et Piano
2
Flûte, Violoncelle
2
Saxophone Baryton
2
Flûte, Violon et Violoncelle
2
Flûte, Violon, Violoncelle et Piano
2
2 Flûte à bec (duo)
2
Clarinette Basse
2
Saxophone Soprano
2
Cor Anglais
2
Flûte à bec Alto, Piano
2
Flûte, trombone et piano
1
Flute, harpe et violon
1
Flûte, Basson et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Trombone (duo)
1
Flûte et Guitare
1
Clarinette, Harpe (duo)
1
Flûte, Trombone (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Guitare (duo)
1
2 Flûtes traversières, Piano
1
2 Clarinettes, Piano
1
Piccolo, Piano
1
+ 72 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
46
Trompette, Piano
29
Trombone et Piano
28
Trompette, Trombone (duo)
26
2 Trombones (duo)
23
2 Trompettes (duo)
22
Trompette
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Cor et Piano
18
Cor anglais, Piano
18
Euphonium, Piano (duo)
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trombone
8
Cor
8
Tuba et Piano
7
Tuba
7
Trombone (partie séparée)
5
2 Cors (duo)
5
Trompette (partie séparée)
3
Quatuor de Cuivres
3
Euphonium
3
Ensemble de Trompettes
3
Ensemble de Trombones
3
2 Tubas (duo)
3
Cor Anglais
2
Quatuor de cuivres: 4 trompettes
2
Tuba et Orgue
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trio de Cuivres
1
Trompette, Basson (duo)
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
42
Violon et Piano
41
2 Violoncelles (duo)
32
Violoncelle, Piano
30
Alto, Piano
30
Violon, Violoncelle (duo)
29
2 Altos (duo)
28
2 Violons (duo)
28
Violon, Alto (duo)
24
Harpe
19
Violon
19
Violoncelle
17
Alto seul
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Trio à Cordes: 2 violons, violoncelle
6
Contrebasse, Piano (duo)
5
Contre Basse
5
Violon (partie séparée)
5
Alto (partie séparée)
3
Ensemble de Violons
3
Trio à Cordes: violon, alto, violoncelle
3
Quatuor à cordes: 4 violons
3
4 Violoncelles
2
2 Contrebasses (duo)
2
Violoncelle (partie séparée)
2
Contrebasse (partie séparée)
2
Alto, Violoncelle (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violon (duo)
1
Alto et Basson
1
Flûte, Contrebasse (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
166
Orchestre
31
Fanfare
26
Orchestre à Cordes
20
Cloches
9
Marimba
8
Ensemble de cuivres
8
Ensemble Jazz
7
Batterie
6
Xylophone, Piano
5
Xylophone
4
Jazz combo
4
Orchestre de chambre
4
Ensemble de Percussions
1
Batterie (partie séparée)
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
0
Partitions Numériques
18
Librairie Musicale
25
Matériel de Musique
322
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Simply Red
Guitare
Partitions à imprimer
18 partitions trouvées
<
1
The William Bay Collection - Sacred Guitar Solo Anthology
Guitare
Old Time. Sacred. Ebook and online audio. 185 pages. Mel Bay Publications - Digital …
(+)
Old Time. Sacred. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #WBM67MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459271. 8.75x11.75 inches.<br> <br> This is a collection of five books containing 129 sacred guitar solos drawn from different musical periods and genres of church music. All work well as preludes, offertories, communion hymns, recessionals or simply for enjoyment. All solos are presented in standard notation. Includes access to an online audio of the author performing each piece.ISBN 9781513459271. 8.75x11.75 inches.<br> <br> This is a collection of five books containing 129 sacred guitar solos drawn from different musical periods and genres of church music. All work well as preludes, offertories, communion hymns, recessionals or simply for enjoyment. All solos are presented in standard notation. Includes access to an online audio of the author performing each piece.
$22.99
21.19 €
#
Guitare
#
The William Bay Collection - Sacred Guitar Solo Anthology
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Nadir
Guitare
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20t…
(+)
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
8.29 €
#
Guitare
#
Apostolos Paraskevas
#
Nadir
#
Silver Sickle Publications
#
SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.83 €
#
Guitare
#
Brian Streckfus
#
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
#
Brian Streckfus
#
SheetMusicPlus
KriyÄ (Direction, Goal) for 10-String Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Juli…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1187094 By Julian Bertino. By Julian Bertino. Classical,Contemporary. Individual part. 10 pages. Julian Bertino #786726. Published by Julian Bertino (A0.1187094). Kriyā is a Sanskrit word meaning to do, make, perform, accomplish, cause, effect, prepare, undertake†toward something specific. We often live our lives hiding from ourselves, usually because of an artificial sense of fear, embarassment, shame or guilt that we may have acquired because of social pressures. This is why we many people have a mid-life crisis and suddenly change the way they have lived their lives into how they wished to live all along. This piece represents the unraveling of previously held ideals into one which is synchronous with the world around us, beginning with a vision reminding us of mortality, progressing through the difficulties and cognitive dissonances which occur when we must change our lives to find happiness. Kriya began originally as a tremolo etude on the 2nd and 3rd strings, but quickly evolved into a musical composition. Practicing Tremolo on strings other than the first develops control and discipline in the right hand, which was my original intention in writing it- but I felt as if the material that was generated required more and more variation and contrast- and quite quickly I realized that I had to complete it with the intention of performing it as a piece of music rather than simply a technical exercise.**This version is for 10-string guitar. There is a 6-string guitar version available also.
$9.99
9.21 €
#
Guitare
#
Julian Bertino
#
KriyÄ
#
Julian Bertino
#
SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.44 €
#
Guitare
#
Larry Williams
#
Larry Williams Compositions- The Guitar Book
#
Larry Andrew Williams
#
SheetMusicPlus
"Girl on a Swing" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1368030 By Keith Gehle. By Keith W…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1368030 By Keith Gehle. By Keith W. Gehle. New Age. Individual part. 2 pages. Keith Gehle #952383. Published by Keith Gehle (A0.1368030). â??Girl on a Swingâ? was recorded as part of Keithâ??s 2016 album Space and Time. The title of this piece was inspired by the lyrics of the 2005 song â??Simpleâ? by Glen Phillips when he compared his wifeâ??s love to the gentle beauty of a little girl on a playground swing. The lyrics are as follows:I'm complicationLive wire downI'm agitationDistorted soundYou're celebrationGirl on a swingPassion and patienceUnbroken ringYou're simple, simpleYou're simpleSimply all I needWhile the album version features additional instruments, the piece works well as a guitar solo. This PDF includes detailed fingerings in standard notation. Thereâ??s also a version available with TAB on this site.
$1.99
1.83 €
#
Guitare
#
Keith Gehle
#
"Girl on a Swing" for solo classical fingerstyle guitar
#
Keith Gehle
#
SheetMusicPlus
Tanguillo de Cádiz Guitar 2
Guitare
Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1262076 Composed by T…
(+)
Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World. 3 pages. Richard Hirsch #855138. Published by Richard Hirsch (A0.1262076). I offer an arrangement in D major of the traditional Flamenco Tanguillo de Cádiz as a second guitar to accompany my arrangement of the Tanguillo for solo guitar. The solo guitar arrangement is written in A major. To work as guitar 1 in the duet, the solo version must be played with the capo at the fifth fret to transpose the score to D major. This is normal practice in Flamenco guitar playing. The guitarist simply plays the score as if the capo were the nut. The tones/notes are then referred to as if they were being played in the first position, but they sound of course different.I created the arrangement in D major to accompany a student I taught to play the solo version so we could play and perform together. It was a lot of fun working on the arrangement and we had a great time playing the Tanguillo as a duet. It was also a big hit with audiences. I particularly recommend this arrangement for instructors teaching the solo version to intermediate students of Flamenco guitar, especially young students who will find it easier to play the Tanguillo at the fifth fret in D major. It is a great inspiration for  students to play along with their instructor, making music together. The arrangement also, of course, works just as well as a duet for two students or two experienced guitarists.The D minor section contains the typical Andalusian cadence found in the more â??jondoâ? styles of Flamenco and serves as a first introduction to these darker more serious â??sonidos negrosâ? as Manuel de Falla referred to them. The many taps or â??golpesâ? found in the score are, as I said in the description of the Tanguillo solo, not absolutely essential, but they definitely add more â??punchâ? to the performance and give the arrangement a more earthy Gitano Andaluz character.
$3.99
3.68 €
#
Guitare
#
Traditional
#
Richard Hirsch
#
Tanguillo de Cádiz Guitar 2
#
Richard Hirsch
#
SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.61 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
4 pp
#
Excerpt from the Lyric Suite
#
Maggie Creek Music
#
SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.61 €
#
Guitare
#
Alban Berg
#
Rod Whittle
#
'Change of scene' from Act III of Wozzeck
#
Maggie Creek Music
#
SheetMusicPlus
Passacaglia
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by Eric J Roth (A0.914738). (7 pages. 3 pages of music)This Passacaglia is the first of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming, but the Passacaglia is offered here as a single, standalone work. I have performed the Passacaglia in my own concert programs both on its own and as part of the larger sonata. I believe that it works equally well both ways. The Passacaglia form originated in 17th-century Spain. It started as a series of strummed chords that served as an interlude between dances. The term itself translates as street song. Over time, it evolved to become a series of variations set over an ostinato or ground bass, usually in triple meter. It is often indistinguishable from a Chaconne. In character, the Passacaglia is often serious, or even grave. The Passacaglia offered here adheres to this tradition in most ways, except that it is in 5/4 instead of triple meter. The ostinato phrase is five measures long and set in quarter notes. Variations usually occur in pairs and are distinguished by texture. Beginning simply, the variations build in complexity throughout the piece. The main theme, introduced in the second pair of variations, recurs later in a fuller texture. One final statement of the ostinato in bare octaves ends the piece. The tonality stems from an E harmonic minor scale, although an added B flat serves to blur any sense of strict tonality.Please note that there are some minor differences between the score and the YouTube video of a live performance from 2018.
$2.99
2.76 €
#
Guitare
#
Eric J Roth
#
Passacaglia
#
Eric J Roth
#
SheetMusicPlus
Christmas Time Is Here
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1315740 Composed by Lee Mendelson …
(+)
Solo Guitar - Level 1 - Digital Download SKU: A0.1315740 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904488. Published by Rodrigo Faleiros (A0.1315740). Embrace the enchantment of the holiday season with our special guitar solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for guitar players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Chord symbols: The sheet music includes chord symbols, allowing for harmonic creativity and festive musicality by another musician. Immerse yourself in the warmth and nostalgia of this classic melody with your guitar. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
4.6 €
#
Guitare
#
Lee Mendelson and Vince Guaraldi
#
Rodrigo Faleiros
#
Christmas Time Is Here
#
Rodrigo Faleiros
#
SheetMusicPlus
Christmas Time Is Here
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1315983 Composed by Lee Mendelson …
(+)
Solo Guitar - Level 1 - Digital Download SKU: A0.1315983 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904524. Published by Rodrigo Faleiros (A0.1315983). Embrace the enchantment of the holiday season with our special guitar solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for guitar players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Immerse yourself in the warmth and nostalgia of this classic melody with your guitar. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
4.6 €
#
Guitare
#
Lee Mendelson and Vince Guaraldi
#
Rodrigo Faleiros
#
Christmas Time Is Here
#
Rodrigo Faleiros
#
SheetMusicPlus
Interrupted Dance (He Who Sings is Not Always Happy)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
11.06 €
#
Guitare
#
Rocco Di Pietro
#
Interrupted Dance
#
Rocco Di Pietro
#
SheetMusicPlus
I Know Whom I Have Believed
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.938066 Composed by Daniel W. Whitt…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.938066 Composed by Daniel W. Whittle - Music: James McGranahan. Arranged by Bruce J. Patterson. Christian,Gospel,Jewish,Sacred. Individual part. 3 pages. In His Name Music/SESAC #58925. Published by In His Name Music/SESAC (A0.938066). I Know Whom I Have Believed is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. I Know Whom I Have Believed is a favorite hymn arranged for solo classical guitar. This hymn is arranged to accommodate guitarists with a skill level of advanced intermediate to early advanced level. The first half of this arrangement is in the key of (G) then modulates to the key of (C). The hymn can also simply be played in the key of (G) or (C). Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce a worshipful expression of praise for God’s faithfulness in our lives,.
$3.99
3.68 €
#
Guitare
#
Daniel W
#
Bruce J
#
I Know Whom I Have Believed
#
In His Name Music/SESAC
#
SheetMusicPlus
Rejoice Evermore
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1015988 Composed by Kelsey Grindst…
(+)
Solo Guitar - Level 1 - Digital Download SKU: A0.1015988 Composed by Kelsey Grindstaff. Arranged by K Grindstaff. Christian,Gospel,Sacred,Spiritual. Individual part. 4 pages. K Grindstaff #5197309. Published by K Grindstaff (A0.1015988). Three Bible songs perfect for Sunday school or simply to sing on your own.
$1.99
1.83 €
#
Guitare
#
Kelsey Grindstaff
#
K Grindstaff
#
Rejoice Evermore
#
K Grindstaff
#
SheetMusicPlus
The Holly and the Ivy
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1144227 By 18th Century English Ca…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1144227 By 18th Century English Carol. By Anonymous. Arranged by Debbie Barrette. Christmas,Classical,Holiday,Sacred,Traditional. Individual part. 3 pages. Debbie Barrette #744546. Published by Debbie Barrette (A0.1144227). This holiday Christmas carol is simply and beautifully arranged for classical or fingerstyle guitar. It focuses on the melody with a simple accompaniment at a level of beginner/intermediate. It is arranged in sheet music notation and tablature.
$4.99
4.6 €
#
Guitare
#
18th Century English Carol
#
Debbie Barrette
#
The Holly and the Ivy
#
Debbie Barrette
#
SheetMusicPlus
6 Pieces for Guitar Solo
Guitare
Composed by David Pritchard. Style. Classic. E-book. 24 pages. Mel Bay Publications - …
(+)
Composed by David Pritchard. Style. Classic. E-book. 24 pages. Mel Bay Publications - Digital Sheet Music #22038EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619111639.<br> <br> New compositions for solo classic guitar by acclaimed guitarist and composer, David Pritchard. All solos are in standard notation.In addition to all the music I've written over the past twenty years for multiple acoustic guitars, I have on occasion felt inspired to write a smaller number of pieces for just one guitar. Exploring a meditative feel was my motivation for writing A Pale View, A Silent Dream, and Restoration. A Silent Dream can be played either as a solo piece or it can be enhanced by having another guitarist play the second part. Arundo is basically a right hand study piece, alternating between two patterns both in different meters, while Orb Weaver is primarily a Latin rhythm study with much syncopation, alternating simply between two chords. Coryza was written with the acoustic steel string in mind using DADGAD tuning.ISBN 9781619111639.<br> <br> New compositions for solo classic guitar by acclaimed guitarist and composer, David Pritchard. All solos are in standard notation.In addition to all the music I've written over the past twenty years for multiple acoustic guitars, I have on occasion felt inspired to write a smaller number of pieces for just one guitar. Exploring a meditative feel was my motivation for writing A Pale View, A Silent Dream, and Restoration. A Silent Dream can be played either as a solo piece or it can be enhanced by having another guitarist play the second part. Arundo is basically a right hand study piece, alternating between two patterns both in different meters, while Orb Weaver is primarily a Latin rhythm study with much syncopation, alternating simply between two chords. Coryza was written with the acoustic steel string in mind using DADGAD tuning.
$9.99
9.21 €
#
Guitare
#
David Pritchard
#
6 Pieces for Guitar Solo
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Simply Red
