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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing Out - Drums
Non classifié
4 534
Piano & claviers
Piano seul
2 605
Piano, Voix
2 166
Piano, Voix et Guitare
1 536
Piano Facile
1 335
Instruments en Do
540
Orgue
218
Accompagnement Piano
217
1 Piano, 4 mains
91
Piano grosses notes
51
Piano Trio: piano, violon, violoncelle
29
2 Pianos, 4 mains
22
Accordéon
14
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano (partie séparée)
7
Piano Quatuor: piano, 2 violons, violoncelle
6
Orgue, Piano (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Clavecin
4
Orgue, Trompette (duo)
3
Accordéon, Voix
3
Ensemble de Pianos
1
2 Pianos, 8 mains
1
Clavier
1
1 Piano, 6 mains
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
372
Basse electrique
324
Guitare
170
Ukulele
168
Ligne De Mélodie, (Paroles) et Accords
133
Paroles et Accords
22
Guitare (partie séparée)
15
2 Guitares (duo)
13
Piano, Guitare (duo)
10
4 Guitares (Quatuor)
10
Dulcimer
8
Banjo
5
3 Guitares (trio)
5
Mandoline
4
Ensemble de guitares
4
Mandoline, Guitare (duo)
3
Basse électrique (partie séparée)
2
2 Ukuleles
2
Ukulele Baryton
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 708
Chorale 3 parties
774
Chorale 2 parties
692
Chorale Unison
467
Chorale TTBB
323
Chorale SSAA
266
Voix duo, Piano
88
Voix seule
79
Voix Alto, Piano
53
Voix Soprano, Piano
51
Voix duo
44
Voix Tenor, Piano
40
Voix Tenor
35
Voix Baryton, Piano
34
Voix Soprano
30
Voix haute
22
Chorale
21
Voix moyenne, Piano
9
Voix basse, Piano
8
Chorale SSAATTBB
3
Chorale SSATB
3
Voix basse
3
Chorale SSAB a cappella
2
Voix Mezzo-Soprano, Piano
2
Chorale SAATB A Cappella
2
Chorale SSAB, Piano
1
Chorale SSAATB
1
Voix, Guitare
1
Chorale SATBB
1
Voix duo, Orgue
1
Chorale SSATTB
1
+ 26 instrumentations
Retracter
Vents
2 Saxophones (duo)
350
Flûte traversière et Piano
305
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
237
Saxophone Alto et Piano
233
Hautbois, Piano (duo)
232
Clarinette et Piano
224
Flûte traversière
220
Clarinette
175
Saxophone Alto
175
2 Flûtes traversières (duo)
168
Quatuor de Saxophones: 4 saxophones
159
Flûte, Hautbois, Clarinette, Basson
149
Saxophone, Clarinette (duo)
149
2 Clarinettes (duo)
135
Quintette de Saxophone: 5 saxophones
133
Saxophone Tenor et Piano
130
Saxophone (partie séparée)
129
Saxophone Tenor
121
Saxophone Soprano et Piano
115
Clarinette, Violon (duo)
98
Quatuor de Clarinettes: 4 clarinettes
92
Hautbois (partie séparée)
90
Flûte irlandaise
81
Clarinette, Trompette (duo)
77
2 Hautbois (duo)
71
Flûte, Clarinette (duo)
70
Saxophone Baryton, Piano
64
Hautbois, Clarinette (duo)
58
Flûte, Violon
55
Hautbois, Basson (duo)
55
Flûte à bec Soprano
53
Hautbois, Flûte
49
Clarinette et Alto
48
Flûte, Saxophone (duo)
45
Ensemble de Clarinettes
44
Flûte à Bec
41
Flûte, Trompette (duo)
39
Ensemble de Flûtes
38
Flûte, Alto (duo)
36
Ensemble de saxophones
36
Flûte et Guitare
31
Hautbois
30
Flûte à bec Alto
30
Ensemble De Flûte à bec
29
3 Saxophones (trio)
27
Quatuor de Flûtes : 4 flûtes
27
Clarinette Basse, Piano
27
Quintette de Clarinettes: 5 clarinettes
23
Cor anglais, Piano
22
Flûte à bec Tenor
22
2 Flûte à bec (duo)
22
3 Clarinettes (trio)
20
Quintette de Flûte : 5 flûtes
18
Cor Anglais
16
Saxophone Soprano
15
Clarinette, Guitare (duo)
14
Flûte, Trombone (duo)
11
Saxophone Baryton
11
Flûte, Hautbois, Clarinette (trio)
10
Trio de Flûtes: 3 flûtes
10
Flute (partie séparée)
8
Flûte, Clarinette et Basson
8
Clarinette, Violoncelle (duo)
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Quatuor de Flûtes à bec
6
Flûte, Violoncelle, Piano (trio)
5
Flûte, Hautbois (duo)
5
Saxophone
4
Clarinette Basse
4
Ensemble à vent
4
Flûte, Violoncelle
4
Hautbois, violon (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
Saxophone et Orgue
3
Harmonica
3
Clarinette, Basson (duo)
3
Flûte, Hautbois, Basson
3
Hautbois, Guitare (duo)
3
Hautbois, Violoncelle
3
Flûte à bec Soprano, Piano
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Saxophone et Guitare
3
3 Flûtes à bec (trio)
3
Clarinette, Trombone (duo)
3
Flûte, Violon, Piano
3
Flûte, Clarinette, Piano (trio)
2
Flûte, alto et harpe
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
2 Clarinettes, Piano
2
Clarinette (partie séparée)
2
Piccolo
2
Hautbois et alto (duo)
2
5 Flûtes à bec
2
Flûte, Basson et Piano
2
Flûte traversière, Orgue (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Violon et Violoncelle
1
Hautbois, trombone (duo)
1
Cor anglais, Guitare (duo)
1
Flûte de Pan
1
Flûte, Harpe et Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Instruments en Mib
1
Flute, Cor (duo)
1
Clarinette, Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Piano
1
2 Flûtes traversières, Piano
1
Ocarina
1
Flûte à Bec, Piano
1
Piccolo, Piano
1
+ 107 instrumentations
Retracter
Cuivres
Trompette, Piano
229
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
202
Trompette
179
Trombone et Piano
169
Trombone
143
Cor et Piano
142
Quatuor de Cuivres : 2 trompettes, trombone, tuba
115
Cor
112
Trompette, Saxophone (duo)
103
Tuba et Piano
89
2 Trompettes (duo)
74
Tuba
73
Trompette, Trombone (duo)
63
2 Trombones (duo)
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
55
Trompette (partie séparée)
53
Trombone (partie séparée)
47
Euphonium, Piano (duo)
42
Quatuor de Cuivres
28
Ensemble de Trombones
26
Quatuor de cuivres: 4 trombones
25
Cor anglais, Piano
22
Euphonium
20
Ensemble de Trompettes
18
Cor Anglais
16
2 Cors (duo)
15
2 Tubas (duo)
12
Trio de Cuivres
9
Trompette, Cor (duo)
8
Quatuor de cuivres: 4 cors
5
Tuba et Orgue
5
Instruments en Sib
5
4 Tubas
4
Cor (partie séparée)
4
Trompette, violon (duo)
4
Tuba (partie séparée)
4
Trombone, Orgue
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
3
Ensemble de Cors
3
3 Trombones (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse et Piano
2
Trombone, Tuba (duo)
2
Trombone et orchestre
2
3 Euphoniums
2
Trompette, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Trombone, Cor (duo)
1
Cor anglais, Guitare (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Bass Clef Instruments
1
Trompette, Euphonium (duo)
1
Cor et Orgue
1
Cor, Violoncelle (duo)
1
Trombone basse
1
Clarinette, Cor (duo)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
3 Trompettes (trio)
1
Cor, Tuba (duo)
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
616
Violon et Piano
365
Violon
276
Violoncelle, Piano
252
Alto, Piano
246
Violoncelle
227
Violon, Violoncelle (duo)
168
Alto seul
139
Harpe
113
2 Violons (duo)
110
Trio à Cordes: violon, alto, violoncelle
103
Trio à Cordes: 2 violons, violoncelle
88
2 Altos (duo)
85
Violon, Alto (duo)
83
2 Violoncelles (duo)
79
Quintette à cordes: 2 violons, alto, violoncelle, basse
75
Contrebasse, Piano (duo)
63
Contre Basse
57
Alto (partie séparée)
28
Trio à cordes: 3 violins
14
Contrebasse (partie séparée)
13
Violon, Guitare (duo)
12
Alto, Violoncelle (duo)
12
Ensemble de Violons
11
Violoncelle , Guitare (duo)
10
Violon (partie séparée)
9
Ensemble d'Altos
9
Harpe, Flûte (duo)
8
2 Harpes (duo)
8
Piano Trio: Violon, Alto, Piano
7
Violoncelle, Contrebasse (duo)
7
Trio à Cordes: 2 violons, alto
6
Harpe, Voix
5
Trio à Cordes: 3 violoncelles
5
Alto, Guitare (duo)
4
Trio à cordes
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Trio à cordes: 3 altos
3
2 Contrebasses (duo)
3
Violon, Basson (duo)
2
Violon, Orgue
2
4 Contrebasses
2
4 Harpes
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Violon, Tuba (duo)
1
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Quatuor à cordes : 4 altos
1
Violoncelle, Basse continue
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
4 Violoncelles
1
Violoncelle, Orgue
1
Flûte, Contrebasse (duo)
1
3 Harpes
1
Alto et Harpe
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
598
Orchestre
236
Ensemble Jazz
211
Orchestre à Cordes
198
Cloches
155
Ensemble de cuivres
142
Orchestre de chambre
109
Fanfare
62
Jazz combo
42
Ensemble de Percussions
27
Xylophone, Piano
16
Marimba
10
Xylophone
6
Percussion (partie séparée)
5
Ensemble d'École
5
Percussion
4
Xylophone ou Marimba ou Vibraphone
3
Vibraphone
3
2 Xylophones
2
Orchestre, Violon
1
Instrumentation Flexible
1
2 Marimbas
1
Piano et Orchestre
1
+ 18 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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difficulté (tous)
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Vous avez sélectionné:
Sing Out - Drums
Guitare
Partitions à imprimer
170 partitions trouvées
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151
Sing Me A Song
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Dominic Brown
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John Fries
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Sing Me A Song
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John Fries
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271459 Composed by Dominic Brown. Arranged by John Fries. 19th Century,Celtic,Film/TV,Folk,Irish,Standards. Individual ...
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Solo Guitar - Level 4 - SKU: A0.1271459 Composed by Dominic Brown. Arranged by John Fries. 19th Century,Celtic,Film/TV,Folk,Irish,Standards. Individual part. 2 pages. John Fries #863860. Published by John Fries (A0.1271459). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Here are the words to this Scottish song used in the TV series the Outlander. Sing me a song of a lass that is gone, Say, could that lass be I? Merry of soul she sailed on a day Over the sea to Skye. Billow and breeze, islands and seas, Mountains of rain and sun, All that was good, all that was fair, All that was me is gone. Sing me a song of a lass that is gone, Say, could that lass be I? Merry of soul she sailed on a day Over the sea to Skye.
$4.99
Hark! the Herald Angels Sing / O Come, All Ye Faithful
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Guitare
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Bradley Powell
#
Hark! the Herald Angels Sing /
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Geofonica Artistworks
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1316979 By The Candlelight Guitarist. By Charles Wesley, George Whitefield, Felix Mendelssohn, Traditional. Arranged by ...
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Solo Guitar - Level 3 - SKU: A0.1316979 By The Candlelight Guitarist. By Charles Wesley, George Whitefield, Felix Mendelssohn, Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 5 pages. Geofonica Artistworks #904941. Published by Geofonica Artistworks (A0.1316979). This two-song arrangement of Hark! the Herald Angels Sing and O Come, All Ye Faithful is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. These two songs together can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 3:53 (see YouTube timeline). The entire Christmas Suite 1225 is available for pruchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl. He was mentored in composition by David Rose (Little House on the Prairie), and has composed music Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often hiking with his four dogs. Brad has also played solo guitar for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, playing for Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella!COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com(Brad's) music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
McKnight's Crossing - Play Along!
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Guitare
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DÉBUTANT
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Gene Swanson
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McKnight's Crossing - Play Alo
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Gene Swanson
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.939076 Composed by Gene Swanson. Holiday. Individual part. 1 pages. Gene Swanson #3038397. Published by Gene Swanson (A0...
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Solo Guitar - Level 1 - SKU: A0.939076 Composed by Gene Swanson. Holiday. Individual part. 1 pages. Gene Swanson #3038397. Published by Gene Swanson (A0.939076). McKnight's Crossing is the fourth tune from Play Along! - Student Inspired St. Patrick's Day Tunes for Guitar Vol. #1 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
Get Outta My Dreams, Get Into My Car
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Guitare
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Contemporain
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Billy Ocean
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Arr
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Get Outta My Dreams, Get Into
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Kicker Productions Ltd.
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SheetMusicPlus
Solo Guitar - SKU: A0.833740 By Billy Ocean. By Billy Ocean and Robert John Mutt Lange. Arranged by Arr. Mike West. Contemporary. Individual part. 4 pag...
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Solo Guitar - SKU: A0.833740 By Billy Ocean. By Billy Ocean and Robert John Mutt Lange. Arranged by Arr. Mike West. Contemporary. Individual part. 4 pages. Kicker Productions Ltd. #6711791. Published by Kicker Productions Ltd. (A0.833740). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks.
$5.99
"Hark!", the Herald Angels Sing
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Guitare
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Classique
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Felix Bartholdy Mendelssohn
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Robert McCormack
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"Hark!", the Herald
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Robert McCormak
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SheetMusicPlus
Solo Guitar - SKU: A0.483404 Composed by Felix Bartholdy Mendelssohn. Arranged by Robert McCormack. Christmas,Classical,Holiday,Sacred,Traditional. Indi...
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Solo Guitar - SKU: A0.483404 Composed by Felix Bartholdy Mendelssohn. Arranged by Robert McCormack. Christmas,Classical,Holiday,Sacred,Traditional. Individual part. 1 pages. Published by Robert McCormak (A0.483404). The hymn that is this Christmas carol has gone through many iterations before popularly settling on this most commonly sung Mendelssohn melody. The arrangement is well within the intermediate level with the possible exception of the first two measures of the last two lines. There is a stretch here between fingers one and four, frets one and five with the additional challenge of a middle voice. Another carol offered by this arranger is, Once In Royal David's City, which has the same stretch but without the inner voice with which to contend. These two pieces are frequently performed together due to other similarities between them.
$3.99
Teach the World to Sing
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Guitare
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Musique Sacrée
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Mark Greer
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Teach the World to Sing
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The CHOSEN Company, LLC
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SheetMusicPlus
Solo Guitar - SKU: A0.980814 Composed by Mark Greer. Christian,Praise & Worship,Sacred. Individual part. 3 pages. The CHOSEN Company, LLC #5022651. Publ...
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Solo Guitar - SKU: A0.980814 Composed by Mark Greer. Christian,Praise & Worship,Sacred. Individual part. 3 pages. The CHOSEN Company, LLC #5022651. Published by The CHOSEN Company, LLC (A0.980814). Upbeat song about needing to experience God before trying to tell others how to live.
$3.99
Shout
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Guitare
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DÉBUTANT
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Pop musique
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The Isley Brothers
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Mike West
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Shout
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Kicker Productions Ltd.
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1041251 By The Isley Brothers. By O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Mike West. Pop. Individual...
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Solo Guitar - Level 1 - SKU: A0.1041251 By The Isley Brothers. By O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Mike West. Pop. Individual part. 5 pages. Kicker Productions Ltd. #645984. Published by Kicker Productions Ltd. (A0.1041251). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks. Please visit www.kickerproductions.com to view and purchase our click tracks and backing tracks, and to view the sheet music available.
$4.99
Without A Song
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Guitare
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INTERMÉDIAIRE
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Country
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Willie Nelson
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Gerald Schleicher
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Without A Song
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Gerald Schleicher
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899345 By Willie Nelson. By Vincent Youmans. Arranged by Gerald Schleicher. Country. Individual part. 1 pages. Gerald Sc...
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Solo Guitar - Level 3 - SKU: A0.899345 By Willie Nelson. By Vincent Youmans. Arranged by Gerald Schleicher. Country. Individual part. 1 pages. Gerald Schleicher #3916833. Published by Gerald Schleicher (A0.899345). A straightforward but full arrangement for solo classical guitar of another great standard recorded by numerous well-known singers over many years. Without A Song.
$4.99
Single String Major Scale Study For Guitar
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Guitare
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Neal Fitzpatrick
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Neal Fitzpatrick
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Single String Major Scale Stud
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Neal Fitzpatrick Editions
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SheetMusicPlus
Solo Guitar - SKU: A0.955380 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Country,Jazz,Rock. Individual part. 6 pages. Neal ...
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Solo Guitar - SKU: A0.955380 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Country,Jazz,Rock. Individual part. 6 pages. Neal Fitzpatrick Editions #5739231. Published by Neal Fitzpatrick Editions (A0.955380). This study focuses on ascending diatonic major scales on each single string of the guitar. Each group begins with quarter notes and proceeds through various divisions of the beat. This exercise can hone your shifting acuity and precision while improving fretboard knowledge. These patterns are excellent workouts for any guitarist and for metal and jazz players in particular. These exercises can be played by both pick and finger style players. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$2.50
Love Really Hurts Without You
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Guitare
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INTERMÉDIAIRE
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Pop musique
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Billy Ocean
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Michael Storeton-West
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Love Really Hurts Without You
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Kicker Productions Ltd.
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1041640 By Billy Ocean. By Ben Findon and Les Charles. Arranged by Michael Storeton-West. Pop. Individual part. 3 pages....
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Solo Guitar - Level 3 - SKU: A0.1041640 By Billy Ocean. By Ben Findon and Les Charles. Arranged by Michael Storeton-West. Pop. Individual part. 3 pages. Kicker Productions Ltd. #646403. Published by Kicker Productions Ltd. (A0.1041640). This is a single part for a Kicker Productions arrangement of this song. The sheet music is arranged to be used alongside our premium backing tracks and click tracks. Please visit www.kickerproductions.com to view and purchase our click tracks and backing tracks, and to view the sheet music available.
$4.99
Lua para o Epilogo de Verão (Août)
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Guitare
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AVANCÉ
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Contemporain
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Louis Trépanier
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Lua para o Epilogo de Verão
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions ...
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Guitar - Advanced - SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
$5.95
Tico Tico (tico Tico No Fuba)
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Guitare
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INTERMÉDIAIRE
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Film Walt Disney
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The Andrews Sisters
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Music for all Occasions
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions...
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Solo Guitar - Level 3 - SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions. Classical,Latin,Multicultural,World. Individual part. 3 pages. Keith Terrett #5869485. Published by Keith Terrett (A0.747009). Arranged for solo Guitar, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$7.99
Jazz Guitar Phrasing Workout
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Guitare
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Jazz
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William Bay
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Jazz Guitar Phrasing Workout
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by William Bay. Workout. Jazz. E-book and online audio. Published by Mel Bay Publications - Digital Sheet Music (M0.20577BCDEB). - e-book and online au...
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Composed by William Bay. Workout. Jazz. E-book and online audio. Published by Mel Bay Publications - Digital Sheet Music (M0.20577BCDEB). - e-book and online audio - Jazz - Mel Bay Publications - Digital Sheet Music
$9.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
André (Guitar)
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Guitare
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Guitar
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André
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part...
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Solo Guitar - Level 3 - SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part. 17 pages. Publisher by Rudesindo Soutelo #903830. Published by Publisher by Rudesindo Soutelo (A0.1315103). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Guitar, ca. 14'40) 1. (A) Prelúdio da manhã / Morning prelude 2. (n) Alvorecer na janela / Dawn in the window 3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz 4. (r) A catedral imergente / The immersing cathedral 5. (é) Marcha da formiga atónita / March of the astonished antISWC: T-045.522.026-4ISMN: 979-0-707704-19-6This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts.The “Morning prelude†is the restless awakening; the “Dawn in the window†is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltzâ€, who turn rifles into pairs to dance with. From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedralâ€, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant†is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].The original version is for piano. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã†é o acordar buliçoso; o “Alvorecer na janela†é a luz do novo dia a esclarecer o espÃrito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo†que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente†que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declÃnio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita†são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].A versão original é para Piano. Consulte https://soutelo.eu
$8.00
Fantasy on a Mozart Theme
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Guitare
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INTERMÉDIAIRE
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Classique
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Rod Whittle
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for solo classical guitar
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Fantasy on a Mozart Theme
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Cree...
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Solo Guitar - Level 3 - SKU: A0.899126 Composed by Rod Whittle. Classical. Individual part. 4 pages. Maggie Creek Music #37277. Published by Maggie Creek Music (A0.899126). 4 pages; for solo classical guitar; based on a theme from the Mass in C Minor; published by Maggie Creek MusicWolfgang Amadeus Mozart 1756 -1791 Mozart, whom his sister recounted as picking out thirds on the family clavier at the age of three for the pleasure of it, has been described as achieving miracles of sound across every emotion. Indeed one runs out of superlatives trying to do justice to the quality and originality of his compositions and the abundance of output. Anyone learning about his relatively short life must also pay tribute to his resolve and courage. I've noticed during my time in bands that the music I like sparks creativity, and the lovely theme from the Kyrie of the Mass in C minor spawned a lot of ideas once I'd decided to write something for guitar using it. Mozart's harmonies seem both exclusive and perfect, and I can't imagine my musical life without them. I got to know the Mass when I looked after Nigel's place while he was away, as it was in his record collection. My good friend died (of bone cancer) not long after that, and the Fantasy is a homage to him.
$5.00
My Old Kentucky Home
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Guitare
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FACILE
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
Christmas Suite 1225 (Part 1 and 2, complete)
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Guitare
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Christmas Suite 1225
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1316157 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Christian,C...
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Solo Guitar - Level 3 - SKU: A0.1316157 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Christian,Christmas,Classical,Holiday,Religious. Individual part. 29 pages. Geofonica Artistworks #904894. Published by Geofonica Artistworks (A0.1316157). Christmas Suite 1225 is a new recording by The Candlelight Guitarist, which opens with an original piece by Bradley Powell, leading into fourteen traditional Christmas carols (19th century and prior). Part 1 includes: Carols of Suite 1225, It Came Upon a Midnight Clear, We Three Kings, Little Town of Bethlehem, Away in a Manger, The First Noel, Hark! the Herald Angels Sing, O Come All Ye Faithful, and O Holy Night. Part 2 includes Carols of Suite 1225, What Child Is This?,  Angels We Have Heard on High, Joy to the World, We Wish You a Merry Christmas, Jingle Bells, and Silent Night.  Christmas Suite 1225 uses fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. Part 1 can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1). Part 2 can be seena and heard in this video of Christmas Suite 1225 Part 2: https://youtu.be/22q85g1yVXw.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$6.99
Deck the Halls - ELECTRIC GUITAR & PIANO - D Major
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Guitare
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INTERMÉDIAIRE
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Noël
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MAJOR SCORE PUBLISHING TM
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MAJOR SCORE PUBLISHING TM
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Deck the Halls - ELECTRIC GUIT
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Major Score Publishing
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.834548 By MAJOR SCORE PUBLISHING TM. By Thomas Oliphant. Arranged by MAJOR SCORE PUBLISHING TM. Christmas,Contemporary,J...
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Solo Guitar - Level 3 - SKU: A0.834548 By MAJOR SCORE PUBLISHING TM. By Thomas Oliphant. Arranged by MAJOR SCORE PUBLISHING TM. Christmas,Contemporary,Jazz,Pop. Individual part. 25 pages. Major Score Publishing #6101991. Published by Major Score Publishing (A0.834548). Adapted with beautifully satisfying & tasteful jazz harmony with original melody, this holiday classic has never sounded more pleasing to the listener and performer. Designed for students, teachers and performers of all ages this sheet music download is a must have for your holiday enjoyment. You will receive a fully written out part for Guitar & Piano, Concert Lead sheet (with chords & lyrics for small jazz groups, and a lyrics page in case your listeners wish to sing along! Full performance demo on the Youtube link (performed in concert Eb Major for demo purpose). Check out all of our Holiday Sheet music available on our website such as Let it Go, All I Want for Christmas is You, Silent Night, Joy to the World, O Christmas Tree, You're a mean one Mr Grinch. Buy Deck the halls sheet music today! Stop by on our IG page as well @majorscorepublishing. Happy Holidays!
$5.99
Hallelujah (Notation ONLY)
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Guitare
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INTERMÉDIAIRE
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Folk Rock
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Leonard Cohen
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Nicolas Kyriakou
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Hallelujah
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Nicolas Kyriakou
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SheetMusicPlus
Guitar - Intermediate - By Leonard Cohen. Arranged by Nicolas Kyriakou. Score, Sheet Music Single, Solo Part. 2 pages. Published by Nicolas Kyriakou...
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Guitar - Intermediate - By Leonard Cohen. Arranged by Nicolas Kyriakou. Score, Sheet Music Single, Solo Part. 2 pages. Published by Nicolas Kyriakou
This arrangement is for classical guitar in standard notation WITHOUT TABS! It is for those of you who are comfortable reading music and dont like to have so many pages on their music stand..;)
You will have to tune the 6th String down to D and the 5th String down to G. Thats it!!
You can also find a the same version of this arrangement with TABS on sheetmusicplus. Please let me know if you have any questions. I would be glad to help you out! Here is my E-mail: info@nikymusic.com
$4.99
Mountains of Stowe, I Stand Strong
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, I Stand St
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publication...
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Guitar - SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publications #6102999. Published by Silver Sickle Publications (A0.1070387). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Mountains of Stowe, and The Sky is The Limit
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, and The Sk
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Silver Sickle Publications
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SheetMusicPlus
Guitar - SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publication...
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Guitar - SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Raindrops Keep Fallin' On My Head
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Guitare
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INTERMÉDIAIRE
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B
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Christopher J
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Raindrops Keep Fallin' On My H
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1348275 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,Film/TV,Pop,Stan...
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Solo Guitar - Level 3 - SKU: A0.1348275 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,Film/TV,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #933060. Published by Christopher J. Malin (A0.1348275). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable cheerful melody. One of Burt Bacharach's many fine pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the triad chords using a little hand vibrato, makes them sing a bit. I also slide up to the single notes at times. The tag at the end, is a nice jam in itself if playing with another guitar or bass, if solo I play it 4 times. Listeners will love this tune! Hope you will too.
$4.99
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
Malaguena (for solo guitar) (Standard Notation)
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Guitare
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AVANCÉ
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Flamenco
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Brian Hayes
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Malaguena
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Brian Hayes
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SheetMusicPlus
Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Arranged by Brian Hayes. Score, Sheet Music Single. 9 pages. Published by Brian H...
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Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Arranged by Brian Hayes. Score, Sheet Music Single. 9 pages. Published by Brian Hayes
This is a flamenco guitar arrangement of Malaguea, a pianopiece written by Cuban pianist/composer Ernesto Lecuona. It was originallyadapted for solo Spanish/Flamenco guitar by Carlos Montoya in 1961 and is widely believed to have been originallywritten for the guitar. The fact that Lecuona wrote the piece in thestyle of Spain is likely what makes the Spanish guitar arrangement feel like itbelongs to the instrument. Anotherreason for its association with Spanish guitar is the fact that the main melodyfrom the piece was not Lecuona?s invention but was taken from the ?Malaguea? flamencoform, originating out of Mlaga, Spain, in the 19th century. ?Malaguea,? andthe melodic lines associated with it, is one of the traditional styles of Flamenco/Andalusianmusic. This rendition is ?in the style of Sabicas,? a Spanish Gypsy guitaristwho is considered by many to be one of the finest flamenco solo guitarists of his time. Lecuona?sMalaguea is typically found as a solo piano piece in the key of C# Phrygian,whereas on the guitar, (as is the case with this arrangement) it isnormally arranged in E Phrygian.
$6.99
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