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Piano Facile
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9
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7
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4
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1
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VENTS
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51
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36
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31
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23
2 Saxophones (duo)
22
Saxophone Alto et Piano
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20
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20
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20
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19
2 Clarinettes (duo)
19
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18
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17
2 Flûtes traversières (duo)
16
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14
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13
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11
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10
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9
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CUIVRES
Trompette
45
Trombone
40
Cor
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
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18
Trombone et Piano
18
Tuba et Piano
12
Cor anglais, Piano
11
2 Trombones (duo)
11
2 Cors (duo)
10
Cor et Piano
10
2 Trompettes (duo)
10
Cor Anglais
9
Trompette (partie séparée)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trompette, Trombone (duo)
7
Trompette, Saxophone (duo)
6
2 Tubas (duo)
5
Quatuor de Cuivres
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Trombone (partie séparée)
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Tuba
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Euphonium, Piano (duo)
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Tuba (partie séparée)
3
Cor anglais, Guitare (duo)
3
Cor (partie séparée)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trombone, Tuba (duo)
2
Trompette, Tuba (duo)
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 4 trombones
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Trompette, violon (duo)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trombones
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Ensemble de Trompettes
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Trompette, Trombone, Piano
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Trompette et Guitare
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3 Cors (trio)
1
Trompette, Basson (duo)
1
Trompette, Cor (duo)
1
2 Cors, Piano
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Trompette, Euphonium (duo)
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Trompette, Violoncelle et Piano
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
74
Violon
65
Violon et Piano
44
Alto seul
38
Contre Basse
29
Violoncelle
26
Violoncelle, Piano
24
Violoncelle (partie séparée)
24
2 Violons (duo)
23
Harpe
23
Violon, Violoncelle (duo)
21
Alto, Piano
20
2 Harpes (duo)
17
2 Violoncelles (duo)
16
2 Altos (duo)
13
Trio à Cordes: violon, alto, violoncelle
11
Violon, Alto (duo)
10
Violon (partie séparée)
9
Trio à cordes
5
Trio à Cordes: 2 violons, violoncelle
5
Alto, Violoncelle (duo)
5
Quatuor à cordes: 4 violons
3
Piano Trio: Violon, Alto, Piano
3
Violon, Clarinette, Piano (trio)
3
Contrebasse, Piano (duo)
3
Harpe, Flûte (duo)
3
Harpe, Voix
3
Alto (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
2 Contrebasses (duo)
2
Trio à cordes: 3 violins
2
Harpe, Violoncelle (duo)
2
Contrebasse (partie séparée)
2
Violon, Basson (duo)
2
Violon, Guitare (duo)
1
4 Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Violon (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
173
Orchestre à Cordes
53
Orchestre
53
Cloches
39
Ensemble de cuivres
30
Orchestre de chambre
13
Ensemble Jazz
7
Ensemble d'École
5
Percussion (partie séparée)
5
Xylophone, Piano
4
Ensemble de Percussions
4
Batterie
3
Jazz combo
2
Percussion
2
Xylophone
1
Vibraphone
1
Fanfare
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Orchestre, Violon
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AUTRES
Formation musicale - Solfège
2
Vous avez sélectionné:
Sing Together
Guitare
Partitions à imprimer
15 partitions trouvées
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1
Hark! the Herald Angels Sing / O Come, All Ye Faithful
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1316979 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1316979 By The Candlelight Guitarist. By Charles Wesley, George Whitefield, Felix Mendelssohn, Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 5 pages. Geofonica Artistworks #904941. Published by Geofonica Artistworks (A0.1316979). This two-song arrangement of Hark! the Herald Angels Sing and O Come, All Ye Faithful is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. These two songs together can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 3:53 (see YouTube timeline). The entire Christmas Suite 1225 is available for pruchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl. He was mentored in composition by David Rose (Little House on the Prairie), and has composed music Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often hiking with his four dogs. Brad has also played solo guitar for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, playing for Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella!COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com(Brad's) music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
2.76 €
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Guitare
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The Candlelight Guitarist
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Bradley Powell
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Hark! the Herald Angels Sing / O Come, All Ye Faithful
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Geofonica Artistworks
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SheetMusicPlus
"Hark!", the Herald Angels Sing
Guitare
Solo Guitar - Digital Download SKU: A0.483404 Composed by Felix Bartholdy Mendelsso…
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Solo Guitar - Digital Download SKU: A0.483404 Composed by Felix Bartholdy Mendelssohn. Arranged by Robert McCormack. Christmas,Classical,Holiday,Sacred,Traditional. Individual part. 1 pages. Published by Robert McCormak (A0.483404). The hymn that is this Christmas carol has gone through many iterations before popularly settling on this most commonly sung Mendelssohn melody. The arrangement is well within the intermediate level with the possible exception of the first two measures of the last two lines. There is a stretch here between fingers one and four, frets one and five with the additional challenge of a middle voice. Another carol offered by this arranger is, Once In Royal David's City, which has the same stretch but without the inner voice with which to contend. These two pieces are frequently performed together due to other similarities between them.
$3.99
3.68 €
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Guitare
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Felix Bartholdy Mendelssohn
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Robert McCormack
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"Hark!", the Herald Angels Sing
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Robert McCormak
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SheetMusicPlus
We Gather Together, A Thanksgiving Hymn for Classical Guitar
Guitare
Composed by Adrianus Valerius. Arranged by Eric Charles Mokotoff. Renaissance, Spiri…
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Composed by Adrianus Valerius. Arranged by Eric Charles Mokotoff. Renaissance, Spiritual, General Worship, Thanksgiving. Score, Sheet Music Single. 1 pages. Published by Eric Charles Mokotoff
$4.99
4.6 €
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Guitare
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Adrianus Valerius
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Eric Charles Mokotoff
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We Gather Together, A Thanksgiving Hymn for Classical Guitar
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Eric Charles Mokotoff
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SheetMusicPlus
Christmas and Carols to download for guitar solo
Guitare
This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the orig…
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This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wenceslas,hark the herald angels sing,i heard the bells on christmas day,it came upon the midnight clear,o come o come immanuel,o come o come emmanuel, o holey night,o holly night,pat a pan,pat-a-pan,sussex carol,we gather together to ask the lord blessing,o holy night,no.2 / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$7.75
7.15 €
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Guitare
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Christmas and Carols to download for guitar solo
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Virtualsheetmusic
Christmas and Carols to download for guitar solo
Guitare
This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the orig…
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This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wenceslas,hark the herald angels sing,i heard the bells on christmas day,it came upon the midnight clear,o come o come immanuel,o come o come emmanuel, o holey night,o holly night,pat a pan,pat-a-pan,sussex carol,we gather together to ask the lord blessing ,jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, Greensleeves, greensleaves, jesu joy of man desiring, green sleeves, greensleves, the first noel,o holy night,o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o come little children,once in royal david's city,the friendly beasts,the holly and the ivy,the huron carol,the snow lay on the ground,the three kings of the orient are,the twelve days of christmas,wexford carol, The 12 days of Christmas,etc.,no.1,no.2,no.3,douce nuit, sainte nuit,oh little town of bethlehem / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$14.99
13.83 €
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Guitare
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Christmas and Carols to download for guitar solo
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Virtualsheetmusic
Lullaby for My Best Friend (leadsheet in D)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.948704 Composed by Brad Powell and…
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Solo Guitar - Level 3 - Digital Download SKU: A0.948704 Composed by Brad Powell and Erika Walczak. Arranged by Brad Powell. Folk,Jazz,Pop. Individual part. 4 pages. Geofonica Artistworks #6488537. Published by Geofonica Artistworks (A0.948704). A tender yet uplifting song to sing to your canine best friend, recorded by Brad Powell (check out Brad's video linked here), Words and Music by Brad Powell and Erika Walczak. Brad also records as The Candlelight Guitarist. Erika is a professional violinist who has toured with Adele, Rod Stewart, Yanni, and others. Brad and Erika write songs and often perform together as Gypsy Jambo!, and both are dog lovers who sing to their kiddos! This LEADSHEET is in the key of D (original key), with a range from low A to B (octave whole step). Other keys available!
$3.99
3.68 €
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Guitare
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Brad Powell and Erika Walczak
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Brad Powell
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Lullaby for My Best Friend
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Geofonica Artistworks
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SheetMusicPlus
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
9.22 €
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Guitare
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Johann Sebastian Bach
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Matthew Nace
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bass line
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Jesu, Joy of Man's Desiring
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Matthew Nace
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SheetMusicPlus
Vals No 2 - Guitar
Guitare
Solo Guitar - Digital Download SKU: A0.742405 Composed by Luigi Legnani. Arranged b…
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Solo Guitar - Digital Download SKU: A0.742405 Composed by Luigi Legnani. Arranged by Arte Nova Music Lab. Concert,Romantic Period,World. Individual part. 2 pages. Arte Nova Music Lab #3008973. Published by Arte Nova Music Lab (A0.742405). Luigi Rinaldo Legnani (7 November 1790 – 5 August 1877) was an Italian guitarist, singer, composer and luthier.[1]Born in Ravenna, Legnani was trained as a string player while very young but dedicated himself to guitar and voice. His debut as an operatic tenor was in Ravenna in 1807; his singing career spanned 17 years.[2] His career as a guitarist began with a concert in Milan in 1819; with his concerts in 1822 concerts in Vienna and return visits in 1833 and 1839 he tried to continue the guitar tradition established there by Mauro Giuliani.[3]Legnani is perhaps best known for his 36 Caprices op. 20 for the guitar, which cover all the major and minor keys, and which were probably inspired by Paganini's 24 Caprices for the violin. He and Paganini were friends from the 1830s; while it was once thought that he and Paganini performed together in public (Powroźniak mentions a concert in Northern Italy in 1837),[4] there is no evidence to support this claim. After the 1850s Legnani retired from active performance and became an instrument maker, concentrating on guitars and violins. The Legnani model guitar was popular in Central Europe through the middle of the nineteenth century.Legnani composed some 250 works, which were published in his lifetime throughout many of the major publishing houses in Europe. He died in Ravenna.
$5.00
4.61 €
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Guitare
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Luigi Legnani
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Arte Nova Music Lab
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Vals No 2 - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.61 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.61 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.61 €
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Guitare
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Alban Berg
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Rod Whittle
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Guitar Finger Independence Method
Guitare
Guitar - Intermediate - Digital Download SKU: M0.30969MEB Folk. Ebook and online au…
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Guitar - Intermediate - Digital Download SKU: M0.30969MEB Folk. Ebook and online audio. 137 pages. Mel Bay Publications - Digital Sheet Music #30969MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30969MEB). ISBN 9781513472911. 8.75X11.75 inches.As a guitarist, have you ever dreamed of playing contrapuntal bass lines and melodies? Or maybe you would like to sound more like a pianist, able to perform fluently with independent right and left hands.Playing multiple lines simultaneously can be one of the most physically and mentally demanding challenges posed by the guitar. Using the concept of planted notesùa fretting-hand finger that remains in place while the other fingers play scale-like passages or arpeggiosù this book will methodically guide you towards right and left-hand finger independence.Written in standard notation and tablature, this no-nonsense revolutionary method is the first of its kind. Together with 95 online audio recordings, it will help you build finger independence in both hands, approaching that of a pianist. Includes access to online audio.
$24.99
23.05 €
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Guitare
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Guitar Finger Independence Method
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Midnight Rain
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1221649 By Taylor Swift. By Jack A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1221649 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by D. McVeigh. 20th Century,Classical,Pop,Singer/Songwriter. Individual part. 5 pages. McVeigh Music #817959. Published by McVeigh Music (A0.1221649). A beautiful guitar arrangement of Midnight Rain as performed by Taylor Swift. This guitar cover is for intermediate to advanced classical and acoustic guitarists looking to expand their repertoire with a slow, relaxing, almost melancholic mood flowing through the whole song. Techniques include drop D Tuning, right hand percussion (nothing crazy though) and artificial harmonics!PDF includes Notation and Tab together (as previewed)visit me at:www.davidmcveigh.com.
$4.99
4.6 €
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Guitare
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Taylor Swift
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D
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Midnight Rain
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McVeigh Music
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SheetMusicPlus
Fandango de Huelva
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.6 €
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Guitare
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Traditional
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Richard Hirsch
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
Mastering the Guitar - Technique Studies
Guitare
By William Bay. For Guitar (All). All Styles. 152 pages. Published by Mel Bay Publications…
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By William Bay. For Guitar (All). All Styles. 152 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609741617. William Bay and Mike Christiansen have collaborated to produce an outstanding comprehensive guitar method addressing all styles of both flatpicking and fingerstyle technique. Guitar teachers, take note: Mastering the Guitar series is the ideal method for the beginning student who has yet formed a stylistic preference, or for the intermediate player limited to one particular style who wishes to expand his horizons and improve his technique. An impressive extended length online audio recording with more than 160 tracks is offered with both books 1A and 1B. Each written example in the books is carefully cross-referenced to its corresponding audio sample on the recording by means of an audio track number printed above each piece. The student is encouraged to learn to read standard notation and tablature as both systems are used throughout this 3-volume series. The "Technique Studies" book provides supplementary, more challenging pieces including chord studies in various keys as well as a few pieces in dropped-D tuning. Together, these three books comprise a powerful learning tool for Mastering the Guitar in a contemporary idiom.
$19.99
18.44 €
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Guitare
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William Bay
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Mastering the Guitar - Technique Studies
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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