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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Singing Children
Non classifié
246
Piano & claviers
Piano, Voix
196
Piano Facile
89
Piano seul
60
Piano, Voix et Guitare
58
Accompagnement Piano
25
Instruments en Do
11
Orgue
9
1 Piano, 4 mains
3
Orgue, Piano (duo)
2
2 Pianos, 4 mains
2
Piano grosses notes
1
Piano Trio: piano, violon, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
32
Ukulele
12
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
4
Paroles et Accords
2
Dulcimer
1
+ 1 instrumentations
Retracter
Voix
Chorale Unison
179
Chorale 2 parties
110
Chorale SATB
93
Chorale 3 parties
43
Chorale TTBB
15
Voix duo, Piano
9
Chorale SSAA
5
Voix duo
3
Voix seule
2
Voix haute
1
Voix Alto, Piano
1
Chorale
1
Voix moyenne, Piano
1
Pack Instrumental pour Chorale
1
+ 9 instrumentations
Retracter
Vents
Flûte traversière et Piano
8
Clarinette et Piano
5
Hautbois, Piano (duo)
5
Saxophone Alto
4
Hautbois (partie séparée)
4
Saxophone Alto et Piano
3
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
3
Flûte à Bec
2
Ensemble de Flûtes
2
Flûte à bec Alto
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Baryton, Piano
2
Clarinette
1
Flûte traversière
1
Flûte, Violon, Piano
1
3 Clarinettes (trio)
1
Quatuor de Saxophones: 4 saxophones
1
Trio de Flûtes: 3 flûtes
1
Saxophone Tenor
1
Clarinette Basse, Piano
1
Flûte, Clarinette et Basson
1
+ 17 instrumentations
Retracter
Cuivres
Trombone
4
Trompette (partie séparée)
4
Cor et Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette, Piano
3
Tuba
2
Cor
2
Trombone et Piano
2
Trombone (partie séparée)
2
Tuba et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette
1
Quatuor de cuivres: 4 trompettes
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 10 instrumentations
Retracter
Cordes
Violon
6
Violon et Piano
6
Violoncelle, Piano
5
Violoncelle
5
Alto seul
4
Quatuor à cordes: 2 violons, alto, violoncelle
3
Alto, Piano
3
2 Harpes (duo)
3
Contrebasse, Piano (duo)
3
Violon, Violoncelle (duo)
2
Harpe, Voix
2
Contrebasse (partie séparée)
2
Trio à Cordes: violon, alto, violoncelle
1
Harpe
1
2 Violoncelles (duo)
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Cloches
63
Orchestre
10
Orchestre d'harmonie
6
Orchestre à Cordes
4
Jazz combo
3
Ensemble Jazz
1
Batterie
1
Ensemble de cuivres
1
Orchestre de chambre
1
+ 4 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
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avancé
expert
avec audio
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Vous avez sélectionné:
Singing Children
Guitare
Partitions à imprimer
6 partitions trouvées
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1
The Singing Instrumentalist Guitar
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Guitare
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DÉBUTANT
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DaCapo Primary Music
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The Singing Instrumentalist Gu
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DaCapo Primary Music
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1319904 By DaCapo Primary Music. By Fred Plowright and Jane Cutler. Children,Classical,Contemporary,Folk,Instructional. Educa...
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Guitar - Level 1 - SKU: A0.1319904 By DaCapo Primary Music. By Fred Plowright and Jane Cutler. Children,Classical,Contemporary,Folk,Instructional. Educational Method. 131 pages. DaCapo Primary Music #908466. Published by DaCapo Primary Music (A0.1319904). Welcome to The Singing Guitar which is one of the Singing Instrumentalist series of books written for beginners of all instruments.The book gives a selection of entertaining repertoire and a thorough and complete musical experience from the very beginning.It is presented in four sections, each designed to introduce a particular aspect of music making, whilst taking on board instrumental skills. We invite teachers to use The Singing Guitar as they see fit, mixing and matching sections and songs to give a balanced and enjoyable combination of singing, playing an accompaniment, playing the melody, rhythm work, composition and playing duets.The book enables pupils, teachers and parents to make a successful start with the chosen instrument.When the book has been completed, The Singing Guitarist will have developed a clear understanding of the function of notation, an ear that can hear tuning and two parts and also be able to enjoy more dissonance as well as pure harmony. The Singing Guitarist should be well on the way to becoming a ‘Complete Instrumentalist’, which is, coincidentally, the name of the book that follows this one!Jane Cutler Director of DaCapo MusicYou can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
Melvin Endsley: Singing The Blues for guitar
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Guitare
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FACILE
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Country
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Melvin Endsley
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Virtualsheetmusic
Instantly printable sheet music by Guy Mitchell for guitar solo (chords) of EASY skill level. / country,oldies,pop,children
Instantly printable sheet music by Guy Mitchell for guitar solo (chords) of EASY skill level. / country,oldies,pop,children
$4.97
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Tala
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Alfred Feenstra
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Tala
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.978015 Composed by Alfred Feenstra. Concert,World. Individual part. 2 pages. Alfred Feenstra #4984709. Published by Alfr...
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Solo Guitar - Level 4 - SKU: A0.978015 Composed by Alfred Feenstra. Concert,World. Individual part. 2 pages. Alfred Feenstra #4984709. Published by Alfred Feenstra (A0.978015). Tala is a facebook girlfriend of me from Iraq where she lives. Through Facebook, we had and still have a quite special relation. For that reason, I composed this song for her. She sends me recordings of her singing in Arabic language, nice although I can not understand the meaning of the words and I wrote for her this song. Now she works in a hospital and supports with her friendship and good care young children with cancer.
$4.00
Wiegenlied (Lullaby)
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Guitare
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INTERMÉDIAIRE
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Johannes Brahms
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Erik Gibelyou
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Wiegenlied
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Erik Gibelyou
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1186028 By Johannes Brahms. By Johannes Brahms. Arranged by Erik Gibelyou. 19th Century,Children,Classical,Romantic Peri...
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Solo Guitar - Level 3 - SKU: A0.1186028 By Johannes Brahms. By Johannes Brahms. Arranged by Erik Gibelyou. 19th Century,Children,Classical,Romantic Period,Wedding. Individual part. 2 pages. Erik Gibelyou #785652. Published by Erik Gibelyou (A0.1186028). Brahms’ Lullaby is one of the most well-known pieces of classical music. This tranquil cradle song perfectly captures the peace and innocence of a parent singing their child to sleep. This arrangement for solo guitar preserves those qualities: the famous melody is presented clearly with an accompaniment that maintains the texture and character of the original. Intermediate difficulty with some right-hand harmonics.   Arranged by Erik Gibelyou, who holds a Doctor of Musical Arts degree in classical guitar performance from the Eastman School of Music. Learn more at www.erikgibelyou.com.
$3.99
It's a Grand Night for Singing - Guitar
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Guitare
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Kirby Shaw
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Film/TV
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It's a Grand Night for Si
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Kirby Shaw. For Guitar. Combo. Children; Film/TV; Latin; Musical/Show; Standards. Individual instrument part. 2 pages. Published by Hal Leonard - Digital She...
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By Kirby Shaw. For Guitar. Combo. Children; Film/TV; Latin; Musical/Show; Standards. Individual instrument part. 2 pages. Published by Hal Leonard - Digital Sheet Music
$7.00
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Singing Children
